Days were up and down, but I surprised myself by coping. Take a typical example, a sunny Monday morning early in December. It was one of those days that occur every so often on which women are encouraged to bring a schoolgirl to work with them in order, supposedly, to make their jobs seem less alarming. I couldn't help feeling that anybody who contemplated my working life would suddenly find herself attracted to the kitchen and nursery, but I decided I must make the gesture. So I rang up Peggy, whom I always felt I never rang up quite often enough. Evidently, Emily, the middle girl of Paul's previous family (she's almost sixteen), was slowest in thinking up a plausible excuse and she was offered up to me for the day.

Just after nine o'clock in the morning she slouched down her garden path, Peggy waving unnoticed behind her. She was dressed in black like a Greek widow, though with the rings through her nose she was unlikely to be mistaken for one. She sat in the pa.s.senger seat, switched Start the Week Start the Week off and we headed east from Kentish Town. I asked after Peggy and Emily grunted something and asked about Robert. I muttered a non-committal pleasantry and said he seemed to be getting on well with his new girlfriend. I feel protective about my nieces where my predatory youngest son is concerned and I've talked to him, and to Jerome as well, about their duty to look after their younger cousins. I was edgy, mainly because I would normally have been smoking but Emily would have probably wanted to join me and so I had decided in advance to give up for a morning. off and we headed east from Kentish Town. I asked after Peggy and Emily grunted something and asked about Robert. I muttered a non-committal pleasantry and said he seemed to be getting on well with his new girlfriend. I feel protective about my nieces where my predatory youngest son is concerned and I've talked to him, and to Jerome as well, about their duty to look after their younger cousins. I was edgy, mainly because I would normally have been smoking but Emily would have probably wanted to join me and so I had decided in advance to give up for a morning.

I love my sons but when they were growing up the house did sometimes feel like a sports changing room. Perhaps in reaction to this I have always felt a special pang of affection for the three bolshy Crane girls. I sometimes worried that I might try too hard with them and put them off me but as we stopped and started along York Way, Emily chatted with what for her, at least was remarkable fluency. I asked her if she had heard anything about Paul's doc.u.mentary. Emily rolled her eyes, as she did in response to almost anything to do with her father.

'Silly man,' she said.

I felt obliged to be soothing.

'No, Emily, I'm sure it'll be very interesting.'

'You want want to be on telly, do you, with everybody knowing about your family?' to be on telly, do you, with everybody knowing about your family?'

'No, not really.'

'We're all refusing to be in it. Dad got really cross. Cath called him a voyeur.'

'Well, at least Paul must be pleased to hear her using a French word. If only she'd called him an auteur.'

We giggled together. We arrived, late as always, at the hostel where there were two council employees waiting, neither of whom I'd met before. Pandora Webb, an intermediate treatment officer. And Carolyn Salkin, a disability officer. In a wheelchair. At the foot of the steep concrete steps leading to the front door. Carolyn's hair was cut very short, giving her the air of a fierce sprite. She was the sort of person I would have taken to immediately if I had met her anywhere but in front of my precious project. She came bluntly to the point.

'There is evidently no wheelchair access in your plans, Ms Martello.'

'Please call me Jane,' I panted. 'And this is my niece, Emily.'

'There's no wheelchair access, Jane.'

'The issue was never really raised,' I replied, incredibly feebly, but it was Monday morning and I was feeling self-conscious in front of my niece.

'I'm raising it now.'

I needed to go away and think this through but it didn't seem possible.

'As far as the brief went, this is a hostel where highly independent recently discharged people can stay briefly with light supervision. I agree, Carolyn, that ideally every building should have full wheelchair access but with my alterations this is now a narrow four-storey house. Surely it would be better if wheelchair-bound patients, or, indeed, employees, were directed to premises that would be more suitable.'

The two women exchanged glances. They looked ironic, contemptuous. Pandora was clearly not on my side, but she was obviously happy to leave the talking to Carolyn.

'Jane,' Carolyn said, 'I didn't come here to debate disabled politics on the pavement. And I'm not bargaining. I'm simply here to make sure you understand the council's policy on access in new buildings. You should have been told about this already.'

'What needs doing?' I asked wearily. 'I mean specifically.'

'I'd show you myself if I could get into the premises,' said Carolyn icily. 'You'll have to arrange an appointment with another member of my department.'

'Who funds the extra equipment?'

'Who funds the fire escape, Jane?' Carolyn asked sarcastically. 'Who funds the double-glazing?'

I felt a small stab of rage at her unfairness.

'If I were Mies van der Rohe, you wouldn't be forcing me to put ramps across every angle.'

'I would if he were designing a building in this borough,' said Carolyn.

'Who's Mies van der thingy?' asked Emily, when we were back in the car.

'He's probably the main reason I became an architect. His buildings were based on complete mathematical clarity, straight lines, metal and gla.s.s. His greatest building was for an exhibition in Barcelona in the twenties. The building was so pure in form that Mies wouldn't even allow a wall where pictures could be hung because that would have violated its perfection.'

'That's not much good for an exhibition,' Emily protested.

'No,' I admitted. 'I don't think he would have had any more success with this hostel than I have. When I went into architecture, we still thought it might be a way of transforming people's lives. That doesn't seem particularly fashionable at the moment.'

'What are you going to do?'

'I think I'm too old to retrain as a civil liberties lawyer.'

'No, I mean with the hostel.'

'Oh, the usual. Put some things in, take some things out. Lose a little bit more of my original inspiration. I haven't lost hope entirely. Slashing my budget is partly their way of showing that they still intend this hostel to get built.'

We drove back to my office and I introduced Emily to Duncan and he showed her how to move his drawing board up and down. I dictated a couple of letters which it would have been quicker to type myself. We made coffee and I told Emily a bit about the profession and what I could remember of the training and we gossiped and then I drove her back to Kentish Town a little after lunch. I went in with her and had a cup of coffee with Peggy. She was always worried about things. She was worried about Paul's doc.u.mentary, with which she was refusing to have anything at all to do. She was worried about Martha, and I couldn't think of anything to say about that. She was worried about Alan making a complete fool of himself, but I told her that that wasn't worth bothering about. And she was even a little worried about me. me. Paul had told her about my therapy and she wanted to discuss it with me. Paul had told her about my therapy and she wanted to discuss it with me.

'As you know, I had years of therapy after Paul walked out,' she told me. 'After about two years, I plucked up courage and looked around and my a.n.a.lyst was asleep.'

'Yes, you've told me about that, Peggy,' I said. 'I think it's quite common.'

'It was a waste of money all the same. I decided that pills would be cheaper and more convenient. I was prescribed Prozac, I got through my crisis and I took the girls to Kos. I worked out that the holiday cost less than three months' therapy. Admittedly, when I was there I felt that I'd need about three years' therapy to recover, the way that the girls behaved with all those waiters buzzing around them like bees round a honey pot.'

'What are you saying, Peggy? Do you think I'm wasting my time?'

'No, it's just that I suppose I'm surprised. You were always the strong one. Also, now you mustn't get offended by this, I don't understand what you're doing. You were the one who suddenly decided to break up with Claud. He was shattered, he's desperate about it. Now you're feeling bad about it and looking for help. Not only that, Paul tells me you're going around stirring things up about Natalie. I don't understand what you're doing, Jane, I really don't.'

I felt an acid ache of rage in my stomach and I wanted to shout at Peggy or hit her but I've never been any good at Mediterranean displays of emotion, much as I've always envied them. And I felt that Peggy was right, in a way. I responded with icy calm.

'Maybe I don't understand what I'm doing myself, Peggy. Maybe that's what I'm trying to find out.'

The c.o.c.ktail gla.s.s in the freezer, and the jug and the spoon. The gin of course should be there for at least a couple of days so that it pours viscous. For that reason, something like Gordon's Export Gin, the one with the yellow label that you get in duty free, is essential. Anything weaker, like the Gordon's domestic in the green bottle, and it will freeze, defeating the point. A few drops, perhaps a teaspoon, not more, of dry vermouth, then a slosh of gin into the jug which is so cold you can scarcely hold the handle. The briefest of stirs. A fat slice of lemon peel, twisted to release some of the oil, into the frosty gla.s.s, then submerge it in the harsh, icy liquid. If there is any liquid left in the jug, it can be returned to the freezer for the second gla.s.s.

Later that evening I snapped the polythene off a new packet of cigarettes and rinsed the ashtray in the sink. I opened a tin of black olives and tipped them into a small ramekin. They were pitted. I didn't want to have to concentrate on anything this evening. I took them, along with my dry martini, so cold that it seemed to be steaming like a witch's potion, and sat in front of the television. I switched it to a channel at random and watched without paying attention.

The drink took effect almost from the first sip and a pleasant numb sensation sank through me. I do some of my best thinking while sitting in the audience at an orchestral concert or wandering round a gallery ostensibly looking at pictures or, as here, half drunk, half watching a TV programme. I had been shaken by what Peggy had said. I am a person who likes to be visibly in the right, I really want to do the right thing, and I realised that I must seem to Peggy and others like a person self-indulgently doing the wrong thing. I was relying on Duncan's good nature when I neglected my work. I was relying on my sessions with Alex Dermot-Brown to relieve me of the responsibility for the decision I had made. I was carrying out some halfbaked investigation into the Martello family... Why? As revenge? I had things to do, and there were things I was looking for. But I didn't know what they were. Would it be better to drop it all and return to my life and make a go of it there with the stoicism that I'd always prided myself on?

I went to the freezer and emptied the remains of the drink into my gla.s.s, which was now wet and warm. I stopped thinking and the television programme began to take shape, like a picture coming into focus. A woman rather striking, except that her eyebrows were drawn too fine was talking about the family as the basis of society.

'Just as a leaky house is better than no house,' she said, 'an imperfect marriage is better than a broken marriage. The single most destructive social issue of our time is the f.e.c.kless and selfish behaviour of parents who place their own convenience before the future of their children.'

There was loud applause.

'f.u.c.k off,' I yelled at the screen.

'Sir Giles,' said the chairman.

Sir Giles was a man in a grey suit.

'Jill Cavendish is quite right,' he said, 'and we should none of us be ashamed to say quite categorically that this is a moral issue. And if our church leaders are not willing to give guidance on this, then it is time for us, the politicians, to act. As we know, there are young teenage girls who are quite deliberately becoming pregnant as a quick, easy way of getting a council flat. They are deliberately choosing a life on the dole at the expense of the rest of us. As a result, whole generations of children are growing up without moral guidance, without a father to guide them. No wonder these children turn to crime.

'I think, ladies and gentlemen, it is time for the ordinary men and women of this country to stand up and say to the socialists, "This is what you have brought us to. This is the logical result of your policies, of the disregard for morality and the family that we saw in the 1960s." They tell us to understand the plight of these f.e.c.kless women. If you ask me, we should understand a little less and punish a little more. When I was a boy, a young girl knew that if she got pregnant she would be out on the street, an outcast. Perhaps we've got something to learn from those days. I'll tell you this: if young girls knew that there was no housing for them, no dole money, then there'd be a darn sight fewer single mothers.'

'w.a.n.ker,' I said and threw my cigarette packet at the screen, missing wildly.

The applause from the audience was even more fervent than before and the chairman struggled to make himself heard.

'We also have with us Dr Caspar Holt, who apart from being a philosopher also happens to be a single father with custody of a young daughter. Dr Holt, what's your response to Sir Giles?'

The camera cut to the nervous-looking face of a middle-aged man who seemed familiar from somewhere or other.

'I'm not sure I've got one, really,' he said. 'I distrust easy answers to complicated social problems. But I can't help thinking that if Sir Giles Whittell really believes that young girls are getting pregnant as a matter of financial calculation, he should ask himself who created this individualist culture in which anything except the selfish struggle for maximum financial gain is literally unintelligible. I'm also, well, amused amused by the belief that the very rich can only be encouraged by giving them even more money while the very poor should be encouraged by taking their money away.' by the belief that the very rich can only be encouraged by giving them even more money while the very poor should be encouraged by taking their money away.'

I started clapping.

'Hear hear.'

There was no other applause at all and the speaker was immediately subject to barracking from all sides. Then I remembered who he was. He was the man I had sat next to during Alan's debacle at the ICA. I had the impression that I had been rude to him. I felt a stab of remorse. I went to the desk in the corner and searched through a pile of postcards. A grotesque nude by George Grosz. Too explicit. The Annunciation The Annunciation by Fra Angelico. Too austere. Watercolours of British mice. Too twee. by Fra Angelico. Too austere. Watercolours of British mice. Too twee. The Flaying of Marsyas The Flaying of Marsyas by t.i.tian. Too much like the way I felt. by t.i.tian. Too much like the way I felt. The Reverend Robert Walker Skating on Duddingston Loch. The Reverend Robert Walker Skating on Duddingston Loch. That was about right. I turned it over and removed some dried Blu Tack, a reminder that it had once been attached to the wall above my desk. 'Dear Caspar Holt,' I was stuck and looked back at the screen where he was now murmuring something about nursery education and being shouted down 'I was the woman who was rude to you at the ICA. I'm writing this while watching you being sensible and brave on TV. I'm sorry that the one time I met you I behaved not very well. This isn't very coherent but you're saying the sorts of things I want to say but never think of at the time. Yours, Jane Martello.' I found a stamp in my purse and went straight out and posted the card. I needed some fresh air. The cold of the evening felt good, insofar as I could feel it. That was about right. I turned it over and removed some dried Blu Tack, a reminder that it had once been attached to the wall above my desk. 'Dear Caspar Holt,' I was stuck and looked back at the screen where he was now murmuring something about nursery education and being shouted down 'I was the woman who was rude to you at the ICA. I'm writing this while watching you being sensible and brave on TV. I'm sorry that the one time I met you I behaved not very well. This isn't very coherent but you're saying the sorts of things I want to say but never think of at the time. Yours, Jane Martello.' I found a stamp in my purse and went straight out and posted the card. I needed some fresh air. The cold of the evening felt good, insofar as I could feel it.

Seventeen.

'Do you remember how you used to come here to play?'

Although it was bitterly cold, Martha had insisted that we walk round the garden together. We stood by the giant oak tree, inside whose vast, hollow trunk we had hidden as children. I rubbed my hand over the mossy bark.

'Here's where Claud and Theo and Paul carved their initials. We thought they'd last for as long as the tree. They've nearly disappeared.'

We walked on in silence. I felt that I was treading in the footsteps of my childhood. The barns, the fallen trees, the stone walls, the herb garden, the flat patch where there used to be a swing, the skeletal branches, emaciated shrubs. When the wind blew Martha's jacket flat against her body, I realised how thin she'd become.

'Are you all right, Martha?'

She stooped gracefully to pluck up a weed.

'I have cancer, Jane.' She held up her hand to stop me from saying anything. 'I've known for a long time. It started as breast cancer, but it's spread.'

I took her chilly hand in my own and stroked it. The wind rushed at us from over the brow of the hill.

'What do the doctors say? What are they doing?'

'Not much. I mean, they don't say much, let me draw my own conclusions. And I'm not going to have chemotherapy or radiotherapy or anything, except pain relief of course. I'm sixty-seven, Jane, that's a good time to get cancer: it advances more slowly.' She laughed. 'I'll probably die of a stroke at ninety-three.' Then, more soberly: 'I hope so. I can't imagine Alan managing very well on his own.'

'I'm sorry. I'm really so sorry, Martha. I wish that there was something that I could do.'

We walked back towards the house hand in hand.

'Martha,' I said abruptly, 'do you wish that the body had never been found?'

She looked at me strangely.

'That's not a question that makes any sense,' she replied at last. 'We found Natalie, and that's that. If you mean, was I happier happier before that, then the answer is yes, of course I was. I was even happy, sometimes. When Natalie was found, I had to start the mourning all over again. That old raw grief.' before that, then the answer is yes, of course I was. I was even happy, sometimes. When Natalie was found, I had to start the mourning all over again. That old raw grief.'

She pushed open the back door.

'Let me make you some tea.'

'I'll make it,' I said.

'I'm not dying yet, Jane; sit down.'

I sat at the kitchen table, and noticed that Martha had made piles of all the children's books she had ill.u.s.trated over the years. There were dozens. I started leafing through them. The pictures were familiar, of course, my own children had grown up on them, but still as wonderful as ever: funny, crowded and very colourful. She loved drawing large families: energetic grannies and hara.s.sed-looking parents and hordes of minute children with scabby knees and messy hair. There was lots of food in her ill.u.s.trations - the kind of food that children love, like sticky chocolate cake, and wobbly purple jellies with bright yellow custard on top; mountains of spaghetti quivering on plates. And she loved drawing children running wild: over one double page spread a line of tiny, paunchy toddlers marched in red wellingtons; on another, children's faces peered joyously through the branches of trees. I paused at a drawing of a small girl holding a daisy chain, while a stupendous orange sun set behind her. It was unusual for Martha to draw children on their ownusually they were outnumbering and overpowering the adults.

'Before we found Natalie, Martha, were there ever times when you'd go a whole day without remembering her?'

It was the wrong question, I knew that, I knew the answer, yet I also knew that we had to talk about Natalie. Martha poured boiling water over the tea leaves, and lifted a large cake tin down from the cupboard.

'What do you think?' She put a ginger cake and knife on the table. 'For a long time I felt guilty. Not just about her going, or dying, or whatever, though that too, of course. About our relationship.'

I waited.

Martha poured two cups of tea and sat down at the table. 'My last memory of Natalie is of her shouting at me.' She looked into her tea, then said, 'No, that's not what I mean really. My last memory is of me shouting at her. Of course we used to have lots of trivial rows, cigarettes on her breath, that sort of thing. And she would give me this slightly distant smile that she always had when she was being told off and it would make me angry. It's the sort of row that is a part of being a parent, but this one we never made up. Sometimes I wonder if she died hating me.' She gave a sad smile. 'When Alan and I came back from that awful anniversary cruise and arrived at the big party, I wanted to talk to Natalie but there were so many people I had to see and I didn't and then it was too late.'

'Of course you blame yourself and feel guilty, Martha,' I said, 'and of course you shouldn't.'

I remembered experiencing a shadow version of the same feeling when my mother died. In the weeks after her burial I'd been in an agony of loss, remembering all the times I'd criticised her, been contemptuous of her, not appreciated her, not thanked her enough, not had that final settling of accounts, when we'd somehow have reconciled ourselves to all the raggedness and imperfections in our relationship.

'You have to remember the whole life, Martha, and not just the last weeks or days,' I said, lamely.

'I do. But the last quarrel somehow summed up all that was wrong with us.' Martha looked at me steadily. 'I've never said this to anyone, Jane.'

'Said what?'

'I've never told anyone about my quarrel with Natalie.'

'What was the quarrel about?'

Martha picked up the knife and cut two slices of cake. She must have baked it for me when she heard I was coming. 'Drink up your tea; it'll get cold.'