As for Edward Ambrose, he had at once fixed in his mind a picture of great simplicity, of eager intensity, of an earnestness pathetic and naf. Strange to say, it was almost exactly the one he had been able to envisage beforehand. If ever a human doc.u.ment had ascended to the first floor of 12B, Pall Mall, it was here before his eyes.

The Sailor began presently to forget his shyness in a surprising way.

Mr. Ambrose differed from Mr. Horrobin inasmuch that he was ready, even anxious, to listen. He seemed quite eager that the Sailor should speak about himself. The story had interested him very much. He felt its power, and saw great possibilities for a talent, immature as it was, which could declare itself in a shape so definite.

After a while the Sailor talked with less reserve than perhaps he ought to have done. But such a man was very hard to resist--impossible for certain natures. He had a faculty of perception that was very rare, he was amazingly quick to see and to appreciate; and with this curious power of realizing all that was worthy there was a knack of overlooking, of perhaps even blinding himself, to things less pleasing.

The Sailor's speech, queer and semi-literate as it was, exactly resembled his writing. Here was something rare and strange. The shy earnestness of the voice, the neat serge suit, well tended but of poor quality, the general air of clean simplicity without and within; above all, the haunted eyes of this deep-sea mariner, which had seen so much more than they would ever be able to tell, fixed towards a goal they could never hope to attain, were much as Edward Ambrose had pictured them.

"I want to use your story," said the editor; "but please don't be offended by what I am going to say."

The look in the face of the Sailor showed it would be quite impossible for Mr. Ambrose to offend him.

"There are little things, certain rules that have to be learned before even Genius itself can be given a hearing. And it is vital to master them. But you are so far on the road, that in a short time, if you care to go on, I am convinced you will have all the tricks of a craft which too often begins and ends in trickery and once in a l.u.s.trum rises to power. At least that's my experience." And Mr. Ambrose laughed with charming friendliness.

"Now," he went on, "I will let you into a secret that all the world knows. We declined _Treasure Island_. Not in my time, I am glad to say, but _Brown's Magazine_ declined it. The story is told against us; and if we can we want to wipe the blot off our escutcheon. And I feel, Mr. Harper, that if you will learn the rules of the game and not lose yourself, one day you will help us to do so."

It took the editor some time to explain what he meant. But he did so at considerable length and with wonderful lucidity. The personality of this young man appealed to him. And he felt that the author of _d.i.c.k Smith_ had had an almost superhuman task laid upon him. Here was a compet.i.tor in the Olympian games starting from a mark so far behind his peers that by all the laws he was out of the race before he started to run it. But was he? Somehow Edward Ambrose felt that if this dauntless spirit, already many times defeated, but never completely overthrown, could find the courage to go on, the world would have cause one day to congratulate _Brown's Magazine_.

The editor took a cordial leave of his strange visitor. "Keep on keeping on, and see what comes of it. Don't be afraid to use the knife, but be careful not to cut yourself. That's the particular form of the eternal paradox a.s.sumed by the absolute for the overthrow of the writing man! It's a riddle each must read in his own way. But instinct is the master key. Trust it as you have done already, and it will unlock every door. However, we will talk of that another time.

But you might bear in mind what a great writer said to me here in this room only last week. 'When you feel anything you may have written is really fine it is a golden rule to leave it out.' Clear away a few of the trees, and then we may begin to see the wood. But this doesn't apply to the Island of San Pedro. Not a word of _that_ can be spared."

The Sailor walked on air as far as the National Gallery. But as he turned the corner into Charing Cross Road he was brought to earth by a violent collision with an elderly gentleman. He was not brought literally to earth because he suffered less than his victim.

Before the elderly gentleman had ceased to blaspheme the young man came within an ace of an even more emphatic reminder of earth's realities: at the end of Cranbourn Street an omnibus nearly ran over him. Still, it is the part of charity to cover his sins, because up till then, Tuesday, September the fifth had been the day of his life.

X

This mood did not last very long. He was now up against the stern facts of authorship. The story of _d.i.c.k Smith_ would have to be written again and written differently. In the reincarnation would be little of the creative rapture of the primal birth. And so little faith had the Sailor in his powers that he could not help feeling that too much had been asked of them.

To add to his doubts, he was beset by conflicting advice. Miss Dobbs was quite angry when she learned the result of the interview with Mr.

Ambrose, which she did the day after it had taken place.

"Wants you to write it again, does he?" she said with a glow of indignation. "I call that the limit! Now, if you'll be guided by me, Mr. Harper, which, of course, you ought to have been from the first, you'll do nothing of the kind. Send it to the _Rotunda_ or the _Covent Garden_."

Miss Dobbs was so firm and Henry Harper was so oppressed by the magnitude of his task, that he came very near taking her advice.

It was the intervention of the author of "A History of the World" in forty volumes with an index that saved the situation. Mr. Rudge was horrified when he learned that Henry Harper thought of trying his luck with the _Rotunda_. It was nothing less than an act of _lese-majeste_.

There could be so little ground of comparison between that upstart and _Brown's_ that in the opinion of Mr. Rudge it was better to be d.a.m.ned by the fountain of honor, which had published Byron and Scott, than be accepted and even tricked out with ill.u.s.trations--there would be no ill.u.s.trations in the "History of the World"--by a cheap and flashy parvenu which bore a similar relation to literature to that a toadstool bore to horticulture.

Miss Dobbs had force of character, but she was no match for Mr. Rudge when it came to a question of _Brown's Magazine_ v. the _Rotunda_. He even went to the length of telling her that she didn't know what she was talking about. The grave spectacled eyes of the historian flashed to such purpose that Miss Dobbs was fain to admit "that she never would have thought the old fool had it in him." But great issues were at stake. All that he stood for was in the scale. Such an affront should only be offered to Culture over the dead body of the author of the "History of the World."

Finally, Henry Harper sat down to rewrite the story of _d.i.c.k Smith_ and the brigantine _Excelsior_. As a fruit of victory, Mr. Rudge ordained that the young man should return to the study of grammar. It was more than ever necessary now. He was sure that had he been as well up in grammar as he ought to have been, the question of rewriting the story of _d.i.c.k Smith_ could never have arisen.

These were trying days. But the Sailor stuck gallantly to his guns.

In spite of the pessimism of Miss Dobbs, who still looked in now and again, he grappled with an extremely difficult task. Moreover, he did so very thoroughly. Mr. Ambrose had given him only general rules to go by; yet these, few and succinct as they were, seemed to cut into the woof and fabric of his mind.

As the days pa.s.sed, and the end of Henry Harper's labor seemed farther off than ever, Miss Dobbs grew more gloomy, but her regard for his welfare was still considerable. He might have been grateful had it become less, but he was far too chivalrous to admit such a thought.

Besides, it was not a little surprising that a lady of the standing of Miss Dobbs should take an interest in such a person as himself.

One day, she invited him to tea at her flat. He _must_ come tomorrow afternoon, to meet her great friend, Zoe Bonser, who was a Maison Perry girl, and very nice and clever. Had there been a way of evading this point-blank invitation, he would certainly have sought it.

Unfortunately there was not. Before issuing her invitation Miss Dobbs had already taken the precaution of asking casually whether "he was doing anything Sunday afternoon?"

Mr. Harper grew quite alarmed as soon as he realized what he had done.

The mere thought of the society of promiscuous ladies, however nice and clever, was enough to frighten him. Miss Dobbs herself, who was niceness and cleverness personified, had never really broken through the ice. They were old friends now, but even she, with all the arts of which she was mistress, had never been able to penetrate the reserve of this odd young man. If he had not been incapable of deliberately wounding the feelings of a lady who had shown him such kindness, he would have boldly refused to meet the nice and clever Miss Bonser, which with all his soul he longed to do.

Therefore, on Sunday afternoon, he sadly abandoned a chapter of _d.i.c.k Smith_, which was now in a tangle so hopeless that it seemed it would never come right. After infinite pains had made him as presentable as a very limited wardrobe allowed, he went to No. 106, King John's Mansions, the whereabouts of which had already been explained to him very carefully.

Miss Dobbs' flat was right at the top of a very large, very gloomy, and very draughty building. Its endless flights of stone stairs--there was no lift, although it was clearly a case for one--seemed not to have been swept for a month at least. But this was in keeping with a general air of cheapness and discomfort. By the time Mr. Harper had climbed as far as No. 106, and had knocked timidly with a decrepit knocker upon an uninviting door, he was in a state of panic and dejection.

Miss Dobbs opened the door herself. As she stood on an ungarnished threshold, cigarette in hand, flashing rows of fine teeth in welcome, the young man's first thought was how different she looked without her hat. His second thought was that its absence hardly improved her. She looked older, flatter, less mysterious. Even the fluffy and peroxidized abundance, which came low on the forehead in a quite remarkable bandeau, somehow gave a maturity to her appearance that he had not in the least expected.

Miss Dobbs had all the arts of gracious hospitality. She took his overcoat and hat away from him, and then hustled him genially into what she called her "boo-door," into the alert but extremely agreeable presence of the nice and clever Miss Bonser.

Miss Bonser was not exactly what you would call beautiful, but she had Chick--to adopt the picturesque language of her oldest and dearest friend in rendering her afterwards to Mr. Henry Harper. She had the appearance of a thoroughly good sort, except that her eyes were so terribly wary, although hardly so wary perhaps as those of her hostess, because that would have been impossible. Still, there was Chick and refinement, and above all, great cordiality in Miss Bonser.

Cordiality, indeed, was the prevailing note of No. 106, King John's Mansions. Miss Dobbs addressed Miss Bonser as "dear," Miss Bonser addressed Miss Dobbs as "dear," and then Miss Dobbs covered Mr. Harper with confusion by suddenly and unexpectedly calling him "Harry."

"Take a pew, Harry," said Miss Dobbs.

Mr. Harper knew that he alone was intended, because no other gentleman was there. Nervously he sat down in a creaking and rickety cane chair.

The "Harry" had flattered him a goodish bit, since Miss Dobbs was quite as much a lady in her home as she was out of it; also she had for a friend another lady, a very nice and clever one, with a refined voice, smart clothes, and a great amount of jewelry. She had also the air and the manners of Society, of which he had learned in the works of the famous novelist, W. M. Thackeray. The way in which Miss Bonser produced a private case and offered it to him after choosing a cigarette for herself, somehow reminded him of "Vanity Fair."

"Harry don't smoke, do you, Harry?" said the hostess, covering Mr.

Harper's extreme confusion with rare tact and spontaneity.

Miss Dobbs then made tea, and by the time Mr. Harper had had two large and cracked cups of a weak brew and had eaten one piece of b.u.t.tered cake, being too shy to eat anything else in spite of great pressure, he was able to collect himself a little.

"Cora tells me you are writing a book, Harry," said Miss Bonser conversationally.

Mr. Harper admitted this, although again startled by the Harry.

"You don't mind, do you," said Miss Bonser, in answer to his face.

"'Mister' is so formal. I'm all for being friendly and pleasant myself. What was I saying? Oh, about the book you are writing. My best boy, Bert Hobson, the novelist, makes simply pots of money. He's got a serial running now in the _Covent Garden_. You've read it, I daresay."

It appeared that Mr. Harper had not read the story.

"Well, you ought reelly." Mr. Harper noticed that Miss Bonser p.r.o.nounced the polite word "reelly" exactly as Miss Foldal did, although a much more fashionable lady in other respects than the good fairy of Blackhampton. "Start at once. Do it now. It's Albert's top notch." To Miss Dobbs: "Don't you think so, dear?"

Miss Dobbs was quite of Miss Bonser's opinion.

"What's the name of your book?" asked Miss Bonser.

"'The Adventures of d.i.c.k Smith,'" said Mr. Harper nervously.

"It's a very good t.i.tle, don't you think so, dear?" Miss Dobbs thought so too.

"I suppose you'll dedicate it to Cora," said Miss Bonser, "as she has taken such an interest in it."