Leandro eagerly awaited the kermesse that was to take place on Pasion street. In former years he had accompanied Milagros to the nocturnal fair of San Antonio and to those of the Prado; he had danced with her, treated her to buns, presented her with a pot of sweet basil; but this summer the proof-reader's family seemed very much determined upon keeping Milagros away from Leandro. He had learned that his sweetheart and her mother were thinking of going to the kermesse, so he procured a pair of tickets and told Manuel that they two would attend.

So it happened. They went, on a terribly hot August night; a dense, turbid vapour filled all the streets in the vicinity of the Rastro, which were decorated and illuminated with Venetian lanterns.

The festival was celebrated upon a large vacant lot on Pasion street.

Leandro and Manuel entered as the band from the Orphan Asylum was playing a _habanera_. The lot, aglare with arc-lights, was bedecked with ribbons, gauze and artificial flowers that radiated from a pole in the centre to the boundaries of the enclosure. Before the entrance door there was a tiny wooden booth adorned with red and yellow percale and a number of Spanish flags; this was the raffle stand.

Leandro and Manuel took a seat in a corner and waited. The proof-reader and his family did not arrive until after ten; Milagros looked very pretty that night; she had on a light costume with blue figuring, a kerchief of black c.r.a.pe and white slippers. She wore her gown somewhat decollete, as far as the smooth, round beginnings of her throat.

At this moment the band from the Orphan Asylum blared forth the schottisch called _Los Cocineros_ (The Cooks). Leandro, stirred by the strains, invited Milagros out for a dance, but the maiden made a slight gesture of annoyance.

"You might soil my new costume," she murmured, and put her kerchief around her waist.

"If you dance with another fellow he'll soil it, too," replied Leandro in all humility.

Milagros did not heed his words; she danced with her skirt gathered in one hand, answering him in peevish monosyllables.

The schottisch over, Leandro invited the family to refreshments. To the right of the entrance there were two decorated staircases, which led to another lot about six or seven metres above the grounds where the dance was being held. On one of the stairways, which were both aglow with Spanish flags, was a signpost reading "Refreshments: Entrance" upon the other, "Refreshments: Exit."

They all went upstairs. The refreshment-parlour was a s.p.a.cious place, with trees and illumination of electric globes that hung from thick cables. Seated at the tables was a motley crowd, speaking at the top of their voices, clapping their hands and laughing.

They had to wait a long while before a waiter brought them their beer; Milagros ordered an ice, and as there were none, she would have nothing.

She sat there thus, without opening her mouth, considering herself grievously offended, until she met two girls from her shop and joined them, whereupon her displeasure vanished in a trice. Leandro, at the first opportunity, left the proof-reader and, rejoining Manuel, set off in quest of his sweetheart. In the lot next to the entrance, where the dancing was going on, couples resting between numbers strolled around in leisurely fashion. Milagros and her two friends, arms linked, came by in jovial mood, followed closely by three men. One of them was a rough-looking youth, tall, with fair moustache; the other a stupid fellow, of ordinary appearance, with dyed moustache, shirt-front and fingers sparkling with diamonds; the third was a knave with, cheek-whiskers, half gipsy and half cattle-dealer, with every ear mark of the most dangerous mountebank.

Leandro, noticing the manoeuvres of the masculine trio, thrust himself in between the maidens and their gallants, and turning to the men impertinently asked:

"What's up?"

The trio pretended not to understand and lagged behind.

"Who are they?" asked Manuel.

"One of them's Lechuguino (the dude)," answered Leandro in a loud voice, so that his sweetheart should hear. "He's at least fifty, and he comes around here trying to play the dashing young blade; that runt with the dyed moustache is Pepe el Federal (the Federalist), and the other is Eusebio el Carnicero (the Butcher), a fellow who owns quite a number of questionable horses."

Leandro's bl.u.s.tering outburst appealed to one of the maidens, who turned to look at the youth and smiled at him; but Milagros was not in the least affected, and looking back, she repeatedly sought the group of three men with her glance.

At this juncture there appeared the fellow whom Leandro had designated with the sobriquet of Lechuguino, in company of the proof-reader and his wife. The three girls approached them, and Lechuguino invited Milagros to dance. Leandro glanced in anguish at his sweetheart; she, however, whirled off heedlessly. The band was playing the _pas double _from the _Drummer of the Grenadiers_. Lechuguino was an expert dancer; he swept his partner along as if she were a feather and as he spoke, brought his lips so close to hers that it seemed as if he were kissing her.

Leandro was at an utter loss and suffered agonies; he could not make up his mind to leave. The dance came to an end and Lechuguino accompanied Milagros to the place where her mother was sitting.

"Come. Let's be going!" said Leandro to Manuel. "If we don't, I'm sure to do something rash."

They escaped from the fair and entered a cafe chantant on Encomienda Street. It was deserted. Two girls were dancing on a platform; one dressed like a _maja_, the other, like a _manolo_.

Leandro, absorbed in his thoughts, said nothing; Manuel was very sleepy.

"Let's get out of here," muttered Leandro after a short while. "This is too gloomy."

They walked to the Plaza del Progreso, Leandro with head bowed, as pensive as ever, and Manuel so sleepy that he could hardly stand.

"Over at the Marina cafe," suggested Leandro, "there must be a high old time."

"It would be better to go home," answered Manuel.

Leandro, without listening to his companion, walked to the Puerta del Sol, and the two very silently turned into Montera Street and around the corner of Jardines. It was past one. As the pair walked on, prost.i.tutes in their gay attire accosted them from the doorways in which they lurked, but looking into Leandro's grim countenance and Manuel's poverty-stricken features the girls let them walk on, following them with a gibe at their seriousness.

Midway up the narrow, gloomy street shone a red lamp, which illuminated the squalid front of the Marina cafe.

Leandro shoved the door open and they went inside. At one end the platform, with four or five mirrors, glittered dazzlingly; the floor was so tightly jammed with rows of tables thrust against either wall that only a narrow pa.s.sage was left in the middle.

Leandro and Manuel found a seat. Manuel rested his forehead against his palm and was soon asleep; Leandro beckoned to one of the two singers, who were gaily dressed and were conversing with some fat women, and the two singers sat down at his table.

"What'll you have?" asked Leandro.

"Canary-seed for me," answered one of them,--a slender, nervous type with small eyes that were ringed with cosmetics.

"And what's your name?"

"Mine? Maria la Chivato,"

"And that girl's?"

"La Tarugo."

Tarugo, who was a buxom, gipsy-like Malaguena, sat down beside Leandro, and they started a conversation in hushed tones.

The waiter approached.

"Let's have four whiskies," ordered Chivato. "For this chap is going to drink, too," she added, turning to Manuel and seizing his arm.

"Hey, you there, lad!"

"Eh!" exclaimed the boy, waking up without a notion of his whereabouts. "What do you want?"

Chivato burst into laughter.

"Wake up, man, you'll lose your express! Did you come in this afternoon on the mixed train?"

"I came on the ..." and Manuel let loose a stream of obscenity.

Then, in very ugly humour, he began to stare in every direction, making all manner of efforts not to fall asleep.

At a table set aside a man who looked like a horse-dealer was discussing the _flamenco_ song and dance with a cross-eyed fellow bearing every appearance of an a.s.sa.s.sin.

"There's no more artists," the horse-dealer was saying. "Once upon a time folks came here to see Pinto, Canito, the Feos, the Macarronas.... Now what? Now, nothing. Pullets in vinegar."

"That's what," agreed the cross-eyed a.s.sa.s.sin, very seriously.