He felt, suddenly, closer to Alicia than he had to anyone in his life. Painful as this story was, telling him was a gift she had given him, the heart of who she was, the stone she carried and how love had happened in her life.

"I hope it's okay I told you."

"I'm very glad you did."

Another silence, then: "You're not really worried about the anchor, are you?"

"Not really, no."

"That was nice, what you did for them." Alicia tipped her head upward. "It's such a beautiful night."

"Yes, it is."

"No, more than beautiful," she said and squeezed his hand, nestling against him. "It's perfect."

81.

So, at the last, a story.

A child is born into this world. She is lost, alone, in due course both befriended and betrayed. She is the carrier of a special burden, a singular vocation that is only hers to bear. She wanders in a wasteland, a ruin of grief and tormented dreams. She has no past, only a long, blank future; she is like a convict with an unknown sentence, never visited in the cell of her interminable imprisonment. Any other soul would be broken by this fate, and yet the child abides; she dares to hope that she is not alone. That is her mission, the role for which she has been cast at heaven's cruel audition. She is hope's last vessel on the earth.

Then, a miracle: a city appears to her, a bright walled city on a hill. Her prayers have been answered! Shining like a beacon, it has the aspect of a prophecy fulfilled. The key turns in the lock; the door swings open. Ensconced within its walls she discovers a wondrous race of men and women who have, like her, endured. They become hers, after a fashion. In the eyes of this wordless child, the most prescient among them perceive an answer to their most persistent questions; as they have relieved her loneliness, so has she relieved theirs.

A journey commences. The world's dark arrangement is revealed. The child grows; she leads her companion to a glorious victory. By her hand, seeds of hope are scattered over the land, promise bubbles forth from every spring and stream. And yet she knows this flowering is an illusion, the merest respite. There can be no safety; her triumphs have but scratched the crust. Below lies the dark core, that great iron ball beneath all things. Its compressed weight is fantastic; it is older than time itself. It is a vestige of the blackness that predates all existence, when a formless universe existed in a state of chaotic un-creation, lacking awareness even of itself.

She falters. She has doubts. She becomes indecisive, even fearful. Hers is the greatest of all errors; she has grown attached to life. She has dared, unwisely, to love. In her mind a contest rages, that of one who questions fate. Is she merely a lunatic's puppet? Is she destiny's slave or its author? Must she turn away from all the things and people she has grown to love? And is this love a reflection of some grand design, a taste of an ordered and divine creation? Is it truth or a departure from the truth? Romantic love, fraternal love, the love of a parent for a child and the love returned in kind-are they a mirror to God's face or the bitterest gall in a cosmos of sound and fury, signifying nothing?

As for me: there was a time in my life when I put aside all doubt and supped at the flower of heaven. What sweet juice was there! What balm to all suffering, the soul's holy ache! That my Liz was dying did not countermand my joy; she had come to me like a messenger, in the hours when all is laid bare, to reveal my purpose on the earth. All my days, I had scrutinized the tiniest workings of life. I had gone about this task blandly, never fathoming of my true motive. I gazed upon the smallest shapes and processes of nature, seeking divinity's fingerprints. Now the evidence had come to me not at the end of a microscope but in the face of this slender, dying woman and the touch of her hand across a cafe table. My long, lonely hours-like yours, Amy-seemed not an exile or imprisonment but a test that I had passed. I was loved! Me, Timothy Fanning of Mercy, Ohio! Loved by a woman, loved by a god-a great, fatherly god, who, measuring my trials, had found me worthy. I had not been made for nothing! And not just loved; I had been charged as heaven's escort. The blue Aegean, where ancient gods and heroes were said to dwell; the whitewashed house one climbed a flight of stairs to reach; the humble bed and homespun furnishings; the workaday sounds of village life, and a terrace with a view of olive groves and the wild sea beyond; the soft white light of eternal mornings, growing brighter and brighter and brighter still. In my mind's eye I saw it, saw it all. In my arms she would pass from this life to the next, which surely existed after all, love having come to me-to both of us-at last.

Not an hour would have gone by, her body grown cold in my embrace, before I would have followed her from this world. That, too, was part of my design. I would take the last pills, the ones I'd saved for myself, and slip away in silence, so that together we would be bound eternally to each other and to an invincible universe. My resolve was implacable, my thoughts lucid as ice. I possessed not an iota of doubt. Thus at the anointed hour of our rendezvous I took my position at the kiosk, waiting for my angel to appear. In my suitcase, the instruments of our mortal deliverance slept like stones. Little did I know that this was but a foretaste of the wider ruin-that the hurrying travelers flowing around me possessed no inkling that death's prince stood among them.

Thrice have I been fathered; thrice betrayed. I will have satisfaction.

You, Amy, have dared to love, as once I did. You are hope's deluded champion, as I am sworn to be its enemy. I am the voice, the hand, the pitiless agent of truth, which is the truth of nothing. We were, each of us, made by a madman; from his design we forked like roads in a dark wood. It has ever been thus, since the materials of life assembled and crawled from nature's muck.

Your band approaches; the time grows sweeter by the hour. I know that he is with you, Amy. How could he fail to stand at your side, the man who made you human?

Come to me, Amy. Come to me, Peter.

Come to me, come to me, come to me.

82.

It emerged like a vision, the great city, soaring from the sea like a castle or some vast holy relic. A ruin of staggering dimensions: it boggled the senses, its scope too massive to hold in the mind. The morning sun, low, slanting, blazed off the faces of the towers, ricocheting from the glass like bullets.

Peter joined Amy at the bow. She seemed almost preternaturally calm; a profound intensity radiated off her like heat from a stove. Minute by minute the metropolis loomed higher.

"Good God, it's enormous," Peter said.

She nodded, though this was only half the truth. Fanning's presence saturated the city. It was as if a background hum she'd been hearing all her life, so omnipresent as to be barely noticeable, were increasing in volume. She felt a heaviness. That was the only word. A terrible exhausted heaviness with everything.

They had decided to come in from the west. On tepid air they sailed up the Hudson, searching for a place to dock. Daylight was everything; they needed to move quickly. The tide was strong, pushing against them like an invisible hand.

"Michael ..."

He was working the lines and tiller, seeking to harness any breath of wind. "I know."

The river was dark as ink; its force was immense. The day turned toward afternoon. At times they seemed stopped cold.

"This is impossible," said Michael.

By the time they found a place to tie off, it was four o'clock. Clouds had moved in from the south; the air was sultry, smelling of decay. Four, perhaps five hours of daylight remained. From the cabin, Michael retrieved the backpack of explosives, as well as a long spool of cable and the detonator, a wooden box with a plunger. It seemed primitive, but that was the point, he explained. The simple things were always the most reliable, and there would be no second chances to get this right. In the cockpit, they armed themselves and reviewed the plan a final time.

"Make no mistake," Alicia said, "this island is a deathtrap. It gets dark, we're done."

They disembarked. They were in the West Twenties. The roadway was choked with the skeletons of cars; glassless windows stared at them like the mouths of caves. Here they would diverge, Michael and Lish south to Astor Place, Peter and Amy across midtown to Grand Central. Michael had fashioned a crude crutch for Alicia from a boat oar.

"Sixty minutes," Peter said. "Good luck."

They parted cleanly, no goodbyes.

Peter and Amy walked north along Fifth Avenue. Block by block, the vertical core of the city rose, fashioning narrow fjords between the buildings. In places the pavement was buckled with the roots of trees, in others collapsed into craters that varied in size from a few yards to the width of the street, forcing them to creep along the edge. As they moved up the island, Peter took note of the landmarks: the Empire State, dizzyingly tall, like a single imperious finger pointing to the sky; the Chrysler Building, with its curved crown of burnished metal; the library, sheathed in a feathery cloak of vines, its broad front steps guarded by a pair of pedestaled lions. At the corner of Forty-second and Fifth, the half-constructed tower Alicia had described came into view. The exposed girders of its upper floors possessed a reddish appearance-the product of decades of slow oxidation. An exterior elevator ascended to the top of the structure; from there, the crane rose another ten or fifteen stories, its horizontal boom parallel to the building's west flank, high above Fifth Avenue.

So far, they had seen no trace of Fanning's virals-no scat or animal carcasses, no sounds of movement from the buildings. Except for pigeons, the city seemed dead. Each of them had a semiautomatic rifle and a pistol; Amy also carried the sword. She had offered it to Alicia, but the woman had refused. "Peter's right," Alicia said. "I've got no use for it. Just do me a favor and cut the bastard's head off."

They approached from the west, via Forty-third to Vanderbilt; between the buildings, a view of Grand Central emerged. Compared to what was around it, the structure seemed modest in its dimensions, nestled like a heart in the bosom of the city. The streets around it were open to the sun, though an elevated roadway encircled the perimeter at balcony level, creating a zone of darkness beneath.

Amy checked her watch: twenty minutes to go. "We need to scout that door," she said.

A risk, but Peter agreed. If they moved cautiously and kept low, maintaining an upward line of sight, they would be able to detect any virals beneath the overpass before they got too close.

Which was, Peter later realized, precisely what Fanning had intended them to do: to look up. Never mind Alicia's warnings not to underestimate their adversary. Never mind that the street was suspiciously carpeted in vines, or that with each step forward the air thickened with the damp, septic odor of an open sewer. Never mind the faint sound of rustling, which might have been caused by rats but wasn't. One careless moment was all it took. They crept beneath the overpass, every ounce of their attention focused on the empty ceiling.

Peter and Amy never even saw them coming.

Michael watched the numbers of the streets decline. A few were impassable, choked with vegetation or debris, others empty, as if forgotten by time. In some of the buildings, trees were growing; flocks of startled pigeons burst forth in their path, wheeling upward in huge, flapping clouds.

At the corner of Eighteenth and Broadway, they paused to rest. Alicia was breathing hard, her face glazed with sweat. "How much farther?" Michael asked.

She coughed and cleared her throat. "Eleven blocks."

"I can do this on my own, you know."

"Not a chance."

The crutch was too unstable; they left it behind and went on, Michael supporting Alicia from one side. A rifle dangled over her shoulder. Her steps were labored, more hobble than walk. From time to time, she issued a tiny gasp he knew she was trying to hide. The minutes dripped away. They came to a small shelter of elaborate iron scrollwork, painted white with pigeon guano. The smell of the sea had grown strong.

"This is it," she said.

From his pack, Michael removed a lantern and lit the wick. As they descended the stairs, he detected small movements along the floor. He paused and raised the lantern. Rats were scurrying everywhere, long brown ropes of them hugging the edges of the walls.

"Yuck," he said.

They reached the bottom. Arched brick columns supported the roof above the tracks. On the tiled wall, a sign in gold lettering read ASTOR PLACE.

"Which direction?" Michael felt turned around in the dark.

"This way. South."

He dropped onto the rail bed. Alicia handed him her rifle, and he helped her down. As they passed into the tunnel, the air became colder. Water sloshed at their feet. He counted their steps. At one hundred, the light of his lantern caught a frisson of movement: the hissing spray of water that shot from the edges of the bulkhead. He stepped forward and pressed his hand against the thick metal. Behind it lay untold tons of pressure, the weight of the sea, like an unfired cannon.

"How much time?" Alicia asked. She was leaning against the wall, scanning the tunnel with the rifle.

They had used forty-five minutes. He stripped off his pack and removed his supplies. Alicia was keeping watch on the far end of the tunnel. He twisted the wires of the blasting caps together, then clipped the end to the cable from the spool. Keeping everything dry would be a challenge; he had to prevent water from contacting the fuses. He returned the dynamite to his pack and searched the door for something to hang it on. Its surface was absolutely smooth.

"There," Alicia said.

Beside the bulkhead, a long rusty screw jutted from the wall. Michael hung his pack on it, handed Alicia the detonator, and began to pull out the cable from the spool.

"Let's go."

They emerged into the Astor Place station and scrambled onto the platform. Unspooling the cable behind them, they headed for the stairs and ascended to the first landing. A particle-filled daylight filtered down from street level. Kneeling, Michael placed the plunger on the floor, split the cable with his teeth, and threaded one wire into each of the two slotted screws on the top of the box. Alicia was sitting on the step below him, goggles pushed up onto her forehead, her rifle pointed into the blackness below. Circles of sweat drenched her shirt at the throat and armpits; her jaw was tight with pain. As he tightened the wing nuts, their eyes met.

"That ought to do it," Michael said.

Ten minutes to go.

Amy in darkness: First came the pain, a sharp-edged thudding at the back of her skull. This was followed by the sensation of being dragged. Her thoughts refused to organize. Where was she? What had occurred? What force was pulling her along? Solitary pictures drifted by, pushed by mental winds: a television screen of spitting static; fat, feathered snowflakes descending from an inky sky; Carter's garden, a carpet of living color; the tossing, blue-black sea. There was the floor-dirty, scuffed. Her tongue was dense and heavy in her mouth. She tried to make a sound, but none would come. The floor passed by in aortal jerks, timed to the rhythm of the tugging pressure on her wrists. The idea of resistance took hold, but when she attempted to move her limbs, she found she had no power to act; her body had been sundered from her will.

She sensed, then saw, a light, a kind of filtered glowing, and in the next instant everything changed: how the air moved on her skin, the way sound behaved, her intuitive sense of the physical parameters around her. Noises expanded and leapt away; the air smelled different, less confined, with a biological tang.

"Leave her there, please."

The voice-nonchalant, even a little bored-came from someplace ahead. The pressure on her wrists released; her face slammed into the floor. A hot, glowing ball ricocheted around the interior of her skull like an ember spat from a fire.

"Gently, for God's sake."

Consciousness ebbed, then, like a dark wave returning to shore, broke upon her again. She tasted blood in her mouth; she had bitten her tongue. The floor was cool against her cheek. The light, what was it? And the sound? A low-grade murmuring, not made by voices per se but by a volume of breathing bodies. She sensed the presence of faces. Faces and also hands, lurking in a fog. Her brain told her: Look harder, Amy. Focus your eyes and look.

It wasn't good. It wasn't good at all.

She was surrounded by virals. The first layer was crouched around her at a distance of just a yard or two-jaws clicking, throats amphibiously bobbing, hooked fingers caressing the air with small, syncopated movements, as if tapping the keys of invisible pianos. This was bad, but not the worst of it. The room writhed and throbbed, a population of hundreds. They carpeted the walls. They gazed down from the balconies like spectators at a contest. They filled each nook and corner and perched atop every ledge. The space was squirming like a pit of snakes.

"That all went rather smoothly," the voice drolly continued. "I'm a little bit amazed, actually. I was worried that their enthusiasm might get the better of them. They do that."

She was still having difficulty bringing her mind and her body into alignment, to forge the proper chain of command. Everything seemed delayed and out of sync. The voice seemed to emanate from everywhere around her, as if the air were speaking. It flowed over and into her like slick oil, lodging with cloying, buttery sweetness at the back of her throat.

"Would it be too obvious to say how long I've waited to meet you? But I have. Since the day Jonas told me of your existence, I've wondered, When will we meet? When will my Amy come to me?"

"My Amy." Why was the voice calling her that? She discovered the sky. No, not the sky: the ceiling, far above, and on it the image of the stars with gilded figures floating among them.

"Oh, you should have heard the man. How guilty he felt. How sorry he was. 'Jesus, Tim, you should see her. She's just a little kid. She doesn't even have a proper last name. She's just some girl from nowhere.' "

The backward stars, thought Amy. As if the heavens were being viewed from without, or were reflected in a mirror. She felt her thoughts attaching to this notion, and as it did, new ideas began to form. As if stumbling from a dream, her mind began to open to her circumstances; memories were rising to the surface. An image entered her mind: Peter, his body airborne, crashing through a plate-glass window.

A dark chuckle. "Not really funny, I suppose, when you put it in the context of a few billion corpses. Still, the whole thing was quite a performance. Jonas missed his true calling. He should have been an actor."

Fanning, she thought.

The voice was Fanning.

And everything came slamming back.

"I waited so long, Amy." A heavy sigh. "Always hoping that my Liz would be on the next train. Do you know what that's like? But how could you. How could anyone?"

She struggled onto all fours. She was in the west end of the hall. To her right, the ticket windows, barred like cells in a jail; to her left, the shadowy recesses of train platforms. Shrouded windows, both behind her and to her right, pulsed with a febrile glow. Ahead, at a distance of perhaps a hundred feet, stood the kiosk, topped by its pearlescent clock. A man was standing there. An altogether unremarkable-looking man, wearing a dark suit. He was positioned in profile, back erect and chin tipped slightly upward, left hand tucked casually in the pocket of his suit coat, his attention aimed at the dark maws of the tunnels.

"How alone she must have felt at the end, how afraid. No words of comfort. Not the touch of a hand for company."

Still he did not look at her. All around her, the virals trilled and stroked, flexed and snapped. She had the sense that they were kept at bay only by the thinnest of invisible barriers.

" 'I have known the evenings, mornings, afternoons, I have measured out my life with coffee spoons.' That's T. S. Eliot, in case you were wondering. An oldie but a goodie. When it came to existential exhaustion, the man was one smart cookie."

Where was Peter? Had the virals killed him? What of Michael and Alicia? She thought: Water. She thought: Time. How much had passed? But the answer to this question was like an empty drawer in her brain. Moving just her eyes, she scanned for something to use as a weapon. But there was nothing, only the virals and the inverted heavens and her heart beating in her throat.

"Oh, I had my books, my thoughts. I had my memories. But those things only take a man so far." Fanning paused, then said, with more directness, "Consider this place, Amy. Imagine it as it once was. Everyone hurrying, rushing here, rushing there. The appointments. The assignations. The dinners with friends. How gloriously alive it was. All our lives, the one thing we never seem to have enough of is time. Time to work. Time to eat. Time to sleep. Time to love and be loved before it's time to die." He shrugged. "But I digress. You came to kill me, wasn't it?"

He turned to face her. His right hand, now revealed, held the sword.

"Just to clear the decks, let me say that I don't hold it against you in the least. Au contraire, mon amie. That's French, by the way. Liz always said it was the mark of a truly cultured person. I never had much of a knack for languages, but with a century to kill, you get around to trying new things. Any preference? Italian, Russian, German, Dutch, Greek? How about Latin? We could do this whole thing in Norwegian if you'd like."

Close your mouth, Amy's brain commanded her. Use the silence, because it's all you have.