Them art-student girls you was tellin' about, I presume they're all right enough; but you wait a while. Young men think it's a kind of miracle if a girl likes 'em, and they're ready to go crazy over it; but it's the most natural thing she can do. You just wait a while. When you get along a little further, you can pick and choose for yourself. I don't know as I should want you should marry for money; but don't you go and take up with the first thing comes along, because you're afraid to look higher. What's become o' that nasty thing that talked so to you at that Miss Vane's?"

Lemuel said that he had never seen Sibyl or Miss Vane since; but he did not make any direct response to the anxieties his mother had hinted at. Her pride in him, so ignorant of all the reality of his life in the city, crushed him more than the sight and renewed sense of the mean conditions from which he had sprung. What if he should tell her that Miss Carver, whom she did not want him to marry in a hurry, regarded him as a servant, and treated him as she would treat a black man? What if she knew that he was as good as engaged to marry a girl that could no more meet Miss Carver on the same level than she could fly? He could only tell his mother not to feel troubled about him; that he was not going to get married in any great hurry; and pretend to be sleepy and turn his head away.

She pulled the covering up round his neck and tucked it in with her strong, rough old hand, whose very tenderness hurt.

He had expected to stay the greater part of the next day, but he took an earlier train. His sister was still laid up; she thought she must have taken cold in her jaw; her husband, rumpled, unshaven, with a shawl over his shoulders, cowered about the cook-stove for the heat. He began to hate this poverty and suffering, to long for escape from it to the life which at that distance seemed so rich and easy and pleasant; he trembled lest something might have happened in his absence to have thrown him out of his place.

All the way to Boston he was under the misery of the home that he was leaving; his mother's pride added to the burden of it. But when the train drew in sight of the city, and he saw the steeples and chimneys, and the thin masts of the ships printed together against the horizon, his heart rose. He felt equal to it, to anything in it.

He arrived in the middle of the afternoon, and he saw no one at the hotel except the Harmons till toward dinner-time. Then the ladies coming in from shopping had a word of welcome for him; some of them stopped and shook hands at the office, and when they began to come down to dinner they spoke to him, and there again some of them offered their hands; they said it seemed an age since he had gone.

The art-students came down with Berry, who shook hands so cordially with him that perhaps they could not help it. Miss Carver seemed to hesitate, but she gave him her hand too, and she asked, as the others had done, whether he had found his family well.

He did not know what to think. Sometimes he felt as if people were trying to make a fool of him almost. He remained blushing and smiling to himself after the last of them had gone in to dinner. He did not know what Miss Carver meant, but her eyes seemed to have lost that cold distance, and to have come nearer to him.

Late at night Berry came to him where he sat at his desk. "Well, Barker, I'm glad you're back again, old man. Feels as if you'd been gone a month of Sundays. Didn't know whether we should have you with us this _first_ evening."

Lemuel grew hot with consciousness, and did not make it better for himself by saying, "I don't know what you mean."

"Well, I don't suppose I should in your _place_," returned Berry. "It's human nature. It's all right. What did the ladies think of the 'Roman Youth' the other night? The distinguished artists weren't sure exactly, and I thought I could make capital with one of 'em if I could find out. Yes, that's my little game, Barker; that's what I dropped in for; Bismarck style of diplomacy. I'll tell you why they want to know, if you won't give me away: Miss Swan wanted to give her 'bit of colour'--that's what she calls it--to one of the young ladies; but she's afraid she didn't like it."

"I guess they liked it well enough," said Lemuel, thinking with shame that Statira had not had the grace to say a word of either of the pictures; he attributed this to 'Manda Grier's influence.

"Well that's good, so far as it goes," said Berry. "But now, to come down to particulars, what did they _say_? That's what Miss Swan will ask _me_."

"I don't remember just what they said," faltered Lemuel.

"Well, they must have said something," insisted Berry jocosely. "Give a fellow some little clue, and I can piece it out for myself. What did _she_ say? I don't ask which she _was_? but I have my suspicions. All I want to know is what she _said_. Anything like beautiful middle distance, or splendid chiaroscuro, or fine perspective, or exquisite modelling? Come now! Try to think, Barker." He gave Lemuel time, but to no purpose. "Well," he resumed, with affected dejection, "I'll have to try to imagine it; I guess I can; I haven't worked my imagination much since I took up the law. But look here, Barker," he continued more briskly, "now you open up a little. Here I've been giving you my confidence ever since I saw you--forcing it on you; and you know just how far I'm gone on Miss Swan, to a hundredth part of an inch; but I don't know enough of your affections to swear that you've got any. Now, which one is it? Don't be mean about it. I won't give you away. Honest Injun!"

Lemuel was goaded to desperation. His face burned, and the perspiration began to break out on his forehead. He did not know how to escape from this pursuit.

"Which is it, Barker?" repeated his tormentor. "I know it's human nature to deny it; though I never could understand why; if I was engaged, the Sunday papers should have it about as quick!"

"I'm _not_ engaged!" cried Lemuel.

"You ain't?" yelled Berry.

"No!"

"Give me your hand! Neither am I!"

He shook Lemuel's helpless hand with mock heroic fervour. "We are brothers from this time forth, Barker! You can't imagine how closely this tie binds you to me, Barker. Barker, we are one; with no particular prospect, as far as I am concerned, of ever being more."

He offered to dramatise a burst of tears on Lemuel's shoulder; but Lemuel escaped from him.

"Stop! Quit your fooling! What if somebody should come in?"

"They won't," said Berry, desisting, and stretching himself at ease in the only chair besides Lemuel's with which the office was equipped.

"It's too late for 'em. Now o'er the one-half world nature seems dead-ah, and wicked dreams abuse the curtained sleep-ah. We are safe here from all intrusion, and I can lay bare my inmost thoughts to you, Barker, if I happen to have any. Barker, I'm awfully glad you're not engaged to either of those girls,--or both. And it's not altogether because I enjoy the boon companionship of another unengaged man, but it's partly because I don't think--shall I say it?"

"Say what?" asked Lemuel, not without some prescience.

"Well, you can forgive the brotherly frankness, if you don't like it. I don't think they're quite up to you."

Lemuel gave a sort of start, which Berry interpreted in his own way.

"Now, hold on! I know just how you feel. Been there myself. I have seen the time too when I thought any sort of girl was too good for Alonzo W., Jr. But I don't now. I think A. W., Jr., is good enough for the best.

I may be mistaken; I was the other time. But we all begin that way; and the great object is not to keep on that way. See? Now, I suppose you're in love--puppy love--with that little thing. Probably the first girl you got acquainted with after you came to Boston, or may be a sweet survival of the Willoughby Pastures period. All right. Perfectly natural, in either case. But don't you let it go any further, my dear boy; old man, don't you let it go any further. Pause! Reflect! Consider! Love wisely, but not too well! Take the unsolicited advice of a sufferer."

Pride, joy, shame, remorse, mixed in Lemuel's heart, which eased itself in an involuntary laugh at Berry's nonsense.

"Now, what I want you to do--dear boy, or old man, as the case may be--is to regard yourself in a new light. Regard yourself, for the sake of the experiment, as too good for any girl in Boston. No? Can't fetch it? Try again!"

Lemuel could only laugh foolishly.

"Well, now, that's singular," pursued Berry. "I supposed you could have done it without the least trouble. Well, let's try something a little less difficult. Look me in the eye, and regard yourself as too good, for example, for Miss Carver. Ha!"

An angry flush spread over Lemuel's embarra.s.sed face. "I wish you'd behave yourself," he stammered.

"In any other cause I would," said Berry solemnly. "But I must be cruel to be kind. Seriously, old man, if you can't think yourself too good for Miss Carver, I wish you'd think yourself good enough. Now, I'm not saying anything against the Willoughby episode, mind. That has its place in the wise economy of nature, just like anything else. But there ain't any outcome in it for you. You've got a future before you, Barker, and you don't want to go and load up with a love affair that you'll keep trying to unload as long as you live. No, sir! Look at me! I know I'm not an example in some things, but in this little business of correctly placed affections I could give points to Solomon. Why am I in love with M. Swan? Because I can't help it for one thing, and because for another thing she can do more to develop the hidden worth and unsuspected powers of A. W., Jr., than any other woman in the world. She may never feel that it's her mission, but she can't shake my conviction that way; and I shall stay undeveloped to prove that I was right. Well, now, what you want, my friend, is development, and you can't get it where you've been going. She hain't got it on hand. And what you want to do is not to take something else in its place--tender heart, steadfast affections, loyalty; they've got 'em at every shop in town; they're a drug in the market. You've got to say 'No development, heigh? Well, I'll just look round a while, and if I can't find it at some of the other stores I'll come back and take some of that steadfast affection. You say it won't come off? Or run in washing?' See?"

"You ought to be ashamed of yourself," said Lemuel, trying to summon an indignant feeling, and laughing with a strange pleasure at heart.

"You've got no right to talk to me that way. I want you should leave me alone!"

"Well, since you're so pressing, I will go," said Berry easily. "But if I find you at our next interview sitting under the shade of the mustard-tree whose little seed I have just dropped, I shall feel that I have not laboured in vain. 'She's a darling, she's a daisy, she's a dumpling, she's a lamb!' I refer to Miss Swan, of course; but on other lips the terms are equally applicable to Miss Carver; and don't you forget it!"

He swung out of the office with a mazurka step. His silk hat, gaily tilted on the side of his head, struck against the door-jamb, and fell rolling across the entry floor. Lemuel laughed wildly. At twenty these things are droll.

XXI.

A week pa.s.sed, and Lemuel had not tried to see Statira again. He said to himself that even when he had tried to do what was right, and to show those young ladies how much he thought of her by bringing her to see their pictures, she had acted very ungratefully, and had as good as tried to quarrel with him. Then, when he went to see her before his visit home, she was out; she had never been out before when he called.

Now, he had told Berry that they were not engaged. At first, this shocked him as if it were a lie. Then he said to himself that he had a right to make that answer because Berry had no right to ask the questions that led to it. Then he asked himself if he really were engaged to Statira. He had told her that he liked her better than any one else in the world, and she had said as much to him. But he pretended that he did not know whether it could be called an engagement.

There was no one who could solve the question for him, and it kept asking itself that whole week, and especially when he was with Miss Carver, as happened two or three times through Berry's connivance. Once he had spent the greater part of an evening in the studio, where he talked nearly all the time with Miss Carver, and he found out that she was the daughter of an old ship's captain at Corbitant; her mother was dead, and her aunt had kept house for her father. It was an old square house that her grandfather built, in the days when Corbitant had direct trade with France. She described it minutely, and told how a French gentleman had died there in exile at the time of the French revolution and who was said to haunt the house; but Miss Carver had never seen any ghosts in it. They all began to talk of ghosts and weird experiences; even Berry had had some strange things happen to him in the West. Then the talk broke in two again, and Lemuel sat apart with Miss Carver, who told at length the plot of a story she had been reading; it was a story called _Romola_; and she said she would lend it to Lemuel; she said she did not see how any one could bear to be the least selfish or untrue after reading it. That made Lemuel feel cold; but he could not break away from her charm. She sat where the shaded lamp threw its soft light on one side of her face; it looked almost like the face of a spirit, and her eyes were full of a heavenly gentleness.

Lemuel asked himself how he could ever have thought them proud eyes. He asked himself at the same time and perpetually, whether he was really engaged to Statira or not. He thought how different this evening was from those he spent with her. She could not talk about anything but him and her dress; and 'Manda Grier could not do anything but say saucy things which she thought were smart. Miss Swan was really witty; it was as good as the theatre to hear her and Berry going on together. Berry was pretty bright; there was no denying it. He sang to his banjo that night; one of the songs was Spanish; he had learned it in New Mexico.

Lemuel began to understand better how such nice young ladies could go with Berry. At first, after Berry talked so to him that night in the office against Statira, he determined that he would keep away from him.

But Berry was so sociable and good-natured that he could not. The first thing he knew, Lemuel was laughing at something Berry said, and then he could not help himself.

Berry was coming now, every chance he had, to talk about the art-students. He seemed to take it for granted that Lemuel was as much interested in Miss Carver as he was himself in Miss Swan; and Lemuel did begin to speak of her in a shy way. Berry asked him if he had noticed that she looked like that Spanish picture of the Virgin that Miss Swan had pinned up next to the door; and Lemuel admitted that there was some resemblance.

"Notice those eyes of hers, so deep, and sorry for everybody in general?

If it was anybody in particular, _that_ fellow would be in luck. Oh, she's a dumpling, there's no mistake about it! 'Nymph, in thy orisons be all my sins remembered!' That's Miss Carver's style. She looks as if she just _wanted_ to forgive somebody something. I'm afraid you ain't wicked enough, Barker. Look here! What's the reason we can't make up a little party for the Easter service at the Catholic cathedral Sunday night? The girls would like to go, I know."