The Man Who Laughs - Part 60
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Part 60

He felt for this woman a strange, inexpressible longing, combined with a conviction of the impossibility of attainment. This poignant contradiction returned to his mind again and again, notwithstanding every effort. He saw near to him, even within his reach, in close and tangible reality, the soul; and in the unattainable--in the depths of the ideal--the flesh. None of these thoughts attained to certain shape.

They were as a vapour within him, changing every instant its form, and floating away. But the darkness which the vapour caused was intense.

He did not form even in his dreams any hope of reaching the heights where the d.u.c.h.ess dwelt. Luckily for him.

The vibration of such ladders of fancy, if ever we put our foot upon them, may render our brains dizzy for ever. Intending to scale Olympus, we reach Bedlam; any distinct feeling of actual desire would have terrified him. He entertained none of that nature.

Besides, was he likely ever to see the lady again? Most probably not. To fall in love with a pa.s.sing light on the horizon, madness cannot reach to that pitch. To make loving eyes at a star even, is not incomprehensible. It is seen again, it reappears, it is fixed in the sky. But can any one be enamoured of a flash of lightning?

Dreams flowed and ebbed within him. The majestic and gallant idol at the back of the box had cast a light over his diffused ideas, then faded away. He thought, yet thought not of it; turned to other things--returned to it. It rocked about in his brain--nothing more. It broke his sleep for several nights. Sleeplessness is as full of dreams as sleep.

It is almost impossible to express in their exact limits the abstract evolutions of the brain. The inconvenience of words is that they are more marked in form than ideas. All ideas have indistinct boundary lines, words have not. A certain diffused phase of the soul ever escapes words. Expression has its frontiers, thought has none.

The depths of our secret souls are so vast that Gwynplaine's dreams scarcely touched Dea. Dea reigned sacred in the centre of his soul; nothing could approach her.

Still (for such contradictions make up the soul of man) there was a conflict within him. Was he conscious of it? Scarcely.

In his heart of hearts he felt a collision of desires. We all have our weak points. Its nature would have been clear to Ursus; but to Gwynplaine it was not.

Two instincts--one the ideal, the other s.e.xual--were struggling within him. Such contests occur between the angels of light and darkness on the edge of the abyss.

At length the angel of darkness was overthrown. One day Gwynplaine suddenly thought no more of the unknown woman.

The struggle between two principles--the duel between his earthly and his heavenly nature--had taken place within his soul, and at such a depth that he had understood it but dimly. One thing was certain, that he had never for one moment ceased to adore Dea.

He had been attacked by a violent disorder, his blood had been fevered; but it was over. Dea alone remained.

Gwynplaine would have been much astonished had any one told him that Dea had ever been, even for a moment, in danger; and in a week or two the phantom which had threatened the hearts of both their souls faded away.

Within Gwynplaine nothing remained but the heart, which was the hearth, and the love, which was its fire.

Besides, we have just said that "the d.u.c.h.ess" did not return.

Ursus thought it all very natural. "The lady with the gold piece" is a phenomenon. She enters, pays, and vanishes. It would be too much joy were she to return.

As to Dea, she made no allusion to the woman who had come and pa.s.sed away. She listened, perhaps, and was sufficiently enlightened by the sighs of Ursus, and now and then by some significant exclamation, such as,--

"_One does not get ounces of gold every day!_"

She spoke no more of the "woman." This showed deep instinct. The soul takes obscure precautions, in the secrets of which it is not always admitted itself. To keep silence about any one seems to keep them afar off. One fears that questions may call them back. We put silence between us, as if we were shutting a door.

So the incident fell into oblivion.

Was it ever anything? Had it ever occurred? Could it be said that a shadow had floated between Gwynplaine and Dea? Dea did not know of it, nor Gwynplaine either. No; nothing had occurred. The d.u.c.h.ess herself was blurred in the distant perspective like an illusion. It had been but a momentary dream pa.s.sing over Gwynplaine, out of which he had awakened.

When it fades away, a reverie, like a mist, leaves no trace behind; and when the cloud has pa.s.sed on, love shines out as brightly in the heart as the sun in the sky.

CHAPTER IX.

ABYSSUS ABYSSUM VOCAT.

Another face, disappeared--Tom-Jim-Jack's. Suddenly he ceased to frequent the Tadcaster Inn.

Persons so situated as to be able to observe other phases of fashionable life in London, might have seen that about this time the _Weekly Gazette_, between two extracts from parish registers, announced the departure of Lord David Dirry-Moir, by order of her Majesty, to take command of his frigate in the white squadron then cruising off the coast of Holland.

Ursus, perceiving that Tom-Jim-Jack did not return, was troubled by his absence. He had not seen Tom-Jim-Jack since the day on which he had driven off in the same carriage with the lady of the gold piece. It was, indeed, an enigma who this Tom-Jim-Jack could be, who carried off d.u.c.h.esses under his arm. What an interesting investigation! What questions to propound! What things to be said. Therefore Ursus said not a word.

Ursus, who had had experience, knew the smart caused by rash curiosity.

Curiosity ought always to be proportioned to the curious. By listening, we risk our ear; by watching, we risk our eye. Prudent people neither hear nor see. Tom-Jim-Jack had got into a princely carriage. The tavern-keeper had seen him. It appeared so extraordinary that the sailor should sit by the lady that it made Ursus circ.u.mspect. The caprices of those in high life ought to be sacred to the lower orders. The reptiles called the poor had best squat in their holes when they see anything out of the way. Quiescence is a power. Shut your eyes, if you have not the luck to be blind; stop up your ears, if you have not the good fortune to be deaf; paralyze your tongue, if you have not the perfection of being mute. The great do what they like, the little what they can. Let the unknown pa.s.s unnoticed. Do not importune mythology. Do not interrogate appearances. Have a profound respect for idols. Do not let us direct our gossiping towards the lessenings or increasings which take place in superior regions, of the motives of which we are ignorant. Such things are mostly optical delusions to us inferior creatures. Metamorphoses are the business of the G.o.ds: the transformations and the contingent disorders of great persons who float above us are clouds impossible to comprehend and perilous to study. Too much attention irritates the Olympians engaged in their gyrations of amus.e.m.e.nt or fancy; and a thunderbolt may teach you that the bull you are too curiously examining is Jupiter. Do not lift the folds of the stone-coloured mantles of those terrible powers. Indifference is intelligence. Do not stir, and you will be safe. Feign death, and they will not kill you. Therein lies the wisdom of the insect. Ursus practised it.

The tavern-keeper, who was puzzled as well, questioned Ursus one day.

"Do you observe that Tom-Jim-Jack never comes here now!"

"Indeed!" said Ursus. "I have not remarked it."

Master Nicless made an observation in an undertone, no doubt touching the intimacy between the ducal carriage and Tom-Jim-Jack--a remark which, as it might have been irreverent and dangerous, Ursus took care not to hear.

Still Ursus was too much of an artist not to regret Tom-Jim-Jack. He felt some disappointment. He told his feeling to h.o.m.o, of whose discretion alone he felt certain. He whispered into the ear of the wolf, "Since Tom-Jim-Jack ceased to come, I feel a blank as a man, and a chill as a poet." This pouring out of his heart to a friend relieved Ursus.

His lips were sealed before Gwynplaine, who, however, made no allusion to Tom-Jim-Jack. The fact was that Tom-Jim-Jack's presence or absence mattered not to Gwynplaine, absorbed as he was in Dea.

Forgetfulness fell more and more on Gwynplaine. As for Dea, she had not even suspected the existence of a vague trouble. At the same time, no more cabals or complaints against the Laughing Man were spoken of. Hate seemed to have let go its hold. All was tranquil in and around the Green Box. No more opposition from strollers, merry-andrews, nor priests; no more grumbling outside. Their success was unclouded. Destiny allows of such sudden serenity. The brilliant happiness of Gwynplaine and Dea was for the present absolutely cloudless. Little by little it had risen to a degree which admitted of no increase. There is one word which expresses the situation--apogee. Happiness, like the sea, has its high tide. The worst thing for the perfectly happy is that it recedes.

There are two ways of being inaccessible: being too high and being too low. At least as much, perhaps, as the first is the second to be desired. More surely than the eagle escapes the arrow, the animalcule escapes being crushed. This security of insignificance, if it had ever existed on earth, was enjoyed by Gwynplaine and Dea, and never before had it been so complete. They lived on, daily more and more ecstatically wrapt in each other. The heart saturates itself with love as with a divine salt that preserves it, and from this arises the incorruptible constancy of those who have loved each other from the dawn of their lives, and the affection which keeps its freshness in old age. There is such a thing as the embalmment of the heart. It is of Daphnis and Chloe that Philemon and Baucis are made. The old age of which we speak, evening resembling morning, was evidently reserved for Gwynplaine and Dea. In the meantime they were young.

Ursus looked on this love as a doctor examines his case. He had what was in those days termed a hippocratical expression of face. He fixed his sagacious eyes on Dea, fragile and pale, and growled out, "It is lucky that she is happy." At other times he said, "She is lucky for her health's sake." He shook his head, and at times read attentively a portion treating of heart-disease in Aviccunas, translated by Vossiscus Fortunatus, Louvain, 1650, an old worm-eaten book of his.

Dea, when fatigued, suffered from perspirations and drowsiness, and took a daily _siesta_, as we have already seen. One day, while she was lying asleep on the bearskin, Gwynplaine was out, and Ursus bent down softly and applied his ear to Dea's heart. He seemed to listen for a few minutes, and then stood up, murmuring, "She must not have any shock. It would find out the weak place."

The crowd continued to flock to the performance of "Chaos Vanquished."

The success of the Laughing Man seemed inexhaustible. Every one rushed to see him; no longer from Southwark only, but even from other parts of London. The general public began to mingle with the usual audience, which no longer consisted of sailors and drivers only; in the opinion of Master Nicless, who was well acquainted with crowds, there were in the crowd gentlemen and baronets disguised as common people. Disguise is one of the pleasures of pride, and was much in fashion at that period. This mixing of the aristocratic element with the mob was a good sign, and showed that their popularity was extending to London. The fame of Gwynplaine has decidedly penetrated into the great world. Such was the fact. Nothing was talked of but the Laughing Man. He was talked about even at the Mohawk Club, frequented by n.o.blemen.

In the Green Box they had no idea of all this. They were content to be happy. It was intoxication to Dea to feel, as she did every evening, the crisp and tawny head of Gwynplaine. In love there is nothing like habit.

The whole of life is concentrated in it. The reappearance of the stars is the custom of the universe. Creation is nothing but a mistress, and the sun is a lover. Light is a dazzling caryatid supporting the world.

Each day, for a sublime minute, the earth, covered by night, rests on the rising sun. Dea, blind, felt a like return of warmth and hope within her when she placed her hand on the head of Gwynplaine.

To adore each other in the shadows, to love in the plenitude of silence; who could not become reconciled to such an eternity?

One evening Gwynplaine, feeling within him that overflow of felicity which, like the intoxication of perfumes, causes a sort of delicious faintness, was strolling, as he usually did after the performance, in the meadow some hundred paces from the Green Box. Sometimes in those high tides of feeling in our souls we feel that we would fain pour out the sensations of the overflowing heart. The night was dark but clear.

The stars were shining. The whole fair-ground was deserted. Sleep and forgetfulness reigned in the caravans which were scattered over Tarrinzeau Field.

One light alone was unextinguished. It was the lamp of the Tadcaster Inn, the door of which was left ajar to admit Gwynplaine on his return.

Midnight had just struck in the five parishes of Southwark, with the breaks and differences of tone of their various bells. Gwynplaine was dreaming of Dea. Of whom else should he dream? But that evening, feeling singularly troubled, and full of a charm which was at the same time a pang, he thought of Dea as a man thinks of a woman. He reproached himself for this. It seemed to be failing in respect to her. The husband's attack was forming dimly within him. Sweet and imperious impatience! He was crossing the invisible frontier, on this side of which is the virgin, on the other, the wife. He questioned himself anxiously. A blush, as it were, overspread his mind. The Gwynplaine of long ago had been transformed, by degrees, unconsciously in a mysterious growth. His old modesty was becoming misty and uneasy. We have an ear of light, into which speaks the spirit; and an ear of darkness, into which speaks the instinct. Into the latter strange voices were making their proposals. However pure-minded may be the youth who dreams of love, a certain grossness of the flesh eventually comes between his dream and him. Intentions lose their transparency. The unavowed desire implanted by nature enters into his conscience. Gwynplaine felt an indescribable yearning of the flesh, which abounds in all temptation, and Dea was scarcely flesh. In this fever, which he knew to be unhealthy, he transfigured Dea into a more material aspect, and tried to exaggerate her seraphic form into feminine loveliness. It is thou, O woman, that we require.