The remaining soldiers drove the crowd into the streets.

"Fling the fool on the altar steps. I think he will have a praying fit on him."

His captors cast Robert roughly on the altar steps, where he lay like one dying.

"Now leave me."

The two soldiers went out, the sea-door closed, and Hildebrand and Robert were left alone.

Hildebrand went slowly over to where Robert lay and talked mockingly to him.

"How mulish a woman may be! Here is a great country girl, who has never lain soft nor known cheer, never worn silk and never sported a jewel, and yet when great men scuffle for her, she will rather die than serve them and herself. Yes, friend Diogenes, your sweetheart will be burned as a witch."

Robert lifted his head. "Pray Heaven you lie!" he moaned.

"I am more truthful than an oracle," Hildebrand retorted. "When the wood-wench flouted him, our good King vowed that she should burn for her virtue."

Robert shuddered at the memory of his own words, of his own purpose.

"Oh, God, have mercy on my wicked soul!" he prayed.

Hildebrand mocked him with a false compassion. "Yet all is not lost, friend Diogenes. If your wit saved her before, your valor may save her now."

Robert turned to him again.

"If your heart holds any pity, speak," he entreated, hoping against hope for some leaven of charity in the heart of Hildebrand.

"She can appeal to the ordeal of battle," Hildebrand said, calmly. "And if she finds a champion valiant enough to overthrow the King's man, who shall accuse her, then she is free."

Robert hid his face. "Heaven have pity!" he murmured.

Hildebrand went on unmoved.

"The King has picked me for his champion, and, as you know, I am skilled in arms. But you are a stalwart fellow. Prove yourself the better man and save your paramour."

A crazy thought came into Robert's brain. He had a dagger at his belt; if he could but take Hildebrand unawares and slay him, one danger would be out of Perpetua's path. His hand felt for the handle, held it fast.

He poised his crippled body for a spring, turned swiftly on the altar stairs, and leaped with lifted blade at Hildebrand. But Hildebrand had watched his gesture, divined his thoughts; he caught him as he sprang, by the throat and wrist, and while with the one hand he squeezed so hard that he wellnigh forced the breath from Robert's body, with the other he twisted Robert's wrist so that the knife fell clattering on the flags of the church. Then he tossed Robert, limp and gasping, to the ground.

"Keep your fury for the day of fight," Hildebrand sneered. "See now how easily you could overcome me. Yet you are a trouble to me now, and I think I will kill you, Master Fool!"

Robert did not heed, did not hear his threat. While Hildebrand put his hand to the hilt of his sword and loosened it in its sheath, Robert crawled to the steps of the altar, cowering, with clasped hands.

"God give me back my strength," he prayed. "There is no punishment too heavy for my sin, but for this woman's sake breathe back my manhood into this withered body that I may fight for her. Then cast me unprotesting into hell. Ah!"

Even as he prayed he seemed to feel the breath of a great spirit fill his body with new life, his sinews with new strength, his pulses with new fire. A voice seemed to be calling in his ear, telling him what to do, and he obeyed it as a child obeys its sire. He rose and faced Hildebrand.

"You shall not do this thing," Robert said, and the sound of his voice thrilled him with unspeakable hope.

Hildebrand laughed mockingly.

"Shall I not, rascal? Is it still the King who commands me?" he asked, and his fingers closed tighter upon his sword-hilt.

The voice seemed ever to speak in Robert's ear, and ever Robert obeyed its prompting.

[Illustration: "ROBERT, SWINGING THE CROSS, WITH ONE BLOW BEAT HIM TO THE GROUND"]

"No," he cried. "It is not the King who commands you, but the humblest, the meanest, the unworthiest of mortal men. There is no creature living in the world lowlier than I, yet I command you in the name of that symbol which casts down the mighty, and before which the King and the beggar are alike but a little quickened dust."

Spurred by inspiration he rushed to the altar and clasped his hands around the iron cross. Scarcely to his surprise he found that he could lift the massive symbol like a reed. Poising the cross on high he turned upon Hildebrand.

"Will you set your cross against my sword?" Hildebrand cried. "You shall carry it to hell."

Robert answered with the voice of a strong man.

"The cross against the sword, in the name of God!"

He advanced against Hildebrand with the iron cross raised. Hildebrand drew his great sword and made to strike, but before he could deal a stroke Robert, swinging the cross, with one blow beat him to the ground, and stood over him with the cross raised.

"The cross against the sword," Robert thundered.

Hildebrand, grovelling on the ground like a crushed snake, rolled on one side, felt at the cold stones with his hands futilely for a moment, and then with infinite difficulty propped himself up a little and looked up at Robert.

"You have killed me," he gasped. Fear and wonder questioned in his dying eyes, forced a question from his dying lips. "Who are you?" Even as he asked, an awful look came over his face, he saw and knew. "The King!" he cried, horribly. His hands slipped on the stones, his head struck the floor, he was dead.

Robert dropped on his knees beside the dead man, and spoke softly.

"He hath uplifted the humble."

XVII

IN THE ARENA

The great amphitheatre which Roman craft had planned, which Roman hands had fashioned, lived almost in its integrity in the days of King Robert the Good. He had girdled it with gardens; he had sought to obliterate the memories of its old-time brutalities, its old-time bloodshed, by the institution of kindly sports and gentle pastimes. A populace had laughed innocently, had contested healthily in the place where man had fought with man, where man had fought with beast, where the soil had sucked thirstily the red wine of life. But a good king does not last forever, and a good king's ways are not always inherited, and Syracuse had been fluttered by the rumor that King Robert the Bad intended to surpass the pagans and to make the ancient amphitheatre again the scene of evil deeds. And by way of consecration to its new-old use, a maiden was to be burned by fire in its arena on a charge of sorcery against the King--burned by fire, unless her appeal to the ordeal of battle could find for her between sky and earth any champion doughty enough to overthrow the King's man, the challenger, who stood for the King and accused the girl of witchcraft. And this did not seem likely, for the King was known to have chosen for his champion the strongest, the most skilful swordsman in all Sicily, his dearest friend, his favorite companion, the Lord Hildebrand.

Of the girl herself, whose life stood in such jeopardy, Syracuse knew little. She was the daughter of Theron the executioner; she had lived on the top of a mountain; she had been snared in a church. Certain citizens of Syracuse had seen her in the church, a beautiful white child, with flame-colored hair, who tugged at King Robert's bell and appealed for pity. There was a queer fool, too, mixed up with the business, but he seemed to have disappeared, and really nobody cared very much what had happened to him. What everybody cared for very much, indeed, was the news that there was to be this great show in the ancient amphitheatre: two men fighting for a woman's life, a young man and an old man--for everybody knew, too, that the only champion Perpetua could find was her own father, the executioner Theron--and at the end of the battle a fair maid on a stack of faggots, and then a big blaze. Such a thing had not been seen, had not been heard of in Syracuse for many a long day, and those who heard of it now were resolved, to a man and to a woman, to see it. Not that the citizens of Syracuse were particularly cruel; but in the first place it was a spectacle too novel to miss, and in the second place all Syracuse had been formally summoned, under pain of death, to be present at the event, and to witness the King's vengeance on his enemy.

The day after Perpetua's capture was lovely, even for Syracuse, even for Sicily. The great amphitheatre lay in the soft morning light, a wonder of white curves, beneath great awnings of silk, crimson and gold. All around the orchards and gardens, that the good King had planted, showed cool and green; the subtle odors of many flowers charged the air with sweetness, and the ceaseless lapse of fountains lulled the ear with distant whispers of delight. It were hard to believe that so fair a place, upon so fair a day, could be destined for a scene of trial by bloodshed and punishment by fire. But in the great space of the arena one object stood ominous, to remind the spectator that the reign of Robert the Good was ended. This was a small wooden platform with two steps and an upright beam, the whole painted a glaring scarlet. Round this platform were banked great piles of faggots, sinister witnesses to the work that was to be done ere noon.

The great arena was almost empty. By order of the King, no citizens of Syracuse were to be permitted to enter the royal gardens, through which alone access to the amphitheatre was possible, until the sounding of a trumpet told the city that the hour had come. The great arena was almost empty, but not quite. On one of the lowest tiers of seats an old man sat in an attitude of grief. This man was Theron the executioner.

It had been his duty, as instrument of the King's justice, to make all the preparations for the deed that was to be done that day, and now all was completed and he sat alone and thought bitter thoughts. The child of his life was in peril, the beautiful Perpetua, so dear to him for herself, so dear in reincarnating for him the great love and the great sorrow of his manhood. Only one moon ago their life had been as it had ever been, tranquil, happy, a companionship of peace and joy. And now this beloved child, this dear companion, lay a prisoner under the terrible charge of sorcery, and in the ordeal of battle which was to decide her fate the only arm that could be found to champion her was her father's arm, the arm of an old man against the arm of the most brilliant swordsman in Sicily. Theron remembered with a pang the ease and grace with which Hildebrand had wielded the great sword of the headsman on that unhappy morning, and he asked himself, despairingly, what hope there could be for him against such an adversary.

Out from an archway in the side of the amphitheatre, a dark archway that opened from the corridor leading to the cells where prisoners used to be confined, and where Perpetua was now confined, Hieronymus came forth.

He saw Theron where he sat, and advancing towards him rested his hand on his shoulder and named his name.