The Science Fiction Hall Of Fame Vol 1 - The Science Fiction Hall of Fame Vol 1 Part 46
Library

The Science Fiction Hall of Fame Vol 1 Part 46

My legs slip on them because I dom walk on stairs. My feet stick to the wood.

I went up and opened a door. It was a white place. White as white jewels that come from upstairs sometime. I went in and stood quiet. I hear the laughing some more. I talk to the sound and look through to the people. More people than I thought was. I thought I should laugh with them.

Mother came out and pushed the door in. It hit me and hurt. I fell back on the smooth floor and the chain made noise. I cried. She made a hissing noise into her and put her hand on her mouth. Her eyes got big.

She looked at me. I heard father call. What fell he called. She said a iron board.

Come help pick it up she said. He came and said now is that so heavy you need. He saw me and grew big. The anger came in his eyes. He hit me. I spilled some of the drip on the floor from one arm. It was not nice. It made ugly green on the floor.

Father told me to go to the cellar. I had to go. The light it hurt some now in my eyes. It is not so like that in the cellar.

Father tied my legs and arms up. He put me on my bed. Upstairs I heard laughing while I was quiet there looking on a black spider that was swinging down to me. I thought what father said. Ohgod he said. And only eight.

XXX-This day father hit in the chain again before it had light. I have to try pull it out again. He said I was bad to come upstairs. He said never do that again or he would beat me hard. That hurts.

I hurt. I slept the day and rested my head against the cold wall. I thought of the white place upstairs.

XXXX-I got the chain from the wall out. Mother was upstairs. I heard little laughs very high. I looked out the window. I saw all little people like the little mother and little fathers too. They are pretty.

They were making nice noise and jumping around the ground. Their legs was moving hard. They are like mother and father. Mother says all right people look like they do.

One of the little fathers saw me. He pointed at the window. I let % and slid down the wall in the dark. I curled up as they would not see. I heard their talks by the window and foots running. Upstairs there was a door hitting. I heard the little mother call upstairs. I heard heavy step8 and I rushed in my bed place. I hit the chain in the wall and lay down on my front.

I heard mother come down. Have you been at the window she said. I heard the anger. Stay away from the window. You have pulled the chain out again.

She took the stick and hit me with it. I didn't cry. I cant do that. But the drip ran all over the bed. She saw it and twisted away and made a noise. Oh mygodmygod she said why have you done this to me? I heard the stick go bounce on the stone floor.

She ran upstairs. I slept the day.

XXXXX-This day it had water again. When mother was upstairs I heard the little one come slow down the steps. I hidded myself in the coal bin for mother would have anger if the little mother saw me.

She had a little live thing with her. It walked on the arms and had pointy ears. She said things to it.

It was all right except the live thing smelled me. It ran up the coal and looked down at me. The hairs stood up. In the throat it made an angry noise. I hissed but it jumped on me.

I didn't want to hurt it. I got fear because it bit me harder than the rat does. I hurt and the little mother screamed. I grabbed the live thing tight. It made sounds I never heard. I pushed it all together. It was all lumpy and red on the black coal.

I hid there when mother called. I was afraid of the stick. She left. I crept over the coal with the thing. I hid it under my pillow and rested on it. I put the chain in the wall again.

X-This is another times. Father chained me tight. I hurt because he beat me. This time I hit the stick out of his hands and made noise. He went away and his face was white. He ran out of my bed place and locked the door.

I am not so glad. All day it is cold in here. The chain comes slow out of the wall.

And I have a bad anger with mother and father. I will show them. I will do what I did that once.

I will screech and laugh loud. I will run on the walls. Last I will hang head down by all my legs and laugh and drip green all over until they are sorry they didn't be nice to me.

If they try to beat me again I'll hurt them. I will.

COMING ATTRACTION.

by Fritz Leiber.

First published in 1950.

The coupe with the fishhooks welded to the fender shouldered up over the curb like the nose of a nightmare. The girl in its path stood frozen, her face probably stiff with fright under her mask. For once my reflexes weren't shy. I took a fast step toward her, grabbed her elbow, yanked her back. Her black skirt swirled out.

The big coupe shot by, its turbine humming. I glimpsed three faces. Something ripped. I felt the hot exhaust on my ankles as the big coupe swerved back into the street. A thick cloud like a black flower blossomed from its jouncing rear end, while from the fishhooks flew a black shimmering rag.

"Did they get you?" I asked the girl.

She had twisted around to look where the side of her skirt was torn away. She was wearing nylon tights.

"The hooks didn't touch me," she said shakily. "I guess I'm lucky."

I heard voices around us:"Those kids! What'll they think up next?"

"They're a menace. They ought to be arrested."

Sirens screamed at a rising pitch as two motor police, their rocket-assist jets full on, came whizzing toward us after the coupe. But the black flower had become an inky fog obscuring the whole street. The motor police switched from rocket assists to rocket brakes and swerved to a stop near the smoke cloud.

"Are you English?" the girl asked me. "You have an English accent." Her voice came shudderingly from behind the sleek black satin mask. I fancied her teeth must be chattering. Eyes that were perhaps blue searched my face from behind the black gauze covering the eyeholes of the mask.

I told her she'd guessed right.

She stood close to me. "Will you come to my place tonight?" she asked rapidly. "I can't thank you now. And there's something else you can help me about."

My arm, still lightly circling her waist, felt her body trembling. I was answering the plea in that as much as in her voice when I said, "Certainly."

She gave me an address south of Inferno, an apartment number and a time. She asked me my name and I told her.

"Hey, you!"

I turned obediently to the policeman's shout. He shooed away the small clucking crowd of masked women and barefaced men. Coughing from the smoke that the black coupe had thrown out, he asked for my papers. I handed him the essential ones.

He looked at them and then at me. "British Barter? How long will you be in New York?"

Suppressing the urge to say, "For as short a time as possible." I told him I'd be here for a week or so.

"May need you as a witness," he explained. "Those kids can't use smoke on us.

When they do that, we pull them in."

He seemed to think the smoke was the bad thing. "They tried to kill the lady," I pointed out.

He shook his head wisely. "They always pretend they're going to, but actually they just want to snag skirts. I've picked up rippers with as many as fifty skirt snags tacked up in their rooms. Of course, sometimes they come a little too close."

I explained that if I hadn't yanked her out of the way she'd have been hit by more than hooks. But he interrupted. "If she'd thought it was a real murder attempt, she'd have stayed here."

I looked around. It was true. She was gone.

"She was fearfully frightened," I told him.

"Who wouldn't be? Those kids would have scared old Stalin himself."

"I mean frightened of more than 'kids.' They didn't look like kids."

"What did they look like?"

I tried without much success to describe the three faces. A vague impression of viciousness and effeminacy doesn't mean much.

"Well, I could be wrong," he said finally. "Do you know the girl? Where she lives?"

"No," I half lied.

The other policeman hung up his radiophone and ambled toward us, kicking at the tendrils of dissipating smoke. The black cloud no longer hid the dingy facades with their five-year-old radiation flash burns, and I could begin to make out the distant stump of the Empire State Building, thrusting up out of Inferno like a mangled finger.

"They haven't been picked up so far," the approaching policeman grumbled. "Left smoke for five blocks, from what Ryan says."The first policeman shook his head. "That's bad," he observed solemnly.

I was feeling a bit uneasy and ashamed. An Englishman shouldn't lie, at least not on impulse.

"They sound like nasty customers," the first policeman continued in the same grim tone. "We'll need witnesses. Looks as if you may have to stay in New York longer than you expect."

I got the point. I said, "I forgot to show you all my papers," and handed him a few others, making sure there was a five-dollar bill in among them.

When he handed them back a bit later, his voice was no longer ominous. My feelings of guilt vanished. To cement our relationship, I chatted with the two of them about their job.

"I suppose the masks give you some trouble," I observed. "Over in England we've been reading about your new crop of masked female bandits."

"Those things get exaggerated," the first policeman assured me. "It's the men masking as women that really mix us up. But, brother, when we nab them, we jump on them with both feet."

"And you get so you can spot women almost as well as if they had naked faces,"

the second policeman volunteered. "You know, hands and all that."

"Especially all that," the first agreed with a chuckle. "Say, is it true that some girls don't mask over in England?"

"A number of them have picked up the fashion," 'I told him. "Only a few, though-the ones who always adopt the latest style, however extreme."

"They're usually masked in the British newscasts."

"I imagine it's arranged that way out of deference to American taste," I confessed.

"Actually, not very many do mask."

The second policeman considered that. "Girls going down the Street bare from the neck up." It was not clear whether he viewed the prospect with relish or moral distaste. Likely both.

"A few members keep trying to persuade Parliament to enact a law forbidding all masking," I continued, talking perhaps a bit too much.

The second policeman shook his head. "What an idea. You know, masks are a pretty good thing, brother. Couple of years more and I'm going to make my wife wear hers around the house."

The first policeman shrugged. "If women were to stop wearing masks, in six weeks you wouldn't know the difference. You get used to anything, if enough people do or don't do it."

I agreed, rather regretfully, and left them. I turned north on Broadway (old Tenth Avenue, I believe) and walked rapidly until I was beyond Inferno. Passing such an area of undecontaminated radioactivity always makes a person queasy. I thanked God there weren't any such in England, as yet.

The street was almost empty, though I was accosted by a couple of beggars with faces tunneled by H-bomb scars, whether real or of make-up putty I couldn't tell. A fat woman held out a baby with webbed fingers and toes. I told myself it would have been deformed anyway and that she was only capitalizing on our fear of bomb- induced mutations. Still, I gave her a seven-and-ahalf-cent piece. Her mask made me feel I was paying tribute to an African fetish.

"May all your children be blessed with one head and two eyes, sir."

"Thanks," I said, shuddering, and hurried past her.

". . . There's only trash behind the mask, so turn your head, stick to your task: Stay away, stay away-from-the-girls!"

This last was the end of an anti-sex song being sung by some religionists half a block from the circle-and-cross insignia of a femalist temple. They reminded me only faintly of our small tribe of British monastics. Above their heads was a jumble of billboards advertising predigested foods, wrestling instruction, radio handies and the like.

I stared at the hysterical slogans with disagreeable fascination. Since the female face and form have been banned on American signs, the very letters of the advertiser's alphabet have begun to crawl with sex-the fat-bellied, big-breasted capital B, the lascivious double 0. However, I reminded myself, it is chiefly the mask that so strangely accents sex in America.

A British anthropologist has pointed out that, while it took more than five thousand years to shift the chief point of sexual interest from the hips to the breasts, the next transition, to the face, has taken less than fifty years. Comparing the American style with Moslem tradition is not valid; Moslem women are compelled to wear veils, the purpose of which is to make a husband's property private, while American women have only the compulsion of fashion and use masks to create mystery.

Theory aside, the actual origins of the trend are to be found in the antiradiation clothing of World War III, which led to masked wrestling, now a fantastically popular sport, and that in turn led to the current female fashion. Only a wild style at first, masks quickly became as necessary as brassieres and lipsticks had been earlier in the century.

I finally realized that I was not speculating about masks in general, but about what lay behind one in particular. That's the devil of the things; you're never sure whether a girl is heightening loveliness or hiding ugliness. I pictured a cool, pretty face in which fear showed only in widened eyes. Then I remembered her blond hair, rich against the blackness of the satin mask. She'd told me to come at the twenty-second hour-io P.M.

I climbed to my apartment near the British Consulate; the elevator shaft had been shoved out of plumb by an old blast, a nuisance in these tall New York buildings.

Before it occurred to me that I would be going out again, I automatically tore a tab from the film strip under my shirt. I developed it just to be sure. It showed that the total radiation I'd taken that day was still within the safety limit. I'm no phobic about it, as so many people are these days, but there's no point in taking chances.

I flopped down on the daybed and stared at the silent speaker and the dark screen of the video set. As always, they made me think, somewhat bitterly, of the two great nations of the world. Mutilated by each other, yet still strong, they were crippled giants poisoning the planet with their respective dreams of an impossible equality and an impossible success.

I fretfully switched on the speaker. By luck, the newscaster was talking excitedly of the prospects of a bumper wheat crop, sown by planes across a dust bowl moistened by seeded rains. I listened carefully to the rest of the program (it was remarkably clear of Russian telejamming), but there was no further news of interest to me. And, of course, no mention of the moon, though everyone knows that America and Russia are racing to develop their primary bases into fortresses capable of mutual assault and the launching of alphabet bombs toward Earth. I myself knew perfectly well that the British electronic equipment I was helping trade for American wheat was destined for use in spaceships.

I switched off the newscast. It was growing dark, and once again I pictured a tender, frightened face behind a mask. I hadn't had a date since England. It's exceedingly difficult to become acquainted with a girl in America, where as little as a smile often can set one of them yelping for the police_to say nothing of the increasingly puritanical morality and the roving gangs that keep most women indoors after dark. And, naturally, the masks, which are definitely not, as the Soviets claim, a last invention of capitalist degeneracy, but a sign of great psychological insecurity.

The Russians have no masks, but they have their own signs of stress.

I went to the window and impatiently watched the darkness gather. I was getting very restless. After a while a ghostly violet cloud appeared to the south. My hair rose.

Then I laughed. I had momentarily fancied it a radiation from the crater of the Hellbomb, though I should instantly have known it was only the radio-induced glow in the sky over the amusement and residential area south of Inferno.

Promptly at twenty-two hours I stood before the door of my unknown girl friend's apartment. The electronic say-who-please said just that. I answered clearly, "Wysten Turner," wondering if she'd given my name to the mechanism. She evidently had, for the door opened. I walked into a small empty living room, my heart pounding a bit.

The room was expensively furnished with the latest pneumatic hassocks and sprawlers. There were some midgie hooks on the table. The one I picked up was the standard hard-boiled detective story in which two female murderers go gunning for each other.