"It seems ungrateful," said Bobbie; "we loved it so when we hadn't anyone else to play with."

"Perks is always coming up to ask after Jim," said Peter, "and the signalman's little boy is better. He told me so."

"I didn't mean the people," explained Phyllis; "I meant the dear Railway itself."

"The thing I don't like," said Bobbie, on this fourth day, which was a Tuesday, "is our having stopped waving to the 9.15 and sending our love to Father by it."

"Let's begin again," said Phyllis. And they did.

Somehow the change of everything that was made by having servants in the house and Mother not doing any writing, made the time seem extremely long since that strange morning at the beginning of things, when they had got up so early and burnt the bottom out of the kettle and had apple pie for breakfast and first seen the Railway.

It was September now, and the turf on the slope to the Railway was dry and crisp. Little long gra.s.s spikes stood up like bits of gold wire, frail blue harebells trembled on their tough, slender stalks, Gipsy roses opened wide and flat their lilac-coloured discs, and the golden stars of St. John's Wort shone at the edges of the pool that lay halfway to the Railway. Bobbie gathered a generous handful of the flowers and thought how pretty they would look lying on the green-and-pink blanket of silk-waste that now covered Jim's poor broken leg.

"Hurry up," said Peter, "or we shall miss the 9.15!"

"I can't hurry more than I am doing," said Phyllis. "Oh, bother it! My bootlace has come undone AGAIN!"

"When you're married," said Peter, "your bootlace will come undone going up the church aisle, and your man that you're going to get married to will tumble over it and smash his nose in on the ornamented pavement; and then you'll say you won't marry him, and you'll have to be an old maid."

"I shan't," said Phyllis. "I'd much rather marry a man with his nose smashed in than not marry anybody."

"It would be horrid to marry a man with a smashed nose, all the same,"

went on Bobbie. "He wouldn't be able to smell the flowers at the wedding. Wouldn't that be awful!"

"Bother the flowers at the wedding!" cried Peter. "Look! the signal's down. We must run!"

They ran. And once more they waved their handkerchiefs, without at all minding whether the handkerchiefs were clean or not, to the 9.15.

"Take our love to Father!" cried Bobbie. And the others, too, shouted:--

"Take our love to Father!"

The old gentleman waved from his first-cla.s.s carriage window. Quite violently he waved. And there was nothing odd in that, for he always had waved. But what was really remarkable was that from every window handkerchiefs fluttered, newspapers signalled, hands waved wildly. The train swept by with a rustle and roar, the little pebbles jumped and danced under it as it pa.s.sed, and the children were left looking at each other.

"Well!" said Peter.

"WELL!" said Bobbie.

"_WELL!_" said Phyllis.

"Whatever on earth does that mean?" asked Peter, but he did not expect any answer.

"_I_ don't know," said Bobbie. "Perhaps the old gentleman told the people at his station to look out for us and wave. He knew we should like it!"

Now, curiously enough, this was just what had happened. The old gentleman, who was very well known and respected at his particular station, had got there early that morning, and he had waited at the door where the young man stands holding the interesting machine that clips the tickets, and he had said something to every single pa.s.senger who pa.s.sed through that door. And after nodding to what the old gentleman had said--and the nods expressed every shade of surprise, interest, doubt, cheerful pleasure, and grumpy agreement--each pa.s.senger had gone on to the platform and read one certain part of his newspaper. And when the pa.s.sengers got into the train, they had told the other pa.s.sengers who were already there what the old gentleman had said, and then the other pa.s.sengers had also looked at their newspapers and seemed very astonished and, mostly, pleased. Then, when the train pa.s.sed the fence where the three children were, newspapers and hands and handkerchiefs were waved madly, till all that side of the train was fluttery with white like the pictures of the King's Coronation in the biograph at Maskelyne and Cook's. To the children it almost seemed as though the train itself was alive, and was at last responding to the love that they had given it so freely and so long.

"It is most extraordinarily rum!" said Peter.

"Most stronery!" echoed Phyllis.

But Bobbie said, "Don't you think the old gentleman's waves seemed more significating than usual?"

"No," said the others.

"I do," said Bobbie. "I thought he was trying to explain something to us with his newspaper."

"Explain what?" asked Peter, not unnaturally.

"_I_ don't know," Bobbie answered, "but I do feel most awfully funny. I feel just exactly as if something was going to happen."

"What is going to happen," said Peter, "is that Phyllis's stocking is going to come down."

This was but too true. The suspender had given way in the agitation of the waves to the 9.15. Bobbie's handkerchief served as first aid to the injured, and they all went home.

Lessons were more than usually difficult to Bobbie that day. Indeed, she disgraced herself so deeply over a quite simple sum about the division of 48 pounds of meat and 36 pounds of bread among 144 hungry children that Mother looked at her anxiously.

"Don't you feel quite well, dear?" she asked.

"I don't know," was Bobbie's unexpected answer. "I don't know how I feel. It isn't that I'm lazy. Mother, will you let me off lessons to-day? I feel as if I wanted to be quite alone by myself."

"Yes, of course I'll let you off," said Mother; "but--"

Bobbie dropped her slate. It cracked just across the little green mark that is so useful for drawing patterns round, and it was never the same slate again. Without waiting to pick it up she bolted. Mother caught her in the hall feeling blindly among the waterproofs and umbrellas for her garden hat.

"What is it, my sweetheart?" said Mother. "You don't feel ill, do you?"

"I DON'T know," Bobbie answered, a little breathlessly, "but I want to be by myself and see if my head really IS all silly and my inside all squirmy-twisty."

"Hadn't you better lie down?" Mother said, stroking her hair back from her forehead.

"I'd be more alive in the garden, I think," said Bobbie.

But she could not stay in the garden. The hollyhocks and the asters and the late roses all seemed to be waiting for something to happen. It was one of those still, shiny autumn days, when everything does seem to be waiting.

Bobbie could not wait.

"I'll go down to the station," she said, "and talk to Perks and ask about the signalman's little boy."

So she went down. On the way she pa.s.sed the old lady from the Post-office, who gave her a kiss and a hug, but, rather to Bobbie's surprise, no words except:--

"G.o.d bless you, love--" and, after a pause, "run along--do."

The draper's boy, who had sometimes been a little less than civil and a little more than contemptuous, now touched his cap, and uttered the remarkable words:--

"'Morning, Miss, I'm sure--"

The blacksmith, coming along with an open newspaper in his hand, was even more strange in his manner. He grinned broadly, though, as a rule, he was a man not given to smiles, and waved the newspaper long before he came up to her. And as he pa.s.sed her, he said, in answer to her "Good morning":--