"For a moment we were afraid she would go on as so many others do, on account of your five flights. So we all four did our best to stop her, to magnetize her with our four pairs of wide-open eyes. We pulled her very gently by the feathers in her hat and the lace on her cape. 'Come upstairs, pray, madame, pray come upstairs,' and finally she came.

There is so much magnetism in eyes that want a thing very much!"

Surely she had magnetism enough, the dear creature, not only in her eyes, which were of uncertain hue, veiled or laughing like the sky of her Paris, but in her voice, in the folds of her dress, in everything, even to the long curl that shaded her straight, graceful statue-like neck and attracted you by its tapering shaded point, deftly curled over a supple finger.

The tea being duly served, while the gentlemen continued their talking and drinking--Pere Joyeuse was always very slow in everything that he did, because of his abrupt excursions into the moon--the girls resumed their work, the table was covered with wicker baskets, embroidery, pretty wools whose brilliant coloring brightened the faded flowers in the old carpet, and the group of the other evening was formed anew in the luminous circle of the lamp shade, to the great satisfaction of Paul de Gery. It was the first evening of that sort he had pa.s.sed in Paris; it reminded him of other far-away evenings, cradled by the same innocent mirth, the pleasant sound of scissors laid upon the table, of the needle piercing the cotton, or the rustling of the leaves of a book as they are turned, and dear faces, vanished forever, cl.u.s.tered in the same way around the family lamp, alas! so suddenly extinguished.

Once admitted into that charming domestic circle, he was not excluded from it again, but took his lessons among the girls, and made bold to talk with them when the good man closed his ledger. There everything tended to give him grateful repose from the seething life in which the Nabob's luxurious worldliness involved him; he bathed in that atmosphere of honesty and simplicity, and strove to cure there the wounds with which a hand more indifferent than cruel was mercilessly riddling his heart.

"Women have hated me, other women have loved me. She who did me the most harm never had either love or hate for me." Paul had fallen in, with the woman of whom Heinrich Heine speaks. Felicia was very hospitable and cordial to him. There was no one whom she welcomed more graciously. She reserved for him a special smile, in which there was the pleased expression of an artist's eye resting upon a type which attracts it, and the satisfaction of a _blase_ mind which is amused by anything new, however simple it may seem to be. She liked that reserve, most alluring in a Southerner, the straightforwardness of that judgment, entirely free from artistic or worldly formulas and enlivened by a touch of local accent. It was a change for her from the zigzag movement of the thumb, drawing flattery in outline with the gestures of a studio f.a.g, from the congratulations of comrades on the way in which she silenced some poor fellow, and from the affected admiration, the "chawming--veay pretty," with which the young dandies honored her as they sucked the handles of their canes. He, at all events, said nothing of that sort to her. She had nicknamed him Minerva, because of his apparent tranquillity and the regularity of his profile; and as soon as he appeared, she would say: "Ah! there's Minerva. Hail, lovely Minerva.

Take off your helmet and let us have a talk."

But that familiar, almost fraternal, tone convinced the young man of the hopelessness of his love. He realized that he could not hope to make any further progress in that feminine good-fellowship in which affection was lacking, and that he should lose something every day of his charm as an unfamiliar type in the eyes of that creature who was born bored, and who seemed to have lived her life already and to find the insipidity of repet.i.tion in everything that she heard or saw.

Felicia was suffering from ennui. Only her art had the power to divert her, to take her out of herself, to transport her to a fairyland of dazzling beauty from which she returned all bruised and sore, always surprised at the awakening, which resembled a fall. She compared herself to the jelly-fish, whose transparent brilliancy in the coolness and constant movement of the waves, vanishes on the sh.o.r.e in little gelatinous pools. During those intervals of idleness, when the absence of thought leaves the hand inert upon the modelling tool, Felicia, deprived of the sole moral nerve of her intellect, became savage, unapproachable, sullen beyond endurance,--the revenge of paltry human qualities upon great tired brains. After she had brought tears to the eyes of all those whom she loved, had striven to evoke painful memories or paralyzing anxieties, and had reached the brutal, murderous climax of her fatigue,--as it was always necessary, where she was concerned, that something ridiculous should be mingled even with the saddest things, she would blow away the remains of her ennui with a cry like that of a dazed wild beast, a sort of yawning roar which she called "the cry of the jackal in the desert," and which would drive the blood from the excellent Crenmitz's cheeks, taking her by surprise in her torpid placidity.

Poor Felicia! Her life was in very truth a ghastly desert when her art did not enliven it with its visions, a dismal, unrelieved desert, where everything was crushed and flattened beneath the same monotonous immensity, the ingenuous love of a boy of twenty and the caprice of an amorous duke, where everything was covered with dry sand blown about by the scorching winds of destiny. Paul was conscious of that void, he tried to escape from it; but something detained him, like a weight which unwinds a chain, and, notwithstanding the evil things he heard, notwithstanding the strange creature's peculiarities, he hovered about her with a delicious sense of enjoyment, under pain of carrying naught away from that long amorous contemplation save the despair of a believer reduced to the adoration of images.

The place of refuge was in yonder out-of-the-way quarter, where the wind blew so hard without preventing the flame from burning white and straight,--it was in the domestic circle presided over by Grandmamma.

Oh! she did not suffer from ennui, she never uttered "the cry of the jackal in the desert." Her life was too well filled: the father to comfort and encourage, the children to teach, all the material cares of a household in which the mother was lacking, the engrossing thoughts which wake with the dawn and which the night puts to sleep, unless it renews them in dreams--one of those instances of indefatigable but apparently effortless devotion, very convenient for poor human selfishness, because it dispenses with all grat.i.tude and hardly makes itself felt, its touch is so light. She was not one of the courageous girls who work to support their parents, give lessons from morning to night and forget the annoyances of the household in the excitement of an engrossing occupation. No, she had formed a different conception of her duty, she was a sedentary bee confining her labors to the hive, with no buzzing around outside in the fresh air and among the flowers.

A thousand and one functions to perform: tailor, milliner, mender, keeper of accounts as well,--for M. Joyeuse, being incapable of any sort of responsibility, left the disposition of the family funds absolutely in her hands,--teacher and music mistress.

As is often the case in families which were originally in comfortable circ.u.mstances, Aline, being the eldest, had been educated in one of the best boarding-schools in Paris, elise had remained there two years with her; but the two younger ones, having come too late, had been sent to little day-schools in the quarter and had all their studies to complete; and it was no easy matter, for the youngest laughed on every pretext, an exuberant, healthy, youthful laugh, like the warbling of a lark drunken on green wheat, and flew away out of sight of desk and symbols, while Mademoiselle Henriette, always haunted by her ideas of grandeur, her love of "the substantial," was none too eager for study.

That young person of fifteen, to whom her father had bequeathed something of his imaginative faculty, was already arranging her life in antic.i.p.ation, and declared formally that she should marry some one of birth and should never have more than three children: "A boy for the name, and two little girls--so that I can dress them alike."

"Yes, that's right," Grandmamma would say, "you shall dress them alike.

Meanwhile, let us see about our participles."

But the most troublesome of all was elise with her thrice unsuccessful examination in history, always rejected and preparing herself anew, subject to attacks of profound terror and self-distrust which led her to carry that unfortunate handbook of French history with her wherever she went, and to open it at every instant, in the omnibus, in the street, even at the breakfast table; but, being already a young woman and very pretty, she no longer had the mechanical memory of childhood in which dates and events are incrusted forever. Amid her other preoccupations the lesson would fly away in a moment, despite the pupil's apparent application, her long lashes concealing her eyes, her curls sweeping the page, and her rosy mouth twitching slightly at the corners as she repeated again and again: "Louis le Hutin, 1314-1316.

Philippe V, le Long, 1316-1322--1322.--Oh! Grandmamma, I am lost. I shall never learn them." Thereupon Grandmamma would take a hand, help her to fix her attention, to store away some of those barbarous dates in the Middle Ages, as sharp-pointed as the helmets of the warriors of those days. And in the intervals of those manifold tasks, of that general and constant superintendence, she found time to make pretty things, to take from her work-basket some piece of knitting or embroidery, which clung to her as steadfastly as young elise to her history of France. Even when she was talking, her fingers were never unemployed for one moment.

"Do you never rest?" de Gery asked her while she counted in a whisper the st.i.tches of her embroidery, "three, four, five," in order to vary the shades.

"Why, this work is rest," she replied. "You men have no idea how useful needlework is to a woman's mind. It regularizes the thought, fixes with a st.i.tch the pa.s.sing moment and what it carries with it. And think of the sorrows that are soothed, the anxieties forgotten by the help of this purely physical attention, this constant repet.i.tion of the same movement, in which you find--and find very quickly, whether you will or no--that your equilibrium is entirely restored. It does not prevent me from hearing all that is said in my neighborhood, from listening to you even more attentively than I should if I were idle--three, four, five."

Oh! yes, she listened. That was plain from the animation of her face, from the way in which she would suddenly straighten herself up, with her needle in the air and the thread stretched over her raised little finger. Then she would suddenly resume her work, sometimes interjecting a shrewd, thoughtful word, which as a general rule agreed with what friend Paul thought. A similarity in their natures and in their responsibilities and duties brought those two young people together, made them mutually interested each in those things that the other had most at heart. She knew the names of his two brothers, Pierre and Louis, and his plans for their future when they should leave school.

Pierre wanted to be a sailor. "Oh! no, not a sailor," said Grandmamma, "it would be much better for him to come to Paris with you." And when he admitted that he was afraid of Paris for them, she laughed at his fears, called him a provincial, for she was full of affection for the city where she was born, where she had grown chastely to womanhood, and which gave her in return the vivacity, the natural refinement, the sprightly good-humor which make one think that Paris, with its rains, its fogs, its sky which is no sky, is the true fatherland of woman, whose nerves it spares and whose patient and intelligent qualities it develops.

Each day Paul de Gery appreciated Mademoiselle Aline more thoroughly--he was the only one in the house who called her by that name--and, strangely enough, it was Felicia who finally cemented their intimacy. What connection could there be between that artist's daughter, fairly launched in the most exalted spheres, and that bourgeois maiden lost to sight in the depths of a suburb? Connections of childhood and friendship, common memories, the great courtyard of the Belin establishment, where they had played together for three years. Such meetings are very common in Paris. A name mentioned at random in conversation suddenly calls forth the amazed question:

"What! do you know her?"

"Do I know Felicia? Why we sat at adjoining desks in the first cla.s.s.

We had the same garden. Such a dear, lovely, clever girl!"

And, noticing how pleased he was to listen to her, Aline recalled the days, still so near, which already formed part of the past to her, fascinating and melancholy like all pasts. She was quite alone in life, was little Felicia. On Thursday, when they called out the names in the parlor, there was never any one for her; except now and then an old woman, a nice old woman, if she was a little ridiculous, a former ballet-dancer it was said, whom Felicia called the Fairy. She had pet names like that for everybody of whom she was fond, and she transformed them all in her imagination. They used to see each other during the vacations. Madame Joyeuse, although she refused to send Aline to M.

Ruys's studio, invited Felicia for whole days,--very short days, made up of work and music, of joint dreams and unrestrained youthful chatter. "Oh! when she talked to me about her art, with the ardor which she put into everything, how delighted I was to hear her! How many things she enabled me to understand of which I never should have had the slightest idea! Even now, when we go to the Louvre with papa, or to the Exhibition of the first of May, the peculiar emotion that one feels at the sight of a beautiful bit of sculpture or a fine painting, makes me think instantly of Felicia. In my young days she represented art, and it went well with her beauty, her somewhat reckless but so kindly nature, in which I was conscious of something superior to myself, which carried me away to a great height without frightening me. Suddenly we ceased to see each other. I wrote to her--no reply. Then fame came to her, great sorrow and engrossing duties to me. And of all that friendship, and very deep-rooted it must have been, for I cannot speak of it without--three, four, five--nothing is left but old memories to be poked over like dead ashes."

Leaning over her work, the brave girl hastily counted her st.i.tches, concealing her grief in the fanciful designs of her embroidery, while de Gery, deeply moved to hear the testimony of those pure lips in contradiction of the calumnies of a few disappointed dandies or jealous rivals, felt relieved of a weight and once more proud of his love. The sensation was so sweet to him that he came very often to seek to renew it, not only on lesson evenings, but on other evenings as well, and almost forgot to go and see Felicia for the pleasure of hearing Aline speak of her.

One evening, when he left the Joyeuse apartment, he found waiting for him on the landing M. Andre, the neighbor, who took his arm feverishly.

"Monsieur de Gery," he said, in a trembling voice, his eyes flashing fire behind their spectacles, the only part of his face one could see at night, "I have an explanation to demand at your hands. Will you come up to my room a moment?"

Between that young man and himself there had been only the usual relations of two frequent visitors at the same house, who are attached by no bond, who seem indeed to be separated by a certain antipathy between their natures and their modes of life. What could there be for them to explain? Sorely puzzled, he followed Andre.

The sight of the little studio, cold and cheerless under its gla.s.s ceiling, the empty fireplace, the wind blowing as it blows outside, and making the candle flicker, the only light that shone upon that vigil of a penniless recluse, reflected upon scattered sheets all covered with writing,--in a word, that atmosphere of inhabited cells wherein the very soul of the inhabitants exhales,--enabled de Gery to comprehend at once the impa.s.sioned Andre Maranne, his long hair thrown back and flying in the wind, his somewhat eccentric appearance, very excusable when one pays for it with a life of suffering and privations; and his sympathy instantly went out to the courageous youth, whose militant pride he fully divined at a single glance. But the other was too excited to notice this transition. As soon as the door was closed, he said, with the accent of a stage hero addressing the perjured seducer:

"Monsieur de Gery, I am not a Ca.s.sandra yet." And, as he observed his interlocutor's unbounded amazement, he added: "Yes, yes, we understand each other. I see perfectly clearly what attracts you to M. Joyeuse's, nor has the warm welcome you receive there escaped me. You are rich, you are of n.o.ble birth, no one can hesitate between you and the poor poet who carries on an absurd trade in order to gain time to attain success, which will never come perhaps. But I won't allow my happiness to be stolen from me. We will fight, monsieur, we will fight," he repeated, excited by his rival's unruffled tranquillity. "I have loved Mademoiselle Joyeuse a long while. That love is the aim, the joy, and the strength of a very hard life, painful in many respects. I have nothing but that in the world, and I should prefer to die rather than to renounce it."

What a strange combination is the human heart! Paul was not in love with the charming Aline. His whole heart belonged to another. He thought of her simply as a friend, the most adorable of friends. And yet the idea that Maranne was thinking of her, that she undoubtedly responded to his lover-like attentions, caused him a thrill of jealous anger, and his tone was very sharp when he asked if Mademoiselle Joyeuse were aware of this feeling of Andre's and had in any way authorized him to proclaim his rights.

"Yes, monsieur, Mademoiselle elise knows that I love her, and before your frequent visits--"

"elise--is it elise you're talking about?"

"Why, who should it be, pray? The other two are too young."

He entered thoroughly into the traditions of the family. In his eyes Grandmamma's twenty years, her triumphant charm, were concealed by a respectful _sobriquet_ and by her providential qualities.

A very brief explanation having allayed Andre Maranne's excitement, he offered his apologies to de Gery, invited him to take a seat in the carved wooden armchair in which his customers posed, and their conversation speedily a.s.sumed an intimate and confidential character, attributable to the earnest avowal with which it began. Paul confessed that he too was in love, and that his only purpose in coming so often to M. Joyeuse's was to talk about his beloved with Grandmamma, who had known her long before.

"It's the same with me," said Andre. "Grandmamma knows all my secrets; but we have not dared say anything to her father yet. My position is too uncertain. Ah! when _Revolte_ has been brought out!"

Thereupon they talked about _Revolte_! the famous drama on which he had been at work day and night for six months, which had kept him warm all through the winter, a very hard winter, whose rigor was tempered, however, by the magic power of composition in the little garret, which it completely transformed. There, in that confined s.p.a.ce, all the heroes of his play had appeared to the poet, like familiar sprites falling through the roof or riding on the moonbeams, and with them the high-warp tapestries, the gleaming chandeliers, the vast parks with gateways flooded with light, all the usual magnificence of stage-setting, as well as the glorious uproar of the first performance, the applause being represented by the rain beating on the windows and the signs flapping against the door, while the wind, whistling through the melancholy lumber-yard below with a vague murmur of voices brought from afar and carried far, resembled the murmur from the boxes opening into the lobby, allowing his triumph to circulate amid the chattering and confusion of the audience. It was not simply the renown and the money that that blessed play were to bring to him, but something far more precious. How carefully, therefore, did he turn the pages of the ma.n.u.script contained in five great books in blue covers, such books as the Levantine spread out upon the divan on which she took her siestas, and marked with her managerial pencil.

Paul having drawn near the table in his turn, in order to examine the masterpiece, his eyes were attracted by a portrait of a woman in a handsome frame, which seemed, being so near the artist's work, to have been stationed there to stand guard over it. elise, of course? Oh! no, Andre had no right as yet to take his young friend's photograph away from its protecting environment. It was a woman of about forty, fair, with a sweet expression, and dressed in the height of fashion. When he saw the face, de Gery could not restrain an exclamation.

"Do you know her?" said Andre Maranne.

"Why, yes--Madame Jenkins, the Irish doctor's wife. I took supper with them last winter."

"She is my mother." And the young man added in a lower tone:

"Madame Maranne married Dr. Jenkins for her second husband. You are surprised, are you not, to find me in such dest.i.tution when my parents are living in luxury? But, as you know, chance sometimes brings very antipathetic natures together in the same family. My father-in-law and I could not agree. He wanted to make a doctor of me, whereas I had no taste for anything but writing. At last, in order to avoid the constant disputes, which were a source of pain to my mother, I preferred to leave the house and dig my furrow all alone, without a.s.sistance from any one. It was a hard task! money was lacking. All the property is in the hands of that--of M. Jenkins. It was a question of earning my living, and you know what a difficult matter that is for persons like ourselves, well brought up as it is termed. To think that, with all the knowledge included in what it is fashionable to call a thorough education, I could find nothing but this child's play which gave me any hope of being able to earn my bread! Some little savings from my allowance as a young man sufficed to buy my first outfit, and I opened a studio far away, at the very end of Paris, in order not to annoy my parents. Between ourselves, I fancy that I shall never make my fortune in photography. The first weeks especially were very hard. No one came, or if by any chance some poor devil did toil up the stairs, I missed him, I spread him out on my plate in a faint, blurred mixture like a ghost. One day, very early in my experience, there came a wedding party, the bride all in white, the husband with a waistcoat--oh! such a waistcoat! And all the guests in white gloves which they insisted upon having included in the photograph, because of the rarity of the sensation. Really, I thought I should go mad. Those black faces, the great white daubs for the dress, the gloves and the orange flowers, the unfortunate bride in the guise of a Zulu queen, under her wreath which melted into her hair! And all so overflowing with good-nature, with encouragement for the artist. I tried them at least twenty times, kept them until five o'clock at night. They left me only when it was dark, to go and dine! Fancy that wedding-day pa.s.sed in a photograph gallery!"

While Andre thus jocosely narrated the melancholy incidents of his life, Paul recalled Felicia's outburst on the subject of Bohemians, and all that she said to Jenkins concerning their exalted courage, their thirst for privations and trials. He thought also of Aline's pa.s.sionate fondness for her dear Paris, of which he knew nothing but the unhealthy eccentricities, whereas the great city concealed so much unknown heroism, so many n.o.ble illusions in its folds. The sensation he had previously felt in the circle of the Joyeuses' great lamp, he was even more keenly conscious of in that less warm, less peaceful spot, whither art brought its desperate or glorious uncertainty; and it was with a melting heart that he listened while Andre Maranne talked to him of elise, of the examination she was so long in pa.s.sing, of the difficult trade of photography, of all the unforeseen hardships of his life, which would surely come to an end "when _Revolte_ should have been brought out," a fascinating smile playing about the poet's lips as they gave utterance to that hope, so often expressed, which he made haste to ridicule himself, as if to deprive others of the right to ridicule it.

X.

MEMOIRS OF A CLERK.--THE SERVANTS.

Really the wheel of fortune in Paris revolves in a way to make one's head swim!