'Come along and have some supper. You look worn out. By Jove, Peggy, it's good seeing you again! Can you walk as far as Rector's, or shall I carry you?'

'Guess I can walk that far. But Rector's? Has your rich uncle died and left you a fortune, George?'

'Don't you worry, Peggy. This is an occasion. I thought I was never going to see you again. I'll buy you the whole hotel, if you like.'

'Just supper'll do, I guess. You're getting quite the rounder, George.'

'You bet I am. There are all sorts of sides to my character you've never so much as dreamed of.'

They seemed to know Peggy at Rector's. Paul, the head waiter, beamed upon her paternally. One or two men turned and looked after her as she pa.s.sed. The waiters smiled slight but friendly smiles. Rutherford, intent on her, noticed none of these things.

Despite her protests, he ordered an elaborate and expensive supper. He was particular about the wine. The waiter, who had been doubtful about him, was won over, and went off to execute the order, reflecting that it was never safe to judge a man by his clothes, and that Rutherford was probably one of these eccentric young millionaires who didn't care how they dressed.

'Well?' said Peggy, when he had finished.

'Well?' said Rutherford.

'You're looking brown, George.'

'I've been away in the Catskills.'

'Still as strong on the rube proposition as ever?'

'Yes. But Broadway has its points, too.'

'Oh, you're beginning to see that? Gee, I'm glad to be back. I've had enough of the Wild West. If anybody ever tries to steer you west of Eleventh Avenue, George, don't you go. There's nothing doing. How have you been making out at your writing stunt?'

'Pretty well. But I wanted you. I was lost without my mascot. I've got a story in this month's _Wilson's_. A long story, and paid accordingly. That's why I'm able to go about giving suppers to great actresses.'

'I read it on the train,' said Peggy. 'It's dandy. Do you know what you ought to do, George? You ought to turn it into a play. There's a heap of money in plays.'

'I know. But who wants a play by an unknown man?'

'I know who would want _Willie in the Wilderness_, if you made it into a play, and that's Winfield Knight. Ever seen him?'

'I saw him in _The Outsider_. He's clever.'

'He's It, if he gets a part to suit him. If he doesn't, he don't amount to a row of beans. It's just a gamble. This thing he's in now is no good. The part doesn't begin to fit him. In a month he'll be squealing for another play, so's you can hear him in Connecticut.'

'He shall not squeal in vain,' said Rutherford. 'If he wants my work, who am I that I should stand in the way of his simple pleasures? I'll start on the thing tomorrow.'

'I can help you some too, I guess. I used to know Winfield Knight. I can put you wise on lots of things about him that'll help you work up Willie's character so's it'll fit him like a glove.'

Rutherford raised his gla.s.s.

'Peggy,' he said, 'you're more than a mascot. You ought to be drawing a big commission on everything I write. It beats me how any of these other fellows ever write anything without you there to help them. I wonder what's the most expensive cigar they keep here? I must have it, whatever it is. _n.o.blesse oblige_. We popular playwrights mustn't be seen in public smoking any cheap stuff.'

It was Rutherford's artistic temperament which, when they left the restaurant, made him hail a taxi-cab. Taxi-cabs are not for young men drawing infinitesimal salaries in banks, even if those salaries are supplemented at rare intervals by a short story in a magazine. Peggy was for returning to Alcala by car, but Rutherford refused to countenance such an anti-climax.

Peggy nestled into the corner of the cab, with a tired sigh, and there was silence as they moved smoothly up Broadway.

He peered at her in the dim light. She looked very small and wistful and fragile. Suddenly an intense desire surged over him to pick her up and crush her to him. He fought against it. He tried to fix his thoughts on the girl at home, to tell himself that he was a man of honour. His fingers, gripping the edge of the seat, tightened till every muscle of his arm was rigid.

The cab, crossing a rough piece of road, jolted Peggy from her corner.

Her hand fell on his.

'Peggy!' he cried, hoa.r.s.ely.

Her grey eyes were wet. He could see them glisten. And then his arms were round her, and he was covering her upturned face with kisses.

The cab drew up at the entrance to Alcala. They alighted in silence, and without a word made their way through into the hall. From force of habit, Rutherford glanced at the letter-rack on the wall at the foot of the stairs. There was one letter in his pigeon-hole.

Mechanically he drew it out; and, as his eyes fell on the handwriting, something seemed to snap inside him.

He looked at Peggy, standing on the bottom stair, and back again at the envelope in his hand. His mood was changing with a violence that left him physically weak. He felt dazed, as if he had wakened out of a trance.

With a strong effort he mastered himself. Peggy had mounted a few steps, and was looking back at him over her shoulder. He could read the meaning now in the grey eyes.

'Good night, Peggy,' he said in a low voice. She turned, facing him, and for a moment neither moved.

'Good night!' said Rutherford again.

Her lips parted, as if she were about to speak, but she said nothing.

Then she turned again, and began to walk slowly upstairs.

He stood watching her till she had reached the top of the long flight.

She did not look back.

5

Peggy's nightly visits began afresh after this, and the ghost on the table troubled Rutherford no more. His restlessness left him. He began to write with a new vigour and success. In after years he wrote many plays, most of them good, clear-cut pieces of work, but none that came from him with the utter absence of labour which made the writing of _Willie in the Wilderness_ a joy. He wrote easily, without effort.

And always Peggy was there, helping, stimulating, encouraging.

Sometimes, when he came in after dinner to settle down to work, he would find a piece of paper on his table covered with her schoolgirl scrawl. It would run somewhat as follows:

'He is proud of his arms. They are skinny, but he thinks them the limit. Better put in a shirt-sleeve scene for Willie somewhere.'

'He thinks he has a beautiful profile. Couldn't you make one of the girls say something about Willie having the goods in that line?'

'He is crazy about golf.'

'He is proud of his French accent. Couldn't you make Willie speak a little piece in French?'

'He' being Winfield Knight.