At the other end a broader road with tram-lines crossed. The house was built by itself, back from the highway, with a tiny drive and some dark laurels. It was always gloomy and apparently unkept. The autumn leaves were dull and sodden upon the drive; the bell and knocker upon the heavy door, from which the paint was worn in places, were rusty. No sound came from the little road beyond.

The place seemed absolutely without life. Olva now, as he sent the bell pealing through the pa.s.sages, knew that this dark desertion had an effect upon his nerves. A week ago he would not have noticed the place at all--now he longed for lights and noise and company. He had played foot-ball that afternoon better than ever before; that, too, had been a defence, almost a protest, an a.s.sertion of his right to live.

As he waited his thoughts pursued him. He had heard them say to-night that no clue had been discovered, that the police were entirely at a loss. It was impossible to trace foot-marks amongst all that undergrowth. No one had been seen in that direction during the hours when the murder must have been committed . . . so on--so on . . . all this talk, this discussion. The wretched man was dead--no one would miss him--no one cared--leave him alone, leave him alone. Olva pulled the bell again furiously. Why couldn't they come? He wanted to escape from this dark and dismal drive; these hanging laurels, the cold little road, with its chilly lamps. An old and tottering woman, her nose nearly touching her chin and her fingers in black mittens, opened at last and led Olva into the very blackest and closest little hall that he had ever encountered. The air was thick and musty with a strangely mingled smell of burning wood, of faded pot-pourri, of dried skins. The ceiling was low and black, and the only window was one of a dull red gla.s.s that glimmered mournfully at a distance. The walls were hung with the strangest things, prizes apparently that the late Dr. Craven had secured in China--grinning heathen G.o.ds, uncouth weapons, dried skins of animals. Out of this dark little hall Olva was led into a drawing-room that was itself nearly as obscure. Here the ceiling was higher, but the place square and dark; a deep set stone fireplace in which logs were burning was the most obvious thing there. For the rest the floor seemed littered with old twisted tables, odd chairs with carved legs, here a plate with sea sh.e.l.ls, here a gla.s.s case with some pieces of ribbon, old rusty coins, silver ornaments. There were many old prints upon the walls, landscapes, some portraits, and stuck here and there elaborate arrangements of silk and ribbon and paper fans and coloured patterns.

Opposite the dark diamond-paned window was an old gilt mirror that seemed to catch all the room into its dusty and faded reflections, and to make what was old and tattered enough already, doubly dreary. The room had the close and musty air of the hall as though windows were but seldom opened; there was a scent as though oranges had recently been eaten there.

At first Olva had thought that he was alone in the room; then when his eyes had grown more accustomed to the light he saw, sitting in a high-backed chair, motionless, gazing into the fire, with her fine white hands lying in her lap, a lady. She reminded him, in that first vision of her, of "Phiz's" pictures of Mrs. Clennam in _Little Dorrit_, and always afterwards that connection remained with him. Her thin, spare figure had something intense, almost burning, in its immobility, in the deep black of her dress and hair, in the white sharpness of the outline of her face.

How admirably, it seemed to him, she suited that room. She too may have thought as she turned slowly to look at him that he fitted his background, with the spare dignity of his figure, his fine eyes, the black and white contrast of his body so that his cheeks, his hands, seemed almost to shine against the faded air. It is certain that they recognized at once some common ground so that they met as though they had known one another for many years. The old minor caught for a moment the fine gravity and silence of his approach to her as he waited for her to greet him.

But before she could speak to him the door had opened and Margaret Craven entered. In her gravity, her silence, she seemed at once to claim kinship with them both. She had the black hair, the pale face, the sharp outline of her mother. As she came quietly towards them her reserve was wonderful, but there was tenderness in the soft colour of her eyes, in the lines of her mouth that made her also beautiful. But beyond the tenderness there was also an energy that made every move seem like an attack. In spite of her reserve there was impatience, and Olva's first judgment of her was that the last thing in the world that she could endure was muddle; she shone with the clean-cut decision of fine steel.

Mrs. Craven spoke without rising from her chair.

"I am very glad to see you, Mr. Dune, Rupert has often told us about you."

Margaret advanced to him and held out her hand. She looked him straight in the eyes.

"We have met before, you know."

"I had not forgotten," he answered her gravely.

Then Rupert came in. It was strange how one saw now, when he stood beside his mother and sister, that he had some of their quality of stern reserve. He had always seemed to Olva a perfectly ordinary person of natural good health and good temper, and now this quality that had descended upon him increased the fresh attention that he had already during these last two days demanded. For something beyond question the Carfax affair must be held responsible. It seemed now to be the only thing that could hold his mind. He spoke very little, but his white face, his tired eyes, his listless conversation, showed the occupation of his mind. It was indeed a melancholy evening.

To Olva, his nerves being already on edge, it was almost intolerable.

They pa.s.sed from the drawing-room into a tiny dining-room--a room that was as dingy and faded as the rest, with a dull red paper on the walls and an old blue carpet. The old woman waited; the food was of the simplest.

Mrs. Craven scarcely spoke at all. She sat with her eyes gravely fixed in front of her, save when she raised them to flash them for an instant at Olva. He found this sudden gaze extraordinarily disconcerting; it was as though she were rea.s.serting her claim to some common understanding that existed between them, to some secret that belonged to them alone.

They avoided, for the most part, Carfax's death. Once Margaret Craven said: "One of the most astonishing things about anything of this kind seems to me the bravery of the murderer--the bravery I mean that is demanded of any one during the days between the crime and his arrest.

To be in possession of that tremendous secret, to be at war, as it were, with the world, and yet to lead, in all probability, an ordinary life--that demands courage."

"One may accustom oneself to anything," Mrs. Craven said. Her voice was deep and musical, and her words seemed to linger almost like an echo in the air.

Olva thought as he looked at Margaret Craven that there was a strength there that could face anything; it was more than courage; it might, under certain circ.u.mstances, become fanaticism. But he knew that whereas Mrs. Craven stirred in him a deep restlessness and disquiet, Margaret Craven quieted and soothed him, almost, it seemed, deliberately, as though she knew that he was in trouble.

He said: "I should think that his worst enemy, if he have any imagination at all, must be his loneliness. I can conceive that the burden of the secret, even though there be no chance whatever of discovery, must make that loneliness intolerable."

Here Rupert Craven interrupted as though he were longing to break away from the subject.

"You played the finest game of your life this afternoon, Dune. I never saw anything like that last try of yours. Whymper was on the touch-line--I saw him. The 'Varsity's certain to try you again on Sat.u.r.day."

"I've been slack too long," Olva said, laughing. "I never enjoyed anything more than this afternoon."

"I played the most miserable game I've ever played--couldn't get this beastly thing out of my head."

Olva felt as though he were almost at the end of his endurance. At that moment he thought that he would have preferred them to burst the doors and arrest him. He had never known such fatigue. If he could sleep he did not care what happened to him.

The rest of the evening seemed a dream. The dark, crowded drawing-room flickered in the light from the crackling fire. Mrs. Craven, in her stiff chair, never moving her eyes, flung shadows on the walls. Some curtain blew drearily, with little secret taps, against the door. Rupert Craven sat moodily in a dark corner.

At Olva's request Margaret Craven played. The piano was old and needed attention, but he thought that he had never heard finer playing. First she gave him some modern things--some Debussy, _Les Miroires_ of Ravel, some of the Russian ballet music of _Cleopatre_. These she flung at him, fiercely, aggressively, playing them as though she would wring cries of protest from the very notes.

"There," she cried when she had finished, flashing a look that was almost indignant at him. "There is your modern stuff--I can give you more of it."

"I would like something better now," he said gravely.

Without a word that mood left her. In the dim candle-light her eyes were tender again. Very softly she played the first two movements of the "Moonlight" sonata.

"I am not in the mood for the last movement," she said, and closed the piano. Still about the old silver, the dark walls, the log fire, the old gilt mirror, the sweet, delicate notes lingered.

Soon afterwards he left them. As he pa.s.sed down the chill, deserted street, abandoning the dark laurelled garden, he saw behind him the stern shadow of Mrs. Craven black upon the wall.

But the loneliness, the unrest, walked behind him. Silence was beginning to be terrible. G.o.d--this G.o.d--this Unknown G.o.d--pursued him. Only a little comfort out of the very heart of that great pursuing shadow came to him--Margaret Craven's grave and tender eyes.

CHAPTER V

STONE ALTARS

1

Carfax was buried. There had been an inquest; certain tramps and wanderers had been arrested, examined and dismissed. No discovery had been made, and a verdict of Wilful "Wilful murder against some person or persons unknown" had been returned. It was generally felt that Carfax's life had not been of the most savoury and that there were, in all probability, amongst the back streets of Cambridge several persons who had owed him a grudge. He appeared, indeed, in the discoveries that were now made on every side, to be something better dead than alive. A stout and somnolent gentleman, with red cheeks and eyes half closed, was the only mourner from the outside world at the funeral. This, it appeared, was an uncle. Father dead, mother divorced and leading a pleasant existence amongst the capitals of Europe. The uncle, although maintaining a decent appearance of grief, was obviously, at heart, relieved to be rid of his nephew so easily. Poor Carfax! For so rubicund and noisy a person he left strangely little mark upon the world. Within a fortnight the college had nearly lost account of his existence. He lent to Sannet Wood a sinister air that caused numberless undergraduates to cycle out in that direction. Now and again, when conversation flagged, some one revived the subject. But it was a horse that needed much whipping to make it go. It had kicked with its violent hoof upon the soft walls of Cambridge life. For a moment it had seemed that it would force its way, but the impression had been of the slightest.

Even within the gates and courts of Saul's itself the impression that Carfax had left faded with surprising swiftness into a melodramatic memory. But nothing could have been more remarkable than the resolute determination of these young men to push grim facts away. They were not made--one could hear it so eloquently explained--for that kind of tragedy. The autumn air, the furious exercise, the hissing kettles, the decent and amiable discussions on Life reduced to the importance of a Greek Accent--these things rejected violently the absurdity of Tragic Crudity.

They were quite right, these young men. They paid their shining pounds for the capture--conscious or not as it might be--of an atmosphere, a delicate and gentle setting to the crudity of their later life. Carfax, when alive, had blundered into coa.r.s.e disaster but had blundered in back streets. Now the manner of his death painted him in shrieking colours.

The harmony was disturbed, therefore he must go.

Of more importance to this world of Saul's was the strange revival--as though from the dead--of Olva Dune. They had been prepared, many of them, for some odd development, but this perfectly normal, healthy interest in the affairs of the College was the last thing that his grave, romantic air could ever have led any one to expect. His football in the first place opened wide avenues of speculation. First there had been the College game, then there had been the University match against the Harlequins, and it was, admittedly, a very long time since any one had seen anything like it. He had seemed, in that game against the Harlequins, to possess every virtue that should belong to the ideal three-quarter--pace, swerve, tackle, and through them all the steady working of the brain. Nevertheless those earlier games were yet remembered against him, and it was confidently said that this brilliance, with a man of Dune's temperament, could not possibly last.

But, nevertheless, the expectation of his success brought him up, with precipitation, against the personality of Cardillac, and it was this implied rivalry that agitated the College. It is only in one's second year that a matter of this kind can a.s.sume world-shaking importance.

The First-year Undergraduate is too near the child, the Third-year Undergraduate too near the man. For the First-year man School, for the Third-year man the World looms too heavily. So it is from the men of the Second year that the leaders are to be selected, and at this time in Saul's Cardillac seemed to have no rival. He combined, to an admirable degree, the man of the world and the sportsman; he had an air that was beyond rubies. He was elegant without being effeminate, arrogant without being conceited, indifferent without being blase. He had learnt, at Eton, and at the knee of a rich and charming mother, that to be crude was the unforgivable sin. He worshipped the G.o.d of good manners and would have made an admirable son of the great Lord Chesterfield. Finally he was the only man in Saul's who had any "air" at all, and he had already travelled round the world and been introduced by his mother to Royalty at Marienbad.

The only man who could ever have claimed any possible rivalry was Dune, and Dune had seemed determined, until now, to avoid any-thing of the kind. Suddenly the situation leapt upon the startled eyes of the attentive world. Possibility of excitement. . . .

2

Olva, himself, was entirely unconcerned by this threatened rivalry. He was being driven, by impulses that he understood only too well, into the noisiest life that he could manage to find about him. The more noise the better; he had only a cold fear at his heart that, after all, it would penetrate his dreaded loneliness too little, let it be as loud a noise as he could possibly summon.

He had not now--and this was the more terrible--any consciousness of Carfax at all; there was waiting for him, lurking, beast-like, until its inevitable moment, something far more terrible.

Meanwhile he made encounters. . . . There was Bunning. The Historical Society in Saul's was held together by the Senior Tutor. This gentleman, a Mr. Gregg, was thin, cadaverous, blue-chinned, mildly insincere. It was his view of University life that undergraduates were born yesterday and would believe anything that you told them. In spite, however, of their tender years there was a lurking ferocity that must be checked by an indulgent heartiness of manner, as one might offer a nut to a monkey.

His invariable manner of salutation--"_Come_ along, Simter--the very man I wanted to see"--lost its attraction through much repet.i.tion, and the hearty a.s.sumption on the amiable gentleman's part that "we are all boys together" froze many undergraduates into a chill and indifferent silence. He had not taken Holy Orders, but he gave, nevertheless, the effect of adopting the language of the World, the Flesh and the Devil in order that he might the better spy out the land. He attracted, finally, to himself certain timid souls who preferred insincere comfort to none at all, but he was hotly rejected by more able-bodied persons.

Nevertheless the Historical Society prospered, and Olva one evening, driven he knew not by what impulse, attended its meeting. When he entered Mr. Gregg's room some dozen men were already seated there. The walls were hung with groups in which a younger and even thinner Mr.

Gregg was displayed, a curious figure in "shorts." On one side of the room two oars were hung and over the mantelpiece (littered with pipes) there were photographs of the "Mona Lisa" and Da Vinci's "Last Supper."

The men in the room were embarra.s.sed and silent. Under a strong light a minute undergraduate with enormous spectacles sat, white and trembling; it was obviously he who was to read the paper.