"And just as they were about to catch him, he killed himself," one of them was saying.

Out of curiosity Manuel hastened his step, and approached a group that was discussing the event at the entrance to the Corralon.

"Where did this fellow come from that killed himself?" asked Manuel of Aristas.

"Why! It was Leandro!"

"Leandro!"

"Yes, Leandro, who killed Milagros and then killed himself."

"But ... is this really so?"

"Yes, man. Just a moment ago,"

"Here? In the house?"

"On this very spot."

Manuel, quaking with fear, ran up the stairs to the gallery. The floor was still stained with the pool of blood. Senor Zurro, the only witness to the drama, was telling the story to a group of neighbours.

"I was here, reading the paper," said the old-clothes man, "and Milagros and her mother were talking to Lechuguino. The engaged couple were enjoying themselves, when up comes Leandro to the gallery; he was about to open the door to his rooms when, before he went in, he suddenly turned to Milagros. 'Is that your sweetheart?' he said to her. It seemed to me that he was as pale as a corpse. 'Yes,' she answered. 'All right. Then I've come here to end things once and for all,' he shouted. 'Which of the two do you prefer, him or me?' 'Him,'

shrieks Milagros. 'Then it's all up,' cried Leandro in a hoa.r.s.e voice.

'I'm going to kill you.' After that I can't recall anything clearly; it was all as swift as a thunderbolt; when I ran over to them, the girl was gushing blood from her mouth; the proof-reader's wife was screaming and Leandro was chasing Lechuguino with his knife opened."

"I saw him leave the house," added an old woman. "He was waving his blood-stained knife in the air; my husband tried to stop him; but he backed like a bull, lunged for him and came near killing him."

"And where are my uncle and aunt?" asked Manuel.

"Over at the Emergency Hospital. They followed the stretcher."

Manuel went down into the patio.

"Where are you going?" asked Ariston.

"To the Emergency Hospital."

"I'll go along with you."

The two boys were joined by a machine shop apprentice who lived in the Corrala.

"I saw him kill himself," said the apprentice. "We were all running after him, hollering, 'Catch him! Stop him!' when two guards appeared on Amparo Street, drew their swords and blocked his way. Then Leandro bounded back, made his way through the people and landed here again; he was going to escape through the Paseo de las Acacias when he stumbled against La Muerte, who began to call him names. Leandro stopped, looked in every direction; n.o.body dared to get near him; his eyes were blazing. Suddenly he jabbed the knife into his left side I don't know how many times. When one of the guards seized him by the arm he collapsed like an empty sack."

The commentary of Ariston and the apprentice proved endless; the boys arrived at the Emergency Hospital and were told that the corpses, those of Milagros and Leandro, had been taken to the Morgue. The three gamins walked down to the Ca.n.a.l, to the little house near the river's edge, which Manuel and the urchins of his gang had so often visited, trying to peep into the windows. A knot of people had gathered about the door.

"Let's have a look," said Ariston.

There was a window, wide open, and they peered in. Stretched upon a marble slab lay Leandro; his face was the color of wax, and his features bore an expression of proud defiance. At his side Senora Leandro stood wailing and vociferating; Senor Ignacio, with his son's hand clasped in his own, was weeping silently. At another table a group surrounded Milagros' corpse. The man in charge of the morgue ordered them all out. As the proofreader and Senor Ignacio met at the entrance they exchanged looks and then averted their glance; the two mothers, on the other hand, glared at each other in terrible hatred.

Senor Ignacio arranged that they should not sleep at the Corralon but in Aguila Street. In that place, at the home of Senora Jacoba, there was a horrible confusion of weeping and cursing. The three women blamed Milagros for everything; she was a common strumpet, an evil woman, a selfish, wretched ingrate.

One of the neighbours of the Corrala indicated a strange detail: when the public doctor came to examine Milagros and remove her corset so that he might determine the wound, he found a tiny medallion containing a portrait of Leandro.

"Whose picture is this?" he is reported to have asked.

"The fellow who killed her," they answered. This was exceedingly strange, and it fascinated Manuel; many a time he had thought that Milagros really loved Leandro; this fairly confirmed his conjectures.

During all that night Senor Ignacio, seated on a chair, wept without cease; Vidal was scared through and through, as was Manuel. The presence of death, seen so near, had terrorized the two boys.

And while inside the house everybody was crying, in the streets the little girls were dancing around in a ring. And this contrast of anguish and serenity, of grief and calm, imparted to Manuel a confused sense of life. It must, he thought, be something exceedingly sad, and something weirdly inscrutable.

PART THREE

CHAPTER I

Uncle Patas' Domestic Drama--The Bakery--Karl the Baker--The Society of the Three.

The death of his son made such a deep impression upon Senor Ignacio that he fell ill. He gave up working in the shop and as he showed no improvement after two or three weeks, Leandra said to Manuel:

"See here: better be off to your mother's place, for I can't keep you here."

Manuel returned to the lodging-house and Petra, through the intercession of the landlady, procured her son a job as errand-boy at a bread and vegetable stand situated upon the Plaza del Carmen.

Manuel was here more oppressed than at Senor Ignacio's. Uncle Patas, the proprietor, a heavy, burly Galician, instructed the youth in his duties.

He was to get up at daybreak, open the store, untie the bundles of greens that were brought by a boy from the Plaza de la Cebada and receive the bread that was left by the delivery-men. Then he was to sweep the place and wait for Uncle Patas, his wife or sister-in-law to awake. As soon as one of these came in Manuel would leave his place behind the counter and, balancing a little basket upon his head, would start off on his route delivering bread to the customers of the vicinity. This going and returning would take all the morning. In the afternoon the work was harder: Manuel would have to stand quietly behind the counter in utter boredom, under the surveillance of the proprietor's wife and his sister-in-law.

Accustomed to his daily strolls through the Rondas, Manuel was rendered desperate by this immobility.

Uncle Patas' store, a tiny, ill-smelling hole, was papered in yellow with green borders; the paper was coming off from sheer old age. A wooden counter, a few dirty shelves, an oil lamp hanging from the ceiling and two benches comprised the fixtures.

The back room, which was reached by a door at the rear, was a compartment with no more light than could filter in through a transom that opened upon the vestibule. This was the dining-room and led to the kitchen, which in turn gave access to a narrow, very filthy patio with a fountain. At the other side of the patio were the bedrooms of Uncle Patas, his wife and his sister-in-law.

Manuel's sleeping quarters were a straw-bed and a couple of old cloaks behind the counter. Here, especially at night, it reeked of rotten cabbage: but what bothered Manuel even more was the getting up at dawn, when the watchman struck two or three blows with his pike upon the door of the store.

They sold something in the shop,--enough to live on and no more. In this hovel Uncle Patas had saved up a fortune centimo by centimo.

Uncle Patas' history was really interesting. Manuel had learned it from the gossip of the men who delivered the bread and from the boys in the other stores.

Uncle Patas had come to Madrid from a hamlet of Lugo, at the age of fifteen, in search of a living. Within twenty years, by dint of unbelievable economies, he had h.o.a.rded up from his wages in a bakery some three or four thousand pesetas, and with this capital he established a little grocery. His wife stood behind the counter while he continued to work in the bakery and h.o.a.rd his earnings. When his son grew up he a.s.signed to the boy the running of a tavern and then of a p.a.w.nbroker-shop. It was during this prosperous epoch that Uncle Patas' wife died, and the man, now a widower, wishing to taste the sweets of life, which had thus far proved so fruitless, married again despite his fifty-odd years; the bride, a la.s.s that came from his own province, was only twenty and her sole object in marrying was to change from servant to mistress. All of Uncle Patas' friends tried to convince him that it was a monstrosity for a man of his years to wed, and such a young girl at that; but he persisted in his notions and married.

Within two months after the marriage the son had come to an understanding with his step-mother, and shortly after this the elderly husband made the discovery. One day he played the spy and saw his son and his wife leave an a.s.signation house in Santa Margarita Street.