The winter had been long and hard. Never had there been severer frost or deeper snow, and seldom had big game been so plentiful. In the snug warm stables the cattle munched and chewed the cud; the idle, long-haired horses grew as spirited in the keen air as in summer they were sluggish with hard work; and the farm-hands were abroad in the dark of the early mornings with lanterns, to feed the stock and take them out to water, singing cheerfully. All morning spread the clamour of the flail and the fanning-mill, the swish of the knife through the turnips and the beets, and the sound of the saw and the axe, as the youngest man of the family, m.u.f.fled to the nose, sawed the wood into lengths or split the knots.

Night brought the cutting and stringing of apples, the sh.e.l.ling of the Indian corn, the making of rag carpets. On Sat.u.r.day came the going to market with grain, or pork, or beef, or fowls frozen like stones; the gossip in the market-place. Then again sounded jingling sleigh-bells as, on the return road, the habitant made for home, a gla.s.s of white whiskey inside him, and black-eyed children in the doorway, swarming like bees at the mouth of a hive.

This particular winter in Chaudiere had been full of excitement and expectation. At Easter-time there was to be the great Pa.s.sion Play, after the manner of that known as The Pa.s.sion Play of Ober-Ammergau. Not one in a hundred habitants had ever heard of Ober-Ammergau, but they had all shared in picturesque processions of the Stations of the Cross to some calvaire; and many had taken part in dramatic scenes arranged from the life of Christ. Drama of a crude kind was deep in them; it showed in gesture, speech, and temperament.

In all the preparations Maximilian Cour was a conspicuous and useful official. Gifted with the dramatic temperament to a degree rare in so humble a man, he it was who really educated the people of Chaudiere in the details of the Pa.s.sion Play to be produced by the good Catholics of the parish and the Indians of the reservation. He had gone to the Cure every day, and the Cure had talked with him, and then had sent him to the tailor, who had, during the past six months, withdrawn more and more from the life about him, practically living with shut door. No one ventured in unless on business, or were in need, or wished advice. These he never turned empty away.

Besides Portugais, Maximilian Cour was the one man received constantly by the tailor. With patience and insight Charley taught the baker, by drawings and careful explanations, the outlines of the representation, and the baker grew proud of the a.s.sociation, though Charley's face used to haunt him in his sleep. Excitable, eager, there was an elemental adaptability in the baker, as easily leading to Avernus as to Elysium.

This appealed to Charley, realising, as he did, that Maximilian Cour was a reputable citizen by mere accident. The baker's life had run in a sentimental groove of religious duty; that same sentimentality would, in other circ.u.mstances, have forced him with equal ardour into the broad primrose path.

In the evening hours and on Sunday Charley had worked at his drawings for the scenery and costumes of the Play, and completed his translation of the German text, but there had been days when he could not put pen to paper. Life to him now was one aching emptiness--since that day at the Rest of the Flax-beaters Rosalie had been absent. On the very morning after their meeting by the river she had gone away with her father to the great hospital at Montreal--not Quebec this time, on the advice of the Seigneur--as the one chance of prolonging his life. There had come but one letter from her since that hour when he saw her in the Seigneur's coach with her father, moving away in the still autumn air, a piteous appeal in her eyes. The good-bye look she gave him then was with him day and night.

She had written him one letter, and he had written one in reply, and no more. Though he was wholly reckless for himself, for her he was prudent now--there was nothing else to do. To save her--if he could but save her from himself! If he might only put back the clock!

In his letter to her he had simply said that it were wiser not to write, since the acting postmistress, the Cure's sister, would note the exchange of letters, and this would arouse suspicion. He could not see what was best to do, what was right to do. To wait seemed the only thing, and his one letter ended with the words: Rosalie, my life is lived only in the thought of you. There is no hour but I think of you, no moment but you are with me. The greatest proof of love that man can give, I will give to you, in the hour fate wills--for us. But now, we must wait--we must wait, Rosalie. Do not write to me, but know that if I could go to you I would go; if I could say to you, Come, I would say it.

If the giving of my life would save you any pain or sorrow, I would give it.

Sitting on his bench at work, it seemed to Charley that sometimes she was near him, and more than once he turned quickly round as though she were, in very truth, standing beside him. He thought of her continually, and often with an unbearable pain. He figured her in his mind as pale and distressed, and always her eyes had the piteous terror of that last look as she went away over the hills.

But the weeks had worn on, then the Seigneur, who had been to Montreal, came back with the news that Rosalie was looking as beautiful as a picture. "Grown a woman in beauty and in stature; comely--comely as a lady in a Watteau picture, my dear messieurs!" he had said to the Cure, standing in the tailor's shop.

Replying, the Cure had said: "She is in good hands, with good people, recommended to me by an abbe there; yet I am not wholly happy about her.

When her trouble comes to her"--Charley's needle slipped and pierced his finger to the bone--"when her father goes, as he must, I fear, there will be no familiar face; she will hear no familiar voice."

"Faith, there you are wrong, my dear Cure" answered the Seigneur; "there'll be a face yonder she likes very well indeed, and a voice she's fond of too."

Charley's back was on them at that moment, of which he was glad, for his face was haggard with anxiety, and it seemed hours before the Cure said: "Whom do you mean, Maurice?" and hours before the Seigneur replied: "Mrs. Flynn, of course. I'm sending her tomorrow."

Mrs. Flynn had gone, and Charley had, in one sense, been made no happier by that, for it seemed to him that Rosalie would rather that strangers'

eyes were on her than the inquisitively friendly eye of Mary Flynn.

Weeks had grown into months, and no news came--none save that which the Cure let fall, or was brought by the irresponsible Notary, who heard all gossip. Only the Cure's scant news were authentic, however, and Charley never saw the good priest but he had a secret hope of hearing him say that Rosalie was coming back. Yet when she came back, what would, or could, he do? There was always the crime for which he or Billy must be punished. Concerning this crime his heart was growing harder--for Rosalie's sake. But there was Kathleen--and Rosalie was now in the city where she lived, and they might meet! There was one solution--if Kathleen should die! It sickened him that he could think of that with a sense of relief, almost of hope. If Kathleen should die, then he would be free to marry Rosalie--into what? He still could only marry her into the peril and menace of the law? Again, even if Kathleen did not stand in the way, neither the Cure nor any other priest would marry him to her without his antecedents being certified. A Protestant minister would, perhaps, but would Rosalie give up her faith? Following him without the blessing of the Church, she would trample under foot every dear tradition of her life, win the scorn of all of her religion, and destroy her own peace; for the faith of her fathers was as the breath of her nostrils. What cruelty to her!

But was it, after all, even true that he had but to call and she would come? In truth it well might be that she had learned to despise him; to feel how dastardly he had been to take her love, given in blind simplicity, bestowed like the song of the bird upon the listening fields--to take the plenteous fulness of her life, and give nothing in return save the empty hand, the hopeless hour, the secret sorrow.

Nothing could quench his misery. The physical part of him craved without ceasing for something to allay his distress. Again and again he fought his old enemy with desperate resolve. To fall again, to touch liquor once more, was to end all for ever. He fought on tenaciously and gloomily, with little of the pride of life, with nothing of the old stubborn self-will, but with a new-awakened sense. He had found conscience at last--and more.

The months went by and still M. Evanturel lingered on, and Rosalie did not come. The strain became too great at last. In the week preceding Easter, when all the parish was busy at Four Mountains, making costumes, rehearsing, building, putting up seats, cutting down trees, and erecting crosses and calvaries, Charley disclosed to Jo a new intention.

In the earlier part of the winter Jo and he had met two or three times a week, but now Jo had come to help him with his work in the shop--two silent, devoted companions. They understood each other, and in that understanding were life and death. For never did Jo forget that a year from the day he had confessed his sins he meant to give himself up to justice. This caused him no sleepless nights. He thought more of Charley than of himself, and every month now he went to confession, and every day he said his prayers. He was at his prayers when Charley went to tell him of his purpose. Charley had often seen Jo on his knees of late, and he had wondered, but not with the old pagan mind. "Jo," he said, "I am going away--to Montreal."

"To Montreal!" exclaimed Jo huskily. "You are going back--to stay?"

"Not that. I am going--to see--Rosalie Evanturel." Jo was troubled but not dumfounded. It had slowly crept into his mind that Charley loved the girl, though he had no real ground for suspicion. His will, however, had been so long the slave of the other man's that he had far-off reflections of his thoughts. He made no reply in words, but nodded his head.

"I want you to stay here, Jo. If I don't come back, and--and she does, stand by her, Jo. I can trust you." "You will come back, M'sieu'--but you will come back, then?" Jo asked heavily.

"If I can, Jo--if I can," he answered.

Long after he had gone, Jo wandered up and down among the trees on the river-road, up which Charley had disappeared with Jo's dogs and sled. He kept shaking his head mournfully.

CHAPTER XLVI. THE FORGOTTEN MAN

It was Easter morning, and the good sunrise of a perfect spring made radiant the high hill above the town. Rosy-fingered morn touched with magic colour the masts and scattered sails of the ships upon the great river, and spires and towers quivered with rainbow light. The city was waking cheerfully, though the only active life was in the pealing bells and on the deep flowing rivers. The streets were empty yet, save for an a.s.siduous priest or the cart of a milkman. Here and there a window opened and a drowsy head was thrust into the eager air. These saw a bearded countryman with his team of six dogs and his little cart going slowly up the street. It was plain the man had come a long distance--from the mountains in the east or south, no doubt, where horses were few, and dogs, canoes, and oxen the means of transportation.

As the man moved slowly through the streets, his dogs still gallantly full of life after their hard journey, he did not stare about him after the manner of countrymen. His movements had intelligence and freedom.

He was an unusual figure for a woodsman or river-man--he did not wear ear-rings or a waist-sash as did the river-men, and he did not turn in his toes like a woodsman. Yet he was plainly a man from the far mountains.

The man with the dogs did not heed the few curious looks turned his way, but held his head down as though walking in familiar places. Now and then he spoke to his dogs, and once he stopped before a newspaper office, which had a placard bearing these lines:

The Coming Pa.s.sion Play In the Chaudiere Valley.

He looked at it mechanically, for, though he was concerned in the Pa.s.sion Play and the Chaudiere Valley, it was an abstraction to him at this moment. His mind was absorbed by other things.

Though he looked neither to right nor to left, he was deeply affected by all round him.

At last he came to a certain street, where he and his dogs travelled more quickly. It opened into a square, where bells were booming in the steeple of a church. Shops and offices in the street were shut, but a saloon-door was open, and over the doorway was the legend: Jean Jolicoeur, Licensed to sell Wine, Beer, and other Spirituous and Fermented Liquors.

Nearly opposite was a lawyer's office, with a new-painted sign. It had once read, in plain black letters, Charles Steele, Barrister, etc.; now it read, in gold letters and many flourishes of the sign-painter's art, Rockwell and Tremblay, Barristers, Attorneys, etc.

Here the man looked up with trouble in his eyes. He could see dimly the desk and the window beside which he had sat for so many years, and on the wall a map of the city glowed with the incoming sun.

He moved on, pa.s.sing the saloon with the open door. The landlord, in his shirt-sleeves, was standing in the doorway. He nodded, then came out to the edge of the board-walk.

"Come a long way, M'sieu'?" he asked.

"Four days' journey," answered the man gruffly through his beard, looking the landlord in the eyes. If this landlord, who in the past had seen him so often and so closely, did not recognise him, surely no one else would. It was, however, a curious recurrence of habit that, as he looked at the landlord, he instinctively felt for his eye-gla.s.s, which he had discarded when he left Chaudiere. For an instant there was an involuntary arrest of Jean Jolicoeur's look, as though memory had been roused, but this swiftly pa.s.sed, and he said:

"Fine dogs, them! We never get that kind hereabouts now, M'sieu'. Ever been to the city before?"

"I've never been far from home before," answered the Forgotten Man.

"You'd better keep your eyes open, my friend, though you've got a sharp pair in your head--sharp as Beauty Steele's almost. There's rascals in the river-side drinking-places that don't let the left hand know what the right does."

"My dogs and I never trust anybody," said the Forgotten Man, as one of the dogs snarled at the landlord's touch. "So I can take care of myself, even if I haven't eyes as sharp as Beauty Steele's, whoever he is."

The landlord laughed. "Beauty's only skin-deep, they say. Charley Steele was a lawyer; his office was over there"--he pointed across the street.

"He went wrong. He come here too often--that wasn't my fault. He had an eye like a hawk, and you couldn't read it. Now I can read your eye like a book. There's a bit of spring in 'em, M'sieu'. His eyes were hard winter-ice five feet deep and no fishing under--froze to the bed. He had a tongue like a cross-cut saw. He's at the bottom of the St. Lawrence, leaving a bad job behind him.

"Have a drink--hein?" He jerked a finger backwards to the saloon door.

"It's Sunday, but stolen waters are sweet, sure!"

The Forgotten Man shook his head. "I don't drink, thank you."

"It'd do you good. You're dead beat. You've been travelling hard--eh?"