'We've lost our wings. We crawl about. We never dance now, or sing, or----' He broke off abruptly. He felt the other portion of himself, so long hidden, coming to the surface; and he was aware that it went after his daughter. He was a little afraid of it--felt giddy. Her voice in the distance sounded like a lark's, the lilt of her curious little song had an echo of the open air in it, her tread brought back the tripping of the wagtail along the river's bank. 'We never get out now,' he finished the sentence, 'we never get out. Earth smothers us. We want air!'

Mrs. Wimble watched him a moment with frightened eyes. He was standing on tiptoe, holding the tails of his coat in his hands as though he was about to do something very unusual--something foolish and ridiculous, she thought. He seemed about to dance, to rise, almost to fly up to the ceiling. She felt uneasy, hot--a little ashamed.

'We can go out more, dear, if you think it wise,' she said cautiously, moving a little further away. 'It's the expense--I always thought----'

Her husband stared at her a moment dumbly. He seemed to be listening.

In his heart a little, forgotten song crept back, answering the singing of the girl. Then, dropping upon his heels again, he said patiently in a soothing tone:

'There, there, Mother! Forgive me if I frightened you. I was only pretending we were young again. That old bird thing--bird-magic--came over me for a moment. The girl's singing did it, I suppose. Something ageless in me got the upper hand . . .'

He took her hand and comforted her. 'Steady, Joe,' she said, horribly puzzled, 'she is a bit flighty, I know.'

'But we will go out more,' he went on more normally again, adopting her meaning perfectly. 'Bother the expense! We'll go out this very night and take the child with us. We'll dine out, my dear. I'll take you to a West End restaurant!'

CHAPTER IV

For Joan certainly was no ordinary girl; some called her backward, some considered her deficient, but all agreed that she was singular.

Yet all liked her. Tall, slim and fair, with plenty of golden hair and eyes of merry brightness, she was out of the common in an attractive sort of way. Tom, her brother, with the mind of a solicitor's clerk, looked down upon her; her mother, fond, conventional, socially ambitious, despaired of her; her father alone held the opinion, 'There's something in that girl. She's always herself. But town-life over-weights and hides her; and in the end will suffocate. It'll snuff her out. She's meant for country.' He was aware of something unusually real in her. They were great friends. 'I want more air,' she had said once. 'In a field or garden I'd grow enormous like a bean plant. In these streets I'm just a stone squashed down by crowds. I'm in a hole and can't breathe. I prefer a fewity.' Even her words were her own like this. 'I'd like room to dance in. Life is a dance. I'd learn it in a field. I'd be a bird girl.' s.p.a.ce was her need, for mind as well as body.

It was her father's secret ambition too: a cottage, a garden with things that grew silently into beauty, flowers, vegetables, plants; sweet laughing winds; the rush of living rain at midnight; water to drink from a deep, cool spring instead of from metal pipes; a large, inviting horizon in which a man might lose himself; and above all--birds.

'After a month in real private country--loose country, talking, dancing, running country----' She paused.

'Liquid, fluid, as it were,' he put in, delighted.

'Yes, deep and clear as a river,' she went on, 'in country like that, do you know what'd happen to me, father, after a few months of waiting?'

'I know, but I can't quite say,' he answered. 'Tell me, child, for I'd love to hear your own description.'

'I'd fly,' was her answer. 'Everything in me would fly about like a bird, picking up things, and all over the place at once without a plan--a fixed, heavy plan like a street or square in London here--and yet getting on all the time--getting further.'

'And how would you learn, dear?'

'Birds,' she laughed. 'There's bird-teaching, I'm sure.' She flitted across to another chair as she said it. She came closer to her father, who was listening with both ears, watching, drinking in something he had known long ago and then forgotten. '_You_ know all about it, Daddy.

You needn't pretend.'

'You're rather like one, d'you know,' he smiled. 'Like a bird, I mean.'

He thought of a dabchick that hides so cleverly no one can put it up-- then, suddenly, is there, close at hand.

She was perched on his knee before he knew it. Her small voice twittered on into his ear. Something about her sparkled, flashed and vanished, and it reminded him of sunshine on swift-fluttering wings through the speckled shade of an orchard. She darted, whirred, and came to rest. He stroked her.

'Father, you know everything before I say it,' she went on, her face shining with happiness that made her almost beautiful. 'If I could only live like a bird, I could _live_. Here it's all a big, stuffy cage.'

She flitted to the window, pointing to roofs and walls and chimney-pots, black with grime. The same instant she was back again upon his knees.

'To live like a bird is to be alive all over, I'm sure, I'm sure.

I know it. It's all routing here.'

Whether she meant rotten, routine, or living in a rut, he did not ask.

He felt her meaning.

'There's a nest in a garden waiting for us somewhere,' he said, living the dream with her in his heart. 'And it's got an orchard, high deep gra.s.s, wild flowers, hills in the distance, with a tremendous sky where the winds go tearing about like the flight of birds. And a stream that ripples and sings and shines. All alive, I mean, and always moving. They say the country's stagnation. It isn't. It's a perfect rush----'

'Of course,' she put in. 'Oh, father, think hard about that place, and we'll attract it nearer and nearer, till in the end we drop into it and grow like----'

'Beans,' he laughed.

'Birds,' she rippled, and hopped from his knee across the room, and was down the pa.s.sage and out of sight before he could draw another breath.

There was something alert as lightning in the girl. She woke a similar thing in him, too. It had nothing to do with brain as intellect, or with reason, or with knowledge in the ordinary sense the world gives to these words. But it had to do, he dimly felt, with another bigger thing that was everywhere and in everything. Joan shared it, brought it nearer; it was universal. What that bigger thing might be perplexed him. He was aware that it drove past, alertness in so huge a thing conveying the impression of vast power. There was grandeur in it somewhere, poise, dignity, beauty; yet this subtle alertness too, and this swift protean sparkle. It was towering as a night of stars, alluring as a peeping wildflower, but prodigious also as though all the oceans flowed suddenly between narrow banks in a flood of clearest water, very rapid, terrifyingly deep. For a robe it wore the l.u.s.trous colouring of untold age. His imagery, when he tried to visualise it, grew mixed. He called it Experience. But sometimes he told himself he knew its Christian name-- its familiar, little, intimate nickname--and that was Wisdom.

And so he was rather glad that Joan, like himself, was but half educated; that she was backward, and that he knew, relatively, only the outsides of books. For facts, he vaguely felt, might come between them and this august yet precious thing they knew together. Birds could teach it, but Ornithology hid it.

Lately, however, as his wife divined, he had been dipping in between the covers of the goods he travelled in. Caught by the bait of several drugging t.i.tles, he had nibbled--in the train, in waiting-rooms, in the 'parlours' of commercial hotels where he put up for the night.

He had found names and descriptions of various things, but they were the names and descriptions given by others to their own sensations.

The ordered cla.s.sification merely developed snapshots. He recognised photographs of dead things that he knew must be somewhere--alive.

The names made stationary what ought to dance along with incessant movement. Only he did not realise this until he saw the photographs.

The alleged accuracy of a photograph was an insolent falsehood, pretending that what was alive was dead, that what rushed was stationary. Dogs and savages cannot recognise the photographs of their masters.

The resemblance has to be taught. Everything flows, his shilling _Herac.l.i.tus_ told him. He had always known it. Birds taught it.

Joan lived it. To cla.s.sify was to photograph--a prevarication.

To publish a snapshot of a jumping horse was to teach what is not true.

Definitions were trivial and absurd, for what was true to-day was false to-morrow. The sole value of names, of cla.s.sification, of photographing lay in stopping life for an instant so that its flow might be realised--as a momentary stage in an incessant process. And he looked at a group of acquaintances his wife had 'Kodaked' ten days ago, and realised with delight how they all had rushed away, torn on ahead, lived, since she had told that insignificant lie in black and white about them.

Joan, catching him in the act of destroying it, had said, 'I know why you're doing that, father.'

'Why?' he asked, half ashamed and half surprised.

'Because you don't want to stop them,' was her answer, 'and because it wasn't fair of mother to catch them in the act like that. It wasn't all.'

And as he stared at her curious peeping face, she came quickly up to him, saying pa.s.sionately, imploringly:

'Oh, do let's get into the country soon, and live along with it, and grow and know things. I feel so stuck still here, and always caught-in-the-act like that photo. It's so dead. It's a toad of a place! The streets are all nailed down on to the ground. In the country they run about----'

He interrupted her on purpose:

'But in a city life is supposed to be much richer than in the country,' he said. 'You know that?'

'It goes round and round like a circle, though; it doesn't go _on_.

I'm living other people's lives here. I want to live my own. Everybody here lives the same thing over and over again till they get so hot they get ill. I want to be cool and naked like a fern. Here I'm being photographed all day long. Every man who looks at me takes a photograph.

Oh, father, I'm so tired of it. Do let's go soon and live hoppily like the birds.'

'You mean happily?' he asked, laughing with her.

'It's the same thing,' she laughed back, 'it's like wings or running water--always going wherever they are----

[Transcriber's note: Here 8 bars of a musical score accompany 6 lines of verse]