"I ask you just this," said the gloomy man, with a mystery of much knowledge in his face: "Are gents around here going to be murdered, and the murderers go free?"

"Well?"

"Sinclair and Arizona--that's what's up! They're going to bust loose."

"I dunno about Arizona, but Sinclair, they say, is a square shooter."

"Who told you that? Sinclair himself? He's got a rep as long as my arm.

He's a bad one, son!"

"You don't say!"

"I do say. And something has got to be done, or Sour Creek won't be a decent man's town no more."

"Let me in." Off they went arm in arm.

Cartwright saw half a dozen little interviews of this nature, as he entered the hotel. Men were excited, they hardly knew why. There is no need for reason in a mob. One has only to cry, "Kill!" and the mob will start of its own volition to find something that may be slain. Also, a mob has no conscience and no remorse. It is the nearest thing to a devil that exists, and it is also the nearest thing to the divine mercy and courage. It is braver than the bravest man; it is more timorous than the most fearful; it is fiercer than a lion, gentler than a lamb.

All these things by turns, and each one to the exclusion of all the others.

Now the thunderclouds were piling on the horizon, and Cartwright could feel the electricity in the air. He went to Pop.

"I got to have a rifle."

"What for?"

"You know," said Cartwright significantly.

The hotelkeeper nodded. He brought out an old Winchester, still mobile of action and deadly. With that weapon under his arm, Cartwright started back, but then he remembered that there were excellent chances of missing even with a rifle, when he was shooting through the shadows and by the treacherous moonlight. It would be better, far better, to have his horse with him. Then, if he actually succeeded in wounding one or both of them, he could run his victim down, or, perhaps, keep up a steady fire of rifle shots from the rear, that would bring half the town pouring out to join in the chase.

So he swung back to the stables, saddled his horse, trotted it around in a comfortably wide detour, and, coming within sound distance of the cottonwoods behind the blacksmith shop, he dismounted and led his horse into a dense growth of shrubbery. That close approach would have been impossible without alarming the girl, had it not been for a stiff wind blowing across into his face, completely m.u.f.fling the noise of his coming. In the bushes he ensconced himself safely. Only a few yards away he kept his eye on the opening among the cottonwoods, behind which the girl and the two horses moved from time to time, growing more and more visible, as the moon climbed above the horizon mist.

He tightened his grip on the rifle and amused himself with drawing beads on stumps and bright bits of foliage, from time to time. He must be ready for any sort of action if the two should ever appear.

While he waited, sounds reached his ear from the town, sounds eloquent of purpose. He listened to them as to beautiful music. It was a low, distinct, and continuous humming sound. Voices of men went into it, low as the growl of an angered dog, and there was a background of slamming doors, and footsteps on verandas. Sour Creek was mustering for the a.s.sault.

35

Now that sound had entered the jail, and it had a peculiar effect. It was like that distant murmuring of the storm which walks over the treetops far away. It made the sheriff and his two prisoners lift their heads and look at one another in silence, for the sheriff was most unprofessionally tilted back in a chair, with his feet braced against the bars of the cell, while he chatted with his bad men about men, women, and events. The sheriff had a distinct curiosity to learn how Arizona had recovered so suddenly from his "blue funk."

Unquestionably the fat man had recovered. His voice was as steady now as any man's, and the old, insolent glitter was in his eyes. He squared his shoulders and blew his smoke straight at the face of the sheriff, as he talked. What caused it, the sheriff could not tell, this rehabilitation of a fighting man, but he connected the influence of Sinclair with the change.

By this time Sinclair himself was the more restless of the two. While Arizona sat at ease on the bunk, the tall man ranged up and down the cell, with long, noiseless steps, turning quickly back and forth beside the bars. He had spent his nervous energy cheering up Arizona, until the latter was filled with a reckless, careless courage. What would happen Arizona could not guess, but Sinclair had a.s.sured him that something _would_ happen, and he trusted implicitly to the word of his tall companion. Sooner or later he would learn that they were hopeless, and Sinclair dreaded the breakdown which he knew would follow that discovery.

In his heart Sinclair knew that there would be no hope, no chance. The girl, he felt, had been swept off her feet with some absurd dream of freeing them. For his own part he had implicit faith in the strength of the toolproof steel of the bars on the one hand, and the gun of the sheriff on the other. As long as they held, they would keep their prisoners. The key to freedom was the key to the sheriff's heart, and Sinclair was too much of a man to whine.

He had come to the end of his trail, and that was evident in the restlessness of his walking to and fro. The love of the one thing on earth that he cared for was his, according to Arizona, and there was nothing to make the fat man lie. It seemed to Riley Sinclair that, at the very moment he had set his hands upon priceless gold, the treasure was crumbling to dead sand. He had lost her by the very thing that won her.

In the midst of his pacing he stopped and lifted his head, just as the sheriff and Arizona did the same thing. The far-off murmur hummed and moaned toward them, gathering strength. Then the sheriff pushed back his chair and went to the front of the jail. They heard him give directions to his deputy to find out what the murmuring meant. When Kern returned he was patently worried.

"Gents," he said, "I've heard that same sort of a sound twice before, and it means business." None of the three spoke again until the door of the jail was burst open, and the deputy came on them, running.

"Kern," he gasped, as he reached the sheriff, "they're coming."

"Who?"

"Every man in Sour Creek. They tried to get me with 'em. I told 'em I'd stay and then slipped off. They want both of these. They want 'em bad.

They're going to fight to get 'em!"

"Do they want to grab Arizona and Sinclair?" asked the sheriff, with surprising lack of emotion. "Don't think they're guilty?"

"You're wrong. They think they're sure guilty, and they're going to lynch 'em."

He whispered this, but his panting made the words louder than he thought. Sinclair heard; and by the shudder of Arizona, he knew that his companion had heard as well.

Now came the low-pitched voice of the sheriff: "Are you with me, Pat?"

The deputy receded. "Why, man, you ain't going to fight the whole town?"

"I'd fight the whole town," said the sheriff smoothly, "but I don't need you with me. You're through, partner. Close the door soft when you go out!"

Pat made no argument, offered no sentimental protest of devotion. He was glad of any excuse, and he retreated at once. After him went the sheriff, and Sinclair heard the heavy door of the jail locked. Kern came back, carrying a bundle. Outside, the murmuring had increased at a single leap to a roar. The rush for the jail was beginning.

Arizona shrank back against the wall, his little eyes glaring desperately at Sinclair, his last hope in the emergency. But Sinclair looked to the sheriff. The bundle in the arms of the latter unrolled and showed two cartridge belts, with guns appended. Next, still in silence, the sheriff unlocked the door to the cell.

"Sinclair!"

The tall cowpuncher leaped beside him. Arizona skirted away to one side stealthily.

"None of that!" commanded Kern. "No crooked work, Arizona. I'm giving you a fighting chance for your lives."

Here he tossed a gun and belt to Sinclair. The latter without a word buckled it on.

"Now, quick work, boys," said the sheriff. "It's going to be the second time in my life that prisoners have got away and tied me up.

Understand? They ain't going to be no ma.s.sacre if I can help it. Gents like Sinclair don't come in pairs, and he's going to have a fighting chance. Boys, tie me up fast and throw me in the corner. I'll tell 'em that you slugged me through the bars and got the keys away. You hear?"

As he spoke he threw Arizona a gun and belt, and the latter imitated Sinclair in buckling it on. But the fat man then made for the door of the cell. Outside the rush reached the entrance to the jail and split on it. The voices leaped into a tumult.

"By thunder," demanded Arizona, "are you going to wait for _that_?"

"You want Kern to get into trouble?" asked Sinclair. "Grab this end and tie his ankles, while I fix his hands."

Frantically they worked together.

"Are you comfortable, sheriff?"