The Orpheus C. Kerr Papers.

Series 2.

by Robert H. Newell.

LETTER LIII.

NOTING THE LAMENTABLE INCONVENIENCES OF A "PRESS-CENSORSHIP," AND PARTIALLY REVEALING THE CIRc.u.mSTANCES ATTENDANT ON A MARVELLOUS STRATEGIC CHANGE OF BASE BY THE MACKEREL BRIGADE.

WASHINGTON, D. C., July 6, 1862.

When in the course of human events, my boy, it becomes necessary for a chap of respectable parentage to write a full and graphic account of a great battle, without exasperating the press-censor by naming the locality of the conflict, nor giving the number of the troops engaged, the officers commanding, the movements of the different regiments, the nature of the ground, the time of day, or the result of the struggle; when it becomes necessary for a chap of respectable parentage to do this, my boy, that chap reminds me of a poor chap I once knew in the Sixth Ward.

The poor chap took daguerreotype-likenesses in high style for low prices, and one day, there came to his third-story Louvre a good-looking young man, dressed in a high botanical vest-pattern and six large-sized breast-pins, and says he to the picture chap, confidentially:

"There's a young woman living in Henry-street, which I love, and who admires to see my manly shape; but her paternal father refuses to receive me into the family on account of my low celery. Now," says the breastpin-chap, knowingly, "I will give you just twenty-five dollars if you'll go to that house and take the portrait of that young lady for me, pretending that you have heard of her unearthly charms, and want her picture, to add to the collection shortly to be sent to the Prince of Wales."

Having witnessed the worst pa.s.sions of his landlord that morning, my boy, and received a telegraphic dispatch of immediate importance from his tailor, the artist chap heard about the twenty-five dollar job with a species of deep rapture, and undertook to do the job. He went to the Henry-street palatial mansion with his smallest camera under his arm, and when he got into the parlor he sent for the young lady. But she didn't see it in that light, my boy, and she wouldn't come down. For a moment the poor chap was in a fix; but he was there to take her portrait, or perish in the attempt, and as he saw an oil-painting of the young girl over the mantelpiece, he took that, and skedaddled. The next day the breastpin-chap called at his Louvre again, and says to him:

"Have you taken Sary's portrait?"

"Yes," says the artist chap, "I took it."

"Where is it?" says the breastpin-chap with emotion.

"There it is," says the artist-chap, pointing to the oil-painting, with a pleasing expression of countenance.

As high art is not appreciated in this country, my boy, a policeman called at the Louvre that afternoon and removed the artist-chap to a place which is so musical that all the windows have bars, and each man carries a stave.

As my taste for music is not uncontrollable at present, my boy, and I can't write a full account of a battle, without referring in some degree to the struggle, which we are forbidden to mention, I shall not be particular as to details.

I am permitted to say that I went down to Paris with my gothic steed Pegasus on Monday last, and found the Mackerel Brigade coming back across Duck Lake with the frantic intention of changing its base of operations. The Conic Section, my boy, had been ordered to advance and force the Southern Confederacy to compel it to retreat, and the rapidity with which this was accomplished was a brilliant vindication of the consummate strategy of the general of the Mackerel Brigade. I found the general a few miles back of the scene of action issuing orders--for the same, with a little more sugar, and says I:

"Well, my indefatigable Napoleon, have you changed your base successfully?"

The general smiled like a complacent porpoise, and says he:

"We've reached our second base, my friend, being compelled to do so by the treble force of the enemy."

I went on to the second base, which I reached just in time to see Captain Villiam Brown, on his geometrical steed Euclid, arresting the flight of Company 3, Regiment 5, under Captain Samyule Sa-mith.

"Samyule! Samyule!" says Villiam, feeling behind him to make sure that his canteen was all right, "is this the way you treat the United States of America at such a critical period in her distracted history?"

"I scorn your insinivation," says Samyule, "and repel your observation.

I am executing a rapid flank movement according to Hardee."

"Ah!" says Villiam, "excuse my flighty remarks. I do not mean to say that you can be frightened," says Villiam, soothingly; "but it's my opinion that your mother was very much annoyed by a large-sized _fly_ just before you were added to the census of the United States of America."

Villiam's idea of the connection between cause and effect, my boy, is as clear as a brandy-punch when the sugar settles.

The battle now raged in a manner which I am not permitted to describe, with results I am not allowed to communicate. Villiam appeared wherever the fray was the thickest, waving his celebrated sword Escalibar (Anglo-Saxon of crowbar), and encouraging all the faint-hearted ones to get between himself and the blazing Confederacy. Borne a considerable distance backward by the force of circ.u.mstances, he had reached a comparatively clear spot in the rear, when he suddenly found himself confronted by Captain Munchausen, of the Southern Confederacy.

Captain Munchausen was mounted upon the thinnest excuse for four legs that I ever saw, my boy; and what tempted nature to form such an excuse when the same amount of bone-work would have brought more money, it was not for mortal man to know.

"Ha!" says Villiam, hastily reining-up Euclid, and touching his sword Escalibar, ominously, "we meet once more to discuss the great national question of personal carnage."

"Sir," says Captain Munchausen, superciliously waving his keen edged poker and drawing his fiery steed up from his knees, "it is my private intention to produce some slaughter in a private family of the name of Brown."

Fire flashed from Villiam's eyes, he replaced a small flask in his bosom, and says he:

"Come on, and let the fight come off."

Then, my boy, commenced a series of equestrian manoeuvres calculated to exemplify all the latest improvements in cavalry tactics and patent circusses.--Round and round each other rode the fierce foemen, bobbing convulsively in their saddles like exasperated jumping-jacks, and cutting the atmosphere into minute slices with their deadly blades. Now did the determined Villiam amble sideways toward the rebel, thrusting fiercely at him when only a few yards intervened between them; and anon did the foaming Munchausen wriggle fiercely backward against the haunches of the steed Euclid, slashing right and left with tumultuous perspiration.

It was when this thrilling combat was at the hottest that the steed Euclid, being exasperated by a large blue-bottle fly, arose airily to his hind legs, and carried the Union champion right on top of his enemy. Down came the glittering Escalibar on the shoddy helmet of the astonished Munchausen; but the deadly blade was not sharp enough for its purpose, and only caused the foeman to make hasty profane remarks.

"Ah!" says Villiam, bitterly, eyeing his sword as Euclid waltzed backward, "I forgot to sharpen my brand after cutting that last plate of smoke-beef."

"Surrender!" shouted the unmanly Munchausen, noticing that Villiam was sheathing his blade, and bearing gracefully down upon him in an elaborate equestrian polka.

"Never!" says Villiam, drawing his revolver, and firing madly into the setting sun.

Swiftly as the lightning flashes did the Confederate champion follow suit with his pistol, sending a bullet horribly whizzing into the nearest tree.

"Die!" shouted Villiam, prancing excitedly in all directions, and delivering another shot. Then he gazed upon his revolver with an expression of inexpressible woe. The weapon had deceived him!

"Perish!" roared Munchausen, discharging another barrel as he went hopping about. After which, he ground his teeth, and gazed upon his pistol with speechless fury. The weapon had played him false!

I was gazing with breathless interest on this desperate encounter, my boy, expecting to see more slaughter, when Captain Munchausen suddenly turned his spirited stallion, and fled frantically from the scene; for he had heard the shouts of the approaching Mackerels, and did not care to be taken just then.

"Ha!" says Villiam, gazing severely at Company 3, Regiment 5, as it came pouring forward, "has the Southern Confederacy concluded to submit to the United States of America?"

What the answer was, my boy, I am not allowed to say; but you may rest satisfied that a thing has been done which I am not permitted to divulge; and should this lead, as I hope it will, to a movement I am not suffered to make public, it cannot fail to result in a consummation which I am forbidden to make known. But if, on the other hand, the strategic movement which I am not at liberty to describe should be followed by a stroke I am restrained from explaining, you will find that the effect it would not be judicious in me to set forth, will produce a consequence which the War Department denies me the privilege of developing.

I was speaking to a New England Congress chap, this morning, concerning the recent events which I am compelled to remain silent about, and, says he: "The proper way to save the Union is to bewilder the rebels by issuing calls for fresh troops at breakfast-time, and countermanding the calls as soon as the coffee comes in. Strategy," says the grave legislative chap, thoughtfully, "is not confined to the tented field; it may be used with good effect by Cabinet ministers; and our recent proposal to reduce the army 150,000 men was a piece of consummate legislative strategy."

Legislative strategy is a very good thing to bewilder the rebels, my boy; and if it also bewilders everybody else, the moral effect of the adjournment of Congress will prove rather beneficial than otherwise to our distracted country.

Yours, under suppression, ORPHEUS C. KERR.

LETTER LIV.

ILl.u.s.tRATING THE DISASTROUS EFFECTS OF STRATEGY UPON NATIONAL LITERATURE, AS EXEMPLIFIED IN THE ORIGINAL TALE READ BY OUR CORRESPONDENT BEFORE THE COSMOPOLITAN CLUB.