"Didn't I tell you he wouldn't stand any of your nonsense, M'liss?" said the guard testily.

M'liss only repeated her question.

"And what if I did kill him?" said the prisoner savagely; "what's that to you, you young h.e.l.l-cat? Guard!--d.a.m.nation!--what do you let her come here for? Do you hear? Guard!" he screamed, rising in a transport of pa.s.sion, "take her away! fling her downstairs! What the h--ll is she doing here?"

"If you was the man that killed McSnagley," said M'liss, without heeding the interruption, "I've brought you something;" and she drew the bottle from under her ap.r.o.n and extended it to Waters, adding, "It's brandy--Cognac--A1."

"Take it away, and take yourself with it," returned Waters, without abating his angry accents. "Take it away! do you hear?"

"Well, that's what I call ongrateful, dog-gone my skin if it ain't,"

said the guard, who had been evidently struck with M'liss's generosity.

"Pa.s.s the licker this way, my beauty, and I'll keep it till he changes his mind. He's naturally a little fl.u.s.tered just now, but he'll come round after you go."

But M'liss didn't accede to this change in the disposition of the gift, and was evidently taken aback by her reception and the refusal of the proffered comfort.

"Come, hand the bottle here!" repeated the guard. "It's agin rules to bring the pris'ner anything, anyway, and it's confiscated to the law. It's agin the rules, too, to ask a pris'ner any question that'll criminate him, and on the whole you'd better go, M'liss," added the guard, to whom the appearance of the bottle had been the means of provoking a spasm of discipline.

But M'liss refused to make over the coveted treasure. Bill arose half jestingly and endeavored to get possession of the bottle. A struggle ensued, good-naturedly on the part of the guard, but characterized on the part of M'liss by that half-savage pa.s.sion which any thwarted whim or instinct was sure to provoke in her nature. At last with a curse she freed herself from his grasp, and seizing the bottle by the neck aimed it with the full strength of her little arm fairly at his head. But he was quick enough to avert that important object, if not quick enough to save his shoulder from receiving the strength of the blow, which shattered the thin gla.s.s and poured the fiery contents of the bottle over his shirt and breast, saturating his clothes, and diffusing a sharp alcoholic odor through the room.

A forced laugh broke from his lips, as he sank back on the mattress, not without an underlying sense of awe at this savage girl who stood panting before him, and from whom he had just escaped a blow which might have been fatal. "It's a pity to waste so much good licker," he added, with affected carelessness, narrowly watching each movement of the young pythoness, whose rage was not yet abated.

"Come, M'liss," he said at last, "we'll say quits. You've lost your brandy, and I've got some of the pieces of yonder bottle sticking in my shoulder yet. I suppose brandy is good for bruises, though. Hand me the light!"

M'liss reached the candle from the sconce and held it by the guard as he turned back the collar of his shirt to lay bare his shoulder. "So," he muttered, "black and blue; no bones broken, though no fault of yours, eh? my young cherub, if it wasn't. There--why, what are you looking at in that way, M'liss, are you crazy?--h.e.l.l's furies, don't hold the light so near! What are you doing; h.e.l.l--ho, there! Help!"

Too late, for in an instant he was a sheet of living flame. When or how the candle had touched his garments, saturated with the inflammable fluid, Waters, the only inactive spectator in the room, could never afterward tell. He only knew that the combustion was instantaneous and complete, and before the cry had died from his lips, not only the guard, but the straw mattress on which he had been sitting, and the loose strips of paper hanging from the walls, and the torn cloth ceiling above were in flames.

"Help! Help! Fire! Fire!"

With a superhuman effort, M'liss dragged the prisoner past the blazing mattress, through the doorway into the pa.s.sage, and drew the door, which opened outwardly, against him. The unhappy guard, still blazing like a funeral pyre, after wildly beating the air with his arms for a few seconds, dashed at the broken window, which gave way with his weight, and precipitated him, still flaming, into the yard below. A column of smoke and a licking tongue of flame leaped from the open window at the same moment, and the cry of fire was reechoed from a hundred voices in the street. But scarcely had M'liss closed the open door against Waters, when the guard from the doorway mounted the stairs in time to see a flaming figure leap from the window. The room was filled with smoke and fire. With an instinct of genius, M'liss, pointing to the open window, shouted hoa.r.s.ely in his ear:--

"Waters has escaped!"

A cry of fury from the guard was echoed from the stairs, even now crowded by the excited mob, who feared the devastating element might still cheat them of their intended victim. In another moment the house was emptied, and the front street deserted, as the people rushed to the rear of the jail--climbing fences and stumbling over ditches in pursuit of the imagined runaway. M'liss seized the hat and coat of the luckless "Bill," and dragging the prisoner from his place of concealment hurriedly equipped him, and hastened through the blinding smoke of the staircase boldly on the heels of the retiring crowd. Once in the friendly darkness of the street, it was easy to mingle with the pushing throng until an alley crossing at right angles enabled them to leave the main thoroughfare. A few moments' rapid flight, and the outskirts of the town were reached, the tall pines opened their abysmal aisles to the fugitives, and M'liss paused with her companion. Until daybreak, at least, here they were safe!

From the time they had quitted the burning room to that moment, Waters had pa.s.sed into his listless, abstracted condition, so helpless and feeble that he retained the grasp of M'liss's hand more through some instinctive prompting rather than the dictates of reason. M'liss had found it necessary to almost drag him from the main street and the hurrying crowd, which seemed to exercise a strange fascination over his bewildered senses. And now he sat down pa.s.sively beside her, and seemed to submit to the guidance of her superior nature.

"You're safe enough now till daylight," said M'liss, when she had recovered her breath, "but you must make the best time you can through these woods to-night, keeping the wind to your back, until you come to the Wingdam road. There! do you hear?" said M'liss, a little vexed at her companion's apathy.

Waters released the hand of M'liss, and commenced mechanically to b.u.t.ton his coat around his chest with fumbling, purposeless fingers. He then pa.s.sed his hand across his forehead as if to clear his confused and bewildered brain; all this, however, to no better result than to apparently root his feet to the soil and to intensify the stupefaction which seemed to be creeping over him.

"Be quick, now! You've no time to lose! Keep straight on through the woods until you see the stars again before you, and you're on the other side of the ridge. What are you waiting for?" And M'liss stamped her little foot impatiently.

An idea which had been struggling for expression at last seemed to dawn in his eyes. Something like a simpering blush crept over his face as he fumbled in his pocket. At last, drawing forth a twenty-dollar piece, he bashfully offered it to M'liss. In a twinkling the extended arm was stricken up, and the bright coin flew high in the air, and disappeared in the darkness.

"Keep your money! I don't want it. Don't do that again!" said M'liss, highly excited, "or I'll--I'll--bite you!"

Her wicked little white teeth flashed ominously as she said it.

"Get off while you can. Look!" she added, pointing to a column of flame shooting up above the straggling ma.s.s of buildings in the village, "the jail is burning; and if that goes, the block will go with it. Before morning these woods will be filled with people. Save yourself while you can!"

Waters turned and moved away in the darkness. "Keep straight on, and don't waste a moment," urged the child, as the man seemed still disposed to linger. "Trot now!" and in another moment he seemed to melt into the forest depths.

M'liss threw her ap.r.o.n around her head, and coiled herself up at the root of a tree in something of her old fashion. She had prophesied truly of the probable extent of the fire. The fresh wind, whirling the sparks over the little settlement, had already fanned the single flame into the broad sheet which now glowed fiercely, defining the main street along its entire length. The breeze which fanned her cheek bore the crash of falling timbers and the shouts of terrified and anxious men. There were no engines in Smith's Pocket, and the contest was unequal. Nothing but a change of wind could save the doomed settlement.

The red glow lit up the dark cheek of M'liss and kindled a savage light in her black eyes. Relieved by the background of the sombre woods, she might have been a red-handed Nemesis looking over the city of Vengeance.

As the long tongues of flame licked the broad colonnade of the National Hotel, and shot a wreathing pillar of fire and smoke high into the air, M'liss extended her tiny fist and shook it at the burning building with an inspiration that at the moment seemed to transfigure her.

So the night wore away until the first red bars of morning light gleamed beyond the hill, and seemed to emulate the dying embers of the devastated settlement. M'liss for the first time began to think of the home she had quitted the night before, and looked with some anxiety in the direction of "Mountain Ranch." Its white walls and little orchard were untouched, and looked peacefully over the blackened and deserted village. M'liss rose, and, stretching her cramped limbs, walked briskly toward the town. She had proceeded but a short distance when she heard the sound of cautious and hesitating footsteps behind her, and, facing quickly about, encountered the figure of Waters.

"Are you drunk?" said M'liss pa.s.sionately, "or what do you mean by this nonsense?"

The man approached her with a strange smile on his face, rubbing his hands together, and shivering as with cold. When he had reached her side he attempted to take her hand. M'liss shrank away from him with an expression of disgust.

"What are you doing here again?" she demanded.

"I want to go with you. It's dark in there," he said, motioning to the wood he had just quitted, "and I don't like to be alone. You'll let me be with you, won't you? I won't be any trouble;" and a feeble smile flickered on his lips.

M'liss darted a quick look into his face. The grim outlines of his mouth were relaxed, and his lips moved again impotently. But his eyes were bright and open,--bright with a look that was new to M'liss--that imparted a strange softness and melancholy to his features,--the incipient gleam of insanity!

CHAPTER VIII

THE AUTHOR TO THE READER--EXPLANATORY

If I remember rightly, in one of the admirable tragedies of Tsien Tsiang at a certain culminating point of interest an innocent person is about to be sacrificed. The knife is raised and the victim meekly awaits the stroke. At this moment the author of the play appears on the stage, and, delivering an excellent philosophical dissertation on the merits of the "situation," shows that by the purest principles of art the sacrifice is necessary, but at the same time offers to the audience the privilege of changing the denouement. Such, however, is the nice aesthetic sense of a Chinese auditory, and so universal the desire of bloodshed in the heathen breast, that invariably at each representation of this remarkable tragedy the cause of humanity gives way to the principles of art.

I offer this precedent as an excuse for digressing at a moment when I have burned down a small settlement, dispatched a fellow being, and left my heroine alone in the company of an escaped convict who has just developed insanity as a new social quality. My object in thus digressing is to confer with the reader in regard to the evolution of this story,--a familiarity not without precedent, as I might prove from most of the old Greek comedies, whose _parabasis_ permits the poet to mingle freely with the _dramatis personae_, to address the audience and descant at length in regard to himself, his play, and his own merits.

The fact is that, during the progress of this story, I have received many suggestions from intimate friends in regard to its incidents and construction. I have also been in the receipt of correspondence from distant readers, one letter of which I recall signed by an "Honest Miner," who advises me to "do the right thing by M'liss," or intimates somewhat obscurely that he will "bust my crust for me," which, though complimentary in its abstract expression of interest, and implying a taste for euphonism, evinces an innate coa.r.s.eness which I fear may blunt his perceptions of delicate shades and Greek outlines.

Again, the practical nature of Californians and their familiarity with scenes and incidents which would be novel to other people have occasioned me great uneasiness. In the course of the last three chapters of M'liss I have received some twenty or thirty communications from different parts of the State corroborating incidents of my story, which I solemnly a.s.sure the reader is purely fict.i.tious. Some one has lately sent me a copy of an interior paper containing an old obituary of Smith of Smith's Pocket. Another correspondent writes to me that he was acquainted with the schoolmaster in the fall of '49, and that they "grubbed together." The editors of the serial in which this story appears a.s.sure me that they have received an advertis.e.m.e.nt from the landlord of the "National Hotel" contingent upon an editorial notice of its having been at one time the abode of M'liss; while an aunt of the heroine, alluding in excellent terms to the reformed character of her niece M'liss, clenches her sincerity by requesting the loan of twenty dollars to buy clothes for the desolate orphan.

Under these circ.u.mstances I have hesitated to go on. What were the bodiless creatures of my fancy--the pale phantoms of thought, evoked in the solitude of my chamber, and sometimes even midst the hum of busy streets--have suddenly grown into flesh and blood, living people, protected by the laws of society, and having their legal right to actions for slander in any court. Worse than that, I have sometimes thought with terror of the new responsibility which might attach to my development of their characters. What if I were obliged to support and protect these Frankenstein monsters? What if the original of the princ.i.p.al villain of my story should feel impelled through aesthetic principles of art to work out in real life the supposit.i.tious denouement I have sketched for him?

I have therefore concluded to lay aside my pen for this week, leaving the catastrophe impending, and await the suggestion of my correspondents. I do so the more cheerfully as it enables the editors of this weekly to publish twenty-seven more columns of Miss Braddon's "Outcasts of Society" and the remainder of the "Duke's Motto,"--two works which in the quiet simplicity of their home-like pictures and household incidents are attended with none of the difficulties which beset my unhappy story.

CHAPTER IX

CLEANING UP

As the master, wan-eyed and unrefreshed by slumber, strayed the next morning among the blackened ruins of the fire, he was conscious of having undergone some strange revulsion of sentiment. What he remembered of the last evening's events, though feverish and indistinct as a dream, and though, like a dream, without coherency or connected outline, had nevertheless seriously impressed him. How frivolous and trifling his past life and its pursuits looked through the lightning vista opened to his eyes by the flash of Waters's pistol! "Suppose I had been killed,"