When I write of ME in the singular, I gossip with my reader, he may examine, discuss, doubt or laugh; but when I say WE I am a professor, and all must bow to me.

"I am, Sir Oracle,

And when I ope my lips, let no dog bark."

Merchant of Venice.

PHYSIOLOGY OF TASTE.

MEDITATION FIRST.

THE SENSES.

The senses are the organs by which man places himself in connexion with exterior objects.

NUMBER OF THE SENSES.

1. They are at least six--

Sight, which embraces s.p.a.ce, and tells us by means of light, of the existence and of the colors of the bodies around us.

Hearing, which, by the motion of the air, informs us of the motion of sounding or vibrating bodies.

Scent, by means of which we are made aware of the odors bodies possess.

Taste, which enables us to distinguish all that has a flavor from that which is insipid.

Touch informs us of the consistency and resistance of bodies.

The last is genesiac or physical love, which attracts the s.e.xes to each other, and the object of which is the reproduction of the species.

It is astonishing that, almost to the days of Buffon, so important a sense was misunderstood, and was confounded with the touch.

Yet the sensation of which it is the seat, has nothing in common with touch; it resides in an apparatus as complete as the mouth or the eyes, and what is singular is that each s.e.x has all that is needed to experience the sensation; it is necessary that the two should be united to reach nature's object. If the TASTE, the object of which is the preservation of the individual, be incontestibly a sense, the same t.i.tle must indubitably be preserved on the organs destined to the preservation of the species.

Let us then a.s.sign to the genesiac the sensual place which cannot be refused to it, and let us leave to posterity the a.s.signment of its peculiar rank.

ACTION OF THE SENSES.

If we were permitted, even in imagination, to refer to the first moments of the existence of the human race, we would believe that the first sensations were direct; that is to say that all saw confusedly and indirectly, smelled without care, ate without tasting, etc.

The centre of all these sensations, however, being the soul, the sensual attribute of humanity and active cause of perfectibility, they are reflected, compared, and judged by it; the other senses then come to the a.s.sistance of each other, for the utility and well-being of the sensitive; one or individual.

Thus touch rectifies the errors of sight; sound, by means of articulate speech, becomes the interpreter of every sentiment; taste is aided by sight and smell; hearing compares sounds, appreciates distance; and the genesiac sense takes possession of the organs of all the senses.

The torrent of centuries rolling over the human race, has continually brought new perfections, the cause of which, ever active though unseen, is found in the demands made by our senses, which always in their turns demand to be occupied.

Sight thus gave birth to painting, to sculpture, and to spectacles of every kind.

Sound, to melody, harmony, to the dance, and to music in all its branches, and means of execution.

Smell, to the discovery, manufacture and use of perfumes.

Taste, to the production, choice and preparation of all that is used for food.

Touch, to all art, trades and occupations.

The genesiac sense, to all which prepares or embellishes the reunion of senses, and, subsequently to the days of Francois I., to romantic love, to coquetry, which originated in France and obtained its name there, and from which the elite of the world, collected in the capital of the universe, take their lessons every day.

This proposition, strange as it seems, is very susceptible of demonstration; we cannot express with clearness in any ancient language, ideas about these three great motives of actual society.

I had written a dialogue on this subject, but suppressed it for the purpose of permitting the reader, each in his own way, to think of the matter for himself. There is enough to occupy the mind and display intelligence and erudition during a whole evening.

We said above, that the genesiac sense took possession of the organs of all the others; the influence it has exerted over all sciences is not less. When we look closer, we will find that all that is most delicate and ingenious is due to the desire, to hope, or to grat.i.tude, in connexion with the union of the s.e.xes.

Such is, indeed, the genealogy of the senses, even the most abstract ones, all being the immediate result of continuous efforts made to gratify our senses.

PERFECTNESS OF THE SENSES.

These senses, our favorites, are far from being perfect, and I will not pause to prove it. I will only observe, that that ethereal sense--sight, and touch, which is at the other extremity of the scale, have from time acquired a very remarkable additional power.

By means of spectacles the eye, so to say, escapes from the decay of age, which troubles almost all the other organs.

The telescope has discovered stars. .h.i.therto unknown and inaccessible to all our means of mensuration; it has penetrated distances so great, that luminous and necessarily immense bodies present themselves to us only like nebulous and almost imperceptible spots.

The microscope has made us acquainted with the interior configuration of bodies; or has shown the existence of a vegetation and of plants, the existence of which we were ignorant of.

Animals a hundred thousand times smaller than any visible with the naked eye have been discovered; these animalculae, however, move, feed and multiply, establishing the existence of organs of inconceivable tenuity.

Mechanics have multiplied our power; man has executed all that he could conceive of, and has moved weights nature made inaccessible to his weakness.

By means of arms and of the lever, man has conquered all nature; he has subjected it to his pleasure, wants and caprices. He has overturned its surfaces, and a feeble biped has become king of creation.

Sight and touch, being thus increased in capacity, might belong to some species far superior to man; or rather the human species would be far different had all the senses been thus improved.

We must in the meantime remark, that if touch has acquired a great development as a muscular power, civilization has done almost nothing for it as an organ of sensation. We must, however, despair of nothing, but remember that the human race is yet young, and that only after a long series of years can the senses aggrandise their domain.

For instance. Harmony was only discovered about four centuries ago, and that celestial science is to sound what painting is to colors.

Certainly, the ancients used to sing and accompany themselves in unison. Their knowledge, however, ended there. They knew neither how to decompose sounds, nor to appreciate their relations.

[Footnote: We are aware that the contrary has been maintained; the idea though cannot be supported. Had the ancients been acquainted with harmony, their writings would have preserved some precise notion on the matter, instead of a few obscure phrases, which may be tortured to mean anything. Besides, we cannot follow the birth and progress of harmony in the monuments left to us; this obligation we owe to the Arabs, who made us a present of the organ, which produces at one time many continuous sounds, and thus created harmony.]

Tone was only reduced to system, and accords measured in the fifteenth century. Only then it was used to sustain the voice and to reinforce the expression of sentiments.

This discovery, made at so late a day, yet so natural, doubled the hearing, and has shown the existence of two somewhat independent faculties, one of which receives sound and the other appreciates resonance.

The German Doctors say that persons sensible of harmony have one sense more than others.