And with a piece of bread and b.u.t.ter in one hand, from which he took occasional hurried bites, and the other raised in appropriate varying gesticulation, Fritzing read portions of the Persae of aeschylus to her, first in Greek for the joy of his own ear and then translating it into English for the edification of hers. He, at least, was off after the first line, sailing golden seas remote and glorious, places where words were lovely and deeds heroic, places most beautiful and brave, most admirably, most restfully unlike Creeper Cottage. He rolled out the sentences, turning them on his tongue, savouring them, reluctant to let them go. She sat looking at him, wondering how he could possibly even for an instant forget the actual and the present.

"'Xerxes went forth, Xerxes perished, Xerxes mismanaged all things in the depths of the sea--'" declaimed Fritzing.

"He must have been like us," murmured Priscilla.

"'O for Darius the scatheless, the protector! No woman ever mourned for deed of his--'"

"What a nice man," sighed Priscilla. "'O for Darius!'"

"Ma'am, if you interrupt how can I read? And it is a most beautiful pa.s.sage."

"But we do want a Darius badly," moaned Priscilla.

"'The ships went forth, the grey-faced ships, like to each other as bird is to bird, the ships and all they carried perished, the ships perished by the hand of the Greeks. The king, 'tis said, escapes, but hardly, by the plains of Thrace and the toilsome ways, and behind him he leaves his first-fruits--sailors unburied on the sh.o.r.es of Salamis.

Then grieve, sting yourselves to grief, make heaven echo, howl like dogs for the horror, for they are battered together by the terrible waters, they are shredded to pieces by the voiceless children of the Pure. The house has no master--'"

"Fritzi, I wish you'd leave off," implored Priscilla. "It's quite as gloomy as anything I was thinking."

"But ma'am the difference is that it is also beautiful, whereas the gloom at present enveloping us is mere squalor. 'The voiceless children of the Pure--' how is that, ma'am, for beauty?"

"I don't even know what it means," sighed Priscilla.

"Ma'am, it is an extremely beautiful manner of alluding to fish."

"I don't care," said Priscilla.

"Ma'am, is it possible that the blight of pa.s.sing and outward circ.u.mstance has penetrated to and settled upon what should always be of a sublime inaccessibility, your soul?"

"I don't care about the fish," repeated Priscilla listlessly. Then with a sudden movement she pushed back her chair and jumped up. "Oh,"

she cried, beating her hands together, "don't talk to me of fish when I can't see an inch--oh not a single inch into the future!"

Fritzing looked at her, his finger on the page. Half of him was still at the bottom of cla.s.sic seas with the battered and shredded sailors.

How much rather would he have stayed there, have gone on reading aeschylus a little, have taken her with him for a brief s.p.a.ce of serenity into that moist refuge from the hara.s.sed present, have forgotten at least for one morning the necessity, the dreariness of being forced to face things, to talk over, to decide. Besides, what could he decide? The unhappy man had no idea. Nor had Priscilla. To stay in Symford seemed impossible, but to leave it seemed still more so. And sooner than go back disgraced to Kunitz and fling herself at paternal feet which would in all probability immediately spurn her, Priscilla felt she would die. But how could she stay in Symford, surrounded by angry neighbours, next door to Tussie, with Robin coming back for vacations, with Mrs. Morrison hating her, with Lady Shuttleworth hating her, with Emma's father hating her, with the blood of Mrs. Jones on her head? Could one live peacefully in such an accursed place? Yet how could they go away? Even if they were able to compose their nerves sufficiently to make new plans they could not go because they were in debt.

"Fritzi," cried Priscilla with more pa.s.sion than she had ever put into speech before, "life's too much for me--I tell you life's too much for me!" And with a gesture of her arms as though she would sweep it all back, keep it from surging over her, from choking her, she ran out into the street to get into her own room and be alone, pulling the door to behind her for fear he should follow and want to explain and comfort, leaving him with his aeschylus in which, happening to glance sighing, he, enviable man, at once became again absorbed, and running blindly, headlong, as he runs who is surrounded and accompanied by a swarm of deadly insects which he vainly tries to out-distance, she ran straight into somebody coming from the opposite direction, ran full tilt, was almost knocked off her feet, and looking up with the impatient anguish of him who is asked to endure his last straw her lips fell apart in an utter and boundless amazement; for the person she had run against was that Prince--the last of the series, distinguished from the rest by his having quenched the Grand Duke's irrelevant effervescence by the simple expedient of saying Bosh--who had so earnestly desired to marry her.

XXIII

"Hullo," said the Prince, who spoke admirable English.

Priscilla could only stare.

His instinct was to repeat the exclamation which he felt represented his feelings very exactly, for her appearance--clothes, expression, everything--astonished him, but he doubted whether it would well bear repeating. "Is this where you are staying?" he inquired instead.

"Yes," said Priscilla.

"May I come in?"

"Yes," said Priscilla.

He followed her into her parlour. He looked at her critically as she walked slowly before him, from head to foot he looked at her critically; at every inch of the shabby serge gown, at the little head with its badly arranged hair, at the little heel that caught in an unmended bit of braid, at the little shoe with its bow of frayed ribbon, and he smiled broadly behind his moustache. But when she turned round he was perfectly solemn.

"I suppose," said the Prince, putting his hands in his pockets and gazing about the room with an appearance of cheerful interest, "this is what one calls a snug little place."

Priscilla stood silent. She felt as though she had been shaken abruptly out of sleep. Her face even now after the soul-rending time she had been having, in spite of the shadows beneath the eyes, the droop at the corners of the mouth, in spite, too, it must be said of the flagrantly cottage fashion in which Annalise had done her hair, seemed to the Prince so extremely beautiful, so absolutely the face of his dearest, best desires, so limpid, apart from all grace of colouring and happy circ.u.mstance of feature, with the light of a sweet and n.o.ble nature, so manifestly the outward expression of an indwelling lovely soul, that his eyes, after one glance round the room, fixed themselves upon it and never were able to leave it again.

For a minute or two she stood silent, trying to collect her thoughts, trying to shake off the feeling that she was being called back to life out of a dream. It had not been a dream, she kept telling herself--bad though it was it had not been a dream but the reality; and this man dropped suddenly in to the middle of it from another world, he was the dream, part of the dream she had rebelled against and run away from a fortnight before.

Then she looked at him, and she knew she was putting off her soul with nonsense. Never was anybody less like a dream than the Prince; never was anybody more squarely, more certainly real. And he was of her own kind, of her own world. He and she were equals. They could talk together plainly, baldly, a talk ungarnished and unr.e.t.a.r.ded by deferences on the one side and on the other a kindness apt to become excessive in its anxiety not to appear to condescend. The feeling that once more after what seemed an eternity she was with an equal was of a singular refreshment. During those few moments in which they stood silent, facing each other, in spite of her efforts to keep it out, in spite of really conscientious efforts, a great calm came in and spread over her spirit. Yet she had no reason to feel calm she thought, struggling. Was there not rather cause for an infinity of shame? What had he come for? He of all people. The scandalously jilted, the affronted, the run away from. Was it because she had been looking so long at Fritzing that this man seemed so nicely groomed? Or at Tussie, that he seemed so well put together? Or at Robin, that he seemed so modest? Was it because people's eyes--Mrs. Morrison's, Lady Shuttleworth's--had been so angry lately whenever they rested on her that his seemed so very kind? No; she did remember thinking them that, even being struck by them, when she saw him first in Kunitz. A dull red crept into her face when she remembered that day and what followed. "It isn't very snug," she said at last, trying to hide by a careful coldness of speech all the strange things she was feeling.

"When it rains there are puddles by the door. The door, you see, opens into the street."

"I see," said the Prince.

There was a silence.

"I don't suppose you really do," said Priscilla, full of strange feelings.

"My dear cousin?"

"I don't know if you've come to laugh at me?"

"Do I look as if I had?"

"I dare say you think--because you've not been through it yourself--that it--it's rather ridiculous."

"My dear cousin," protested the Prince.

Her lips quivered. She had gone through much, and she had lived for two days only on milk.

"Do you wipe the puddles up, or does old Fritzing?"

"You see you _have_ come to laugh."

"I hope you'll believe that I've not. Must I be gloomy?"

"How do you know Fritzing's here?"

"Why everybody knows that."

"Everybody?" There was an astonished pause. "How do you know we're here--here, in Creeper Cottage?"

"Creeper Cottage is it? I didn't know it had a name. Do you have so many earwigs?"

"How did you know we were in Symford?"