"In this council before the Pope, the Cardinals, and all the court of Rome, the Latins disputed daily with the Greeks against their error, which is that the Holy Spirit proceeds from the Father only not from the Son: the Latins, according to the true doctrine of the faith, maintaining that He proceeds from the Father and the Son. Every morning and every evening the most learned men in Italy took part in this discussion as well as many out of Italy, whom Pope Eugenius had called together. One in particular, from Negroponte, whose name was Niccolo Secondino: wonderful was it to hear what the said Niccolo did; for when the Greeks spoke and brought together arguments to prove their opinion, Niccolo Secondino explained everything in Latin _de verbo ad verb.u.m_, so that it was a thing admirable to hear: and when the Latins spoke he expounded in Greek all that they answered to the arguments of the Greeks. In all these disputations Messer Tommaso held the part of the Latins, and was admired above all for his universal knowledge of the Holy Scriptures, and also of the doctors, ancient and modern, both Greek and Latin."

[Ill.u.s.tration: ON THE PINCIO.]

Messer Tommaso distinguished himself so much in this controversy that he was appointed by the Pope to confer with certain amba.s.sadors from the unknown, Ethiopians, Indians, and "Jacobiti,"--were these the envoys of Prester John, that mysterious potentate? or were they Nestorians as some suggest? At all events they were Christians and persons of singularly austere life. The conference was carried on by means of an interpreter, "a certain Venetian who knew twenty languages." These three nations were so convinced by Tommaso, that they placed themselves under the authority of the Church, an incident which does not make any appearance in more dignified history. Even while these important matters of ecclesiastical business were going on, however, this rising churchman kept his eyes open as to every chance of a new, that is an old book, and would on various occasions turn away from his most distinguished visitors to talk apart with Messer Vespasiano, who once more is our best guide, about their mutual researches and good luck in the way of finding rare examples or making fine copies. "He never went out of Italy with his Cardinal on any mission that he did not bring back with him some new work not to be found in Italy." Indeed Messer Tommaso's knowledge was so well understood that there was no library formed on which his advice was not asked, and specially by Cosimo dei Medici, who begged his help as to what ought to be done for the formation of the Library of S. Marco in Florence--to which Tommaso responded by sending such instructions as never had been given before, how to make a library, and to keep it in the highest order, the regulations all written in his own hand.

"Everything that he had," says Vespasian in the ardour of his admiration, "he spent on books. He used to say that if he had it in his power, the two things on which he would like to spend money would be in buying books and in building (_murare_); which things he did in his pontificate, both the one and the other." Alas! Messer Tommaso had not always money, which is a condition common to collectors; in which case Vespasian tells us (who approved of this mode of procedure as a bookseller, though perhaps it was a bad example to be set by the Head of the Church) he had "to buy books on credit and to borrow money in order to pay the scribes and miniaturists." The books, the reader will perceive, were curious ma.n.u.scripts, ill.u.s.trated by those schools of painters in little, whose undying pigments, fresh as when laid upon the vellum, smile almost as exquisitely to-day from the ancient page as in Messer Tommaso's time.

There is an enthusiasm of the seller for the buyer in Vespasian's description of the dignified book-hunter which is very characteristic, but at the same time so natural that it places the very man before us, as he lived, a man full of humour, _facetissimo_, saying pleasant things to everybody, and making every one to whom he talked his partisan.

"He was a man open, large and liberal, not knowing how to feign or dissimulate, and the enemy of all who feigned. He was also hostile to ceremony and adulation, treating all with the greatest friendliness. Great though he was as a bishop, as an amba.s.sador, he honoured all who came to see him, and desired that whoever would speak with him should do so seated by his side, and with his head covered; and when one would not do so (out of modesty) he would take one by the arm and make one sit down, whether one liked or not."

A delightful recollection of that flattering compulsion, the great man's touch upon his arm, the seat by his side, upon which Vespasian would scarcely be able to sit for pleasure, is in the bookseller's tone; and he has another pleasant story to tell of Giannozzo Manetti, who went to see their common patron when he was Cardinal and amba.s.sador to France, and tried hard, in his sense of too much honour done him, to prevent the great man from accompanying him, not only to the door of the reception room, but down stairs. "He stood firm on the staircase to prevent him from coming further down: but Giannozzo was obliged to have patience, being in the Osteria del Lione, for not only would Messer Tommaso accompany him down stairs, but to the very door of the hotel, amba.s.sador of Pope Eugenius as he was."

We must not, however, allow ourselves to be seduced into prolixity by the old bookseller, whose account of his patron is so full of grat.i.tude and feeling. As became a scholar and lover of the arts, Nicolas V. was a man of peace. Immediately after his elevation to the papacy, he declared his sentiments to Vespasian in the prettiest scene, which shines like one of the miniatures they loved, out of the sober page.

"Not long after he was made Pope, I went to see him on Friday evening, when he gave audience publicly, as he did once every week. When I went into the hall in which he gave audience it was about one hour of the night (seven o'clock in the evening); he saw me at once, and called to me that I was welcome, and that if I would have patience a little he would talk to me alone. Not long after I was told to go to his Holiness. I went, and according to custom kissed his feet; afterwards he bade me rise, and rising himself from his seat, dismissed the court, saying that the audience was over. He then went to a private room where twenty candles were burning, near a door which opened into an orchard. He made a sign that they should be taken away, and when we were alone began to laugh, and to say 'Do the Florentines believe, Vespasiano, that it is for the confusion of the proud, that a priest only fit to ring the bell should have been made Supreme Pontiff?' I answered that the Florentines believed that his Holiness had attained that dignity by his worth, and that they rejoiced much, believing that he would give Italy peace. To this he answered and said: 'I pray G.o.d that He will give me grace to fulfil that which I desire to do, and to use no arms in my pontificate except that which G.o.d has given me for my defence, which is His cross, and which I shall employ as long as my day lasts.'"

The cool darkness of the little chamber, near the door into the orchard, the blazing candles all sent away, the grateful freshness of the Roman night--come before us like a picture, with the Pope's splendid robes glimmering white, and the sober-suited citizen little seen in the quick-falling twilight. It must have been in the spring or early summer, the sweetest time in Rome. Pope Eugenius had died in the month of February, and it was on the 16th of March, 1447, that Nicolas was elected to the Holy See.

A few years after came the jubilee, in the year 1450, as had now become the habit, and the influx of pilgrims was very great. It was a time of great profit not only to the Romans who turned the city into one vast inn to receive the visitors, but also to the Pope. "The people were like ants on the roads which led from Florence to Rome,"

we are told. The crowd was so immense crossing the bridge of St.

Angelo, that there were some terrible accidents, and as many as two hundred people were killed on their way to the shrine of the Apostles.

"There was not a great lord in all Christendom who did not come to this jubilee." "Much money came to the Apostolical See," continues the biographer, "and the Pope began to build in many places, and to send everywhere for Greek and Latin books wherever he could find them, without regard to the price.

"He also had many scribes from every quarter to whom he gave constant employment; also many learned men both to compose new works, and to translate those which had not been translated, making great provision for them, both ordinary and extraordinary; and to those who translated books, when they were brought to him, he gave much money that they might go on willingly with that which they had to do. He collected a very great number of books on every subject, both in Greek and Latin, to the number of five thousand volumes. These at the end of his life were found in the catalogue which did not include the half of the copies of books he had on every subject; for if there was a book which could not be found, or which he could not have in any other way, he had it copied. The intention of Pope Nicolas was to make a library in St. Peter's for the use of the Court of Rome, which would have been a marvellous thing had it been carried out; but it was interrupted by death."

Vespasian adds for his own part a list of these books, which occupies a whole column in one of Muratori's gigantic pages.

Another anecdote we must add to show our Pope's quaint ways with his little court of literary men.

"Pope Nicolas was the light and the ornament of literature, and of men of letters. If there had arisen another Pontiff after him who would have followed up his work, the state of letters would have been elevated to a worthy degree. But after him things went from bad to worse, and there were no prizes for virtue. The liberality of Pope Nicolas was such that many turned to him who would not otherwise have done so. In every place where he could do honour to men of letters, he did so, and left n.o.body out. When Messer Francesco Filelfo pa.s.sed through Rome on his way to Naples without paying him a visit, the Pope, hearing of it, sent for him. Those who went to call him said to him, 'Messer Francesco, we are astonished that you should have pa.s.sed through Rome without going to see him.' Messer Francesco replied that he was carrying some of his books to King Alfonso, but meant to see the Pope on his return. The Pope had a sca.r.s.ella at his side in which were five hundred florins which he emptied out, saying to him, 'Take this money for your expenses on the way.' This is what one calls liberal! He had always a sca.r.s.ella (pouch) at his side where were several hundreds of florins and gave them away for G.o.d's sake, and to worthy persons. He took them out of the sca.r.s.ella by handfuls and gave to them. Liberality is natural to men, and does not come by n.o.bility nor by gentry: for in every generation we see some who are very liberal and some who are equally avaricious."

But the literary aspect of Pope Nicolas's character, however delightful, is not that with which we are chiefly concerned. He was the first Pope to conceive a systematic plan for the reconstruction and permanent restoration of Rome, a plan which it is needless to say his life was not long enough to carry out, but which yet formed the basis of all after-plans, and was eventually more or less accomplished by different hands.

It was to the centre of ecclesiastical Rome, the shrine of the Apostles, the chief church of Christendom and its adjacent buildings that the care of the Builder-Pope was first directed. The Leonine city, or Borgo as it is more familiarly called, is that portion of Rome which lies on the left side of the Tiber, and which extends from the castle of St. Angelo to the boundary of the Vatican gardens--enclosing the church of St. Peter, the Vatican Palace with all its wealth, and the great Hospital of Santo Spirito, surrounded and intersected by many little streets, and joined to the other portions of the city by the bridge of St. Angelo. Behind the ma.s.s of picture galleries, museums, and collections of all kinds, which now fill up the endless halls and corridors of the Papal palace, comes a sweep of n.o.ble gardens full of shade and shelter from the Roman sun, such a resort for the

"learned leisure Which in trim gardens takes its pleasure"

as it would be difficult to surpa.s.s. In this fine extent of wood and verdure the Pope's villa or casino, now the only summer palace which the existing Pontiff chooses to permit himself, stands as in a domain, small yet perfect. Almost everything within these walls has been built or completely transformed since the days of Nicolas. But then as now, here was the heart and centre of Christendom, the supreme shrine of the Catholic faith, the home of the spiritual ruler whose sway reached over the whole earth. When Nicolas began his reign, the old church of St. Peter was the church of the Western world, then as now, cla.s.sical in form, a stately basilica without the picturesqueness and romantic variety, and also, as we think, without the majesty and grandeur of a Gothic cathedral, yet more picturesque if less stupendous in size and construction than the present great edifice, so majestic in its own grave and splendid way, with which through all the agitations of the recent centuries, the name of St. Peter's has been identified. The earlier church was full of riches, and of great a.s.sociations, to which the wonderful St. Peter's we all know can lay claim only as its successor and supplanter. With its flight of broad steps, its portico and colonnaded facade crowned with a great tower, it dominated the square, open and glowing in the sun without the shelter of the great existing colonnades or the sparkle of the fountains. Behind was the little palace begun by Innocent III. to afford a shelter for the Popes in dangerous times, or on occasion to receive the foreign guests whose object was to visit the Shrine of the Apostles. Almost all the buildings then standing have been replaced by greater, yet the position is the same, the shrine unchanged, though everything else then existing has faded away, except some portion of the old wall which enclosed this sacred place in a special sanct.i.ty and security, which was not, however, always respected. The Borgo was the holiest portion of all the sacred city. It was there that the blood of the martyrs had been shed, and where from the earliest age of Christianity their memory and tradition had been preserved. It is not necessary for us to enter into the question whether St. Peter ever was in Rome, which many writers have laboriously contested. So far as the record of the Acts of the Apostles is concerned, there is no evidence at all for or against, but tradition is all on the side of those who a.s.sert it.

The position taken by Signor Lanciani on this point seems to us a very sensible one. "I write about the monuments of ancient Rome," he says, "from a strictly archaeological point of view, avoiding questions which pertain, or are supposed to pertain, to religious controversy."

"For the archaeologist the presence and execution of SS.

Peter and Paul in Rome are facts established beyond a shadow of doubt by purely monumental evidence. There was a time when persons belonging to different creeds made it almost a case of conscience to affirm or deny _a priori_ those facts, according to their acceptance or rejection of the tradition of any particular Church. This state of feeling is a matter of the past at least for those who have followed the progress of recent discoveries and of critical literature. There is no event of the Imperial age and of Imperial Rome which is attested by so many n.o.ble structures, all of which point to the same conclusion--the presence and execution of the Apostles in the capital of the empire. When Constantine raised the monumental basilicas over their tombs on the Via Cornelia and the Via Ostiensis: when Eudoxia built the Church ad Vincula: when Damasus put a memorial tablet in the Platonia ad Catacombos: when the houses of Pudens and Aquila and Prisca were turned into oratories: when the name of Nymphae Sancti Petri was given to the springs in the catacombs of the Via Nomentana: when the 29th June was accepted as the anniversary of St. Peter's execution: when sculptors, painters, medallists, goldsmiths, workers in gla.s.s and enamel, and engravers of precious stones, all began to reproduce in Rome the likeness of the apostle at the beginning of the second century, and continued to do so till the fall of the Empire: must we consider them as labouring under a delusion, or conspiring in the commission of a gigantic fraud? Why were such proceedings accepted without protest from whatever city, whatever community--if there were any other--which claimed to own the genuine tombs of SS. Peter and Paul? These arguments gain more value from the fact that the evidence on the other side is purely negative."

This is one of those practical arguments which are always more interesting than those which depend upon theories and opinions.

However, there are many books on both sides of the question which may be consulted. We are content to follow Signor Lanciani. The special sanct.i.ty and importance of Il Borgo originated in this belief. The shrine of the Apostle was its centre and its glory. It was this that brought pilgrims from the far corners of the earth before there was any masterpiece of art to visit, or any of those priceless collections which now form the glory of the Vatican. The spot of the Apostle's execution was indicated "by immemorial tradition" as between the two goals (_inter duas metas_) of Nero's circus, which spot Signor Lanciani tells us is exactly the site of the obelisk now standing in the piazza of St. Peter. A little chapel, called the Chapel of the Crucifixion, stood there in the early ages, before any great basilica or splendid shrine was possible.

This sacred spot, and the church built to commemorate it, were naturally the centre of all those religious traditions which separate Rome from every other city. It was to preserve them from a.s.sault, "in order that it should be less easy for the enemy to make depredations and burn the church of St. Peter, as they have heretofore done," that Leo IV., the first Pope, whom we find engaged in any real work of construction built a wall round the mount of the Vatican, the "Colle Vaticano"--little hill, not so high as the seven hills of Rome--where against the strong wall of Nero's circus Constantine had built his great basilica. At that period--in the middle of the ninth century--there was nothing but the church and shrine--no palace and no hospital. The existing houses were given to the Corsi, a family which had been driven out of their island, according to Platina, by the Saracens, who shortly before had made an incursion up to the very walls of Rome, whither the peoples of the coast (_luoghi maritimi del Mar Terreno_) from Naples northward had apparently pursued the Corsairs, and helped the Romans to beat them back. One other humble building of some sort, "called Burgus Saxonum, Vicus Saxonum, Schola Saxonum, and simply Saxia or Sa.s.sia," it is interesting to know, existed close to the sacred centre of the place, a lodging built for himself by Ina, King of Wess.e.x, in 727. Thus we have a national a.s.sociation of our own with the central shrine of Christianity. "There was also a Schola Francorum in the Borgo." The pilgrims must have built their huts and set up some sort of little oratory--favoured, as was the case even in Pope Nicolas's day, by the excellent quarry of the circus close at hand--as near as possible to the great shrine and basilica which they had come so far to say their prayers in; and attracted too, no doubt, by the freedom of the lonely suburb between the green hill and the flowing river. Leo IV. built his wall round this little city, and fortified it by towers. "In every part he put sculptures of marble and wrote a prayer," says Platina. One of these gates led to St. Pellegrino, another was close to the castle of St.

Angelo, and was "the gate by which one goes forth to the open country." The third led to the School of the Saxons; and over each was a prayer inscribed. These three prayers were all to the same effect--"that G.o.d would defend this new city which the Pope had enclosed with walls and called by his own name, the Leonine City, from all a.s.saults of the enemy, either by fraud or by force."

[Ill.u.s.tration: IN THE CORSO: CHURCH DOORS.]

This was then from the beginning the citadel and innermost sanctuary of Rome. It was not till much later, under the reign of Innocent III., that the idea of building a house for the Pope within that enclosure originated. The same great Pope founded the vast hospital of the Santo Spirito--on the site of a previous hospice for the poor either within or close to its walls. Thus it came to be the lodging of the Sovereign Pontiff, and of the scarcely less sacred sick and suffering, as well as the most holy and chiefest of all Christian sanctuaries. Were we to be very minute, it might be easily proved that almost every Pope contributed something to the existence and decoration of the Leonine city, the _imperium in imperio_; and specially, as was natural, to the great basilica.

The little Palazzo di San Pietro being close to St. Angelo, the stronghold and most safe resort in danger, was occupied by the court on its return from Avignon, and probably then became the official home of the Popes; though for some time there seems to have been a considerable lat.i.tude in that respect. Pope Martin afterwards removed to the Palace of the Apostles. Another of the Popes preferred to all others the great Palazzo Venezia, which he had built: but the name of the Vatican was henceforth received as the t.i.tle of the Papal court.

The enlargement and embellishment of this palace thus became naturally the great object of the Popes, and nothing was spared upon it. It is put first in every record of achievement even when there is other important work to describe. "Nicolas," says Platina, "builded magnificently both in the Vatican, and in the city. He rebuilt the churches of St. Stefano Rotondo and of St. Teodoro," the former most interesting church being built upon the foundations of a round building of cla.s.sical times, supposed, Mr. Hare tells us, to have belonged to the ancient Fleshmarket, as we should say, the Macellum Magnum. S. Teodoro is also a _rotondo_. It would seem that there were different opinions as to the success of these restorations in the fifteenth century such as arise among ourselves in respect to almost every work of the same kind. A certain "celebrated architect,"

Francesco di Giorgio di Martino, of Sienna, was then about the world, a man who spoke his mind. "_Hedifitio ruinato_," he says of St.

Stefano, with equal disregard to spelling and to manners. "Rebuilt,"

he adds, "by Pope Nichola; but much more spoilt:" which is such a thing as we now hear said of the once much-vaunted restorations of Sir Gilbert Scott. Our Pope also "made a leaden roof for Sta. Maria Rotonda in the middle of the city, built by M. Agrippa as a temple for all the G.o.ds and called the Pantheon." He must have been fond of this unusual form; but whether it was a mere whim of personal liking, or if there was any meaning in his construction of these round temples, we have no information. Perhaps Nicolas had a special admiration of the solemn and beautiful Pantheon, in which we completely sympathise. The question is too insignificant to be inquired into. Yet it is curious in its way.

These were however, though specially distinguished by Platina, but a drop in the ocean to the numberless undertakings of Pope Nicolas throughout the city; and all these again were inferior in importance to the great works in St. Peter's and the Vatican, to which his predecessors had each put a hand so long as their time lasted. "In the Vatican," says Platina, "he built those apartments of the Pontiff, which are to be seen to this day: and he began the wall of the Vatican, great and high, with its incredible depth of foundation, and high towers, to hold the enemy at a distance, so that neither the church of St. Peter (as had already happened several times) nor the palace of the Pope should ever be sacked. He began also the tribune of the church of St. Peter, that the church might hold more people, and might be more magnificent. He also rebuilt the Ponte Molle, and erected near the baths of Viterbo a great palace. Having the aid of much money, he built many parts of the city, and cleansed all the streets." Great also in other ways were his gifts to his beloved church and city--"vases of gold and silver, crosses ornamented with gems, rich vestments and precious tapestry, woven with gold and silver, and the mitre of the Pontificate, which demonstrated his liberality." It was he who first placed a second crown on the mitre, which up to this time had borne one circlet alone. The complete tiara with the three crowns was adopted in a later reign.

The two previous Popes, his predecessors, had been magnificent also in their acquisitions for the Church in this kind; both of them being curious in goldsmiths' work, then entering upon its most splendid development, and in their collections of precious stones. The valuable work of M. Muntz, _Les Arts a la cour des papes_, abounds in details of these splendid jewels. Indeed his sober records of daily work and its payment seem to transport us out of one busy scene into another as by the touch of a magician's wand, as if Rome the turbulent and idle, full of aimless popular rushes to and fro, had suddenly become a beehive full of energetic workers and the noise of cheerful labour, both out of doors in the sun, where the masons were loudly at work, and in many a workshop, where the most delicate and ingenious arts were being carried on. Roman artists at length began to appear amid the host of Florentines and the whole world seems to have turned into one great _bottega_ full of everything rich and rare.

The greatest, however, of all the conceptions of Pope Nicolas, the very centre of his great plan, was the library of the Vatican, which he began to build and to which he left all the collections of his life. Vespasian gives us a list of the princ.i.p.al among those 5,000 volumes, the things which he prized most, which the Pope bequeathed to the Church and to Rome. These cherished rolls of parchment, many of them translations made under his own eyes, were enclosed in elaborate bindings ornamented with gold and silver. We are not, however, informed whether any of the great treasures of the Vatican library came from his hands--the good Vespasian taking more interest in the work of his scribes than in Codexes. He tells us of 500 scudi given to Lorenzo Valle with a pretty speech that the price was below his merits, but that eventually he should have more liberal pay; of 1,500 scudi given to Guerroni for a translation of the Iliad, and so forth.

It is like a bookseller of the present day vaunting his new editions to a collector in search of the earliest known. But Pope Nicolas, like most other patrons of his time, knew no Greek, nor probably ever expected that it would become a usual subject of study, so that his translations were precious to him, the chief way of making his treasures of any practical use.

[Ill.u.s.tration: SANTA MARIA DEL POPOLO.

_To face page 546._]

The greater part, alas! of all this splendour has pa.s.sed away. One pure and perfect glory, the little chapel of San Lorenzo, painted by the tender hand of Fra Angelico, remains unharmed, the only work of that grand painter to be found in Rome. If one could have chosen a monument for the good Pope, the patron and friend of art in every form, there could not have been a better than this. Fra Angelico seems to have been brought to Rome by Pope Eugenius, but it was under Nicolas, in two or three years of gentle labour, that the work was done. It is, however, impossible to enumerate all the undertakings of Pope Nicolas. He did something to re-establish or decorate almost all of the great basilicas. It is feared--but here our later historians speak with bated breath, not liking to bring such an accusation against the kind Pope, who loved men of letters--that the destruction of St. Peter's, afterwards ruthlessly carried out by succeeding Popes was in his plan: on the pretext, so constantly employed, and possibly believed in, of the instability of the ancient building. But there is no absolute certainty of evidence, and at all events he might have repented, for he certainly did not do that deed. He began the tribune, however, in the ancient church, which may have been a preparation for the entire renewal of the edifice; and he did much towards the decoration of another round church, that of the Madonna delle Febbre, an ill-omened name, attached to the Vatican. He also built the Belvedere in the gardens, and surrounded the whole with strong walls and towers (round), one of which according to Nibby still remained fifty years ago; which very little of Nicolas's building has done. His great sin was one which he shared with all his brother-Popes, that he boldly treated the antique ruins of the city as quarries for his new buildings, not without protest and remonstrance from many, yet with the calm of a mind preoccupied and seeing nothing so great and important as the work upon which his own heart was set.

This excellent Pope died in 1455, soon after having received the news of the downfall of Constantinople, which is said to have broken his heart. He had many ailments, and was always a small and spare man of little strength of const.i.tution; but "nothing transfixed his heart so much as to hear that the Turk had taken Constantinople and killed the Europeans, with many thousands of Christians," among them that same "Imperadore de Gostantinopli" whom he had seen seated in state at the Council of Ferrara, listening to his own and other arguments, only a few years before--as well as the greater part, no doubt, of his own clerical opponents there. When he was dying "being not the less of a strong spirit," he called the Cardinals round his bed, and many prelates with them, and made them a last address. His pontificate had lasted a little more than eight years, and to have carried out so little of his great plan must have been heavy on his heart; but his dying words are those of one to whom the holiness and unity of the Church came before all. No doubt the fear that the victorious Turks might spread ruin over the whole of Christendom was first in his mind at that solemn hour.

"'Knowing, my dearest brethren, that I am approaching the hour of my death, I would, for the greater dignity and authority of the Apostolic See, make a serious and important testament before you, not committed to the memory of letters, not written, neither on a tablet nor on parchment, but given by my living voice that it may have more authority. Listen, I pray you, while your little Pope Nicolas (papa Niccolajo) in the very instant of dying makes his last will before you. In the first place I render thanks to the Highest G.o.d for the measureless benefits which, beginning from the day of my birth until the present day, I have received of His infinite mercy. And now I recommend to you this beautiful spouse of Christ, whom, so far as I was able, I have exalted and magnified, as each of you is well aware; knowing this to be to the honour of G.o.d, for the great dignity that is in her, and the great privileges that she possesses, and so worthy, and formed by so worthy an Author, who is the Creator of the Universe.

Being of sane mind and intellect, and having done that which every Christian is called to do, and specially the Pastor of the Church, I have received the most sacred body of Christ with penitence, taking from His table with my two hands, and praying the Omnipotent G.o.d that he would pardon my sins. Having had these sacraments I have also received the extreme unction which is the last sacrament for the redeeming of my soul. Again I recommend to you, as long as I am able, the Roman Church, notwithstanding that I have already done so; for this is the most important duty you have to fulfil in the sight of G.o.d and men. This is that true Spouse of Christ which He bought with his blood. This is that robe without seam, which the impious Jews would have torn but could not. This is that ship of St. Peter, Prince of the Apostles, agitated and tossed by varied fortunes of the winds, but sustained by the Omnipotent G.o.d, so that she can never be submerged or shipwrecked. With all the strength of your souls sustain her and rule her: she has need of your good works, and you should show a good example by your lives. If you with all your strength care for her and love her, G.o.d will reward you, both in this present life and in the future with life eternal; and to do this with all the strength we have, we pray you: do it diligently, dearest brethren.'

"Having said this he raised his hands to heaven and said, 'Omnipotent G.o.d, grant to the Holy Church, and to these fathers, a pastor who will preserve her and increase her; give to them a good pastor who will rule and govern thy flock the most maturely that one can rule and govern. And I pray for you and comfort you as much as I know and can.

Pray for me to G.o.d in your prayers.' When he had ended these words, he raised his right arm and, with a generous soul, gave the benediction--Benedicat vos Deus, Pater et Filius et Spiritus Sanctus--speaking with a raised voice and solemnly, _in modo Pontificale_."

These tremulous words, broken and confused by the weakness of his last hours, were taken down by the favourite scribe, Giannozzo Manetti, in the chamber of the dying Pope: with much more of the most serious matter to the Church and to Rome. His eager desire to soften all possible controversies and produce in the minds of the conclave about his bed, so full of ambition and the force of life, the softened heart which would dispose them to a peaceful and conscientious election of his successor, is very touching, coming out of the fogs and mists of approaching death.

In the very age that produced the Borgias, and himself the head of that band of elegant scholars and connoisseurs, everything but Christian, to whom Rome owes so much of her external beauty and splendour, it is pathetic to stand by this kind and gentle spirit as he pauses on the threshold of a higher life, subduing the astute and worldly minded Churchmen round him with the tender appeal of the dying father, their Papa Niccolajo, familiar and persuasive--beseeching them to be of one accord without so much as saying it, turning his own weakness to account to touch their hearts, for the honour of the Church and the welfare of the flock.

[Ill.u.s.tration: MODERN DEGRADATION OF A PALACE.]

CHAPTER II.

CALIXTUS III.--PIUS II.--PAUL II.--SIXTUS IV.

It is not unusual even in the strictest of hereditary monarchies to find the policy of one ruler entirely contradicted and upset by his successor; and it is still more natural that such a thing should happen in a succession of men, unlike and unconnected with each other as were the Popes; but the difference was more than usually great between Nicolas and Calixtus III., the next occupant of the Holy See, elected 1455, died 1458, who was an old man and a Spaniard, and loved neither books nor pictures, nor any of the new arts which had bewitched (as many people believed) Pope Nicolas and seduced him into squandering the treasure of the Papacy upon unnecessary buildings, and still more unnecessary decorations. Calixtus was a Borgia, the first to introduce the horror of that name: but he was not in himself a harmful personage. "He spent little in building," says Platina, "for he lived but a short time, and saved all his money for the undertaking against the Turks," an enterprise which had become a very real and necessary one, now that Constantinople had fallen; but which had no longer the romance and sentiment of the Crusades to inspire it, though successive Pontiffs did their best to rouse Christendom on the subject. The aged Spanish Cardinal threw himself into it with all the fervour of his nature, which better than many others knew the mettle of the Moor. His short term of power was entirely occupied with this.

A little building went on, which could not be helped: the walls had always to be looked to; but Pope Nicolas's army of scribes were all turned off summarily; the studios were closed, the artist people turned away about their business; all the great works put a stop to.