He was hardly prepared for what followed. Charley's nerves had been irritated; his teeth were on edge. This threat, made in such a cheap, insincere way, was the last thing in the world he could bear to hear.

He knew that Billy lied; that if there was one thing Billy would not do, shooting himself was that one thing. His own life was very sweet to Billy Wantage. Charley hated him the more at that moment because he was Kathleen's brother. For if there was one thing he knew of Kathleen, it was that she could not do a mean thing. Cold, unsympathetic she might be, cruel at a pinch perhaps, but dishonourable--never! This weak, cowardly youth was her brother! No one had ever seen such a look on Charley Steele's face as came upon it now--malicious, vindictive. He stooped over Billy in a fury.

"You think I'm a fool and an a.s.s--you ignorant, brainless, lying cub! You make me a thief before all the world by forging my name, and stealing the money for which I am responsible, and then you rate me so low that you think you'll bamboozle me by threats of suicide. You haven't the courage to shoot yourself--drunk or sober. And what do you think would be gained by it? Eh, what do you think would be gained? You can't see that you'd insult your sister as well as--as rob me."

Billy Wantage cowered. This was not the Charley Steele he had known, not like the man he had seen since a child. There was something almost uncouth in this harsh high voice, these gauche words, this raw accent; but it was powerful and vengeful, and it was full of purpose. Billy quivered, yet his adroit senses caught at a straw in the words, "as rob me!" Charley was counting it a robbery of himself, not of the widows and orphans! That gave him a ray of hope. In a paroxysm of fear, joined to emotional excitement, he fell upon his knees, and pleaded for mercy--for the sake of one chance in life, for the family name, for Kathleen's sake, for the sake of everything he had ruthlessly dishonoured. Tears came readily to his eyes, real tears--of excitement; but he could measure, too, the strength of his appeal.

"If you'll stand by me in this, I'll pay you back every cent, Charley,"

he cried. "I will, upon my soul and honour! You shan't lose a penny, if you'll only see me through. I'll work my fingers off to pay it back till the last hour of my life. I'll be straight till the day I die--so help me G.o.d!"

Charley's eyes wandered to the cupboard where the liqueurs were. If he could only decently take a drink! But how could he with this boy kneeling before him? His breath scorched his throat.

"Get up!" he said shortly. "I'll see what I can do--to-morrow. Go away home. Don't go out again to-night. And come here at ten o'clock in the morning."

Billy took up his hat, straightened his tie, carefully brushed the dust from his knees, and, seizing Charley's hand, said: "You're the best fellow in the world, Charley." He went towards the door, dusting his face of emotion as he had dusted his knees. The old selfish, shrewd look was again in his eyes. Charley's gaze followed him gloomily. Billy turned the handle of the door. It was locked.

Charley came forward and unlocked it. As Billy pa.s.sed through, Charley, looking sharply in his face, said hoa.r.s.ely: "By Heaven, I believe you're not worth it!" Then he shut the door again and locked it.

He almost ran back and opened the cupboard. Taking out the bottle of liqueur, he filled a gla.s.s and drank it off. Three times he did this, then seated himself at the table with a sigh of relief and no emotion in his face.

CHAPTER VII. "PEACE, PEACE, AND THERE IS NO PEACE"'

The sun was setting by the time Charley was ready to leave his office.

Never in his life had he stayed so late in "the halls of industry," as he flippantly called his place of business. The few cases he had won so brilliantly since the beginning of his career, he had studied at night in his luxurious bedroom in the white brick house among the maples on the hill. In every case, as at the trial of Joseph Nadeau, the man who murdered the timber-merchant, the first prejudice of judge and jury had given way slowly before the deep-seeing mind, which had as rare a power of a.n.a.lysis as for generalisation, and reduced ma.s.ses of evidence to phrases; and verdicts had been given against all personal prejudice--to be followed outside the court by the old prejudice, the old look askance at the man called Beauty Steele.

To him it had made no difference at any time. He cared for neither praise nor blame. In his actions a materialist, in his mind he was a watcher of life, a baffled inquirer whose refuge was irony, and whose singular habits had in five years become a personal insult to the standards polite society and Puritan morality had set up. Perhaps the insult had been intended, for irregularities were committed with an insolent disdain for appearances. He did nothing secretly; his page of life was for him who cared to read. He played cards, he talked agnosticism, he went on shooting expeditions which became orgies, he drank openly in saloons, he whose forefathers had been gentlemen of King George, and who sacrificed all in the great American revolution for honour and loyalty--statesmen, writers, politicians, from whom he had direct inheritance, through stirring, strengthening forces, in the building up of laws and civilisation in a new land. Why he chose to be what he was--if he did choose--he alone could answer. His personality had impressed itself upon his world, first by its idiosyncrasies and afterwards by its enigmatical excesses.

What was he thinking of as he laid the papers away in the tin box in a drawer, locked it, and put the key in his pocket? He had found to the smallest detail Billy's iniquity, and he was now ready to shoulder the responsibility, to save the man, who, he knew, was scarce worth the saving. But Kathleen--there was what gave him pause. As he turned to the window and looked out over the square he shuddered. He thought of the exchange of doc.u.ments he had made with her that day, and he had a sense of satisfaction. This defalcation of Billy's would cripple him, for money had flown these last few years. He had had heavy losses, and he had dug deep into his capital. Down past the square ran a cool avenue of beeches to the water, and he could see his yacht at anchor. On the other side of the water, far down the sh.o.r.e, was a house which had been begun as a summer cottage, and had ended in being a mansion. A few Moorish pillars, brought from Algiers for the decoration of the entrance, had necessitated the raising of the roof, and then all had to be in proportion, and the cottage became like an appanage to a palace. So it had gone, and he had cared so little about it all, and for the consequences. He had this day secured Kathleen from absolute poverty, no matter what happened, and that had its comfort. His eyes wandered among the trees. He could see the yellow feathers of the oriole and catch the note of the whippoorwill, and from the great church near the voices of the choir came over. He could hear the words "Lord, now lettest thou thy servant depart in peace, according to thy word."

Depart in peace--how much peace was there in the world? Who had it? The remembrance of what Kathleen said to him at the door--"I suppose I ought to kiss you"--came to him, was like a refrain in his ears.

"Peace is the penalty of silence and inaction," he said to himself meditatively. "Where there is action there is no peace. If the brain and body fatten, then there is peace. Kathleen and I have lived at peace, I suppose. I never said a word to her that mightn't be put down in large type and pasted on my tombstone, and she never said a word to me--till to-day--that wasn't like a water-colour picture. Not till to-day, in a moment's strife and trouble, did I ever get near her. And we've lived in peace. Peace? Where is the right kind of peace? Over there is old Sainton. He married a rich woman, he has had the platter of plenty before him always, he wears ribbons and such like baubles given by the Queen, but his son had to flee the country. There's Herring. He doesn't sleep because his daughter is going to marry an Italian count. There's Latouche. His place in the cabinet is begotten in corruption, in the hotbed of faction war. There's Kenealy. His wife has led him a dance of deep d.a.m.nation. There's the lot of them--every one, not an ounce of peace among them, except with old Ca.s.son, who weighs eighteen stone, lives like a pig, grows stuffier in mind and body every day, and drinks half a bottle of whiskey every night. There's no one else--yes, there is!"

He was looking at a small black-robed figure with clean-shaven face, white hair, and shovel-hat, who pa.s.sed slowly along the wooden walk beneath, with meditative content in his face.

"There's peace," he said with a laugh. "I've known Father Hallon for twenty-five years, and no man ever worked so hard, ever saw more trouble, ever shared other people's bad luck mere than he; ever took the bit in his teeth, when it was a matter of duty, stronger than he; and yet there's peace; he has it; a peace that pa.s.ses all understanding--mine anyhow. I've never had a minute's real peace. The World, or Nature, or G.o.d, or It, whatever the name is, owes me peace.

And how is It to give it? Why, by answering my questions. Now it's a curious thing that the only person I ever met who could answer any questions of mine--answer them in the way that satisfies--is Suzon. She works things down to phrases. She has wisdom in the raw, and a real grip on life, and yet all the men she has known have been river-drivers and farmers, and a few men from town who mistook the sort of Suzon she is.

Virtuous and straight, she's a born child of Aphrodite too--by nature.

She was made for love. A thousand years ago she would have had a thousand loves! And she thinks the world is a magnificent place, and she loves it, and wallows--fairly wallows--in content. Now which is right: Suzon or Father Hallon--Aphrodite or the Nazarene? Which is peace--as the bird and the beast of the field get it--the fallow futile content, or--"

He suddenly stopped, hiccoughed, then hurriedly drawing paper before him, he sat down. For an hour he wrote. It grew darker. He pushed the table nearer the window, and the singing of the choir in the church came in upon him as his pen seemed to etch words into the paper, firm, eccentric, meaning. What he wrote that evening has been preserved, and the yellow sheets lie loosely in a black despatch-box which contains the few records Charley Steele left behind him. What he wrote that night was the note of his mind, the key to all those strange events through which he began to move two hours after the lines were written:

Over thy face is a veil of white sea-mist, Only thine eyes shine like stars; bless or blight me, I will hold close to the leash at thy wrist, O Aphrodite!

Thou in the East and I here in the West, Under our newer skies purple and pleasant: Who shall decide which is better--attest, Saga or peasant?

Thou with Serapis, Osiris, and Isis, I with Jehovah, in vapours and shadows; Thou with the G.o.ds' joy-enhancing devices, Sweet-smelling meadows!

What is there given us?--Food and some raiment, Toiling to reach to some Patmian haven, Giving up all for uncertain repayment, Feeding the raven!

Striving to peer through the infinite azure, Alternate turning to earthward and falling, Measuring life with Damastian measure, Finite, appalling.

What does it matter! They pa.s.sed who with Homer Poured out the wine at the feet of their idols: Pa.s.sing, what found they? To-come a misnomer, It and their idols?

Sacristan, acolyte, player, or preacher, Each to his office, but who holds the key?

Death, only Death--thou, the ultimate teacher Wilt show it to me.

And when the forts and the barriers fall, Shall we then find One the true, the almighty, Wisely to speak with the worst of us all-- Ah, Aphrodite!

Waiting, I turn from the futile, the human, Gone is the life of me, laughing with youth Steals to learn all in the face of a woman, Mendicant Truth!

Rising with a bitter laugh, and murmuring the last lines, he thrust the papers into a drawer, locked it, and going quickly from the room, he went down-stairs. His horse and cart were waiting for him, and he got in.

The groom looked at him inquiringly. "The Cote Dorion!" he said, and they sped away through the night.

CHAPTER VIII. THE COST OF THE ORNAMENT

One, two, three, four, five, six miles. The sharp click of the iron hoofs on the road; the strong rush of the river; the sweet smell of the maple and the pungent balsam; the dank rich odour of the cedar swamp; the cry of the loon from the water; the flaming crane in the fishing-boat; the fisherman, spear in hand, staring into the dark waters tinged with sombre red; the voice of a lonely settler keeping time to the ping of the axe as, lengthening out his day to nightly weariness, he felled a tree; river-drivers' camps spotted along the sh.o.r.e; huge cribs or rafts which had swung down the great stream for scores of miles, the immense oars motionless, the little houses on the timbers blinking with light; and from cheerful raftsmen coming the old familiar song of the rivers:

"En roulant, ma boule roulant, En roulant ma boule!"

Not once had Charley Steele turned his head as the horse sped on. His face was kept straight along the line of the road; he seemed not to see or to hear, to be unresponsive to sound or scene. The monocle at his eye was like a veil to hide the soul, a defence against inquiry, itself the unceasing question, a sort of battery thrown forward, a kind of field-casemate for a lonely besieged spirit.

It was full of suggestion. It might have been the gla.s.s behind which showed some mediaeval relic, the body of some ancient Egyptian king whose life had been spent in doing wonders and making signs--the primitive, anthropomorphic being. He might have been a stone man, for any motion that he made. Yet looking at him closely you would have seen discontent in the eye, a kind of glaze of the sardonic over the whole face.

What is the good! the face asked. What is there worth doing? it said.

What a limitless futility! it urged, fain to be contradicted too, as the grim melancholy of the figure suggested.

"To be an animal and soak in the world," he thought to himself--"that is natural; and the unnatural is civilisation, and the cheap adventure of the mind into fields of baffling speculation, lighted by the flickering intelligences of dead speculators, whose seats we have bought in the stock-exchange of mortality, and exhaust our lives in paying for. To eat, to drink, to lie fallow, indifferent to what comes after, to roam like the deer, and to fight like the tiger--"

He came to a dead stop in his thinking. "To fight like the tiger!" He turned his head quickly now to where upon a raft some river-drivers were singing:

"And when a man in the fight goes down, Why, we will carry him home!"

"To fight like the tiger!" Ravage--the struggle to possess from all the world what one wished for one's self, and to do it without mercy and without fear-that was the clear plan in the primitive world, where action was more than speech and dominance than knowledge. Was not civilisation a mistake, and religion the insinuating delusion designed to cover it up; or, if not designed, accepted by the original few who saw that humanity could not turn back, and must even go forward with illusions, lest in mere despair all men died and the world died with them?

His eyes wandered to the raft where the men were singing, and he remembered the threat made: that if he came again to the Cote Dorion he "would get what for!" He remembered the warning of Rouge Gosselin conveyed by Jolicoeur, and a sinister smile crossed over his face. The contradictions of his own thoughts came home to him suddenly, for was it not the case that his physical strength alone, no matter what his skill, would be of small service to him in a dark corner of contest? Primitive ideas could only hold in a primitive world. His real weapon was his brain, that which civilisation had given him in lieu of primitive prowess and the giant's strength.

They had come to a long piece of corduroy-road, and the horse's hoofs struck rumbling hollow sounds from the floor of cedar logs. There was a swamp on one side where fire-flies were flickering, and there flashed into Charley Steele's mind some verses he had once learned at school:

"They made her a grave too cold and damp For a soul so warm and true--"

It kept repeating itself in his brain in a strange dreary monotone.