The Poetical Works Of Thomas Hood - The Poetical Works of Thomas Hood Part 52
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The Poetical Works of Thomas Hood Part 52

Of "Making a book" how he made a stir, But never had written a line to her, Once his idol and Cara Sposa: And how he had storm'd, and treated her ill, Because she refused to go down to a mill, She didn't know where, but remember'd still That the Miller's name was Mendoza.

CCCII.

How often he waked her up at night, And oftener still by the morning light, Reeling home from his haunts unlawful; Singing songs that shouldn't be sung, Except by beggars and thieves unhung-- Or volleying oaths, that a foreign tongue Made still more horrid and awful!

CCCIII.

How oft, instead of otto rose, With vulgar smells he offended her nose, From gin, tobacco, and onion!

And then how wildly he used to stare!

And shake his fist at nothing, and swear,-- And pluck by the handful his shaggy hair, Till he look'd like a study of Giant Despair For a new Edition of Bunyan!

CCCIV.

For dice will run the contrary way, As well is known to all who play, And cards will conspire as in treason: And what with keeping a hunting-box, Following fox-- Friends in flocks, Burgundies, Hocks, From London Docks, Stultz's frocks, Manton and Nock's Barrels and locks, Shooting blue rocks, Trainers and jocks, Buskins and socks, Pugilistical knocks, And fighting-cocks, If he found himself short in funds and stocks, These rhymes will furnish the reason!

CCCV.

His friends, indeed, were falling away-- Friends who insist on play or pay-- And he fear'd at no very distant day To be cut by Lord and by cadger, As one, who has gone, or is going, to smash, For his checks no longer drew the cash, Because, as his comrades explain'd in flash, "He had overdrawn his badger."

CCCVI.

Gold, gold--alas! for the gold Spent where souls are bought and sold, In Vice's Walpurgis revel!

Alas! for muffles, and bulldogs, and guns, The leg that walks, and the leg that runs, All real evils, though Fancy ones, When they lead to debt, dishonor, and duns, Nay, to death, and perchance the devil!

CCCVII.

Alas! for the last of a Golden race!

Had she cried her wrongs in the market-place, She had warrant for all her clamor-- For the worst of rogues, and brutes, and rakes, Was breaking her heart by constant aches, With as little remorse as the Pauper, who breaks A flint with a parish hammer!

HER LAST WILL.

CCCVIII.

Now the Precious Leg while cash was flush, Or the Count's acceptance worth a rush, Had never created dissension; But no sooner the stocks began to fall, Than, without any ossification at all, The limb became what people call A perfect bone of contention.

CCCIX.

For alter'd days brought alter'd ways, And instead of the complimentary phrase, So current before her bridal-- The Countess heard, in language low, That her Precious Leg was precious slow, A good 'un to look at but bad to go, And kept quite a sum lying idle.

CCCX.

That instead of playing musical airs, Like Colin's foot in going upstairs-- As the wife in the Scottish ballad declares-- It made an infernal stumping.

Whereas a member of cork, or wood, Would be lighter and cheaper and quite as good, Without the unbearable thumping.

CCCXI.

P'raps she thought it a decent thing To show her calf to cobbler and king, But nothing could be absurder-- While none but the crazy would advertise Their gold before their servants' eyes, Who of course some night would make it a prize, By a Shocking and Barbarous Murder.

CCCXII.

But spite of hint, and threat, and scoff, The Leg kept its situation: For legs are not to be taken off By a verbal amputation.

And mortals when they take a whim, The greater the folly the stiffer the limb That stand upon it or by it-- So the Countess, then Miss Kilmansegg, At her marriage refused to stir a peg, Till the Lawyers had fasten'd on her Leg As fast as the Law could tie it.

CCCXIII.

Firmly then--and more firmly yet-- With scorn for scorn, and with threat for threat, The Proud One confronted the Cruel: And loud and bitter the quarrel arose, Fierce and merciless--one of those, With spoken daggers, and looks like blows, In all but the bloodshed a duel!

CCCXIV.

Rash, and wild, and wretched, and wrong, Were the words that came from Weak and Strong, Till madden'd for desperate matters, Fierce as tigress escaped from her den, She flew to her desk--'twas open'd--and then, In the time it takes to try a pen, Or the clerk to utter his slow Amen, Her Will was in fifty tatters!

CCCXV.

But the Count, instead of curses wild, Only nodded his head and smiled, As if at the spleen of an angry child; But the calm was deceitful and sinister!

A lull like the lull of the treacherous sea-- For Hate in that moment had sworn to be The Golden Leg's sole Legatee, And that very night to administer!

HER DEATH.

CCCXVI.

'Tis a stern and startling thing to think How often mortality stands on the brink Of its grave without any misgiving: And yet in this slippery world of strife, In the stir of human bustle so rife, There are daily sounds to tell us that Life Is dying, and Death is living!

CCCXVII.

Ay, Beauty the Girl, and Love the Boy, Bright as they are with hope and joy, How their souls would sadden instanter, To remember that one of those wedding bells, Which ring so merrily through the dells, Is the same that knells Our last farewells, Only broken into a canter!

CCCXVIII.