He had written Vandervelde that he couldn't forego his summer's work, but would probably be in New York that autumn. In the meantime, let Vandervelde look after his interests as usual and see to it that Mrs. Champneys was more adequately and liberally provided for. He forgot to inquire as to the real value of his possessions.

He did say to himself soberly:

"Jingo! This thing sounds like money--as if I were a mighty rich man! I'll have to do something about this!"

But he wasn't overly upset, or even very greatly interested. His real concern had never been money; it had been, like Rousseau's and Millet's, to make the manifestation of life his first thought, to make a man really breathe, a tree really vegitate.

And so he went to the coast, as happy as a school-boy on a holiday.

The sea fascinated him, and the faces of the men who go down to the sea in ships. It was going to be the happiest and most fruitful summer he had known for years. He bade the Hemingways a gay farewell. Mrs. Hemingway, he noted, looked at him speculatively. Her matrimonial plans for him had revived.

He worked gloriously. He ate like a school-boy, and slept like one, dreamlessly. What was happening in the outside world didn't interest him; what he had to do was to catch a little of the immortal and yet shifting loveliness of the world and imprison it on a piece of canvas. He didn't get any of the newspapers. When he smoked at night with his friend the cure, a gentle, philosophic old priest who had known a generation of painter-folk and loved this painter with a fatherly affection, he heard pa.s.sing bits of world gossip. The priest took several papers, and liked to talk over with his artist friend what he had read. It was the priest, pale and perturbed, who told him that war was upon the world. Peter didn't believe it. In his heart he thought that the fear of war with her great neighbor had become a monomania with the French.

"It will be a bad war, the worst war the world has ever known. We shall suffer frightfully: but in the end we shall win," said the cure, walking up and down before his cottage. He fingered his beads as he spoke.

France began to mobilize. And then Peter Champneys realized that the French fear hadn't been so much a monomania as a foreknowledge. The thing stunned him. He wished to protest, to cry out against the monstrousness of what was happening. But his voice was a reed in a hurricane; he was a straw in a gigantic whirlpool. He felt his helplessness acutely.

He couldn't work any more; he couldn't sleep; he couldn't eat. There is a France that artists love more than they may ever love any woman. Peter Champneys knew that France. n.o.body hated and loathed war more than he, born and raised in a land, and among a people, stripped and darkened by it. And that had been but a drop in the bucket, compared with what was now threatening France. He couldn't idly stand by and see that happen! He thought of all that France had given him, all that France meant to him. The faces of all those comrades of the Quartier rose before him; and gently, wistfully appealing, the sweet face of little lost Denise. He packed his paintings finished and unfinished, and went to tell his friend the cure farewell, bending his pagan knees to receive the old man's blessing. The cure, too, was part of that which is the spirit of France.

They were enlisting in the Quartier. Peter was one of very many.

When the preliminaries were pa.s.sed and he had put on the uniform of a private soldier of the republic, he felt rather a fool. He wasn't in the least enthusiastic. There was a thing to be done, and he meant to help in its accomplishment; but he wasn't going to shout over it or pretend that he liked doing it.

When he went to tell Mrs. Hemingway good-by, just before his regiment left, she put her arms around him and kissed him. She was going to stay in Paris, and Emma Campbell would stay in her house.

Emma Campbell had been very silent. She had acute and very unpleasant recollections of one war. She didn't understand what this one was about, but she didn't like it. And when she saw Peter in uniform, saying good-by, going away to get himself killed, maybe, she broke into a whimper:

"Oh, Miss Maria! Oh, Miss Maria! Look at we-all chile! Oh, my Gawd, Miss Maria, we-all 's chile 's gwine to de war!"

Peter put his arm around her shoulder. His face twitched. Emma said in a low voice: "I help Miss Maria wean 'im, en he bit me on de knuckles wid 'is fust toofs. Nevuh had no trouble wid 'im, 'cept to dust 'is britches wunst in a w'ile. Ah, Lawd! I sho did love dat chile! Use to rake chips for de wash-pot fire, en sit roun' en wait for ole Emma Campbell to fix 'is sweet 'taters for 'im. Me en Miss Maria's chile. En now he soldier en gwine to de war! Me en 'im far fum home, en he gwine to de war!" She threw her white ap.r.o.n over her head. Emma hated to have anybody see her cry.

So Peter Champneys went to the war, along with the other artists of France, and was made use of in many curious ways. Presently he was taken out of his squad, and set at other work where the quick and sure eye, and deft, trained hand, of the painter were needed.

He saw unbelievable, unimaginable things, things so unspeakable that his soul seemed to die within him. The word _glory_ made him shudder. There was a duty to do, and he did it to the best of his ability, without noise, without fear. Wherever he looked around him, other men were doing the same thing. Every now and then, after some particularly nightmarish experiences, he would be called out--he himself questioned why--and kissed on both cheeks, and a medal or so would be pinned upon him. He accepted it all politiely, apathetically; it was all a part of the game. And the game itself seemed never-ending. It went on and on, and on.

It seemed to him that he wasn't Peter Champneys the artist any more, the lover of beauty, the man who was to rebuild the house of his forebears, and for whom a great fortune was waiting over there in America. He was just a soul in torment, living his bit of h.e.l.l, hating it with a cold impatience, an incurable anger. One thing only kept him from losing all hope for mankind: at times he had piercing, blinding glimpses of the soul of plain men laid bare. With torment, a humanity larger even than his art was born in him.

At the end of the third year a sniper got him. He was wounded so badly that at first it was thought a leg would have to be amputated.

But even in that hideous welter of the nations, Peter Champneys wasn't unknown. Overburdened and busy as they were, doctors and nurses fought for the life of the American artist. He came to to hear a poilu in his ward praising the saints that it was _his_ hand and not the painter's that had gone, and another say philosophically that if one of two _had_ to be blinded, he was glad M. Champneys's eyes had been saved.

"You will see for us, Monsieur," said he cheerfully. And in his heart Peter swore to himself that he would. He would see for the plain people, the common people of G.o.d.

As soon as he was able to be moved, the Hemingways and Emma Campbell came and took him home. Now, a spirit like his cannot see and hear and know such things as Peter had been experiencing for three years, without showing signs of the conflict. Peter had changed physically as well as spiritually. His face had paled to an ivory tone, the features had a cameo sharpness and purity of outline; cheeks and chin were covered with a heavy, jet-black beard,--as if his countenance were in morning for its lost boyishness. And out of this thin, quiet, black-haired, black-bearded face looked a pair of golden eyes of an almost intolerable clarity. _Don Pedro_ Mrs.

Hemingway called him laughingly, and _El Conquistador_. Secretly, she was immensely proud of him.

Peter didn't recuperate as quickly and completely as had been hoped.

He was weary with an almost hopeless weariness, and Mrs. Hemingway, who watched him with the affection of an older sister, was worried about his condition. She didn't like his apathy. He was as gentle, as considerate, and even more exquisitely sympathetic than of old. But in all things that concerned himself, he was quietly disinterested. She and Hemingway had several long talks. Then Hemingway began to get busy. Presently he suggested, that it might be a very good idea if Peter should go over to America for a while, and look after those interests to which he hadn't given a thought since he had put on a uniform. After all, Hemingway reminded him, his uncle had placed considerable trust in him. It was only fair now that Chadwick Champneys's wishes should come in for at least a little attention, wasn't it?

Peter pondered this idea, and found it just. Besides, he wasn't unwilling to go back to America now that he didn't have to face that girl. He wondered, vaguely, what had become of her. Had she found happiness for herself? He hoped so. Yes, he'd rather like to see New York again. He couldn't be of any further use here now, and he couldn't do his own work, for all inspiration seemed to have left him. He felt empty, arid, useless.

He might just as well act upon Hemingway's suggestion, and find out how things were over there. And after he'd seen Vandervelde, he'd go down south and visit that tiny brown house on the cove, and the River Swamp, and Neptune's old cabin, and the cemetery alongside the Riverton Road. It seemed to him that he smelled the warm, salt-water odors of the coast country again, saw the gray moss swaying in the river breeze, heard a mocking-bird break into sudden song. A homesick longing for Carolina came upon him. Oh, for the flat coast country, the marsh between blue water and blue sky, the swamp bays in flower, a Red Admiral fluttering above a thistle in a corner of an old worm-fence!

Emma Campbell discovered this homesick longing in herself, too. Emma was hideously afraid of the pa.s.sage across, but she was willing to risk it, just to get "over home" once more. She thought of herself sitting in her place in Mount Zion Church, with ole Br'er Shadrach Timmons liftin' up de tune, fat Sist' Mindy Sawyer fanning herself with a palm-leaf fan and swaying back and forth in time to the speretual, and busybody Deacon Williams rolling his eye to see that n.o.body took too long a swallow out of the communion cup he pa.s.sed around. She thought of possum parties, with accompaniments of sweet 'taters and possum gravy. Her lip trembled, tears rolled down her black cheeks. She had been living in the midst of air raids, her ears had been stunned with the roar of _Big Bertha_. Now she nevuh wanted to hear nuttin' louder dan bull-frawg in de river so long as she lived. She was sorry to leave Mrs. Hemingway, for whom she had acquired a great affection. And she had one real grief: Satan had gone to the heaven of black cats, so she couldn't take him back to Carolina. She wouldn't replace the dear, funny, cuddly beastie with a French cat. French cats were amiable animals, very nice in their way, but they weren't, they couldn't be, "we-all's folks" as the Carolina cat had been.

Hemingway arranged everything. And so one morning, Peter Champneys walking with a stick, and old Emma Campbell, stiffly erect and rustling in a black silk frock that Mrs. Hemingway had bought for her, turned their faces to America once more.

Vandervelde, who met them in response to Hemingway's cable, knew Emma Campbell at sight, but failed to recognize in the tall, distinguished, very foreign-looking gentleman, the gangling Peter Champneys he had seen married to Nancy Simms. He kept staring at Peter, and the corners of his mouth curled more than usual. And he liked him, with the instantaneous liking of one large-natured man for another. Vandervelde had never approved of the annulment of the Champneys marriage, although Marcia did. Not even the fact that Anne was going to marry Berkeley Hayden, had been able to convince Vandervelde that the bringing to naught of Chadwick Champneys's plans could be right. And looking at Peter Champneys now, he was more than ever convinced that a mistake had been made. That little gutter-girl, Gracie, had been right about Peter Champneys; and Anne had been wrong.

Vandervelde asked, presently, if Peter wished to see the reporters.

Once they scented him, they would be clamoring at his heels. And then Peter learned to his surprise and annoyance that he was something of a hero and very much of a celebrity. His expression made Vandervelde chuckle. But, the attorney demanded, could a famous artist, a man who for distinguished and unusual service had been decorated by two governments, the heir to the Champneys millions, and one of the figures of a social romance, hope to hide his light under a bushel basket? Nothing doing! He was a figure of international importance, a lion whom the public wanted to hear roar.

Peter shuddered. The thought of being interviewed by one of those New York super-reporters made him feel limp. Couldn't they understand he didn't want to talk? Didn't they understand that those who had really seen, those who knew, weren't doing any talking?

Why,--they couldn't! As for himself, his nerves were rasped raw.

Luckily, Vandervelde understood.

He asked Vandervelde a few perfunctory questions, and learned that things were very much all right. He signed certain papers presented to him. Then he asked abruptly if Mrs. Champneys had been as liberally provided for as she should have been, and learned that Mrs. Champneys had flatly refused to accept a penny more than the actual amount given her by Chadwick Champneys's will. Vandervelde added, after a moment, that he thought Mrs. Champneys intended to remarry. At that Peter looked somewhat surprised. He thought him a bold man who of his own free will ordained to marry Nancy Simms Champneys! He murmured, politely, that he hoped she would be happy, but failed to ask the name of his successor. What was Hecuba to him or he to Hecuba?

He was in Vandervelde's office, then, and the telephone began to ring. Three several times Vandervelde answered the questions where, when, how might the reporter at the other end of the wire get in touch with Mr. Peter Champneys. Had he really returned to New York?

Been decorated several times, hadn't he? What was his latest picture? What were his present and future plans? Could Mr.

Vandervelde give any information? In each case Mr. Vandervelde said he couldn't. He hung up the receiver and looked at the celebrity, who seemed gloomy.

The lawyer was a tower of strength. He started Emma Campbell, who didn't want to linger in New York, on her way to Riverton. Emma wanted to get home as fast as the fastest train could carry her.

But Peter didn't want to go back to Riverton--yet. And then Vandervelde made a suggestion which rather pleased Peter. Why not go to a little place he knew, a quiet and very beautiful place on the Maine coast? Very few people knew of its existence. Vandervelde had stumbled upon it on a motor trip a few years before, and he was rather jealous of his discovery. The people were st.u.r.dy, independent Maine folk, the climate and scenery unsurpa.s.sed; Peter would be well looked after by the old lady to whom Vandervelde would recommend him. And to make perfectly sure that he'd be undisturbed, to drop more completely out of the world and find the rest he needed, why not call himself, say, Mr. Jones, or Mr. Smith, letting Peter Champneys the artist hide for a while behind that homely disguise?

Vandervelde almost stammered in his eagerness. His eyes shone, his face flushed. He leaned across his desk, watching Peter with a curious intensity.

Peter liked the idea of the Maine coast. Sea and forest, open s.p.a.ces, quietude; plain folk going about their own business, letting him go about his. Long days to loaf through, in which to reorganize his existence in accordance with his newer values. Isolation was the balm his spirit craved. Let him have that, let it help him to become his own man again, and he'd be ready to face life and work like a giant refreshed.

"You'll go?" Vandervelde's voice was studiously restrained; he had lowered his lids to hide the eagerness of his eyes.

"I think such a place as you describe is exactly what I need," said Peter.

"I'm quite sure it is. And the sooner you go, the better."

Peter got up and walked around the office. A typewriter was clacking monotonously, the telephone bell was constantly ringing. Peter turned his head restlessly.

Vandervelde had made his suggestion at precisely the right moment.

Peter felt grateful to him. Very nice man, Vandervelde. Kind as he could be, too! One liked and trusted him. Clever of him to have so instantly understood just what Peter most craved!

"I quite agree with you," said Peter. "I'll start to-night."

Vandervelde leaned back in his chair. His heart thumped. He drew a deep breath, the corners of his mouth curling noticeably, and beamed at Peter Champneys through his gla.s.ses. He said aloud, cheerfully, "Well, why not?"

CHAPTER XIX

THE POWER

Grandma Baker's cottage formed the extreme right horn of the crescent that was the village. The middle of the crescent backed up against a hill, the horns dipped toward the sh.o.r.e-line and the water. Near Grandma Baker's front gate were currant bushes, and a path bordered with dahlias and gillyflowers led to the door, which had two stone slabs for steps, and on both sides of which were large lilac bushes,--she called them "lay-locks." Behind the house were apple-trees, and more currant bushes, as well as gooseberries and raspberries. A herb garden grew under her kitchen windows, so that her kitchen and pantry always smelled of thyme and wintergreen, and her bedrooms were fragrant with lavender.

The quiet gentleman to whom she had given an upper room that looked out upon woods and waters, a bit of pasture, a stretch of coast, and a pale blue sky full of sudsy clouds, thought that Mr. Jason Vandervelde's fervent praises hadn't done justice to this bit of untouched Eden tucked away in a bend of the Maine coast. It gave him what his heart craved--beauty, fragrance, stillness. A few weather-beaten old men, digging clams, dragging lobster-pots, or handling a boat. A few quiet women, busy with household affairs. No one to have to talk to. No one to ask him questions. There was but one other visitor in the village, Grandma Baker told him, a young widow,--"a nice common sort of a woman," who was staying up the street with Mis' Thatcher.