Two Gentlemen of Verona; iv.--2.

When Grant Herman attempted to speak with Mrs. Greyson at the Fenton's reception, he had more in view than simply the desire of being near the woman he loved. He was full of trouble and bewilderment, and instinctively turned toward her for aid and sympathy.

The scene between himself and Helen, to which the latter had alluded in her conversation with Dr. Ashton, was of far deeper import than her words might have seemed to imply. In the first shock of discovering that her work was broken she had been so overcome, that although she struggled bravely to conceal her feelings, she had excited the sculptor's keenest pity; and it not unnaturally followed that in attempting to express his sympathy he found himself telling his love before he was aware. He had determined to be silent upon this subject.

Uncertain what were Helen's feelings towards him and restrained by a sense of loyalty to the bond which united him to Ninitta, he had resolved to bury his love in his own breast, at least until time gave him opportunity of honorably declaring it. Now circ.u.mstances betrayed him into an avowal of his pa.s.sion; and he was not without the indignant feeling that Ninitta's act had freed him from all obligations to her.

It might have required an ingenious casuist to arrive logically at the conclusion that an injury which the Italian had done to another released him from his plighted word, but the person injured was the woman he loved, and he blindly felt that Ninitta had struck at himself through his most sensitive feelings. He renounced all the fealty to which he had been held by a sense of honor, and he now poured out to Helen the full tide of his pa.s.sionate love.

The sculptor was not a man to be lightly moved, but it is these calm, grave natures that once aroused are most irresistible. His pa.s.sionate outburst took Helen unaware; she scarcely knew what she did, and she became suddenly aware of a truth so overwhelming that every thing else faded into insignificance beside it.

"I love you!" he cried out; and at the word she first knew, with a poignant pang of mingled bliss and anguish, that she too loved him.

It seemed to her that some power above her own volition ruled her, as in moments of high excitement the body sometimes appears to declare its independence of the will, and to act wholly by its own decisions. She was aware that she raised her eyes to his, although she would have given much to avoid his glance; and she knew that it was from what he read there that he took courage to fold her in his embrace.

Yet with his arms about her and his piercing kisses upon her face, Helen felt as if sinking helplessly into a mighty ocean; as if all struggles must be unavailing, and she could only yield to the resistless love which engulfed her.

From this first feeling of powerlessness, however, her strong nature sprang with a sharp recoil. She was too n.o.ble to surrender without a struggle. She would not even think whether she loved this man; that might be considered upon some safe vantage ground; now all energy must be concentrated upon escaping from the deadly peril in which she found herself.

Helen had freed herself as far as she was able from the marriage bond which had so galled her, and she was glad to forget that such a tie had ever existed, but she yet remembered that she was still a wife, and the kiss of a man not her husband overwhelmed her with shuddering humiliation and fear. She struggled from her lover's embrace with such an expression of terror upon her face, that he started back amazed and grieved.

He began to stammer confused words of contrition, of sorrow, of love, and of supplication.

"How could you!" she gasped. "Oh, leave me!"

There came into her excited mind a way of escape, upon which, even though it brought with it a sense of baseness, she seized in despair.

"Ninitta," she said. "Ninitta!"

He gave her a look of pain which went to her very heart. He did not move or answer, but his whole soul seemed to look through his dark eyes in pitiful appeal.

"Go," she continued, but in a hurried voice which betrayed her agitation. "Leave me now. Oh, I cannot bear it!"

And crushed with pain and shame, she buried her face in her hands and burst into tears.

Herman made a step towards her, but instantly she recovered herself, looking up with swimming eyes and lips that quivered despite her utmost effort.

"No," she said, "do not touch me. You must go. I cannot bear another word. Forgive me," she went on rapidly, as he hesitated, still with those appealing eyes fixed upon her. "Oh, forgive me, but go."

He turned slowly and moved towards the door. The broken bas-relief, with its beautiful mutilated figure caught his eye, and seemed again to remind him that he had at last a right to speak to Helen, unhampered by the thought of Ninitta. He looked back as if he would even now disobey her and plead his love anew. But her eyes refused his prayer before it could be uttered. He lingered still an instant.

"I cannot go," he broke out suddenly. "I love you! I must stay! I must at least have an answer. Do you think a man could kiss you once and then leave you like this?"

She shivered as if she felt anew his pa.s.sionate embrace and shrank from it. She threw her glance about as to discover some means of escape. The gesture, the look, overwhelmed him with sudden remorse. He trusted himself not for a single backward look now, but rushed out of the studio, leaving her sitting there like the princess of the fairy tale who overcame the genii only by recourse to immortal fire which consumed her also.

Alone in his studio the sculptor strode up and down, struggling with the emotion which mastered him. He debated with himself whether Helen loved him or not; yet the more carefully he recalled his interview with her, the more impossible he found it to determine. But hope plucked courage out of this very uncertainty, and clung to the belief that had not Helen in her heart some affection for him, she could not have been so touched.

But what of Ninitta? He threw back his head and walked down the studio, his steps sounding sharply upon the hard cement floor. What of Ninitta?

He had absurdly dallied with his supposed obligations to her long enough. Now, at least, after this outrage, he repeated to himself, he was free. He was at liberty now--if indeed he had not always been--to consider what he owed to himself; what to the woman he loved.

He recalled the hot words he had spoken to the model earlier in the afternoon when the anger of discovery was fresh upon him, and he felt a pang of self-reproach. He could not but know how poignant to Ninitta must be the grief of giving him up, although he a.s.sured himself that in the long years of separation she must have become accustomed to live without him, and that her grief would be rather fancied than real. Yet he was too tender-hearted to be wholly at ease after all his reasoning.

He at last started out to find Ninitta, perhaps to comfort her, perhaps to cast her off forever. At least to come to some definite conclusion of their doubtful relations.

But Ninitta was not to be found. She was not in her attic; nor did she return that night, nor the next day, nor yet the following; and it was to tell of the model's disappearance, and to ask aid in tracing her, that Herman had wished to speak to Helen at the Fenton's reception.

XXII.

UPON A CHURCH BENCH.

Much Ado about Nothing; iii.--3.

Herman did not see Helen for several days after the reception, but she came down to the studio Sunday afternoon to begin the repairing of her mutilated bas-relief. The sculptor heard her step pa.s.s his door, and felt a thrill at the sound for which he had longingly waited every waking hour since he had heard Helen go out upon the night of Ninitta's disappearance.

He waited what seemed to him a long time, forcing himself to perform certain trifling things needful in the studio, yet Mrs. Greyson had only been able to get fairly to work before she heard his footstep, and then his tap upon her door.

He entered the studio almost hesitatingly, and after the usual greetings stood looking gravely at the disfigured clay.

"I began to think you were never coming to restore it," he remarked, breaking at last the silence.

"I could not bear to touch it," she returned, not caring to confess that she had also wished to avoid him until time should have restored his usual self-control. "But I determined yesterday to begin this morning, only strangely enough I went to church for the first time since I came from Europe."

"Ah!" returned Herman smiling. "I often go to church when I am not too busy."

"I hardly supposed that a Pagan was guilty of going to any church where he could not worship Pasht."

"One can worship whatever deity he pleases in whatever temple, I suppose," was his rejoinder. "I'm catholic in my tastes. I do not so much mind what people worship, if they are only sincere about it."

"It must be a great comfort to believe every thing, if one only could."

"There is often danger," he observed, "that we a.s.sume it to be a weakness to believe any thing."

"It is, I'm afraid," replied she, turning her face from him and seemingly intent upon her modeling.

"At least we believe in work," Herman answered, "else we are not artists. You certainly find joy and support in your art."

"Yes," Helen said with a sigh; "but I fancy the joy of creation, great as it is, can never be so satisfying to a woman as to a man. It is humiliating to confess--or it is presumptuous to boast, I am not sure which--but a woman is never so fully an artist as a man. He is in great moments all artist; but a woman is never able to lay herself aside even in her most imaginative moods."

"I cannot think you wholly right," her master returned smiling; "but to go back a little, at least faith is woman's peculiar province and prerogative. We seem nowadays to pride ourselves upon being superior to belief in any thing; but it is really a poor enough hypocrisy. If we really believed nothing, should we ever give up a single selfish desire or combat any impulse that seizes us. For my part, I am glad to find men better than their professions. But this," he added with his genial smile, "is more of a sermon, very likely, than you heard at church."

"I at least agree with it better than the one I heard at church this morning. The preacher patronized the Deity so that he shocked me."

"That troubles me at church," Herman a.s.sented; "preachers are so irreverent."

Helen stepped back to observe the effects of the work she was doing.

"Do you think," she ventured, "that it would be possible for me to induce Ninitta to pose again for the May? If I told her that I am not angry, that I understand, and that----"