"Yes." kmen who could also all too vividly recall the battles that had raged between the various left- and right-wing political factions in the 1970s, hadn't forgotten that either. He'd had to try to control some of it when he was a young constable. "But the trouble with the 1950s Arto, is that they were so primitive."

"Primitive?"

"Yes!" kmen lit up a cigarette. "Some parts of the city were so poor it was almost as if they were monochrome. Everyone wore the same dull clothes, in winter you choked on the fog from everyone's fires. In the summer the sewers stank."

"Oh, yes well . . ."

"And on top of that we had to endure abominations just up the road here!"

Arto Sarkissian frowned.

"Lunar Park," kmen said. "I was telling my sergeant about it earlier today. I said that since it became Gulhane Park it has improved enormously. One piece of good redevelopment if you ask me."

The doctor sat back in his chair and smiled. "Oh, I liked Lunar Park," he said. "It was quirky."

kmen scowled. "Oh, yes," he said, "full of deformed dwarves, women with beards, cheap boring little side-shows . . ."

"And of course snakes," his friend said as he watched kmen's reaction to this out of the corner of his eye.

The policeman reddened. "Well . . ."

"Even now, even when I told you about the dead snakes we found in the hands of the old woman in Haskoy, it got to you didn't it?"

kmen let his head drop a little. "Yes."

"cetin, the Lunar Park snake pit was just a hole filled with non-poisonous snakes. It was a silly attraction long since . . ."

"It was a horrible, writhing ma.s.s of ghastly serpents with a girl in the middle of it!"

"Who you tried to 'rescue', yes," Arto said.

"I thought they were going to kill her. I put my hand down to her and they all slithered up my arm!" kmen shuddered.

"While everyone else laughed because the girl was meant to be there. The Slave of the Snakes was part of the attraction."

"I was eleven, my mother had been dead for just six months and I couldn't look at death any more. I just couldn't!"

Arto Sarkissian, noting the tears that had welled up in his friend's eyes reached across the table and took one of his hands. "I know. I'm sorry."

He hadn't been in Lunar Park with cetin when the Snake Pit incident occurred. cetin's brother Halil had told him about it and, at the time, they had both had a good laugh at the strange antics of the younger boy. Until the early 1960s there had indeed been what amounted to a freak show in the shadow of the Topkap Palace. One of the "attractions" had been a pit, lined with red silk, wherein lay a rather voluptuous woman who allowed herself to be writhed over by many non-venomous snakes. In the habit sometimes of writhing in time to the movements of her snakes, the so-called Slave of the Snakes looked to the eleven-year-old cetin kmen as if she was being attacked. By reaching down to her he had only been trying to save her. But the effect that it had was to make the woman and the man who owned the pit angry, cause the mainly gruff male spectators to laugh and give the snakes someone new and exciting to slither on to. It had also left cetin with an almost hysterical fear of snakes.

cetin looked up at Arto and smiled. "I'm sorry," he said. "I overreact where 'they', our legless, eyelid-less friends are concerned. And this Haskoy investigation . . ."

"What have you discovered so far?"

kmen told him about Mr and Mrs Lukash as well as Mr Koray and his admission with regard to Ofis Hanm and his father.

"She was Mr Koray senior's mistress according to the son," he said.

"And he gave her that house?"

"Yes."

Arto Sarkissian shook his head slowly. "That must have been a blow to Ali and his mother."

"Yes, although they had the other eight houses in that row, which he sold to Mr Lukash. He said he got a good price and seemed content."

"Yes, but the fact that your father set up his mistress in your own district has to hurt. Many years have pa.s.sed but I don't think that one could easily accept such a scenario. Do you?"

But before kmen could reply, his mobile phone began to ring. It was Constable Yldz from the crime scene at Haskoy. He had, he said, found someone trying to break into Ofis Hanm's house.

In common with most people, he imagined, cetin kmen looked down on the thief when Constable Yldz presented her to him.

"She won't tell me her name," Yldz said as he tipped his head towards the tiny, ancient woman at his side.

kmen looked steadily down into a pair of very dark, but very clear, eyes. "Where did you find her constable?"

"In the bedroom," Yldz replied. "Going through drawers."

"Were you?" kmen asked the woman.

She turned her head defiantly to one side.

Suddenly angered by her stubbornness, Yldz said to the old woman, "Do you know who is talking to you? This is Inspector cetin kmen Bey. He is the most famous police officer in this city. He can solve any crime. Any! You should not attempt to conceal anything from him, he . . ."

"Yes, thank you constable," kmen interrupted with a smile. "Your words are appreciated but . . ." His voice fizzled out as his attention was caught by something that glittered at the old woman's neck. Yes, he was famous, if not rich to go with it, but he didn't always have exactly the right qualifications for every aspect of his job.

Briefly he looked at Arto Sarkissian and smiled. Then turning back to the old woman he said, "Madam I can see from the cross around your neck that you are a Christian lady. My friend here, Dr Sarkissian, is a Christian too. If you would like to speak to him . . ."

"An Armenian?" the old woman growled, swatting the notion away with one hand as she did so. "Why would I want to speak to an Armenian?"

"Well . . ."

She moved towards kmen, withered hands on her thin, black-clad hips. "I am Greek," she said. "I lived here for all of my life until that b.a.s.t.a.r.d Koray sold us to the Russian Mafia!"

"Mr Lukash is Ukrainian . . ."

"Russian, Ukrainian what is the difference?" she said. "Koray sold us to him, he threw us out. Now I live in one stinking room in Balat. It's so damp it's like living in a hammam!"

"So why didn't you report Mr Lukash to the police?" kmen asked, knowing full well what the answer would be.

"And have his men come and beat me to death?" the old woman said. "Famous you may be, cetin Bey, but realistic you are obviously not!"

kmen suppressed a smile. "Ah, but madam we are going off the point are we not?" he said. "You are, according to my constable here, a thief."

"Yes," the old woman said simply, "I am."

"What were you . . ."

"Arrest me and I'll tell you everything," she said. She then held her arms out in front of her as if offering them for handcuffing. "Go on then, take me away!"

Her name, kmen discovered was Irini Angelos. She was eighty years old and came from one of the Istanbul Greek families, the majority of whom had moved to Greece many years before. Irini had stayed, she said, because, having seen pictures of Athens, she found that it was not to her taste. "Too provincial," she declared in that haughty Istanbul Greek way of hers. It made kmen smile. The old city Greeks had always been like that.

Irini Angelos was, of course, ent.i.tled to a lawyer, but she declined the offer on the basis that what she had to say would, in time, prove that she was only a minor villain in the story of Ofis Hanm and her little house in Haskoy. However, she did finally agree that perhaps if the "fat Armenian", as she dubbed Arto Sarkissian, would like to sit in on her interview that might be for the best. Another witness to her story, she said, would be quite a good idea. Even now late in the evening, police headquarters beyond the door of the interview room was still heaving with officers and those pet.i.tioning their ears and services. In spite of this, kmen, Yldz and Arto Sarkissian listened to the old woman's story with wrapt attention.

"When I heard that an elderly woman had been murdered in Haskoy I feared that it was Ofis," she said. "But at first I didn't go to Haskoy because for a little while I didn't really want to know the truth. It is not always good to be right."

"You had reason to believe that Ofis Hanm was in danger?" kmen asked.

"As soon as Murad Koray died she was in danger. She had been his mistress, he gave her that house."

"But Mr Koray died a long time ago, didn't he? That's what his son told me."

"Yes. But while I still lived in Haskoy to keep my eyes on things, that evil witch Emine, that is Murad Koray's wife, and her son wouldn't make a move. I knew that once Ali Koray sold our houses to that gangster, there was going to be trouble. I left, I had no choice!"

"But then," kmen said, "if, as I imagine you are saying Irini Angelos, that Ofis Hanm was your friend, why didn't you go and live with her when Mr Lukash evicted you?"

The old woman sighed impatiently. "Because that would have exposed her secret!" she said. "And then we would both have died."

kmen lit a cigarette and then said, "What secret?"

"About the house of serpents," Irini replied simply.

"The house of serpents?" kmen looked across at Arto Sarkissian who just shrugged his shoulders.

"Oh, G.o.d, I suppose I'm going to have to go right back to the beginning aren't I?" Irini said, amid even more apparent irritation.

"Yes, I think so," kmen replied. "In fact, Irini Angelos, I think that going back to the beginning of whatever tale you are telling is essential."

She asked for and was given a cigarette and a drink of water before she began.

"When I was thirty years old my husband died leaving me alone with three small children," she began. "It was the mid-1950s and most of my family, my brothers and sisters, had gone to live in Greece. So I was on my own, without money and no experience of life. I went to see my landlord, Murad Koray, who was not sympathetic in any way. I told him I would somehow get a job, but he told me that if my rent money wasn't on time as usual my children and I would have to go. I began to cry. I was not as tough then as I am now. But luckily for me my tears were not in vain. Overhearing our conversation from another room was Murad's mistress, a woman called Pembe. Murad loved her with all of his soul but once I had gone she upbraided him about his treatment of me and she suggested how I might be helped."

"How was that?" kmen asked.

The old woman smiled. "Back in the 1950s, as well as having his houses in Haskoy, Murad Koray had an attraction in Lunar Park. Remember that? It is said that Murad's mother was a gypsy which was why he was involved with the fair. Anyway Murad owned something you may or may not remember, the Snake Pit."

Every bone, sinew and gram of flesh on kmen's body shuddered. "Oh, yes I . . ."

"You've gone a little pale," the old woman said as she squinted to look into kmen's face. "You don't like snakes?"

kmen first looked at Arto Sarkissian, who put a hand on his shoulder and then said, "You could say that, yes."

Irini stubbed out her cigarette before she continued. "I too was never that keen. But Pembe, now she was a different matter. She liked snakes, she lay in that pit in Lunar Park with the snakes quite happily. The only problem that she had was that sometimes she needed a break. She would, she said, feel uncomfortable and stiff from time to time down there in the pit. But Murad was a devil for money and wouldn't let her go while there were people to come and see the attraction, which was most of the time back in those days before television." She leaned forward smiling. "Pembe suggested I pay my rent by taking over from her for a couple of hours every day."

His eyes wide now, kmen said, "And did you consent to this, this . . ."

"What choice did I have?" Irini said. "I had children, I needed a roof over my head. And when poor old besotted Murad acceded to Pembe's suggestion I took my chance. Of course I was thin then as I am now and so I didn't look anywhere near as good amongst the snakes as Pembe did. The Slave of the Snakes they called her."

"Yes, I remember," kmen said gloomily, or so the old woman felt. "But both of you at your different times were the Slave of the Snakes, surely?"

"Yes, except that I was only a poor imitation," the old woman said. "Pembe was the real slave of the snakes, she was their true love."

"Allah, but what a terrible way to have to make a living!"

Irini Angelos laughed. "Oh, you get used to it. You can get used to anything if you really want to or have to. And besides, it did have its good side that awful job of mine. Pembe and I became great friends. She was so kind and beautiful and fun."

Even though he didn't often revisit that awful scarring encounter with snakes in Lunar Park, kmen did know that the woman he had tried to rescue from the pit had been of a luscious and full-bodied type. It must have been Pembe. The real Slave of the Snakes.

"I called her Ofis, which means snake in Greek," Irini said.

Arto Sarkissian said, "Oh, but we all said what an unusual name that was! She wasn't Greek . . ."

"No, she was a Turk," Irini said. "She was my very best friend. She never had children of her own but she treated my three as perfect pets. Nothing was too good for my children when Ofis was around. And she had money! Murad was besotted with her and gave her everything her heart desired."

"Including a house," kmen said.

"Absolutely." She held one finger aloft. "But there were conditions on that that I will come to later. So Ofis and I worked at the park until eventually, as I am sure you know, it closed. Neither one of us was very young by then, but . . . I did other things; cleaning people's houses, some work in shops. Murad continued to support Ofis, wouldn't let her work without him. And in spite of opposition from his wife and his son he wanted to set her up in a house near to his own. But there were problems."

"Like what?"

"Like the neighbours who knew her and what she was and who dubbed her a wh.o.r.e. Like the wife and son who did not want Murad to give what they felt was their property to Ofis."

"But he gave it to her anyway," kmen said.

"Only on condition that it revert back to his family on Ofis' death," Irini said. "Ofis, bless her eyes, wanted to leave that house to my children. But she acceded to Murad's request. Not that the trouble stopped there."

kmen frowned.

"Murad's wife as well as many of our neighbours resolved to persecute Ofis once she arrived in our street. I am not a fool and I have always and will always hear everything. If they could not prevent Ofis from living amongst them, they would frighten and cajole her so much that eventually she would have to leave or go insane. People, often those you live most closely to, can be vile," she said with what kmen felt was a lifetime of experience just like this behind her voice.

"So," she continued, "it was then that I came up with the idea of the House of Snakes. The show at Lunar Park was over and I knew that Murad was going to have to find somewhere for the snakes. Ofis wanted to keep them which horrified Murad. But I told him to let her do it. I also told him to tell the world that she, Ofis Hanm the lover of snakes, had a whole houseful of the things, both venomous and non-venomous." She smiled.

"To keep people away," kmen said.

"A place where snakes are loose on every surface is a place most people do not want to be," Irini said. "Even a sultan may be dissuaded in this way."

"The Mansion of Snakes!' Arto Sarkissian cried. "Of course!"

"You know," the old woman said, and then nodding her head towards kmen she continued, "Tell him."

The doctor looked at kmen and said, "In Bebek there is a mansion called the Mansion of the Snakes. It was built in the eighteenth century and belonged to one Mustafa Efendi. But the sultan of the day, Mahmud II was so taken with it that he told a friend of Mustafa Efendi, Said Efendi that he just had to have it. Knowing how much Mustafa Efendi loved his home and yet at the same time realizing that he could hardly deny anything to his sultan, Said Efendi made up a story to save his friend's home. He told the sultan that Mustafa Efendi was a great lover of snakes and that his wonderful home was full of them. The sultan changed his mind about the mansion immediately."

kmen smiling said, "Allah! That's clever. I like that. So Irini Angelos you took this story and you used it to protect your friend."

"Ofis moved in and n.o.body came near," Irini said. "Murad would visit but people would a.s.sume that the snakes were put away when he was in residence. No other person would go inside. Not Murad's wife, his son or even me. I kept the pretence alive in order to protect her."

"So the house wasn't full of snakes?" kmen said.