The Ne'er-Do-Well - Part 48
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Part 48

"There is no doubt, sar. Her name is Garavel, and she h'occupies the big 'ouse on the 'ill. I discovered those h'impartant facts from the Bajan 'ooman."

"Stephanie! You saw her? By Jove! Then you are right this time.

Quick! tell me all you learned."

Allan lied fluently, elaborately, and, finding his hero plunged into despair, resigned himself gratefully to another period of blissful idleness. This was much the simplest way, he decided; for even should Kirk meet a Garavel or a Fermina, there was no chance of his winning her, and love, after all, is but a pa.s.sing impulse which may be summoned or banished at will by such simple mediums as charms. The boy did go out of his way to ease his benefactor's malady by taking a lock of his own fuzzy wool and placing it beneath Kirk's mattress, after certain exorcisms.

There followed a period of blank dejection. Kirk's first disappointment, when the girl had failed to keep her tryst, was as nothing compared to this, for now he felt that she was unattainable. He did not quite give up hope; so many strange experiences had befallen him since his involuntary departure from New York that it all seemed like a dream in which anything is possible. But he was deep in the doldrums when, with magic suddenness, the scene changed, and his long discouragement came to an end.

XIX

"LA TOSCA"

The winter season was at its height now. For weeks there had been no rain, and the Pacific side of the Isthmus was growing sere and yellow beneath the ceaseless glare of the sun. The musty dampness of the rainy season had disappeared, the steady trade-winds breathed a dreamy languor, and the days fled past in one long, unending procession of brilliant sameness. Every ship from the North came laden with tourists, and the social life of the city grew brilliant and gay. There were receptions, dinners, dances; the plazas echoed to the strains of music almost nightly. Now that Nature smiled, the work upon the Ca.n.a.l went forward with ever- growing eagerness. Records were broken in every department, the railroad groaned beneath its burden, the giant human machine was strained to its fullest efficiency.

Young Anthony mastered the details of his work very rapidly, for railroading had been bred into him. He needed little help from Runnels, and soon began to feel a conscious grasp of affairs as surprising to himself as to his chief. Being intensely interested in his work, he avoided all social entanglements, despite repeated invitations from Mrs. Cortlandt. But, when the grand-opera season began, he made an exception, and joined her box-party on the opening night.

It seemed quite like old times to don an evening suit; the stiff, white linen awakened a pang of regret. The time was not far distant when he had felt never so much at home as in these togs; but now they were hot and uncomfortable--and how they accentuated his coat of tan!

There was a somewhat formal dinner in the Cortlandts' new home, at which there were a dozen guests; so Kirk had no opportunity of speaking with his hostess until they had reached the theatre, where he found himself seated immediately behind her.

"I've scarcely seen you lately," she said, at the first opportunity. "You're a very neglectful young man."

"I knew you were getting settled in your house, and we've been tremendously busy at the office."

"I began to think you were avoiding us."

"You must know better than that."

She regarded him shrewdly over her shoulder. "You're not still thinking of--that night at Taboga? You haven't seemed the same since."

He blushed, and nodded frankly. "I can't help thinking about it.

You were mighty nice to overlook a break like that, but--"

Unconsciously his eyes shifted to Cortlandt, who was conversing politely with a giggly old lady from Gatun.

She tapped his cheek lightly with her fan. "Just to show you how forgiving I am, I am going to ask you to go riding with me. The late afternoons are lovely now, and I've found a good horse for you. I suppose you ride?"

"I love it."

"Wednesday, at five, then." She turned to another guest, and Kirk leaned back to take in the scene about him.

Like most Latin-American cities, Panama prides herself upon her government theatre, which is in truth very beautiful. Although it remains dark most of the year, its brief period of opera is celebrated by a notable outpouring. To-night the magnificent white-and-gold auditorium was filled to the topmost gallery, and the two circles of boxes were crowded with the flower of Panamanian society, tourists from the North, and Americans from the whole length of the Ca.n.a.l Zone. Kirk himself had seen to running a theatre special from Colon, and recognized all six of the Commissioners, with their families. It was an exceedingly well-dressed audience, and although the pit was plentifully sprinkled with men in white, the two lower galleries were in solid full-dress. Bejewelled women in elaborate gowns lent the affair almost the elegance of a night at the Metropolitan, while the flash of many uniforms made the scene colorful.

Suddenly the orchestra broke into the national air, and with a great rustling and turning of heads the audience rose to its feet.

In the centre box of the first tier, ornately hung with flags and a coat of arms, Anthony beheld a giant black man of majestic appearance, drawn to his full height and flanked by a half-dozen aides in uniform, all at a stiff military salute.

"That is President Galleo," Edith told him.

"Jove! He's a regal-looking chap," Kirk exclaimed.

"He's very much of a man, too, yet even here there is a color line. n.o.body acknowledges it, but the old Castilian families are keenly aware of it just the same."

As the last measured strain died out the audience reseated itself, the introduction to "La Tosca" sounded, and the curtain rose.

Although the names of the performers were unknown to Kirk, their voices were remarkably good, and he soon became absorbed in the drama. A sudden lonesomeness surged over him as he recalled another night when he and Darwin K. Anthony had heard these same notes sung. But then they had sat enthralled by the art of Caruso, Scotti, and the ravishing Cavalieri. It had been one of the rare hours when he and his father had felt themselves really in sympathy. The Governor had come down for some fabulous directors'

meeting, he remembered, and had wired his son to run in from New Haven for the evening. They had been real chums that night, and even at their modest little supper afterward, when the old gentleman had rowed with the waiter and cursed his dyspepsia, they had laughed and chatted like cronies. Yet a week later they had quarrelled.

With an unexpected access of tenderness, Anthony Jr. longed to see once more that tumbled shock of white hair, that strong-lined face; to hear again the gruff tones of that voice he loved so well. After all, there were only two Anthonys left in the world, and he had been to blame. He acknowledged that he had been a ne'er-do-well. No wonder his father had been harsh, but still--old Darwin K. should not have been so domineering, so ready to credit all he heard. Kirk pressed his lips together and swore to make good, if for no other reason than to show his dad.

As the curtain fell on the first act, he rose with the others and, accompanied by Mrs. Cortlandt, made his way down the long pa.s.sageway and out into a brightly lighted, highly decorated foyer filling now with voluble people. It was a splendid room; but he had no eyes for it. His gaze was fixed upon the welcome open-air promenade outside, and his fingers fumbled with his cigarette- case.

"Oh, wait, please," he heard Edith say, "I want you to meet some one."

He had done little except respond to meaningless introductions all the evening, and nothing could have pleased him less at the moment. But, somewhat awkwardly, he began to edge his way through the press in the wake of his hostess. The next moment he halted and stood stock-still in helpless surprise.

There, not a yard away, was the girl of his dreams demurely bowing to Edith Cortlandt, her hand upon the arm of a swarthy man whom Kirk knew at once as her father. He felt the blood rush blindingly to his head, felt it drumming at his ears, knew that he must be staring like a man bereft. Mrs. Cortlandt was speaking, and he caught the name "Garavel" like a bugle-call. They turned upon him, the Spanish gentleman bowed, and he saw that Chiquita's little white-gloved hand was extended toward him.

She was the same dainty, desirous maid he had met in the forest, but now splendidly radiant and perfect beyond his imagining. She was no longer the simple wood-sprite, but a tiny princess in filmy white, moulded by some master craftsman. As on that earlier meeting, she was thrilling with some subtle mirth which flickered on her lips or danced in the depths of her great, dark eyes.

How he ever got through that wild introductory moment without making a show of himself, Anthony never knew, for his first overwhelming impulse was to seize the girl and never let her escape. It was the same feeling he had had at Las Savannas, only ten times harder to resist. The general confusion, perhaps, helped to hide his emotion, for around them eddied a constant human tide, through which at last came Mr. Cortlandt and the other members of his party. There were more introductions, more bows and polite exchanges of words which had the maddening effect of distracting Miss Garavel's attention. Then, by some glorious miracle, Kirk found himself moving toward the open air at her side, with Mrs.

Cortlandt and the banker in advance of them.

"Oh, Chiquita," he said, softly, "I thought I'd NEVER find you.

I've hunted everywhere."

At the tremulous intensity of his tone, she gave an uncertain laugh and flashed him a startled glance.

"Chiquita is not my name," she said, reprovingly.

"Yes, it is; it must be. I can't think of you by any other. Hasn't it been whispering at my ears ever since you said it? It has nearly driven me mad."

"Senor Antonio! I have seen you but once."

"I have seen you every day, every hour-"

"Indeed?"

"I can't see anything else. Don't you understand?"

"You forget that we have but just been introduced."

"Don't be offended; you see, I can't realize that I have found you at last. When I learned you had gone away, I thought I would surely-"

"I have been nowhere."

"Didn't you go away on a ship?"