'Forgive me, Ambrosio,' said She; 'For your own sake I must not obey you. Fear no complaints from me; I come not to reproach you with your ingrat.i.tude. I pardon you from my heart, and since your love can no longer be mine, I request the next best gift, your confidence and friendship. We cannot force our inclinations; The little beauty which you once saw in me has perished with its novelty, and if it can no longer excite desire, mine is the fault, not yours. But why persist in shunning me? Why such anxiety to fly my presence? You have sorrows, but will not permit me to share them; You have disappointments, but will not accept my comfort; You have wishes, but forbid my aiding your pursuits. 'Tis of this which I complain, not of your indifference to my person. I have given up the claims of the Mistress, but nothing shall prevail on me to give up those of the Friend.'

Her mildness had an instantaneous effect upon Ambrosio's feelings.

'Generous Matilda!' He replied, taking her hand, 'How far do you rise superior to the foibles of your s.e.x! Yes, I accept your offer. I have need of an adviser, and a Confident: In you I find every needful quality united. But to aid my pursuits .... Ah! Matilda, it lies not in your power!'

'It lies in no one's power but mine. Ambrosio, your secret is none to me; Your every step, your every action has been observed by my attentive eye. You love.'

'Matilda!'

'Why conceal it from me? Fear not the little jealousy which taints the generality of Women: My soul disdains so despicable a pa.s.sion. You love, Ambrosio; Antonia Dalfa is the object of your flame. I know every circ.u.mstance respecting your pa.s.sion: Every conversation has been repeated to me. I have been informed of your attempt to enjoy Antonia's person, your disappointment, and dismission from Elvira's House. You now despair of possessing your Mistress; But I come to revive your hopes, and point out the road to success.'

'To success? Oh! impossible!'

'To them who dare nothing is impossible. Rely upon me, and you may yet be happy. The time is come, Ambrosio, when regard for your comfort and tranquillity compels me to reveal a part of my History, with which you are still unacquainted. Listen, and do not interrupt me: Should my confession disgust you, remember that in making it my sole aim is to satisfy your wishes, and restore that peace to your heart which at present has abandoned it. I formerly mentioned that my Guardian was a Man of uncommon knowledge: He took pains to instil that knowledge into my infant mind. Among the various sciences which curiosity had induced him to explore, He neglected not that which by most is esteemed impious, and by many chimerical. I speak of those arts which relate to the world of Spirits. His deep researches into causes and effects, his unwearied application to the study of natural philosophy, his profound and unlimited knowledge of the properties and virtues of every gem which enriches the deep, of every herb which the earth produces, at length procured him the distinction which He had sought so long, so earnestly. His curiosity was fully slaked, his ambition amply gratified. He gave laws to the elements; He could reverse the order of nature; His eye read the mandates of futurity, and the infernal Spirits were submissive to his commands. Why shrink you from me? I understand that enquiring look. Your suspicions are right, though your terrors are unfounded. My Guardian concealed not from me his most precious acquisition. Yet had I never seen YOU, I should never have exerted my power. Like you I shuddered at the thoughts of Magic: Like you I had formed a terrible idea of the consequences of raising a daemon. To preserve that life which your love had taught me to prize, I had recourse to means which I trembled at employing. You remember that night which I past in St. Clare's Sepulchre? Then was it that, surrounded by mouldering bodies, I dared to perform those mystic rites which summoned to my aid a fallen Angel. Judge what must have been my joy at discovering that my terrors were imaginary: I saw the Daemon obedient to my orders, I saw him trembling at my frown, and found that, instead of selling my soul to a Master, my courage had purchased for myself a Slave.'

'Rash Matilda! What have you done? You have doomed yourself to endless perdition; You have bartered for momentary power eternal happiness! If on witchcraft depends the fruition of my desires, I renounce your aid most absolutely. The consequences are too horrible: I doat upon Antonia, but am not so blinded by l.u.s.t as to sacrifice for her enjoyment my existence both in this world and the next.'

'Ridiculous prejudices! Oh! blush, Ambrosio, blush at being subjected to their dominion. Where is the risque of accepting my offers? What should induce my persuading you to this step, except the wish of restoring you to happiness and quiet. If there is danger, it must fall upon me: It is I who invoke the ministry of the Spirits; Mine therefore will be the crime, and yours the profit. But danger there is none: The Enemy of Mankind is my Slave, not my Sovereign. Is there no difference between giving and receiving laws, between serving and commanding? Awake from your idle dreams, Ambrosio! Throw from you these terrors so ill-suited to a soul like yours; Leave them for common Men, and dare to be happy! Accompany me this night to St. Clare's Sepulchre, witness my incantations, and Antonia is your own.'

'To obtain her by such means I neither can, or will. Cease then to persuade me, for I dare not employ h.e.l.l's agency.

'You DARE not? How have you deceived me! That mind which I esteemed so great and valiant, proves to be feeble, puerile, and grovelling, a slave to vulgar errors, and weaker than a Woman's.'

'What? Though conscious of the danger, wilfully shall I expose myself to the Seducer's arts? Shall I renounce for ever my t.i.tle to salvation? Shall my eyes seek a sight which I know will blast them? No, no, Matilda; I will not ally myself with G.o.d's Enemy.'

'Are you then G.o.d's Friend at present? Have you not broken your engagements with him, renounced his service, and abandoned yourself to the impulse of your pa.s.sions? Are you not planning the destruction of innocence, the ruin of a Creature whom He formed in the mould of Angels? If not of Daemons, whose aid would you invoke to forward this laudable design? Will the Seraphims protect it, conduct Antonia to your arms, and sanction with their ministry your illicit pleasures? Absurd! But I am not deceived, Ambrosio! It is not virtue which makes you reject my offer: You WOULD accept it, but you dare not. 'Tis not the crime which holds your hand, but the punishment; 'Tis not respect for G.o.d which restrains you, but the terror of his vengeance! Fain would you offend him in secret, but you tremble to profess yourself his Foe. Now shame on the coward soul, which wants the courage either to be a firm Friend or open Enemy!'

'To look upon guilt with horror, Matilda, is in itself a merit: In this respect I glory to confess myself a Coward. Though my pa.s.sions have made me deviate from her laws, I still feel in my heart an innate love of virtue. But it ill becomes you to tax me with my perjury: You, who first seduced me to violate my vows; You, who first rouzed my sleeping vices, made me feel the weight of Religion's chains, and bad me be convinced that guilt had pleasures. Yet though my principles have yielded to the force of temperament, I still have sufficient grace to shudder at Sorcery, and avoid a crime so monstrous, so unpardonable!'

'Unpardonable, say you? Where then is your constant boast of the Almighty's infinite mercy? Has He of late set bounds to it? Receives He no longer a Sinner with joy? You injure him, Ambrosio; You will always have time to repent, and He have goodness to forgive. Afford him a glorious opportunity to exert that goodness: The greater your crime, the greater his merit in pardoning. Away then with these childish scruples: Be persuaded to your good, and follow me to the Sepulchre.'

'Oh! cease, Matilda! That scoffing tone, that bold and impious language, is horrible in every mouth, but most so in a Woman's. Let us drop a conversation which excites no other sentiments than horror and disgust. I will not follow you to the Sepulchre, or accept the services of your infernal Agents. Antonia shall be mine, but mine by human means.'

'Then yours She will never be! You are banished her presence; Her Mother has opened her eyes to your designs, and She is now upon her guard against them. Nay more, She loves another. A Youth of distinguished merit possesses her heart, and unless you interfere, a few days will make her his Bride. This intelligence was brought me by my invisible Servants, to whom I had recourse on first perceiving your indifference. They watched your every action, related to me all that past at Elvira's, and inspired me with the idea of favouring your designs. Their reports have been my only comfort. Though you shunned my presence, all your proceedings were known to me: Nay, I was constantly with you in some degree, thanks to this precious gift!'

With these words She drew from beneath her habit a mirror of polished steel, the borders of which were marked with various strange and unknown characters.

'Amidst all my sorrows, amidst all my regrets for your coldness, I was sustained from despair by the virtues of this Talisman. On p.r.o.nouncing certain words, the Person appears in it on whom the Observer's thoughts are bent: thus though I was exiled from YOUR sight, you, Ambrosio, were ever present to mine.'

The Friar's curiosity was excited strongly.

'What you relate is incredible! Matilda, are you not amusing yourself with my credulity?'

'Be your own eyes the Judge.'

She put the Mirror into his hand. Curiosity induced him to take it, and Love, to wish that Antonia might appear. Matilda p.r.o.nounced the magic words. Immediately, a thick smoke rose from the characters traced upon the borders, and spread itself over the surface. It dispersed again gradually; A confused mixture of colours and images presented themselves to the Friar's eyes, which at length arranging themselves in their proper places, He beheld in miniature Antonia's lovely form.

The scene was a small closet belonging to her apartment. She was undressing to bathe herself. The long tresses of her hair were already bound up. The amorous Monk had full opportunity to observe the voluptuous contours and admirable symmetry of her person. She threw off her last garment, and advancing to the Bath prepared for her, She put her foot into the water. It struck cold, and She drew it back again. Though unconscious of being observed, an inbred sense of modesty induced her to veil her charms; and She stood hesitating upon the brink, in the att.i.tude of the Venus de Medicis. At this moment a tame Linnet flew towards her, nestled its head between her b.r.e.a.s.t.s, and nibbled them in wanton play. The smiling Antonia strove in vain to shake off the Bird, and at length raised her hands to drive it from its delightful harbour. Ambrosio could bear no more: His desires were worked up to phrenzy.

'I yield!' He cried, dashing the mirror upon the ground: 'Matilda, I follow you! Do with me what you will!'

She waited not to hear his consent repeated. It was already midnight. She flew to her Cell, and soon returned with her little basket and the Key of the Cemetery, which had remained in her possession since her first visit to the Vaults. She gave the Monk no time for reflection.

'Come!' She said, and took his hand; 'Follow me, and witness the effects of your resolve!'

This said, She drew him hastily along. They pa.s.sed into the Burying-ground un.o.bserved, opened the door of the Sepulchre, and found themselves at the head of the subterraneous Staircase. As yet the beams of the full Moon had guided their steps, but that resource now failed them. Matilda had neglected to provide herself with a Lamp. Still holding Ambrosio's hand She descended the marble steps; But the profound obscurity with which they were overspread obliged them to walk slow and cautiously.

'You tremble!' said Matilda to her Companion; 'Fear not; The destined spot is near.'

They reached the foot of the Staircase, and continued to proceed, feeling their way along the Walls. On turning a corner suddenly, they descried faint gleams of light which seemed burning at a distance. Thither they bent their steps: The rays proceeded from a small sepulchral Lamp which flamed unceasingly before the Statue of St. Clare. It tinged with dim and cheerless beams the ma.s.sy Columns which supported the Roof, but was too feeble to dissipate the thick gloom in which the Vaults above were buried.

Matilda took the Lamp.

'Wait for me!' said She to the Friar; 'In a few moments I am here again.'

With these words She hastened into one of the pa.s.sages which branched in various directions from this spot, and formed a sort of Labyrinth. Ambrosio was now left alone: Darkness the most profound surrounded him, and encouraged the doubts which began to revive in his bosom. He had been hurried away by the delirium of the moment: The shame of betraying his terrors, while in Matilda's presence, had induced him to repress them; But now that he was abandoned to himself, they resumed their former ascendancy. He trembled at the scene which He was soon to witness. He knew not how far the delusions of Magic might operate upon his mind, and possibly might force him to some deed whose commission would make the breach between himself and Heaven irreparable. In this fearful dilemma, He would have implored G.o.d's a.s.sistance, but was conscious that He had forfeited all claim to such protection. Gladly would He have returned to the Abbey; But as He had past through innumerable Caverns and winding pa.s.sages, the attempt of regaining the Stairs was hopeless. His fate was determined: No possibility of escape presented itself: He therefore combated his apprehensions, and called every argument to his succour, which might enable him to support the trying scene with fort.i.tude. He reflected that Antonia would be the reward of his daring: He inflamed his imagination by enumerating her charms. He persuaded himself that (as Matilda had observed), He always should have time sufficient for repentance, and that as He employed HER a.s.sistance, not that of the Daemons, the crime of Sorcery could not be laid to his charge. He had read much respecting witchcraft: He understood that unless a formal Act was signed renouncing his claim to salvation, Satan would have no power over him. He was fully determined not to execute any such act, whatever threats might be used, or advantages held out to him.

Such were his meditations while waiting for Matilda. They were interrupted by a low murmur which seemed at no great distance from him. He was startled. He listened. Some minutes past in silence, after which the murmur was repeated. It appeared to be the groaning of one in pain. In any other situation, this circ.u.mstance would only have excited his attention and curiosity:

In the present, his predominant sensation was that of terror. His imagination totally engrossed by the ideas of sorcery and Spirits, He fancied that some unquiet Ghost was wandering near him; or else that Matilda had fallen a Victim to her presumption, and was perishing under the cruel fangs of the Daemons. The noise seemed not to approach, but continued to be heard at intervals. Sometimes it became more audible, doubtless as the sufferings of the person who uttered the groans became more acute and insupportable. Ambrosio now and then thought that He could distinguish accents; and once in particular He was almost convinced that He heard a faint voice exclaim,

'G.o.d! Oh! G.o.d! No hope! No succour!'

Yet deeper groans followed these words. They died away gradually, and universal silence again prevailed.

'What can this mean?' thought the bewildered Monk.

At that moment an idea which flashed into his mind, almost petrified him with horror. He started, and shuddered at himself.

'Should it be possible!' He groaned involuntarily; 'Should it but be possible, Oh! what a Monster am I!'

He wished to resolve his doubts, and to repair his fault, if it were not too late already: But these generous and compa.s.sionate sentiments were soon put to flight by the return of Matilda. He forgot the groaning Sufferer, and remembered nothing but the danger and embarra.s.sment of his own situation. The light of the returning Lamp gilded the walls, and in a few moments after Matilda stood beside him. She had quitted her religious habit: She was now cloathed in a long sable Robe, on which was traced in gold embroidery a variety of unknown characters: It was fastened by a girdle of precious stones, in which was fixed a poignard. Her neck and arms were uncovered. In her hand She bore a golden wand. Her hair was loose and flowed wildly upon her shoulders; Her eyes sparkled with terrific expression; and her whole Demeanour was calculated to inspire the beholder with awe and admiration.

'Follow me!' She said to the Monk in a low and solemn voice; 'All is ready!'

His limbs trembled, while He obeyed her. She led him through various narrow pa.s.sages; and on every side as they past along, the beams of the Lamp displayed none but the most revolting objects; Skulls, Bones, Graves, and Images whose eyes seemed to glare on them with horror and surprize. At length they reached a s.p.a.cious Cavern, whose lofty roof the eye sought in vain to discover. A profound obscurity hovered through the void. Damp vapours struck cold to the Friar's heart; and He listened sadly to the blast while it howled along the lonely Vaults. Here Matilda stopped. She turned to Ambrosio. His cheeks and lips were pale with apprehension. By a glance of mingled scorn and anger She reproved his pusillanimity, but She spoke not. She placed the Lamp upon the ground, near the Basket. She motioned that Ambrosio should be silent, and began the mysterious rites. She drew a circle round him, another round herself, and then taking a small Phial from the Basket, poured a few drops upon the ground before her. She bent over the place, muttered some indistinct sentences, and immediately a pale sulphurous flame arose from the ground. It increased by degrees, and at length spread its waves over the whole surface, the circles alone excepted in which stood Matilda and the Monk. It then ascended the huge Columns of unhewn stone, glided along the roof, and formed the Cavern into an immense chamber totally covered with blue trembling fire. It emitted no heat: On the contrary, the extreme chillness of the place seemed to augment with every moment. Matilda continued her incantations: At intervals She took various articles from the Basket, the nature and name of most of which were unknown to the Friar: But among the few which He distinguished, He particularly observed three human fingers, and an Agnus Dei which She broke in pieces. She threw them all into the flames which burned before her, and they were instantly consumed.

The Monk beheld her with anxious curiosity. Suddenly She uttered a loud and piercing shriek. She appeared to be seized with an access of delirium; She tore her hair, beat her bosom, used the most frantic gestures, and drawing the poignard from her girdle plunged it into her left arm. The blood gushed out plentifully, and as She stood on the brink of the circle, She took care that it should fall on the outside. The flames retired from the spot on which the blood was pouring. A volume of dark clouds rose slowly from the ensanguined earth, and ascended gradually, till it reached the vault of the Cavern. At the same time a clap of thunder was heard: The echo pealed fearfully along the subterraneous pa.s.sages, and the ground shook beneath the feet of the Enchantress.

It was now that Ambrosio repented of his rashness. The solemn singularity of the charm had prepared him for something strange and horrible. He waited with fear for the Spirit's appearance, whose coming was announced by thunder and earthquakes. He looked wildly round him, expecting that some dreadful Apparition would meet his eyes, the sight of which would drive him mad. A cold shivering seized his body, and He sank upon one knee, unable to support himself.

'He comes!' exclaimed Matilda in a joyful accent.

Ambrosio started, and expected the Daemon with terror. What was his surprize, when the Thunder ceasing to roll, a full strain of melodious Music sounded in the air. At the same time the cloud dispersed, and He beheld a Figure more beautiful than Fancy's pencil ever drew. It was a Youth seemingly scarce eighteen, the perfection of whose form and face was unrivalled. He was perfectly naked: A bright Star sparkled upon his forehead; Two crimson wings extended themselves from his shoulders; and his silken locks were confined by a band of many-coloured fires, which played round his head, formed themselves into a variety of figures, and shone with a brilliance far surpa.s.sing that of precious Stones. Circlets of Diamonds were fastened round his arms and ankles, and in his right hand He bore a silver branch, imitating Myrtle. His form shone with dazzling glory: He was surrounded by clouds of rose-coloured light, and at the moment that He appeared, a refreshing air breathed perfumes through the Cavern. Enchanted at a vision so contrary to his expectations, Ambrosio gazed upon the Spirit with delight and wonder: Yet however beautiful the Figure, He could not but remark a wildness in the Daemon's eyes, and a mysterious melancholy impressed upon his features, betraying the Fallen Angel, and inspiring the Spectators with secret awe.

The Music ceased. Matilda addressed herself to the Spirit: She spoke in a language unintelligible to the Monk, and was answered in the same. She seemed to insist upon something which the Daemon was unwilling to grant. He frequently darted upon Ambrosio angry glances, and at such times the Friar's heart sank within him. Matilda appeared to grow incensed. She spoke in a loud and commanding tone, and her gestures declared that She was threatening him with her vengeance. Her menaces had the desired effect: The Spirit sank upon his knee, and with a submissive air presented to her the branch of Myrtle. No sooner had She received it, than the Music was again heard; A thick cloud spread itself over the Apparition; The blue flames disappeared, and total obscurity reigned through the Cave. The Abbot moved not from his place: His faculties were all bound up in pleasure, anxiety, and surprize. At length the darkness dispersing, He perceived Matilda standing near him in her religious habit, with the Myrtle in her hand. No traces of the incantation, and the Vaults were only illuminated by the faint rays of the sepulchral Lamp.

'I have succeeded,' said Matilda, 'though with more difficulty than I expected. Lucifer, whom I summoned to my a.s.sistance, was at first unwilling to obey my commands: To enforce his compliance I was constrained to have recourse to my strongest charms. They have produced the desired effect, but I have engaged never more to invoke his agency in your favour. Beware then, how you employ an opportunity which never will return. My magic arts will now be of no use to you: In future you can only hope for supernatural aid by invoking the Daemons yourself, and accepting the conditions of their service. This you will never do: You want strength of mind to force them to obedience, and unless you pay their established price, they will not be your voluntary Servants. In this one instance they consent to obey you: I offer you the means of enjoying your Mistress, and be careful not to lose the opportunity. Receive this constellated Myrtle: While you bear this in your hand, every door will fly open to you. It will procure you access tomorrow night to Antonia's chamber: Then breathe upon it thrice, p.r.o.nounce her name, and place it upon her pillow. A death-like slumber will immediately seize upon her, and deprive her of the power of resisting your attempts. Sleep will hold her till break of Morning. In this state you may satisfy your desires without danger of being discovered; since when daylight shall dispel the effects of the enchantment, Antonia will perceive her dishonour, but be ignorant of the Ravisher. Be happy then, my Ambrosio, and let this service convince you that my friendship is disinterested and pure. The night must be near expiring: Let us return to the Abbey, lest our absence should create surprize.'