"Don't stop. I couldn't help coming in, seeing you as I went by,"

said Rodney.

Sylvie sat down on one of the middle steps. She would rather keep still than exhibit herself in any further movement. Rodney ought to have known better than go in then; if indeed he did _not_ know better than Sylvie herself did, how very pretty and graceful she looked, all out of regular and ordinary gear.

She had taken off her hoops, for her climbing; her soft, long black dress fell droopingly about her figure and rested in folds around and below her feet as she sat upon the step-ladder; one thick braid of her sunshiny hair had dropped from the fastening which had looped it up to her head, and hung, raveling into threads of light, down over her shoulder and into her lap; her cheeks were bright with exercise; her eyes, that trouble and thought had sobered lately to dove-gray, were deep, brilliant blue again. She was excited with her work, and flushed now with the surprise of Rodney's coming in.

"How pretty you are going to look here," said Rodney, glancing about.

The carpet Sylvie had chosen to keep for the parlor--for though Mrs.

Argenter had feebly discussed and ostensibly dictated the list as Sylvie wrote it down, she had really given up all choosing to her with a reiterated, helpless, "As you please," at every question that came up--was a small figured Brussels of a soft, shadowy water-gray, with a border in an arabesque pattern. This had been upon a guest chamber; the winter carpet of the drawing-room was an Axminster, and Sylvie's ideas did not base themselves on Axminsters now, even if they might have done so with a two thousand dollar allowance. She only hoped her mother would not feel as if there were no drawing room at all, but the whole house had been put up-stairs.

The window draperies were as I have said; there was a large, plain library table in the middle of the room, with books and baskets and little easels with pictures, and paper weights and folders, and other such like small articles of use and grace and cosy expression lying about upon it, as if people had been there quite a while and grown at home. There were bronze candelabra on the mantel and upon brackets each side the bay window. Pictures were already hung,--portraits, and gifts, not included in the schedule,--a few nice engravings, and one glowing piece of color, by Mrs. Murray, which Sylvie said was like a fire in the room.

"I am only afraid it is too fine," said she, replying to Rodney. "I really want to be like our neighbors,--to _be_ a neighbor. We belong here now. People should not drop out of the world, between the ranks, when changes happen; they can't change out of humanity. Do you know, Mr. Sherrett,--if it wasn't for the thought of my poor father, and my mother not caring about anything any more,--I know I should enjoy the chance of being a village girl?"

"You'll be a village girl, I imagine, as your parlor is a village parlor. All in good faith, but wearing the rue with a difference."

"I don't mean to. I've been thinking,--_ever_ so much, and I've found out a good many things. It's this not falling _on_ to anything that keeps people in the misery of falling. I mean to come to land, right here. I guess I preexisted as a barefoot maiden. There's a kind of homeishness about it, that there never was in being elegant.

I wonder if I _have_ got anything in here that has no business?"

"Not a sc.r.a.p. I've no doubt the blacksmith's wife's parlor is finer. But you can't put the _character_ out."

"I mean to have plants, now; in this bay window. I guess I can, now that we have no conservatory. Village people always have plants in their windows, and mother won't want to see the street staring in."

"Have you brought some?"

"How could I? Those great oranges and daphnes? No: I shall have little window plants and raise them."

"But meanwhile, won't the street be staring in?"

"Well, we can keep the blinds shut, for the warm weather."

"Amy will come and see you, when you are settled; Amy and Aunt Euphrasia; you'll let them, won't you? You don't mean to be such a violent village girl as to cut all your old friends?"

"Old friends?" Sylvie repeated, thoughtfully "Well, it does seem almost old. But I didn't think I knew any of you _very_ well, only a little while ago."

"Until the overturns," said Rodney. "It takes a shaking up, I suppose, sometimes, to set things right. That's what the Shaker people believe has got to be generally. Do you know, the Scotch--Aunt Euphrasia is Scotch--have a way of using the word 'upset' to mean 'set up.' I think that is what you make it mean, Miss Sylvie. I understand the philosophy of it now. I got my first ill.u.s.tration when I tipped you out there at the baker's door."

"You tipped me out into one of the nicest places I ever was in. I've no doubt it was a piece of the preparation. I mean to have Ray Ingraham for my intimate friend."

Rodney Sherrett did not say anything immediately to this. He sat on the low cricket upon which he had placed himself near the door, turning his soft felt hat over and over between his hands. He was not quite ready to perceive as yet, that the baker's daughter was just the person for Sylvie Argenter's intimate friend; and he had a dim suspicion, likewise, that there was something in the girl const.i.tution that prevented the being able to have more than one intimate friend.

He repeated presently his a.s.surance that Amy and Aunt Euphrasia would come over to see them, and took himself off, saying that he knew he must have been horribly in the way all the time.

The next morning, a light covered wagon, driven by Mr. Sherrett's man, Rodgers, came up the Turn. There was n.o.body at the red-roofed house so early, and he set down in the front porch what he took carefully, one at a time, from the vehicle,--some two dozen lovely greenhouse plants, newly potted from the choicest and most flourishing growth of the season.

When Sylvie and Sabina came round from the ten o'clock street car, they stumbled suddenly upon this beauty that inc.u.mbered the entrance. To a branch of glossy green, luxuriant ivy was tied a card,--

"RODNEY SHERRETT, With friendly compliments."

Sylvie really sung at her work to-day, placing and replacing till she had grouped the whole in her wire frames in the bay window so as to show every leaf and spray in light and line aright.

"Why, it is prettier than it ever was at the old place; isn't it Sabina? It's full and perfect; and that was always a great barrenness of gla.s.s. The street can't stare in now. I think mother will be able to forget that there is even a street at all."

"It's real n.o.bby," said Sabina.

The room was all soft green and gray: green rep chairs and sofa, green topped library table; green piano cover; green inside blinds; a green velvet grape leaf border around the gray papered walls.

Sabina, though a very elegant housemaid, patronized and approved cheerfully. She was satisfied with the new home. There had not been a word of leaving since it was decided upon. She had her reasons.

Sabina was "promised to be married" next spring. Dignity in her profession was not so much of an object meantime, nor even wages; she had laid up money and secured her standing, living always in the first families; she could afford to take it in a quiet way; "it wouldn't be so bothering nor so dressy;" Sabina had a saving turn with her best things, that spared both trouble and money. Besides, her kitchen windows and the back door suited her; they looked across a bit of unoccupied land to the back street where the cabinet-shop buildings were. Sabina was going to marry into the veneering profession.

CHAPTER VI.

A LONG CHAPTER OF A WHOLE YEAR.

Mr. Ingraham, the baker, did not die that day when the doctor's chaise stood at the door, and all the children in the village were sent in for brick loaves. He was only struck down helpless; to lie there and be waited on; to linger, and wonder why he lingered; to feel himself in the way, and a burden; to get used to all this, and submit to it, and before he died to see that it had been all right.

The bakery lease had yet two years to run. It might have been sold out, but that would have involved a breaking up and a move, which Ingraham himself was not fit to bear, and his wife and daughters were not willing to think of yet.

Rachel quietly said,--as soon as her father was so far restored and comfortable that he could think and speak of things with them,--

"I can go on with the bakehouse. I know how. The men will all stay.

I spoke to them Sat.u.r.day night."

Ray kept the accounts, and when Sat.u.r.day night came, the first after the misfortune fell upon them, she called all the journeymen into the little bakery office, where she sat upon the high stool at her father's desk. She gave each his week's wages, asking each one, as he signed his name in receipt, to wait a minute. Then she told them all, that she meant, if her father consented, to keep on with the business.

"He may get well," she said. "Will you all stand by and help me?"

"'Deed and we wull," said Irish Martin, the newest, the smallest, and the stupidest--if a quick heart and a willing will can be stupid--of them all. Some stupidity is only brightness not properly hitched on.

Ray found that she had to go on making brick loaves, however. She must keep her men; she could not expect to train them all to new ways; she must not make radical experiments in this trust-work, done for her father, to hold things as they were for him. Brick loaves, family loaves, rolls, brown bread, crackers, cookies, these had to be made as the journeymen knew how; as bakers' men had made them ever since and before Mother Goose wrote the dear old pat-a-cake rhyme.

Ray wondered why, when everybody liked home bread and home cake,--if they could stop to make them and knew how,--home bread and cake could not be made in big bakehouse ovens also, and by the quant.i.ty.

She thought this was one of the things women might be able to do better than men; one of the bits of world business that women forced to work outside of homes might accomplish. Once, men had been necessary for the big, heavy, multiplied labor; now, there was machinery to help, for kneading, for rolling; there was steam for baking, even; there were no longer the great caverns to be filled with fire-wood, and cleared by brawny, seasoned arms, when the breath of them was like the breath of the furnace seven times heated, in which walked Shadrach, Meshach, and Abednego.

Ray had often thoughts to herself; thoughts here and there, that touched from fresh sides the great agitations of the day, which she felt instinctively were beginning wrong and foremost. "I _will_ work; I _will_ speak," cry the women. Very well; what hinders, if you have anything really to do, really to say? Opportunities are widening in the very nature and development of things; they are showing themselves at many a turn; but they give definite business, here and there; they quiet down those who take real hold. Outcry is no business; that is why the idle women take to it, and will do nothing else. It is not they who are moving the world forward to the clear sun-rising of the good day that must shine. People whose shoulders are at steady, small, unnoticed wheels are doing that.

Dot stayed in the house and helped her mother. She had a sewing-machine also, and she took in work from the neighbors, and from ladies like Miss Euphrasia Kirkbright, and Mrs. Greenleaf, and Mrs. Farland, who drove over to bring it from Roxeter, and East Mills, and River Point.

"Why don't you call and see me?" Sylvie Argenter asked one day, when she had walked over to the shop with a small basket, in which to put brown bread, little fine rolls for her mother, and some sugar cookies. Ray and Dot were both there. Dot was sitting with her sewing, putting in finishing st.i.tches, b.u.t.ton-holes, and the like.

She was behind the counter, ready to mind the calls. Ray had come in to see what was wanting of fresh supplies from the bakehouse.

"I've been expecting you ever since we moved into the Turn. Ain't I to have any neighbors?"

The little court-way behind the Bank had come to be called the Turn; Sylvie took the name as she found it; as it named itself to her also in the first place, before she knew that others called it so. She liked it; it was one of those names that tell just what a thing is; that have made English nomenclature of places, in the old, original land above all, so quaint and full of pleasant home expression.