"No. I used to take piano lessons."

"We have a piano," he said, nodding at the door. "Go ahead."

She smiled, though her eyes were still serious. "That's okay. Thanks. I'm not in the mood. Besides, you're really, really good. Like a professional. I'd be embarra.s.sed to pound out "Fur Elise' or something."

He smiled too. "'Fur Elise.' I know that one. We could do a duet."

"A duet," she repeated, nodding, frowning a little. Then she looked up. "Are you an only child?" she asked.

He was startled. "Yes and no. I mean, I had a sister. A twin. She died."

Rosemary nodded. "Do you ever think about her?"

"Sure." He felt uncomfortable and looked away. "Not about about her, exactly. I mean, I never knew her. But about what she might have been like." her, exactly. I mean, I never knew her. But about what she might have been like."

He flushed then, shocked to have revealed so much to this girl, this stranger who'd disrupted all their lives, this girl he didn't even like.

"So okay," he said. "Now it's your turn. Tell me something personal. Tell me something my father doesn't know."

She gave him a searching look.

"I don't like bananas," she said at last, and he laughed, and then she did. "No, honestly, I don't. What else? When I was five, I fell off my bike and broke my arm."

"Me too," Paul said. "I broke my arm too, when I was six. I fell out of a tree." He remembered it then, the way his father had lifted him, the way the sky had flashed, full of sun and leaves, as he was carried to the car. He remembered his father's hands, so focused and so gentle as he set the bones, and coming home again, into the bright golden light of the afternoon.

"Hey," he said. "I want to show you something."

He laid the guitar flat on the swing and picked up the grainy black-and-white photos.

"Was it this place?" he asked, handing one to her. "Where you met my father?"

She took the photo and studied it, then nodded. "Yes. It looks different now. I can see from this picture-those sweet curtains in the windows and the flowers growing-that it was a nice house once. But no one lives there now. It's just empty. The wind comes through because the windows are broken. When I was a kid we used to play there. We used to run wild in those hills, and I used to play house with my cousins. They said it was haunted, but I always liked it. I don't know exactly why. It was like my secret place. Sometimes I just sat inside, dreaming about what I was going to be."

He nodded, taking the photo back and studying the figures as he had so many times before, as if they might answer all his questions about his father.

"You didn't dream this," he said at last, looking up.

"No," she said softly. "Never this."

Neither of them spoke for a few minutes. Sunlight slanted through the trees and cast shadows on the painted floor of the porch.

"Okay. It's your turn again," she said after a minute, turning back to him.

"My turn?"

"Tell me something your father doesn't know."

"I'm going to Juilliard," he said, the words coming in a rush, bright as music in the room. He'd told no one but his mother yet. "I was first on the wait list, and I got accepted last week. While he was gone."

"Wow." She smiled a little sadly. "I was thinking more in terms of your favorite vegetable," she said. "But that's great, Paul. I always thought college would be great."

"You were going to go," he said, realizing suddenly what she'd lost.

"I will go. I will definitely go."

"I'll probably have to pay my own way," Paul offered, recognizing her fierce determination, the way it covered fear. "My father's set on me having some kind of secure career plan. He hates the idea of music."

"You don't know that," she said, looking up sharply. "You don't really know the whole story about your father at all."

Paul did not know how to answer this, and they sat silently for several minutes. They were screened from the street by a trellis, clematis vines climbing all over it and the purple and white flowers blooming, so when two cars pulled into the driveway, one after the other, his mother and his father home so oddly in the middle of the day, Paul glimpsed them in flashes of color, bright chrome. He and Rosemary exchanged looks. The cars doors slammed shut, echoing against the neighboring house. Then there were footsteps, and the quiet, determined voices of his parents, back and forth, just beyond the edge of the porch. Rosemary opened her mouth, as if to call out, but Paul held up one hand and shook his head, and they sat together in silence, listening.

"This day," his mother said. "This week. If you only knew, David, how much pain you caused us."

"I'm sorry. You're right. I should have called. I meant to."

"That's supposed to be enough? Maybe I'll I'll just go away," she said. "Just like that. Maybe I'll just take off and come back with a good-looking young man and no explanation. What would you think of that?" just go away," she said. "Just like that. Maybe I'll just take off and come back with a good-looking young man and no explanation. What would you think of that?"

There was a silence, and Paul remembered the discarded pile of bright clothes on the beach. He thought of the many evenings since when his mother had not made it home before midnight. Business, she always sighed, slipping off her shoes in the foyer, going straight to bed. He looked at Rosemary, who was studying her hands, and he held himself very still, watching her, listening, waiting to see what would happen next.

"She's just a child," his father said at last. "She's sixteen and pregnant, and she was living in an abandoned house, all alone. I couldn't leave her there."

His mother sighed. Paul imagined her running a hand through her hair.

"Is this a midlife crisis?" she asked quietly. "Is that what this is?"

"A midlife crisis?" His father's voice was even, thoughtful, as if he were considering the evidence carefully. "I suppose it might be. I know I hit some kind of wall, Norah. In Pittsburgh. I was so driven as a young man. I didn't have the luxury of being anything else. I went back to try and figure out some things. And there was Rosemary, in my old house. That doesn't feel like a coincidence. I don't know, I can't explain it without sounding kind of crazy. But please trust me. I'm not in love with her. It's not like that. It never will be."

Paul looked at Rosemary. Her head was bent so he couldn't see her expression, but her cheeks were flushed pink. She picked at a torn fingernail and wouldn't meet his eye.

"I don't know what to believe," his mother said slowly. "This week, David, of all weeks. Do you know where I was just now? I was with Bree, at the oncologist's. She had a biopsy done last week: her left breast. It's a very small lump, her prognosis is good, but it's malignant."

"I didn't know, Norah. I'm sorry."

"No, don't touch me, David."

"Who's her surgeon?"

"Ed Jones."

"Ed's good."

"He'd better be. David, your midlife crisis is the last thing I need."

Paul, listening, felt the world slow down a little bit. He thought of Bree, with her quick laugh, who would sit for an hour listening to him play, the music moving between them so they didn't need to speak. She'd close her eyes and stretch out in the swing, listening. He couldn't imagine the world without her.

"What do you want?" his father was asking. "What do you want from me, Norah? I'll stay, if you want, or I'll move out. But I can't turn Rosemary away. She has no place to go."

There was a silence and he waited, hardly daring to breathe, wanting to know what his mother would say, and wanting her never to answer.

"What about me?" he asked, startling himself. "What about what I I want?" want?"

"Paul?" His mother's voice.

"Right here," he said, picking up his guitar. "On the porch. Me and Rosemary."

"Oh, good grief," his father said. Seconds later, he came around to the steps. Since last night he'd showered and shaved and put on a clean suit. He was thin, and he looked tired. So did his mother, coming to stand beside him.

Paul stood and faced him. "I'm going to Juilliard, Dad. They called last week: I got in. And I'm going."

He waited, then, for his father to start in as usual: how a musical career wasn't reliable, not even a cla.s.sical one. How Paul had so many options open to him; he could always play, and always take joy in playing, even if he made his living another way. He waited for his father to be firm and reasonable and resistant, so that Paul could give vent to his anger. He was tense, ready, but to his surprise his father only nodded.

"Good for you," his father said, and then his face softened for a moment with pleasure, the frown of worry easing from his forehead. When he spoke his voice was quiet and sure. "Paul, if it's what you want, then go. Go and work hard and be happy."

Paul stood uneasily on the porch. All these years, each time he and his father talked, he'd felt he was running into a wall. And now the wall was mysteriously gone but he was still running, giddy and uncertain, in open s.p.a.ce.

"Paul?" his father said. "I'm proud of you, son."

Everyone was looking at him now, and he had tears in his eyes. He didn't know what to say, so he started walking, at first just to get out of sight, so he wouldn't embarra.s.s himself, and then he was truly running, the guitar still in his hand.

"Paul!" his mother called after him, and when he turned, running backward for a few steps, he saw how pale she was, her arms folded tensely across her chest, her newly streaked hair lifting in the breeze. He thought of Bree, what his mother had said, how much they'd come to be like each other, his mother and his aunt, and he was afraid. He remembered his father in the foyer, his clothes filthy, dark stubble taking the rough shape of a beard, his hair wild. And now, this morning, clean and calm, but still changed. His father-impeccable, precise, sure of everything-had turned into someone else. Behind, half screened by the clematis, Rosemary stood listening, her arms folded, her hair, set free, falling over her shoulders now, and he imagined her in that house set into the hill, talking with his father, riding the bus with him for so many long hours, somehow a part of this change in his father, and again he was afraid of what was happening to them all.

So he ran.

It was a sunny day, already warm. Mr. Ferry, Mrs. Pool, waved from their porches. Paul lifted the guitar in salute and kept running. He was three blocks away from home, five, ten. Across the street, in front of one low bungalow, an empty car stood running. The owner had forgotten something probably, had run inside to grab a briefcase or a jacket. Paul paused. It was a tan Gremlin, the ugliest car in the universe, edged with rust. He crossed the street, opened the driver's door, and slipped inside. No one shouted; no one came running from the house. He yanked the door shut and adjusted the seat, giving himself leg room. He put the guitar on the seat beside him. The car was an automatic, scattered with candy wrappers and empty cigarette packs. A total loser owned this car, he thought, one of those ladies who wore too much makeup and worked as a secretary somewhere dead and plastic spastic, like the dry cleaners, maybe, or the bank. He put the car in gear and backed up.

Still nothing: no shouts, no sirens. He geared into DRIVE DRIVE and pulled away. and pulled away.

He hadn't driven much, but it seemed to be a lot like s.e.x: if you pretended to know what was going on, then pretty soon you did know, and then it was all second nature. By the high school, Ned Stone and Randy Delaney were hanging out on the corner, tossing b.u.t.ts into the gra.s.s before they went inside, and he looked for Lauren Lobeglio, who sometimes stood there with them, whose breath was often dark and smoky when he kissed her.

The guitar slipped. He pulled over and strapped it in with a seat belt. A Gremlin, s.h.i.t. Through town now, stopping carefully at every light, the day vibrant and blue. He thought of Rosemary's eyes, filling with tears. He hadn't meant to hurt her, but he had. And something had happened, something had changed. She was part of it and he was not, though his father's face had filled, for just an instant, with happiness at his news.

Paul drove. He did not want to be in that house for whatever happened next. He reached the interstate where the road split and went west, to Louisville. California glimmered in his mind: music there, and an endless beach. Lauren Lobeglio would latch herself onto someone new. She didn't love him and he didn't love her; she was like an addiction, and what they were doing had a darkness to it, a weight. California. Soon he'd be on the beach, playing in a band and living cheap and easy all summer long. In the fall, he'd find a way to get to Juilliard. Hitchhike across the country, maybe. He cranked his window all the way down, letting the spring air rush in. The Gremlin barely hit 55 even with his foot pressing the pedal to the floor. Still, it felt like he was flying.

He had come this way before, on orderly school trips to the Louisville Zoo and earlier, on those wild rides his mother had taken when he was small, when he lay in the backseat watching leaves and branches and phone lines flashing in the window. She had sung, loudly, with the radio, her voice lurching, promising him they'd stop for ice cream, for a treat, if he'd just be good, be quiet. All these years he had been good, but it hadn't made any difference. He'd discovered music and played his heart out into the silence of that house, into the hole his sister's death had made in their lives, and that hadn't mattered either. He had tried as hard as he could to make his parents look up from their lives and hear the beauty, the joy that he'd discovered. He'd played so much and he'd gotten so fine. And yet all this time they'd never looked up, not once, not until Rosemary had stepped through the door and altered everything. Or maybe she hadn't changed anything at all. Maybe it was just that her presence cast a new, revealing light on their lives, shifting the composition. After all, a picture could be a thousand different things.

He put his hand on the guitar, feeling the warm wood, comforted. He pressed the pedal to the floor, climbing between the limestone walls where the highway had been cut into the hill, and then he descended toward the curve of the Kentucky River, flying. The bridge sang under his tires. Paul drove and drove, trying to do anything but think.

IV.

BEYOND NORAH'S GLa.s.s-PANELED DOOR, THE OFFICE HUMMED. Neil Simms, the personnel manager from IBM, walked through the outer doors, a flash of dark suit, polished shoes. Bree, who had paused in the reception room to collect the faxes, turned to greet him. She was wearing a yellow linen suit and dark yellow shoes; a fine gold bracelet slipped down her wrist as she reached to shake his hand. She'd gotten thin and sharp-boned beneath her elegance. Still, her laugh was light, traveling through the gla.s.s to where Norah sat with the phone in one hand, the glossy folder she'd spent weeks preparing on her desk, IBM in bold black letters across the front. Neil Simms, the personnel manager from IBM, walked through the outer doors, a flash of dark suit, polished shoes. Bree, who had paused in the reception room to collect the faxes, turned to greet him. She was wearing a yellow linen suit and dark yellow shoes; a fine gold bracelet slipped down her wrist as she reached to shake his hand. She'd gotten thin and sharp-boned beneath her elegance. Still, her laugh was light, traveling through the gla.s.s to where Norah sat with the phone in one hand, the glossy folder she'd spent weeks preparing on her desk, IBM in bold black letters across the front.

"Look, Sam," Norah said. "I told you not to call me, and I meant it."

A cool deep current of silence welled up against her ear. She imagined Sam at home, working by the wall of windows overlooking the lake. He was an investment a.n.a.lyst, and Norah had met him in the parking garage six months ago, in the murky concrete light near the elevator. Her keys had slipped and he had caught them in midair, fast and fluid, his hands flashing like fish. Yours? Yours? he'd asked, with a quick, easy smile-a joke, since they were the only two around. Norah, filled with a familiar rush, a kind of dark delicious plummeting, had nodded. His fingers brushed her skin; the keys fell coldly against her palm. he'd asked, with a quick, easy smile-a joke, since they were the only two around. Norah, filled with a familiar rush, a kind of dark delicious plummeting, had nodded. His fingers brushed her skin; the keys fell coldly against her palm.

That night he left a message on her machine. Norah's heart had quickened, stirred at his voice. Still, when the tape ended, she had forced herself to sit down and count up her affairs-short-lived and long, pa.s.sionate and detached, bitter and amicable-over the years.

Four. She had written the number down, dark blunt streaks of graphite on the edge of the morning paper. Upstairs, water was dripping in the tub. Paul was in the family room, playing the same chord over and over again on his guitar. David was outside, working in his darkroom-so much s.p.a.ce between them, always. Norah had walked into each of her affairs with a sense of hope and new beginnings, swept up in the rush of secret meetings, of novelty and surprise. After Howard, two more, transitory and sweet, followed by one other, longer. Each had begun at moments when she thought the roar of silence in her house would drive her mad, when the mysterious universe of another presence, any presence, had seemed to her like solace.

"Norah, please, just listen," Sam was saying now: a forceful man, something of a bully in negotiations, a person she didn't even particularly like. In the reception room, Bree turned to glance at her, inquiring, impatient. Yes, Norah gestured through the gla.s.s, she would hurry. They had courted this IBM account for almost a year; she would certainly hurry. "I just want to ask about Paul," Sam was insisting. "If you've heard anything. Because I'm here for you, okay? Do you hear what I'm saying, Norah? I'm totally, absolutely, here for you."

"I hear you," she said, angry with herself-she didn't want Sam talking about her son. Paul had been gone for twenty-four hours now; a car three blocks down was missing too. She'd watched him leave after that strained scene on the porch, trying to remember what she'd said, what he'd overheard, pained at the confusion on his face. David had done the right thing, giving Paul his blessing, but somehow that too, the very strangeness of it, had made the moment worse. She'd watched Paul run off, carrying his guitar, and she'd nearly gone after him. But her head ached, and she'd let herself think that maybe he needed some time to work this out on his own. Plus, surely, he wouldn't go far-where could he go, after all?

"Norah?" Sam said. "Norah, are you okay?"

She closed her eyes briefly. Ordinary sunlight warmed her face. Sam's bedroom windows were full of prisms, and on this brilliant morning light and color would be shifting, alive, on every surface. It's like making love in a disco, It's like making love in a disco, she'd told him once, half complaining, half enchanted, long shafts of color moving on his arms, her own pale skin. That day, as on every day since they'd met, Norah had intended to end things. Then Sam had traced the shaft of variegated light on her thigh with his finger, and slowly she'd felt her own sharp edges begin to soften, to blur, her emotions bleeding one into another in mysterious sequence, from darkest indigo to gold, reluctance transforming, mysteriously, to desire. she'd told him once, half complaining, half enchanted, long shafts of color moving on his arms, her own pale skin. That day, as on every day since they'd met, Norah had intended to end things. Then Sam had traced the shaft of variegated light on her thigh with his finger, and slowly she'd felt her own sharp edges begin to soften, to blur, her emotions bleeding one into another in mysterious sequence, from darkest indigo to gold, reluctance transforming, mysteriously, to desire.

Still, the pleasure never lasted past the drive home.

"I'm focusing on Paul right now," she said, and then, sharply, she added, "Look, Sam, I've had it, actually. I was serious the other day. Don't call me again."

"You're upset."

"Yes. But I mean it. Don't call me. Never again."

She hung up. Her hand was trembling; she pressed it flat on her desk. She felt Paul's disappearance like a punishment: for David's long anger, for her own. The car he'd stolen had been found deserted on a side street in Louisville last night, but there had been no trace of Paul. And so she and David were waiting, moving helplessly through the silent layers of their house. The girl from West Virginia was still sleeping on the pull-out sofa in the den. David never touched her, hardly even spoke to her except to ask if she needed anything. And yet Norah sensed something between the two of them, an emotional connection, alive and positively charged, which pierced her as much, perhaps more, than any physical affair would have done.

Bree knocked on the gla.s.s, then opened the door a few inches.

"Everything okay? Because Neil's here, from IBM."

"I'm fine," Norah said. "How are you doing? Are you okay?"

"It's good for me to be here," Bree said brightly, firmly. "Especially with everything else that's going on."

Norah nodded. She had called Paul's friends, and David called the police. All night and into this morning she had paced the house in her bathrobe, drinking coffee and imagining every possible disaster. The chance to come to work, to put at least part of her mind on something else, had felt like sanctuary. "I'll be right there," she said.

The phone started ringing again as she stood, and Norah let a rush of weary anger push her through the door. She would not let Sam rattle her, she would not let him ruin this meeting, she would not. Her other affairs had ended differently, swiftly or slowly, amicably or not, but none with this element of uneasiness. Never again, Never again, she thought to herself. she thought to herself. Let this be finished, and never again. Let this be finished, and never again.

She hurried through the lobby, but Sally stopped her at the reception desk, holding out the phone. "You'd better take this, honey," she said. Norah knew at once; she took the receiver, trembling.

"They found him." David's voice was quiet. "The police just called. They found him in Louisville, shoplifting. Our son was caught stealing cheese."

"He's okay, then," she said, releasing a breath she hadn't realized she'd been holding all this time, blood rushing back into her fingertips. Oh! She'd been half dead and hadn't known it.

"Yes, he's fine. Hungry, apparently. I'm on my way to get him. Do you want to come?"

"Maybe I should go. I don't know, David. You might say the wrong thing." You stay here with your girlfriend, You stay here with your girlfriend, she almost added. she almost added.

He sighed. "I wonder what would be the right thing to say, Norah? I'd really like to know. I'm proud of him, and I told him that. He ran away and stole a car. So what, I wonder, would be the right thing to say?"

Too little, too late, she wanted to say. she wanted to say. And what about your girlfriend? And what about your girlfriend? But she said nothing. But she said nothing.

"Norah, he's eighteen. He stole a car. He has to take responsibility."

"You're fifty-one," she snapped. "So do you."