The Moving Picture Girls at Rocky Ranch.

by Laura Lee Hope.

CHAPTER I

THE SPY

"Well, Ruth, aren't you almost ready?"

"Just a moment, Alice. I can't seem to get my collar fastened in the back. I wish I'd used the old-fashioned hooks and eyes instead of those new snaps."

"Oh, I think those snaps are just adorable!"

"Oh, Alice DeVere! Using such an extreme expression!"

"What expression, Ruth?"

"'Adorable!' You sometimes accuse me of using slang, and there you go----"

"'Adorable' isn't slang," retorted Alice.

"Oh, isn't it though? Since when?"

"There you go yourself! You're as bad as I am."

"Well, it must be a.s.sociating with you, then," sighed Ruth.

"No, Ruth, it's this moving picture business. It just makes you use words that _mean_ something, and not those that are merely sign-posts.

I'm glad to see that you are getting--sensible. But never mind about that. Are you ready to go to the studio? I'm sure we'll be late."

"Oh, please help me with this collar. I wish I'd made this waist with the new low-cut effect. Not too low, of course," Ruth added hastily, as she caught a surprised glance from her sister.

Two girls were in a room about which were strewn many articles of feminine adornment. Yet it was not an untidy apartment. True, dresser drawers did yawn and disclose their contents, and closet doors gaped at one, showing a collection of shoes and skirts. But then the occupants of the room might have been forgiven, for they were in haste to keep an appointment.

"There, Ruth," finally exclaimed the younger of the two girls--yet she was not so much younger--not more than two years. "I think your collar is perfectly sweet."

"It's good of you to say so. You know I got it at that little French shop around the corner, but sewed some of that Mexican drawn lace on to make it a bit higher. Now I'm sorry I did, for I had to put in those snap fasteners instead of hooks. And if you don't get them to fit exactly they come loose. It's like when the film doesn't come right on the screen, and the piano player sounds a discord to call the operator's attention to it."

"You've hit it, sister mine."

"Oh, Alice! There you go again. 'Hit it!'"

"You'd say 'hit it' at a baseball game," Alice retorted.

"Oh, yes, I suppose so. But we're not at one," objected the older girl, as she finished b.u.t.toning her gloves, and took up her parasol, which she shook out, to make sure that it would open easily when needed.

"There, I think I'm ready," announced Alice, as she slipped on a light jacket, for, though it was spring, the two rivers of New York sent rather chilling breezes across the city, and a light waist was rather conducive to colds.

"Have you the key?" asked the older girl, as she paused for a moment on the threshold of the private hall of the apartment house. She had tied her veil rather tightly at the back, knotting it and fastening it with a little gold pin, and now she pulled it away from her cheeks, to relieve the tension.

"Yes, I have it, Ruth. Oh, don't make such funny faces! Anyone would think you were posing."

"Well, I'm not--but this veil--tickles."

"Serves you right for trying to be so stylish."

"It's proper to have a certain amount of style, Alice, dear. I wish I could induce you to have more of it."

"I have enough, thank you. Let's don't talk dress any more, or we'll have a tiff before we get to the moving picture studio, and there are some long and trying scenes ahead of us to-day."

"So there are. I wonder if daddy took his key?"

"Wait, and I'll look on his dresser."

The younger girl went back into the apartment for a moment, while her sister stepped across the corridor and tapped lightly at an opposite door.

"Has Russ gone?" she asked the pleasant-faced woman who answered.

"Yes, Ruth. A little while ago. He was going to call for you girls, but I knew you were dressing, for Alice came in to borrow some pins, so I told him not to wait."

"That's right. We'll see him at the studio."

"You're coming in to supper to-night, you know."

"Oh, yes, Mrs. Dalwood. Daddy wouldn't miss that for anything!" laughed Ruth, as she turned to wait for her sister. "Of course he _says_ our cooking is the best he ever had since poor mamma left us," Ruth went on, "but I just _know_ he relishes yours a great deal more."

"Oh, you're just saying that, Ruth!" objected the neighbor.

"Indeed I'm not. You should hear him talk, for days afterward, about your clam chowder." She laughed genially.

"Well, he does seem to relish that," admitted Mrs. Dalwood.

"What's that?" asked Alice, as she came out.

"We're speaking of clam chowder, and how fond daddy is of Mrs. Dalwood's recipe," said Ruth.

"Oh, yes, indeed! I should think he'd be ashamed to look a clam in the face--that is, if a clam _has_ a face," laughed Alice. "It's awfully good of you, Mrs. Dalwood, to make it for him so often."

"Well, I'm always glad when a man enjoys his meals," declared Mrs.

Dalwood, who, being a widow, knew what the lack of proper home life meant.

"I'm afraid we're imposing on you," suggested Alice, as she started down the stairs. "You have us over to tea so often, and we seldom invite you."

"Now don't be thinking that, my dear!" exclaimed the neighbor. "I know what it is when you have to pose so much for moving pictures.

"My boy Russ tells me what long hours you put in, and how hard you work.

And it's trouble enough to get up a meal these days, and have anything left to pay the rent. So I'm only too glad when you can come in and enjoy the victuals with us. I cook too much anyhow, and of late Russ seems to have lost his appet.i.te."