"If you really loved her, you would let her get better," said Tomasa.

" But I don't love her," the enkanto enkanto said. said.

Tomasa didn't know what to make of his words. "Then why do you torment her?"

"At first I wanted to punish her, but I don't care about that now. You visit me because she's sick," he said with a shy smile. "I want you to keep visiting me."

Tomasa felt those words like a blow. Shock mingled with anger and a horrible, dangerous pleasure that rendered her almost incapable of speech. "I won't come again," she shouted.

" You will," said the enkanto enkanto. He pulled himself up onto a branch of the tree, then hooked his foot in the back and climbed higher, to where the thick green leaves hid him from view.

"I will never forgive you." Tomasa meant to shout it, but it came out of her mouth in a whisper. There was no reply but the gentle night breeze and distant radio.

Her hands were shaking. She looked down at them and saw the loop of gold chain still dangling from her fingers.

And suddenly-just like that-she had a plan. An impossible, absurd plan. She made a fist around the gold pendant, feeling its edges dig into her palm. Her feet found their way over brush and vine as she darted through the town to the tamarind tree.

The elf was sitting on one of the boughs when she got there. His eyebrows rose slightly, but he smiled. She smiled back.

"I've been rude," she said, hoping that when he looked at her he would think the guilt in her eyes was for what she'd done, not for what she was about to do. "I'm sorry."

He jumped down, one arm touching the trunk to steady him. "I'm glad you came."

Tomasa walked closer. She put one hand where the old man had bitten him, hoping that he wouldn't notice her other hand was fisted. "How's your arm?"

"Fine," he said. "Weak. I can move it a little now."

Steeling herself, she looked up into his face and slid her hand higher on his arm, over his shoulder and to his neck. His green eyes narrowed.

"What are you doing?" he asked. "You're acting strange."

"Am I?" She searched for some pa.s.sable explanation. "Maybe the potion hasn't really worn off."

He shook his head. His black hair rustled against her arm, making her shiver.

She slid her other hand to his throat, twining both around his back of his neck.

He didn't push her away, although his body went rigid.

Then, as quick as she could, she wrapped the chain around his neck like a golden garrote.

He choked once as she clasped the necklace. Then she stepped back, stumbling on the roots of the tamarind. His hands flew to his throat but stopped short of touching the gold.

"What have you done?" he demanded.

She crouched down in the dirt, scuttling back from him. "Release my sister from your curse." Her voice sounded cold, even to her. In truth, she didn't know what she'd done.

"It is my right! She insulted me." The elf swallowed hard around the collar.

Insulted him? Tomasa almost laughed. Only an elf would let one girl stab his tree but curse another for being insulting. "I won't take the chain off your neck unless you make her well."

The enkanto's enkanto's eyes flashed with anger. eyes flashed with anger.

"Please," Tomasa asked.

He looked down. She could no longer read his expression. "She'll be better when you get home," he muttered.

She crept a little closer. "How do I know you're telling the truth?"

"Take it off me!" he demanded.

Tomasa wanted to say something else, but the words caught in her throat as she reached behind his neck and unhooked the chain. She knew she should run. She'd beaten him and if she stayed any longer, he would surely put a curse on her. But she didn't move.

He watched her for a moment, both of them silent. "That was-" he said finally.

"Definitely bad luck," she offered.

He laughed at that, a short soft laugh that made her cheeks grow warm. "You really wanted me to come and visit?"

" I did did," he said with a snort.

She grinned shyly. Balling up the necklace in her hand, she tossed it in the direction of the stream.

"You know," he said, taking one of her wrists and placing it on his shoulder. "Before, when you had your hand right here, I thought that you were going to kiss me."

Her face felt hot. "Maybe I wish I had."

"It's not too late," he said.

His lips were sour, but his mouth was warm.

By the time that Tomasa got home, the sky was pink and birds were screeching from their trees. Eva was already awake, sitting at the breakfast table, eating a plate of eggs. She looked entirely recovered.

"Where were you?" Rosa asked, refilling Eva's teacup. "Where's your pendant?"

Tomasa shrugged. "I must have lost it."

"I can't believe you stayed out all night." Eva gave her a conspiratorial smile.

"Mananambal," Rosa whispered as she returned to the kitchen. Tomasa almost stopped her to ask what she meant, but the truth made even less sense than anyone's guesses.

Upstairs, Tomasa picked up the crushed tamarind pod from her dresser. His words were still clear in her mind from that first meeting. Whoever eats this will love you Whoever eats this will love you. She looked into the mirror, at her birthmark, bright as blood, at her kiss-stung lips, at the absurd smile stretching across her face.

Carefully separating out the crushed pieces of sh.e.l.l, she pulled the dried pulp free from its cage of veins. Piece by piece, she put the sweet brown fruit in her own mouth and swallowed it down.

The Dog King

Every winter, hunger drives the wolves out of the mountains of Arn and they sweep across the forests outlying the northern cities. They hunt in packs as large as armies and wash over the towns in their path like a great wave might crash down on hills of sand. Villagers may board up their windows and build up their fires, but the wolves are clever. Some say that they can rise up on two legs and speak as men, that nimble fingers can chip away at hinges, that their voices can call promises and pleas through keyholes, that they are not quite what they seem.

When whole towns are found empty in the spring, doors ajar, bed linens smeared with dirt and fur, cups and plates still on the tables, white bones piled in the hearth, people say these things and many other things besides.

But in the city of Dunbardain, behind the high walls and iron gates, ladies wear bejeweled wolf toes to show boldness and advertise fecundity. Men have statues of wolves commissioned to grace their parlors. And everyone cheers for wolves at the dog fights. City people like to feel far from the little towns and their empty, dirt-smeared beds.

Each year, wolves are caught in traps or, very occasionally, a litter is discovered and they are brought to the city to die spectacularly. Arn wolves are striking, black and slim as demons, with the unsettling habit of watching the audience as they tear out the throats of their opponents. City dwellers are made to feel both uneasy and inviolable by the dog fights; the caged wolf might be terrible, but it is caged. And the dog fights are majestic tented affairs, with the best bred dogs from all parts of the world as challengers. Expensive and exotic foods perfume the air, lulling one into the sense that danger is just another alluring spice.

Not to be outdone by his subjects, the king of Dunbardain obtained his own wolf pup and has trained it to be his constant companion. He calls it Elienad. It is quite a coup to have one, not unlike making the son of a great foreign lord one's slave. The wolf has very nice manners, too. He rests beneath the king's table, eats sc.r.a.ps of food daintily from the king's hand, and lets the ladies of the court ruffle his thick, black fur.

The velvet drapes of the tablecloth hang like bedcurtains around the wolf, who lolls there among the satin and bejeweled slippers of courtiers and foreign envoys.

Under the table of the king is a place of secrets. Letters are pa.s.sed, touches are given or sometimes taken, silverware is stolen, and threats are made there, while above the table everyone toasts and grins. But the king has a secret too.

The wolf watches and his liquid eyes take it all in. This dark place is nothing to the magnificent glittering ballrooms or even the banquet hall itself with its intricate murals and gilt candelabras, but here is his domain. He knows the lore of under the table and could recite it back to anyone who asked, although only one person ever does.

A woman sitting beside Lord Borodin reaches her hand down. A fat ruby glistens as she holds out a tiny wing of quail. Grease slicks her fingers.

Once, Elienad took a bitter-tasting rasher of bacon from Lord Nikitin and was sick for a week. He knows he should learn from that encounter, but the smell of the food makes his mouth water and he takes the wing as gently as he can. The tiny bones crunch easily between his teeth, filling his mouth with the taste of salt and marrow. It wakes his appet.i.te, makes his stomach hurt with the desire to tear, to rend. The woman allows him to lick her hand clean.

There is a boy who lives in the castle of Dunbardain, although no servant is quite sure in which room he sleeps. He dresses too shabbily to be a n.o.bleman's son; he does not wear the livery of a page nor has he the rags of a groom. His tutors are scholars who have been disgraced or discredited: drunks and lunatics who fall asleep during his lessons. His hair is too long and his breeches are too tight. No one has any idea who his mother is or why he is allowed to run wild in a palace.

When they start dying, it is the master of the dog fights who is first accused. After all, if he allowed one of the wolves to get free, he should have let the guard know. But he claims that all his wolves are chained in their cages and offers to show anyone who doesn't believe him. Even as he stands over the body of the first child, with her guts torn out of her body and gobbets bitten out of her flesh, he argues that it can't be one of his wolves.

"Look at all these partial bites," he says, pointing with a silver cane as he covers his nose with a scented handkerchief. "It didn't know how to kill. You think one of my wolves would win if they hesitated like that?"

His a.s.sistant, who is still young enough to become attached to the dogs when they are pups and cries himself to sleep when one of them dies, walks three steps off to vomit behind a hedgerow.

With the second child, there are no hesitation marks, nor with the third or the fourth. Stories of dark, liquid shapes outside windows and whispers through locks spread through the city like a fever.

"Whosoever kills the beast," the king proclaims, "he will rule after me."

There are a group of knights there at the announcement, one of whom the king favors. The king knew Toran's father and has watched over the boy as he grew into the fierce-looking young man standing before him. Toran has killed wolves before, in the north. Everyone knows the king hopes it will be Toran who kills this wolf and takes the crown.

As the others are leaving, Toran walks toward the king. The king's wolf bares his teeth and makes a sound, deep in his throat. The knight hesitates.

"Stop that, Elienad," the king says, knocking his knee into the wolf's muzzle. Courtiers stare. Everyone thinks the same thought and the king knows it, flushes.

"He is always with you, is he not?" Toran asks. The king narrows his eyes, furious, until he realizes that Toran is giving him a chance to speak without a protestation seeming like a sign of guilt.

"Of course he is," says the king. "With me or locked up." This is not true, but he says it with such authority that it seems true. Besides, the courtiers will tell one another, later, when the king is gone. Besides, the king's wolf would be seen slipping back into the palace. The king's wolf would surely have killed a nearby child. The killer could not be the wolf they have fed and cosseted and stroked.

Elienad sits, chews on the fur around one paw like it itches. His gaze rests on the ground.

Toran nods, unsure about whether he should have spoken. The king nods too, once, with a slight smile.

"Walk with me," the king says.

The two men walk together down one of the labyrinthine hallways with the wolf trotting close behind.

"It is time to send him away," the king's chamberlain says softly. He is old and always chilled; he sits close to the fire, rubbing his knuckles as though he is washing his hands over and over again. "Or fight him. He'd make a good fighter."

"Elienad hasn't killed anyone," the king says. "And he's useful. You can't deny that."

The chamberlain served the king's father and used to give the king certain looks when he was being a particularly obstinate child. The chamberlain gives him one of those looks now.

The king is no longer a child. He pours himself more wine and waits.

"Only commoners have been killed, yet," the chamberlain finally says with an exasperated sigh. "Were a n.o.ble to die and it to come to light just what it is you've been keeping-"

The king takes a long drink from his cup.

The old man looks at the fire. "You should never have kept him for so long. It has only become harder to part with him."

"Yes," the king said softly. "He is nearly grown."

"And those tutors. I have always said it was too great a risk. And for what? So he can write down the things he overhears?"

"A well-informed spy is a better spy. He understands what to listen for. Who to follow." The king rubs his mouth. He's tired. He wishes his chamberlain would leave.

" The story you told me, years back, when you brought him here. Tell me again that it was the truth. That you didn't know what he was when you bought him. That That you bought him." you bought him."

The king is silent.

He does not know that his wolf lies on the cold stone outside of the door, letting the chill seep up into his heart.

The boy's room is hidden behind curtains and a bookcase that shifts to one side. Only a very few people know how to find it. Inside the room is a carved bed, a boy's bed, and now Elienad has to bend his knees to fit his legs inside it. There are no windows and no candles, but his liquid eyes see as well here as they do beneath the table or in the labyrinth of the castle.

When the king comes in, he opens the bookshelf and lets light flood the little room. "What did you learn?" he asks.

"The pretty woman with the curls. Her name starts with an A, I think, and she likes to wear purple. She wants to poison her husband." As he speaks, the boy carves a small block of wood. He has skill; the king can make out the beginning of a miniature crest.