Mrs. Heath called out in severe accents which were a reproof and a warning: "Got a sweetbread, Robert? It's for Mrs. Maldon."

The clumsy fool understood that he had blundered.

He had no sweetbread--not even for Mrs. Maldon. The cutlets were wrapped in newspaper, and Louis rather self-consciously opened the maw of the reticule for them.

"No offence, I hope, sir," said Heath as the pair left the shop, thus aggravating his blunder. Louis and Rachel crossed Duck Bank in constrained silence. Rachel was scarlet. The new cinema next to the new Congregational chapel blazed in front of them.

"Wouldn't care to look in here, I suppose, would you?" Louis imperturbably suggested.

Rachel did not reply.

"Only for a quarter of an hour or so," said Louis.

Rachel did not venture to glance up at him. She was so agitated that she could scarcely speak.

"I don't think so," she muttered.

"Why not?" he exquisitely pleaded. "It will do you good."

She raised her head and saw the expression of his face, so charming, so provocative, so persuasive. The voice within her was insistent, but she would not listen to it. n.o.body had ever looked at her as Louis was looking at her then. The streets, the town faded. She thought: "Whatever happens, I cannot withstand that face." She was feverishly happy, and at the same time ravaged by both pain and fear. She became a fatalist. And she abandoned the pretence that she was not the slave of that face. Her eyes grew candidly acquiescent, as if she were murmuring to him, "I am defenceless against you."

III

It was not surprising that Rachel, who never in her life had beheld at close quarters any of the phenomena of luxury, should blink her ingenuous eyes at the blinding splendour of the antechambers of the Imperial Cinema de Luxe. Eyes less ingenuous than hers had blinked before that prodigious dazzlement. Even Louis, a man of vast experience and sublime imperturbability, visiting the Imperial on its opening night, had allowed the significant words to escape him, "Well, I'm blest!"--proof enough of the triumph of the Imperial!

The Imperial had set out to be the most gorgeous cinema in the Five Towns; and it simply was. Its advertis.e.m.e.nts read: "There is always room at the top." There was. Over the ceiling of its foyer enormous crimson peonies expanded like tropic blooms, and the heart of each peony was a sixteen-candle-power electric lamp. No other two cinemas in the Five Towns, it was reported, consumed together as much current as the Imperial de Luxe; and n.o.body could deny that the degree of excellence of a cinema is finally settled by its consumption of electricity.

Rachel now understood better the symbolic meaning of the glare in the sky caused at night by the determination of the Imperial to make itself known. She had been brought up to believe that, gas being dear, no opportunity should be lost of turning a jet down, and that electricity was so dear as to be inconceivable in any house not inhabited by cra.s.s spendthrift folly. She now saw electricity scattered about as though it were as cheap as salt. She saw written in electric fire across the inner entrance the beautiful sentiment, "Our aim is to please YOU." The "you" had two lines of fire under it.

She saw, also, the polite nod of the official, dressed not less glitteringly than an Admiral of the Fleet in full uniform, whose sole duty in life was to welcome and rea.s.sure the visitor. All this in Bursley, which even by Knype was deemed an out-of-the-world spot and home of sordid decay! In Hanbridge she would have been less surprised to discover such marvels, because the flaunting modernity of Hanbridge was notorious. And her astonishment would have been milder had she had been in the habit of going out at night. Like all those who never went out at night, she had quite failed to keep pace with the advancing stride of the Five Towns on the great road of civilization.

More impressive still than the extreme radiance about her was the easy and superb gesture of Louis as, swinging the reticule containing pineapple, cocoa, and cutlets, he slid his hand into his pocket and drew therefrom a coin and smacked it on the wooden ledge of the ticket-window--gesture of a man to whom money was naught provided he got the best of everything. "Two!" he repeated, with slight impatience, bending down so as to see the young woman in white who sat in another world behind gilt bars. He was paying for Rachel! Exquisite experience for the daughter and sister of Fleckrings! Experience unique in her career! And it seemed so right and yet so wondrous, that he should pay for her!... He picked up the change, and without a glance at them dropped the coins into his pocket. It was a glorious thing to be a man! But was it not even more glorious to be a girl and the object of his princely care?... They pa.s.sed a heavy draped curtain, on which was a large card, "Tea-Room," and there seemed to be celestial social possibilities behind that curtain, though indeed it bore another and smaller card: "Closed after six o'clock"--the result of excessive caution on the part of a kill-joy Town Council. A boy in the likeness of a midshipman took halves of the curving tickets and dropped them into a tin box, and then next Rachel was in a sudden black darkness, studded here and there with minute glowing rubies that revealed the legend: "Exit. Exit. Exit."

Row after row of dim, pale, intent faces became gradually visible, stretching far back-into complete obscurity; thousands, tens of thousands of faces, it seemed--for the Imperial de Luxe was demonstrating that Sat.u.r.day night its claim to be "the fashionable rage of Bursley." Then mysterious laughter rippled in the gloom, and loud guffaws shot up out of the rippling. Rachel saw nothing whatever to originate this mirth until an attendant in black with a tiny white ap.r.o.n loomed upon them out of the darkness, and, beckoning them forward, bent down, and indicated two empty places at the end of a row, and the great white scintillating screen of the cinema came into view. Instead of being at the extremity it was at the beginning of the auditorium. And as Rachel took her seat she saw on the screen--which was scarcely a dozen feet away--a man kneeling at the end of a ca.n.a.l-lock, and sucking up the water of the ca.n.a.l through a hose-pipe; and this astoundingly thirsty man drank with such rapidity that the water, with huge boats floating on it, subsided at the rate of about a foot a second, and the drinker waxed enormously in girth. The laughter grew uproarious. Rachel herself gave a quick, uncontrolled, joyous laugh, and it was as if the laugh had been drawn out of her violently unawares. Louis Fores also laughed very heartily.

"Cute idea, that!" he whispered.

When the film was cut off Rachel wanted to take back her laugh. She felt a little ashamed of having laughed at anything so silly.

"How absurd!" she murmured, trying to be serious.

Nevertheless she was in bliss. She surrendered herself to the joy of life, as to a new sensation. She was intoxicated, ravished, bewildered, and quite careless. Perhaps for the first time in her adult existence she lived without reserve or preoccupation completely in and for the moment. Moreover the hearty laughter of Louis Fores helped to restore her dignity. If the spectacle was good enough for him, with all his knowledge of the world, to laugh at, she need not blush for its effect on herself. And in another ten seconds, when the swollen man, staggering along a wide thoroughfare, was run down by an automobile and squashed flat, while streams of water inundated the roadway, she burst again into free laughter, and then looked round at Louis, who at the same instant looked round at her, and they exchanged an intimate smiling glance. It seemed to Rachel that they were alone and solitary in the crowded interior, and that they shared exactly the same tastes and emotions and comprehended one another profoundly and utterly; her confidence in him, at that instant, was absolute, and enchanting to her. Half a minute later the emaciated man was in a room and being ecstatically kissed by a most beautiful and sweetly shameless girl in a striped shirtwaist; it was a very small room, and the furniture was close upon the couple, giving the scene an air of delightful privacy. And then the scene was blotted out and gay music rose lilting from some unseen cave in front of the screen.

Rachel was rapturously happy. Gazing along the dim rows, she descried many young couples, without recognizing anybody at all, and most of these couples were absorbed in each other, and some of the girls seemed so elegant and alluring in the dusk of the theatre, and some of the men so fine in their manliness! And the ruby-studded gloom protected them all, including Rachel and Louis, from the audience at large.

The screen glowed again. And as it did so Louis gave a start.

"By Jove!" he said, "I've left my stick somewhere. It must have been at Heath's. Yes, it was. I put it on the counter while I opened this net thing. Don't you remember? You were taking some money out of your purse." Louis had a very distinct vision of his Rachel's agreeably gloved fingers primly unfastening the purse and choosing a shilling from it.

"How annoying!" murmured Rachel feelingly.

"I wouldn't lose that stick for a five-pound note." (He had a marvellous way of saying "five-pound note.") "Would you mind very much if I just slip over and get it, before he shuts? It's only across the road, you know."

There was something in the politeness of the phrase "mind _very much_" that was irresistible to Rachel. It caused her to imagine splendid drawing-rooms far beyond her modest level, and the superlative deportment therein of the well-born.

"Not at all!" she replied, with her best affability. "But will they let you come in again without paying?"

"Oh, I'll risk that," he whispered, smiling superiorly.

Then he went, leaving the reticule, and she was alone.

She rearranged the reticule on the seat by her side. The reticule being already perfectly secure, there was no need for her to touch it, but some nervous movement was necessary to her. Yet she was less self-conscious than she had been with Louis at her elbow. She felt, however, a very slight sense of peril--of the unreality of the plush fauteuil on which she sat, and those rows of vaguely discerned faces on her right; and the reality of distant phenomena such as Mrs. Maldon in bed. Notwithstanding her strange and ecstatic experiences with Louis Fores that night in the dark, romantic town, the problem of the lost money remained, or ought to have remained, as disturbing as ever.

To ignore it was not to destroy it. She sat rather tight in her place, increasing her primness, and trying to show by her carriage that she was an adult in full control of all her wise faculties. She set her lips to judge the film with the cold impartiality of middle age, but they persisted in being the fresh, responsive, mobile lips of a young girl. They were saying noiselessly: "He will be back in a moment.

And he will find me sitting here just as he left me. When I hear him coming I shan't turn my head to look. It will be better not."

The film showed a forest with a wooden house in the middle of it. Out of this house came a most adorable young woman, who leaped on to a glossy horse and galloped at a terrific rate, plunging down ravines, and then trotting fast over the crests of clearings. She came to a man who was boiling a kettle over a camp-fire, and slipped lithely from the horse, and the man, with a start of surprise, seized her pretty waist and kissed her pa.s.sionately, in the midst of the immense forest whose every leaf was moving. And she returned his kiss without restraint. For they were betrothed. And Rachel imagined the free life of distant forests, where love was, and where slim girls rode mettlesome horses more easily than the girls of the Five Towns rode bicycles. She could not even ride a bicycle, had never had the opportunity to learn. The vision of emotional pleasures that in her narrow existence she had not dreamed of filled her with mild, delightful sorrow. She could conceive nothing more heavenly than to embrace one's true love in the recesses of a forest.... Then came crouching Indians.... And then she heard Louis Fores behind her. She had not meant to turn round, but when a hand was put heavily on her shoulder she turned quickly, resenting the contact.

"I should like a word with ye, if ye can spare a minute, young miss,"

whispered a voice as heavy as the hand. It was old Thomas Batchgrew's face and whiskers that she was looking up at in the gloom.

As if fascinated, she followed in terror those flaunting whiskers up the slope of the narrow isle to the back of the auditorium. Thomas Batchgrew seemed to be quite at home in the theatre; he wore no hat and there was a pen behind his ear. Never would she have set foot inside the Imperial de Luxe had she guessed that Thomas Batchgrew was concerned in it. She thought she had heard once, somewhere, that he had to do with cinemas in other parts of the country, but it would not have occurred to her to connect him with a picture-palace so near home. She was not alone in her ignorance of the councillor's share in the Imperial. Practically n.o.body had heard of it until that night, for Batchgrew had come into the new enterprise by the back door of a loan to its promoters, who were richer in ideas than in capital; and now, the harvest being ripe, he was arranging, by methods not unfamiliar to capitalists, to reap where he had not sown.

Shame and fear overcame Rachel. The crystal dream was shivered to dust. Awful apprehension, the expectancy of frightful events, succeeded to it. She perceived that since the very moment of quitting the house the dread of some disaster had been pursuing her; only she had refused to see it--she had found oblivion from it in the new and agitatingly sweet sensations which Louis Fores had procured for her.

But now the real was definitely sifted out from the illusory. And nothing but her own daily existence, as she had always lived it, was real. The rest was a snare. There were no forests, no pa.s.sionate love, no flying steeds, no splendid adorers--for her. She was Rachel Fleckring and none else.

Councillor Batchgrew turned to the left, and through a small hole in the painted wall Rachel saw a bright beam shooting out in the shape of a cone--forests, and the unreal denizens of forests shimmering across the entire auditorium to impinge on the screen! And she heard the steady rattle of a revolving machine. Then Batchgrew beckoned her into a very small, queerly shaped room furnished with a table and a chair and a single electric lamp that hung by a cord from a rough hook in the ceiling. A boy stood near the door holding three tin boxes one above another in his arms, and keeping the top one in position with his chin. These boxes were similar to that in which Louis' tickets had been dropped.

"Did you want your boxes, sir?" asked the boy.

"Put 'em down," Thomas Batchgrew growled.

The boy deposited them in haste on the table and hurried out.

"How is Mrs. Maldon?" demanded Mr. Batchgrew with curtness, after he had snorted and sniffed. He remained standing near to Rachel.

"Oh, she's very much better," said Rachel eagerly. "She was asleep when I left."

"Have ye left her by herself?" Mr. Batchgrew continued his inquiry.

His voice was as offensive as thick dark glue.

"Of course not! Mrs. Tams is sitting up with her." Rachel meant her tone to be a dignified reproof to Thomas Batchgrew for daring to a.s.sume even the possibility of her having left Mrs. Maldon to solitude. But she did not succeed, because she could not manage her tone. She desired intensely to be the self-possessed, mature woman, sure of her position and of her sagacity; but she could be nothing save the absurd, guilty, stammering, blushing little girl, shifting her feet and looking everywhere except boldly into Thomas Batchgrew's horrid eyes.

"So it's Mrs. Tams as is sitting with her!"

Rachel could not help explaining--

"I had to come down town to do some shopping for Sunday. Somebody had to come. Mr. Fores had called in to ask after Mrs. Maldon, and so he walked down with me." Every word she said appeared intolerably foolish to her as she uttered it.