At last that season set in. There was not a stroke of work in the shop. I was so absorbed in my new vocation that I would pa.s.s my evenings in a cloak-makers' haunt, a cafe on Delancey Street, where I never tired talking sleeves, pockets, st.i.tches, tr.i.m.m.i.n.gs, and the like. There was a good deal of card-playing in the place, but somehow I never succ.u.mbed to that temptation.

But then, under the influence of some of the fellows I met there, I developed a considerable pa.s.sion for the Jewish theater. These young men were what is known on the East Side as "patriots," that is, devoted admirers of some actor or actress and members of his or her voluntary claque. Several of the other frequenters were also interested in the stage, or at least in the gossip of it; so that, on the whole, there was as much talk of plays and players as there was of cloaks and cloak-makers. Our shop discussions certainly never reached the heat that usually characterized our debates on things theatrical

The most ardent of the "patriots" was a young contractor named Mindels. He attended nearly every performance in which his favorite actor had a part, selling dozens of tickets for his benefit performances and usually losing considerable sums on these sales, loading him with presents and often running his errands. I once saw Mindels in a violent quarrel with a man who had scoffed at his idol

Mindels's younger brother, Jake, fascinated me by his appearance, and we became great chums. He was the handsomest fellow I ever had seen, with a fine head of dark-brown hair, cla.s.sic features, and large, soft-blue eyes; too soft and too blue, perhaps. His was a manly face and figure, and his voice was a manly, a beautiful ba.s.so; but this masculine exterior contained an effeminate psychology. In my heart I p.r.o.nounced him "a calf," and when I had discovered the English word "sissy," I thought that it just fitted him.

Yet I adored him, and even looked up to him, all because of his good looks

He was a Talmudist like myself, and we had much in common, also, regarding our dreams of the future

"Oh, I am so glad I have met you," I once said to him

"I am glad, too," he returned, flushing

I found that he blushed rather too frequently, which confirmed my notion of him as a sissy. Like most handsome men, he bestowed a great deal of time on his personal appearance. He never uttered a foul word nor a harsh one. If he heard a cloak-maker tell an indecent story he would look down, smiling and blushing like a girl

Formerly he had been employed in his brother's shop, while now he earned his living by soliciting and collecting for a life-insurance company

CHAPTER IV

JAKE MINDELS was a devotee of Madame Klesmer, the leading Jewish actress of that period, which, by the way, was practically the opening chapter in the interesting history of the Yiddish stage in America. Madame Klesmer was a tragedienne and a prima donna at once-a usual combination in those days

One Friday evening we were in the gallery of her theater. The play was an "historical opera," and she was playing the part of a Biblical princess. It was the closing scene of an act. The whole company was on the stage, swaying sidewise and singing with the princess, her head in a halo of electric light in the center. Jake was feasting his large blue eyes on her. Presently he turned to me with the air of one confiding a secret. "Wouldn't you like to kiss her?"

And, swinging around again, he resumed feasting his blue eyes on the princess.

"I have seen prettier women than she," I replied

"'S-sh! Let a fellow listen. She is a dear, all the same. You don't know a good thing when you see it, Levinsky."

"Are you in love with her?"

"'S-sh! Do let me listen."

When the curtain fell he made me applaud her. There were several curtain-calls, during all of which he kept applauding her furiously, shouting the prima donna's name at the top of his voice and winking to me imploringly to do the same. When quiet had been restored at last I returned to the subject: "Are you in love with her?"

"Sure," he answered, without blushing. "As if a fellow could help it. If she let me kiss her little finger I should be the happiest man in the world."

"And if she let you kiss her cheek?" "I should go crazy."

"And if she let you kiss her lips?" "What's the use asking idle questions?"

"Would you like to kiss her neck?" "You ask me foolish questions."

"You are in love with her," I declared, reflectively

"I should say I was."

It was a unique sort of love, for he wanted me also to be in love with her

"If you are not in love with her you must have a heart of iron, or else your soul is dry as a raisin." With which he took to a.n.a.lyzing the prima donna's charms, going into raptures over her eyes, smile, gestures, manner of opening her mouth, and her swing and step as she walked over the stage

"No, I don't care for her," I replied

"You are a peculiar fellow."

"If I did fall in love," I said, by way of meeting him halfway, "I should choose Mrs. Segalovitch. She is a thousand times prettier than Mrs.

Klesmer."

"Tut, tut!"

Mrs. Segalovitch was certainly prettier than the prima donna, but she played unimportant parts, so the notion of one's falling in love with her seemed queer to Jake

That night I had an endless chain of dreams, in every one of which Madame Klesmer was the central figure. When I awoke in the morning I fell in love with her, and was overjoyed

When I saw Jake Mindels at dinner I said to him, with the air of one bringing glad news: "Do you know, I am in love with her?"

"With whom? With Mrs. Segalovitch?" "Oh, pshaw! I had forgotten all about her. I mean Madame Kiesmer," I said, self-consciously

Somehow, my love for the actress did not interfere with my longing thoughts of Matilda. I asked myself no questions

And so we went on loving jointly, Jake and I, the companionship of our pa.s.sion apparently stimulating our romance as companionship at a meal stimulates the appet.i.te of the diners.

Each of us seemed to be infatuated with Madame Klesmer. Yet the community of this feeling, far from arousing mutual jealousy in us, seemed to strengthen the ties of our friendship

We would hum her songs in duet, recite her lines, compare notes on our dreams of happiness with her. One day we composed a love-letter to her, a long epistle full of Biblical and homespun poetry, which we copied jointly, his lines alternating with mine, and which we signed: "Your two lovelorn slaves whose hearts are panting for a look of your star-like eyes. Jacob and David." We mailed the letter without affixing any address

The next evening we were in the theater, and when she appeared on the stage and shot a glance to the gallery Jake nudged me violently

"But she does not know we are in the gallery," I argued. "She must think we are in the orchestra."

"Hearts are good guessers."

"Guessers nothing."

" 'S-sh! Let's listen."

Madame Klesmer was playing the part of a girl in a modern Russian town. She declaimed her lines, speaking like a prophetess in ancient Israel, and I liked it extremely. I was fully aware that it was unnatural for a girl in a modern Russian town to speak like a prophetess in ancient Israel, but that was just why I liked it. I thought it perfectly proper that people on the stage should not talk as they would off the stage. I thought that this unnatural speech of theirs was one of the princ.i.p.al things an audience paid for. The only actor who spoke like a human being was the comedian, and this, too, seemed to be perfectly proper, for a comedian was a fellow who did not take his art seriously, and so I thought that this natural talk of his was part of his fun-making. I thought it was something like a clown burlesquing the Old Testament by reading it, not in the ancient intonations of the synagogue, but in the plain, conversational accents of every-day life

During the intermission, in the course of our talk about Madame Klesmer, Jake said: "Do you know, Levinsky, I don't think you really love her."

"I love her as much as you, and more, too," I retorted

"How much do you love her? Would you walk from New York to Philadelphia if she wanted you to do so?"

"Why should she? What good would it do her?"