When Francis-Joseph is in Hungary he invariably wears either the undress or full-dress uniform of a Hungarian general, and it must be confessed that, in spite of the somewhat theatrical appearance of the gold embroidered, tight-fitting scarlet pantaloons and gold-topped high boots, the scarlet gold-laced tunic of the full dress, with the heron-plumed kalpak, or the slightly less gorgeous "shako,"

and blue-grey, gold-laced tunic of the undress uniform, he looks remarkably well, thanks to the extraordinary elasticity and elegance which he has retained in spite of his three-score years and ten.

Emperor William's ordinary garb is the familiar undress uniform of a Prussian general, the dark-blue long frock coat, with its double row of silver b.u.t.tons, its scarlet collar, and its silver shoulder-straps.

The trousers are of the same hue as the coat, with broad scarlet stripes, the latter being worn only by generals. Hanging from the collar is usually the cross of the Brandenburg Langue of the Order of St. John of Jerusalem, while on the breast is fastened a sort of star, consisting of the letter "W" encircled by gold laurel leaves, which has been accorded to all the officers who formed part of the household of Old Emperor William. The cap is the ordinary flat, black vizored undress headgear of all the officers of the German army.

The uniforms which the emperor wears on state occasions are either the full-dress uniform of a Prussian general, richly-embroidered, dark-blue tunic, and epaulets, with a helmet surmounted by the white plumes of a field officer, or else the regimentals of a colonel-in-chief of the gardes-du-corps. In the latter, the emperor looks exceedingly well, especially on horseback. The helmet is surmounted by a silver eagle with outstretched wings, the white tunic is partly concealed by a silver cuira.s.s, adorned with a gold sun, and with the white, tight-fitting knee-breeches are worn high jack-boots.

In fact, it is no flattery to Emperor William to declare that his appearance in this uniform invariably suggests "Lohengrin." At court entertainments, in the evening, he frequently wears the so-called gala, or court dress of this regiment. The coat is scarlet instead of white, while the cuira.s.s is abandoned. Sometimes the emperor attires himself in the uniform of a colonel of the Hussar regiment which he commanded at the time of his accession to the throne. It is scarlet, gold-laced, and the tight-fitting scarlet pantaloons are worn with knee-boots, topped with gold.

The emperor is likewise very fond of donning naval attire, being particularly proud of his connection with the fleet of Germany and those of a number of foreign countries. Indeed, it may be safely a.s.serted that if there is any one foreign dignity which he cherishes extremely, it is that of admiral of the fleet in the British navy, conferred upon him by his grandmother, Queen Victoria.

Emperor William was only a brigadier-general at the time of his accession to the throne. It was not until several months after becoming emperor that he a.s.sumed the insignia of a general of division. Inasmuch as some curiosity exists as to how a monarch can promote himself, it may be stated that old Field Marshal Moltke, who was then possessed of the highest rank in the German army, called one day upon William, and, presenting him with a pair of silver shoulder-straps, adorned with the insignia of a general of division, entreated his majesty in the name of the entire army, and in particular on behalf of the corps of officers, to a.s.sume the rank of a full general.

The same request was presented to the present czar at the time of his coronation, but met with a refusal on the part of his Muscovite majesty, for he pointed out that Peter the Great had throughout his entire reign contented himself with the rank of colonel. There is also another reason which Nicholas did not mention officially, but which is well known to the members of his immediate _entourage_. At the present moment his name figures on the army list as the princ.i.p.al orderly officer and personal adjutant of the late czar. This is an office which can only be held by military men below the rank of general.

The moment young Nicholas acquires that rank his name _ipso-facto_ disappears from the list of his dead father's adjutants, and he is far too attached to his memory to desire this, preferring the minor rank of colonel and the a.s.sociation with his beloved predecessor, to all the pomp and glory of a generalissimo.

Of all the other sovereigns in Europe there is not one who travels with such an immense amount of luggage as Emperor William. He seldom undertakes a trip without taking along at least one hundred huge trunks of the so-called Saratoga pattern, which fill several wagons of the imperial train; indeed, an entire special train is not infrequently chartered solely for the conveyance of his luggage. Like some French _elegantes_ at a fashionable seaside resort, he changes his garb five, six, and even seven times a day. The consequence is that it is necessary to have at hand not only a vast number of naval and military uniforms, but also a diversity of shooting suits, hunting suits, civilian clothes, Tyrolese jager costumes, and even the kilt, sporran and tartan of a Highlander, for he is very proud of the fact that Stuart blood flows in his veins, and considers that he is quite as much ent.i.tled to wear the Stuart tartan as his uncle, the Prince of Wales.

All these clothes are not under the charge of a mere valet, but of a grand dignitary of the Court of Berlin,--Count Perponcher-Sedlinzky,--who holds the rank of privy councillor, and who is addressed as "your excellency." The count has a perfect army of dressers and valets under his orders, but it is he who is responsible, not only for the uniforms being in good trim, but likewise for their being on hand whenever the emperor happens to need them.

In order to understand what this entails, it must be remembered that the kaiser is not only colonel of some hundred or more German regiments, but also of a very great many foreign corps, belonging to every country in Europe, except Turkey, Bulgaria and France. Now for each regiment, there are sometimes six, sometimes eight different uniforms--one each for parade, fatigue duty, court wear, an undress uniform, and others too numerous to mention.

When the emperor travels and is likely to be brought into contact with English princes, with Russians or with Austrians, it is necessary that he should have within his reach, not merely one of his English, Austrian or Russian uniforms, but all of them--that is to say, thirty or forty at least, in addition to his German uniforms and ordinary clothes.

An immense amount of importance is attached to these sumptuary questions by the reigning families of Europe. On one occasion an imperial meeting between the kaiser and the late czar was delayed for three whole days, while government stocks all over the world declined in value, and the utmost apprehension prevailed on the score of peace, merely because the prince who held the office of grand-master of the czar's wardrobe had neglected to bring with him the German uniforms of his master. It may be added that he lost his office in consequence.

This peculiar form of royal and imperial courtesy, consisting in the sovereign and royal princes of one country donning the uniforms or livery of the foreign monarch whom they wish to compliment, originated with Frederick the Great. In 1770, he had to pay a visit to the Emperor of Austria at the castle of Neustadt, in Moravia. Only seven years before, Prussia had been engaged in her great struggle with the empire, and had thoroughly beaten Austria. Frederick feared that the too familiar blue Prussian uniform might awaken unpleasant memories on the part of the emperor and his court. So, with the utmost delicacy, he and all his staff appeared at Neustadt in the white Austrian uniforms, an act of courtesy on the part of the victor to the vanquished which was warmly appreciated both by Emperor Joseph and all his Austrian _entourage_. The fashion thus inaugurated has remained in existence ever since, being facilitated by the fact that every sovereign in Europe, including even Queen Victoria, the Queen Regent of Spain, and the two Queens of Holland, holds honorary commands in a number of foreign regiments.

During the reign of Old Emperor William, those who did not possess the right to wear any civil or military uniform were permitted to make their appearance at court in ordinary evening dress, which ultimately had the effect of giving a sort of _bourgeois_ flavor to imperial entertainments. The present kaiser, however, proceeded to change all this before he had been very long on the throne, and having noticed that at the court of his English grandmother, no one is allowed to appear at any of the state entertainments or functions in ordinary evening dress,--the only exception made being in favor of the United States emba.s.sy,--he inaugurated similar regulations at Berlin.

According to these sumptuary decrees gentlemen who are invited to entertainments at court, and who for any reason have no right to military, naval or civil service uniform, are compelled to appear in a species of court dress, consisting of a coat cut after the fashion of the last, rather than of the present century. Its color is black, or dark blue, as are also the revers, the collar and the cuffs; with it are worn black, tight fitting knee breeches, black silk stockings, and low patent leather shoes with gold buckles. A three-cornered _chapeau_, without feathers, and a court sword, complete this costume.

The emperor likewise directed that all officials of the court and the civil service, namely, every man who did not happen to belong either to the army or to the navy, should wear at court b.a.l.l.s and at all great state entertainments, white knee breeches, and white silk stockings, with low, gold-buckled shoes, in lieu of the blue, black, or white gold-laced trousers that had until then been habitually worn with the gold-embroidered swallow-tail coat, which const.i.tutes the uniform of the German civil service, and of court officialdom. Until that time, the only European court at which knee breeches had been insisted upon at court and state entertainments, was that of Great Britain. They were likewise _de rigueur_ at the Tuileries during the reign of Napoleon III. The kaiser, however, came to the conclusion that continuations of this kind gave a more brilliant and dressy appearance to court functions than long trousers, and accordingly the latter are barred, save in the case of officers of the army and navy.

At the imperial court of Berlin there are four types of receptions or _cours_, the latter being the French word which has clung to these state functions ever since the reign of Frederick the Great. They are the "Defiler-Cour," the "Spiel-Cour," the "Sprech-Cour" and the "Trauer-Cour." The first, namely, the "defiler cour"--from the French word _defiler_, to file past--is the Berlin counterpart of Queen Victoria's drawing-rooms at Buckingham Palace in London, and is held once a year for the purpose of presenting debutantes, brides and ladies whose husbands have recently been promoted, or raised to the rank of n.o.bility. They pa.s.s one by one before the throne, curtsy profoundly to each of their majesties, while the grand chamberlain mentions their names, and then leave the imperial presence by a side exit. No one kisses the empress's hand, as is the case with Queen Victoria in England, nor are the presentees compelled to back out of the imperial presence, as at Buckingham Palace. The court dress of debutantes at Berlin is not necessarily white, though that is the hue most affected. The long court train may be of an entirely different material and color from the dress itself, if the wearer pleases, the only stipulation made being that the richness and splendor of the fabric must be beyond question. An indispensable feature of the toilette is the so-called "barbe," a sort of tiny lace veil, suspended on each side of the coiffure, about two inches in width. The lace of course must be real, though the kind is left to the wearer's choice.

It is generally white Spanish point, Alencon, or _Point d'Angleterre_.

The "defiler-cour" almost invariably takes place on New Year's Day, immediately after Divine service. This service begins at ten o'clock, the men being in full uniform, and during the benediction a battery of artillery, stationed in the "l.u.s.t-Garten," fires a royal salute of one hundred and one guns.

As soon as the last gun has been fired, the royal and imperial procession forms, headed by the grand marshal of the court, Count Augustus Eulenburg, bearing his wand of office, and leaves the court chapel. When it reaches the "Weisse-Saal"--one of the grandest apartments of this ancient palace--the band stationed in the gallery commences to play, generally the Hohenzollern march. The emperor and empress thereupon take their places on the dais beneath the great escutcheoned golden canopy, and in front of the two chairs of state that represent the thrones. At the right and left are grouped the various royal and imperial personages present, while at the foot of the dais stands the grand master of the ceremonies for the purpose of mentioning to their majesties the names of those who pa.s.s before them.

At the back of the royal and imperial party are ranged the palace guard in their quaint, old-fashioned, and exceedingly picturesque uniforms. The first to pa.s.s before the throne is invariably the chancellor of the empire, and while the emperor and empress merely respond with an inclination of the head to the salutations of those of minor rank, they invariably approach to the edge of the dais in order to give their hands to be kissed by the octogenarian Prince of Hohenlohe, who has held the office of chancellor ever since the retirement of General Count Caprivi. The band plays throughout the entire ceremony, which is a most magnificent affair.

The so-called "spiel-cour" still keeps its name, implying card playing, although, as a matter of fact, cards are never played at court now. In former times they const.i.tuted a very important feature of court entertainment, and the "spiel-cour," or "le jeu de leurs majestes," was the function to which those whom the anointed of the Lord desired to honor were most frequently bidden. In earlier days, as soon as the guests had made their bows to the sovereign and to the princes and princesses of the blood, card-tables were set out, and gambling commenced, those to whom their majesties wished to accord special distinction and honor receiving royal commands, through the chamberlains-in-waiting to take their places at the card-tables of the king, or of the queen, as the case might be.

It was these royal games of cards at the Court of Versailles which contributed in no small measure to the downfall of the old French monarchy, and to the outbreak of the great revolution in Paris a hundred years ago. The ill-fated Queen Marie-Antoinette of France became an inveterate gambler. It was her craze for high play that led her to admit not only to her court, but also to her card-table, parvenus of doubtful reputation and of questionable antecedents, such as the infamous Cagliostro, _soi-disant_ Count of St. Germain, and others of his cla.s.s, whose only merit in her eyes was that they were rich and willing to lose their money without counting it. Indeed, the celebrated diamond necklace scandal, which compromised to such a terrible degree the reputation of this French queen, and precipitated the overthrow of the throne, would have been impossible had it not been for her gambling propensities.

[Ill.u.s.tration: IN THE WHITE HALL _After a drawing by Oreste Cortazzo_]

The "spiel-cour" only takes place on the eve of the wedding of a member of the Hohenzollern family. It is held in the _weisse-saal_ of the Berlin _schloss_, or palace. The kaiser and the kaiserin, with the bridal pair, seat themselves at a card table under a canopy of gold brocade, adorned with the imperial arms. The other royal personages sit at card-tables lower down on the dais on each side. The invited guests then pa.s.s before their majesties, precisely as at the "defiler-cour."

The "sprech-cour" is, as its name signifies, a kind of _conversazione_. The persons invited are part.i.tioned off, according to their ranks, in different rooms, through which their majesties promenade. Those not personally known to the emperor and empress are introduced by the masters of ceremonies in attendance, and others with whom their majesties are already acquainted are honored by a short conversation.

"Trauer-cours," or mourning levees, are held immediately after the death of the reigning sovereign, and are exceedingly impressive, mainly by reason of the flowing robes and peculiar sable-hued attire which the ladies of the royal family of Prussia and of their courts are compelled by tradition and etiquette to adopt. Moreover, all the apartments are draped in black, the gilded ornaments being shrouded in c.r.a.pe. The last of these mourning courts was held by Empress Frederick, in the place of her dying husband, on the demise of old Emperor William, and so painful and depressing was this occasion, that at her urgent request, no ceremony of the kind was held when "_Unser Fritz_" in his turn, was gathered to his fathers.

Very stately are the court b.a.l.l.s, of which a number are given in the early part of each year, between the First of January and the beginning of Lent. In fact, court b.a.l.l.s at Berlin are infinitely less amusing, at any rate to young people, than are a.n.a.logous entertainments at the Hofburg, at Vienna, or at Buckingham Palace, in London. This is due partly to the fact that Hohenzollern tradition and etiquette require that the proceedings should be inaugurated with the Polonaise, and furthermore, because the waltz has, for nearly forty years, been denied a place in the programme of terpsich.o.r.ean entertainments at court.

In fact, waltzes have been forbidden ever since an accident which happened to Empress Frederick at a court ball not long after her marriage. She was waltzing with a young n.o.bleman, when suddenly she was tripped up inadvertently by her partner, and precipitated to the floor at the very feet of old Empress Augusta, her mother-in-law. The latter, who was a terrible despot on the score of etiquette, could not bear the idea of a dance which could have the effect of placing a princess of the blood in such an undignified position, and turning a deaf ear to all arguments about the mishap being due to the awkwardness of the dancers, rather than to the dance itself, she vetoed the inclusion of waltzes thenceforth in all programmes of court b.a.l.l.s.

Fortunately, no such regulation prevails at the Court of Vienna, where Strauss's waltzes invariably form the most attractive feature of the so-called "hofball" and "ball-bei-hof." There is a great difference in the character of these two state b.a.l.l.s at Vienna. To the first, all sorts of people are commanded who are ent.i.tled solely by virtue of their official position to appear at court. The second, and far more brilliant one, is restricted to what is known as the court circle, or the _elite_,--the old blue-blooded aristocracy,--alone.

So far Emperor William has resisted all the pressure brought to bear upon him by the princesses and ladies of his court to revive the waltz, taking the ground that it is more conducive than any other dance to ridiculous mishaps on the highly polished and parqueted floors of the royal and imperial palaces. Even with the polka, the schottische and the mazurka, to which the round dances are now limited, there are so many accidents that some time ago the kaiser summoned the generals commanding the various troops stationed in and around Berlin, and instructed them to direct those officers who were not able to dance properly, to abstain from attempting to do so at the imperial entertainments. The result is that young officers are now put through their paces by their seniors, and have to display a certain proficiency in dances around the billiard or mess table before they are allowed to dance at court.

I remember on one occasion at a court ball at Berlin when a young subaltern incurred the anger of the late Prince Frederick-Charles by tripping up his partner. The Red Prince a.s.sailed the young officer so bitterly that the crown prince was obliged to intervene.

At a Viennese court ball I once saw the young secretary of a foreign emba.s.sy fall so unfortunately while dancing with one of the archd.u.c.h.esses that he actually came down in a sitting position on her face, and caused her nose to bleed. It need scarcely be added that he left Vienna the next day, and a week later obtained his transfer to another post.

A short time before the tragedy of Mayerling, Crown Princess Stephanie had a very nasty fall, owing to the gaucherie of a cavalry officer with whom she was waltzing. The emperor was terribly annoyed, and Crown Prince Rudolph spoke his mind in no measured tones to the offender.

Far more polite was Emperor Napoleon III. when at a Tuileries ball a middle-aged officer and his fair partner came to grief. As the mortified warrior scrambled to his feet, the emperor extended a hand to help him, and turning to the lady, remarked:

"_Madame, c'est la deuxieme fois que j'ai vu tomber monsieur le colonel. La premiere fois c'etait sur le champ de bataille de Magenta_." (Madame, this is the second time I have seen the colonel fall. The first time was on the battlefield of Magenta.)

In order to see the Polonaise danced in all its glory, it must be witnessed on the occasion of the wedding of some princess of the reigning house of Prussia, when the dance is headed by a procession of cabinet ministers, bearing candles or torches, whence it is styled the "Fackel-tanz," (Torch-dance).

On such an occasion the emperor, the empress and the royal guests having taken up their places on the dais, under the baldaquin, and immediately in front of the throne, the less exalted guests ranging themselves to the right and left of the great white hall, according to rank and precedence, the court marshal receives orders from his majesty for the dance to begin. The count thereupon approaches the royal bride and bridegroom, and bowing low to them, invites them to take part in the dance. The bridegroom extends his hand to his consort, and to the sound of a very slow and stately march conducts her around the hall, preceded by the twelve ministers of state, walking two by two, those highest in rank coming last. Each, minister bears in his hand a lighted torch of white perfumed wax. When the procession returns to the point from which it started, in front of the throne, the bride approaches the emperor, and with a curtsy invites his majesty to take part in the dance, and is conducted around the room by him, the bridegroom going through the same formality with the empress. As soon as these first three rounds are concluded, the twelve ministers hand over their wax torches to twelve pages of honor, each lad being of n.o.ble birth, and the bridegroom then similarly invites the remaining princesses of the blood, two at a time, leading one with each hand, while the bride goes through the same procedure with two princes of the blood, until the total list of royal personages has been exhausted. When the number of royal guests is very large this dance sometimes lasts nearly two hours.

On ordinary cases, of course, the torches are dispensed with, and the polonaise only continues long enough to enable the emperor and empress to march once round, the hall with those guests whom they wish particularly to honor. On such occasions they are preceded by the court marshal bearing the wand of grand marshal, by several masters of the ceremonies, and by picturesquely attired pages of honor.

Court ceremonies have been few and far between during the last ten or twelve years at Vienna owing to the circ.u.mstance that the imperial family have been almost uninterruptedly in mourning, consequent upon the successive deaths of Crown Prince Rudolph, Archduke Charles-Louis and Empress Elizabeth, in addition to a number of less important members of the imperial family. The ceremonial is very different from that which prevails at Berlin, and it must be confessed that the guests are more select, since the Court of Vienna is infinitely more exclusive than that of Berlin, and requires much more stringent genealogical qualifications on the part of women admitted to the honor of presentation. Indeed, there Is no court in Europe more exclusive than that of Emperor Francis-Joseph, and the threshold of the Hofburg may be regarded as barred without hope of admission to any lady who is not endowed with the necessary ancestry, free from all plebeian strain for at least eight generations on both the father's and the mother's side.

The presentation of debutantes and of brides ordinarily takes place prior to the commencement of court b.a.l.l.s, and there are no such things as state concerts or "defiler-cours," as at Berlin, and in England, at which latter court guests receive their invitations to state b.a.l.l.s by means of large lithographed cards emblazoned with the royal or imperial arms, on which it is stated that the grand-master of the Court at Berlin, or the lord chamberlain in London, has been directed by their majesties, or her majesty, as the case may be, to "command"

the attendance of such and such a person to a ball at court. These commands are usually sent out about a week or more in advance: but in Vienna, where it is taken for granted that all the people having a right to invitations belong to the same intimate circle, cards are dispensed with, and on the day before the entertainment, sometimes on the very morning on which it is given, one of the court messengers, or so-called Hofcouriers, calls at the residence of invited guests with a long sheet of paper, on which is inscribed the list of _invites._ On this list, opposite his or her name, the invited person writes yes or no, indicating thereby acceptance of the imperial command or prevention by some grave event.

The guests are already a.s.sembled in the Hall of Ceremonies before the imperial party makes its appearance. The ladies all wear court trains, and in almost every case the bodice of their dress is adorned with the insignia of the "Sternkreutz" [star cross], an order restricted exclusively to women, of which the late empress was grand-mistress, and to possess which even still greater ancestral qualifications are needed than for presentation at court. The men are all in uniform, either civilian, military or naval. Indeed it is impossible to find in Austria any man that has the right to appear at court who does not possess some sort of uniform. If he happens to be a Hungarian, he wears the picturesque dress of the great Magyar kingdom, bordered with priceless furs, adorned with jewels and composed of costly velvets and silks.

Shortly before the arrival of the imperial procession the grand-master of ceremonies taps on the floor with his ivory wand of office to attract attention, and the guests thereupon range themselves along the two sides of the hall, the ladies to the right and the gentlemen to the left. Suddenly the folding-doors at the further end of the hall are flung open, and to the sound of the most inspiriting march that the conductor of the court orchestra, Edouard Strauss, can devise, the imperial cortege makes its appearance, preceded by Count Hunyadi, in his uniform of a cavalry general, and Prince Rudolph Leichtenstein, each armed with a wand of office. Since the disappearance of the empress from court life--a disappearance which may be said to have preceded her death by several years--the emperor has been in the habit on these occasions of offering his arm to the d.u.c.h.ess of c.u.mberland, daughter of King Christian of Denmark, and _de jure_ sovereign d.u.c.h.ess of Brunswick, as the princ.i.p.al foreign royal lady present. Immediately after him follows the archduke next in the line of succession, now Francis-Ferdinand, or, failing him, Otto, leading the archd.u.c.h.ess designated to take the place of the first lady of the land, and who at the present time is Archd.u.c.h.ess Maria-Josepha, wife of Archduke Otto.

The imperial procession, consisting of all the archdukes and archd.u.c.h.esses--there are nearly one hundred of them--and of the princ.i.p.al members of their households, marches along the avenue thus formed by the guests, and are welcomed by low curtsies on the part of the women, and by profound bows on the part of the men. The brilliant pageant then disappears in the room set apart for the imperial party, and thereupon the emperor and Archd.u.c.h.ess Maria-Josepha return, and while the emperor pa.s.ses along in front of the male guests, preceded by one of the princ.i.p.al dignitaries of his court, either Count Kalman Hunyadi or Prince Montenuovo, the archd.u.c.h.ess, escorted by the grand-mistress of her court, makes her way along the front rank of the ladies, bowing to some, extending her hand to be kissed by others, and chatting familiarly to those who are old friends.

As soon as the emperor and the archd.u.c.h.ess reach the end of the line the emperor pa.s.ses over to the ladies' side, while the archd.u.c.h.ess in her turn pa.s.ses along the front rank of the men. The archd.u.c.h.ess then proceeds to the so-called "Rittersaal," and taking her seat on a sofa, sends her ladies-in-waiting and her chamberlains to bring to her presence ladies who have presentations to make. With each debutante the archd.u.c.h.ess converses for a few seconds before dismissing her, the wives of the foreign amba.s.sadors being on these occasions invited to take a seat beside the archd.u.c.h.ess on her sofa while presenting their countrywomen.

Meanwhile the ball has commenced in the Hall of Ceremonies, and is usually opened with a waltz. While the dancing is in progress the emperor strolls about, talking from time to time to some guest.

Foreign amba.s.sadors and envoys usually avail themselves of this opportunity to present their countrymen to his majesty.

Of course no one is permitted to invite any of the archd.u.c.h.esses or foreign princesses of the blood who may happen to be present to dance.

It is they who have the privilege of taking the first step in the matter. Whenever they desire to dance with any man they cause him to be notified of their wish by their chamberlain in attendance. The cavalier thus honored is obliged to consider this intimation in the nature of a command, and all engagements with fair partners of a less exalted rank, are annulled thereby.

Refreshments are served for the ordinary guests in the "Pietra-Dura"

room, where a superb buffet is set, the tables glittering with gold plate and Venetian gla.s.s. For the imperial princes and princesses the Hall of Mirrors is generally reserved, and there the scene is even still more magnificent. By midnight all is over. The court has retired with the same ceremonial that marked its arrival, and the guests are looking for their wraps and cloaks. All court entertainments at Vienna begin early and end early, so as not to interfere unduly with the emperor's practice of rising at about five o'clock in the morning.