She was at the front window crying for help.

"Jump! For--G.o.d's sake, jump!" he shouted, but she did not obey.

Instead she ran toward the combatants and seized Maruffi's free arm, in a measure checking his effort to break the other man's hold. Her closeness to danger agonized Blake, the more as he felt his own strength ebbing, under that stabbing pain in his side. He centered his force in the grip of his left hand, clinging doggedly while the Sicilian flung his two a.s.sailants here and there as a dog worries a scarf.

Blake fancied he heard a stamping of feet in the hall outside and the sound of voices, of heavy bodies crashing against the door. Maruffi heard it, too, for with a bellow of fury he redoubled his exertions. A sweep of his arm flung the girl aside; with a mighty wrench of his body he carried Blake half across the room, loosening his hold. Then he seized him by the throat and forced his head back.

[Ill.u.s.tration: He wrestled for possession of the gun]

The shouting outside was increasing, the pounding was growing louder.

Blake's breath was cut off and his strength went swiftly; his death grip on the Sicilian's body slackened. As he tore at the fingers which were throttling him, his left hand slipped, citing to Maruffi's sleeve, and finally began clawing blindly for the weapon. The next moment he was hurled aside, so violently that he fell, his feet entangled in the cushions with which he had defended himself against the first shot.

He rose and renewed his attack, hearing Margherita cry out in horror.

This time Maruffi took deliberate aim, and when he fired the figure lurching toward him was halted as if by some giant fist.

"Four!" Blake counted. He was. .h.i.t, he knew, but he still had strength; there were but two more shots to come. Then he was dazed to find himself upon his knees. As if through a film he saw the Italian turn away and raise his weapon toward the girl, who was wrenching at the door.

"Maruffi!" he shouted. "Oh, G.o.d!" then he closed his eyes to shut out what followed. But he heard nothing, for he slipped forward, face down, and felt himself falling, falling, into silence and oblivion.

As O'Connell made his way toward St. Phillip Street he nursed a growing resentment at the news Norvin Blake had given him. His feeling toward Caesar Maruffi had all the fierceness of private hatred, calling for revenge, and he considered himself ill-used in that he had not even been permitted to witness the arrest. He knew Maruffi's countrymen would be likely to make a demonstration, and he was grimly desirous of being present when this occurred.

As he neared the heart of the Italian section he saw a blue-coated officer running toward him.

"What's up?" he cried. "Have the dagoes started something?"

"Maruffi was pinched, but he got away," the other answered. "Johnson is hurt, and--"

O'Connell lost the remaining words, for he had broken into a run.

A crowd had gathered in front of a little shop where the wounded policeman had been carried to await the arrival of an ambulance, and even before O'Connell had heard the full story of the escape Acting-Chief O'Neil drove up behind a lathered horse. He leaped from his mud-stained buggy, demanding, hoa.r.s.ely:

"Where is he--Maruffi?"

Officer Dean, Johnson's companion, met him at the door of the shop.

"He made his break while I was 'phoning you," he answered.

"h.e.l.l! Didn't you frisk him?" roared the Chief.

"Sure! But we missed his gun."

"Caesar carries it on a cord around his neck--n.i.g.g.e.r-fashion," briefly explained O'Connell.

Dean was running on excitedly: "I heard Johnson holler, but before I could get out into the street Maruffi had shot him twice and was into that alley yonder. I tried to follow, but lost him, so I came back and sent in the alarm."

The Acting Chief cursed under his breath, and with a few sharp orders hurried off the few officers who had reached the scene. Then as an ambulance appeared he pa.s.sed into the room where Johnson lay. As he emerged a moment later O'Connell drew him aside.

"Maruffi won't try to leave town till it's good and dark," he said.

"He's got a girl, and I've an idea he'll ask her to hide him out."

"It was his girl who turned him up--she and Blake--"

O'Connell cried, sharply: "Wait! Does he know she did that? If he does, he'll make for her, sure."

"That may be. Those two women are all alone, and I'd feel better if they were safely out of the way. I'll leave you there on the way back."

An instant later they were clattering over the uneven flags while their vehicle rocked and bounded in a way that threatened to hurl them out.

Even before they reached their destination they saw people running through the dusk toward the house in which the two girls lived and heard a shot m.u.f.fled behind walls. O'Neil reined the horse to his haunches as the shrill cry of a woman rang out above them, and the next moment he and O'Connell were inside, rushing up the stairs with headlong haste. They were brought to a stop before a bolted door from behind which came the sounds of a furious struggle.

"Blake! Norvin Blake!" shouted O'Connell.

"Break it down!" O'Neil ordered. He set his back against the opposite wall, then launched himself like a catapult. The patrolman followed suit, but although the panels strained and split the heavy door held.

"By G.o.d! he's in there!" the Chief cried, as he set his shoulder to the barrier for a second time. "Once more! Together!" Through a crevice which had opened in the upper panels they caught a glimpse of the dimly lighted room. What they saw made them struggle like madmen.

Another shot sounded, and O'Neil in desperation inserted his fingers in the opening and tore at it. Through the aperture O'Connell saw Maruffi run to an open window at the rear, then pause long enough to s.n.a.t.c.h the taper from its sconce at the foot of the little shrine and, stooping, touch its flame to the long lace curtains. They promptly flashed into a blaze. Parting them, he bestrode, the sill, lowered himself outside, and disappeared. It was an old but effective ruse to delay pursuit.

"Quick! He's set fire to the place," O'Connell gasped, and dashed down the hall.

A tremendous final heave of O'Neil's body cleared his way, a few strides and he was at the window, ripping the blazing hangings down and flinging them into the court below. When he turned it was to behold in the dim twilight Vittoria Fabrizi kneeling beside Blake. Her arms were about him, her yellow hair entwined his figure.

"A light! Somebody get a light!" the Chief roared to those who had followed him up the stairs, then seeing a lamp near by he lit it hurriedly, revealing the full disorder of the room. He knelt beside Vittoria, who drew the fallen man closer to her, moaning something in Italian which O'Neil could not understand. But her look told him enough, and, rising, he ordered some one to run for a doctor.

Strangers, white-faced and horrified, were crowding in; the sound of other feet came from the stairs outside, questions and explanations were noisily exchanged. O'Neil swore roundly at the crowd and drove it ahead of him down into the street, where he set a man to guard the door. Then he returned and helped the girl examine her lover's wounds.

Her fingers were steady and sure, but in her face was such an abandonment of grief as he had never seen, and her voice was little more than a rasping whisper. They were still working when the doctor came, followed a moment later by a disheveled, stricken figure of tragedy which O'Neil recognized as Oliveta.

At sight of her foster-sister the peasant girl broke into a pa.s.sion of weeping, but Vittoria checked her with an imperious word, meanwhile keeping her tortured eyes upon the physician. She waited upon him, forestalling his every thought and need with a mechanical dexterity that bore witness to her training, but all the while her eyes held a pitiful entreaty. Not until she heard O'Neil call for an ambulance did she rouse herself to connected speech. Then she exclaimed with hysterical insistence:

"You shall not take him away! I am a nurse; he shall stay here. Who better than I could attend to him?"

"He can stay here if you have a place for him," said the doctor.

O'Neil drew him aside, inquiring, "Will he live?"

The doctor indicated Vittoria with a movement of his head. "I'm sure of it. That girl won't let him die,"

The news of that combat traveled fast and far and it came to Myra Nell Warren among the first. Despite the dreadful false position in which Bernie had placed her with respect to Norvin, the girl had but one thought and that was to go to her friend. She could not endure the sight of blood, and her somewhat child-like imagination conjured up a gory spectacle. She was afraid that if she tried to act as nurse she would faint or run away when most needed. But she was determined to go to him and to a.s.sist in any way she could. It was not consistent with her ideas of loyalty to shrink from the sight of suffering even though she could do nothing to relieve it.

When she mounted the stairs to Oliveta's living-quarters she was pale and agitated, and she faltered on the threshold at the sight of strangers. Within were a newspaper reporter, a doctor, the Chief of Police, the Mayor of the city, while outside a curious throng was gathered. Seeing Miss Fabrizi, she ran toward her, sobbing nervously.

"Where is he, Vittoria? Tell me that he's--safe!"

Some one answered, "He's safe and resting quietly."

"T-take me to him."

A spasm stirred Vittoria's tired features; she petted the girl with a comforting hand, while Mayor Wright said, gently:

"It must have been a great shock to you, Myra Nell, as it was to all of us, but you may thank G.o.d he has been spared to you."

The reporter made a note upon his pad, and began framing the heart interest of his story. Here was a new and interesting aspect of an event worth many columns.