"I have made them lots of times," calmly said Pete.

"You! O yes! I dare say you have. But I never did, and that's why the other boys want me in their business."

"What business? I would not get so excited just because of this pie."

"You would if your reputation depended on it."

"Why, I won't tell."

"But the other firms will have to know it; our honor is pledged to tell whenever such a thing happens to any one of us."

"Are you in other business? Shel said you were, when he wanted us to take him in, and I said you were _not_. That's the end of it. If you are any one's else partner, you can't be mine, pie or no pie."

"Very well. Just as you please, you can take Shel. You always put on too much ink and that wastes capital."

"Well, then, you put on too little ink, and blurred work don't bring orders. I am done with you."

"And I with you."

"I shall bring up my cart to-morrow and take my things away."

"What are you going to do about those new fonts?"

"I would rather you would have them all than be partner with a boy who invests in bogus firms."

"Bogus or not, I never mix accounts. You can have the first half and I the second; only as 'x' and 'z' don't count I ought to have two more letters in my half than you in yours."

"I should call that mixing halves, if you don't call it mixing accounts," said Pete, who was so hurt by this unexpected closeness that he instantly went off to get his cart. Meeting Shel on the way, he retailed his wrongs and met with such hearty sympathy that he formed a copartnership with him on the spot. Shel advised him to wait till to-morrow before taking action and give Clarence time to think over the matter and see if it would not be better for his pecuniary interests to remain a silent partner.

"You know," urged he, "that he has got a good deal of type, and though he works too quickly to admit him as active partner, he might do very well as a retired one, and thus keep the peace. Then it is always a good plan to have three partners; one of them, or all together--they somehow act as judge. I must be off now." And the boys separated.

That afternoon it rained, and Pete had to stay at home. Early the next day he drew his cart up the hill to Clarence's house with very forgiving feelings, but found he had left word with the hired man that he had gone off and wasn't going to have any more to do with him. Of course, honor and justice then compelled him to take what belonged to him, especially as the man told him that Clarence had expected him with his cart.

So Pete sadly entered the shed, looked at the forms, thought everything was mixed up, and did what he always did when longing to speak right out, but afraid to do so; he took hold of his lower lip with thumb and forefinger and twirled it back and forth turning it over and under.

Clarence's little sister appeared whilst he was thus engaged, and seeing the sadness of his eyes and the perplexity of his mouth and fingers, she ventured to say, "It is too bad, and Clarence said it was, and that he did not mean to upset the type, but that you got him so provoked he could not help it, and that you could come and pick it out if you choose, 'cause it was yours; but he--" and she stopped frightened.

"That's just what I shall do. You tell him it is a mighty mean trick; that I have left him fifteen letters--you remember fifteen, not thirteen," said Pete.

He had a hard time sorting the type; part of it was smashed, part of it very dirty. His cart at last laden, he sorrowfully bore home his press and its appendages, only to spend still more time in cleaning and "getting it to rights." "I must finish that order," thought he, "for orders are business; even if a firm is dissolved, the remaining partner is bound to complete the work." So he manfully invested some capital in the type for degrees, minutes and seconds, closed the contract and received extra pay for his neatness and quickness.

But he grew tired and longed for companionship, so that when Shel appeared, he found Pete quite dejected, willing to listen to terms of partnership, but utterly unwilling to have anything more to do with Clarence.

"Very well," said Shel, "I'll give him up if you'll give up some one else, and then we'll start even."

"Why, I never thought of any one."

"Never mind," was the reply, "make believe you did; just like politics--each of us gives up his best man and takes an unknown third man. We must agree on one who has a self-inker larger than this and lots of type. I want to extend the business."

"Why can't we begin at once as Jones, Downs & Co., and when we find the right kind of boy let him be Co."

"Agreed, we'll get out hand-bills at once."

That evening the large trees on the road down to the village post-office, the doors of the grocery, the dry goods, the apothecary and provision stores--even the depot itself--bore large placards with the following announcement:

JONES, DOWNS & CO.,

Job Printers,

_Orders promptly executed._

Many a tired man stopped his horse that night and through the next week to read those staring notices. The schoolboys made fun of the new concern, wondered how long it would last and tried to rouse distrust of each other in the minds of the two partners, who saw that if they could only obtain orders they could boast that they understood the tricks of the trade and knew the use of advertis.e.m.e.nts; and so it proved.

For, the city music-teacher coming to the village was so amused by these white patches on the trees that she sought their shop and gave them an order to print her bill; and when the young townspeople received, instead of a written bill, one printed in due form by those at whom they had laughed, they became strangely silent. Soon came an order for some tags for a large family with an endless amount of baggage, all to be marked alike, as easier to read. An actual stranger sent an order for work. The village calling increased so fast that it was difficult to meet the demands for visiting cards. At last came an order from a church fair for hand-bills, but of too large a size for their press. They had often reflected upon the "Co." but had delayed action, which now became imperative and necessitated partnership with the boy who would have the biggest press, and this was d.i.c.k.

He was interviewed but proved refractory on a point of honor. "For,"

said he, "no one will know I am 'Co.' and if you are such a great firm, I want the public honor of belonging to you."

What was to be done? the fair could not be delayed until matters were settled; nor could the boys give up their job as being beyond their power.

"I'll tell you my terms," said d.i.c.k finally. "I'll put my press and all its fixings into the concern if you'll let me have two thirds of the profits on this job and on all the rest of the work you do this week. I am 'hard up' and I know you have got orders ahead."

These were hard terms, but on the other hand, as d.i.c.k could command custom, and was a good, clean printer, they acceded to his conditions and printed the bills in startling type, using one or two kinds in the same word, so as to make through the eye a vivid impression of the meaning of the Fair.

From this time they had so much work to do in bill heads, tickets, envelopes, etc., that they led a calm life of unbroken industry, laying aside one quarter of their earnings each week as a fund for future stock and dividing the other three quarters equally between them.

AUNT ELIZABETH'S FENCE.

The little village of H---- is a sort of double-header, having a centre at each end, so to speak. The end nearest the railroad is known as "The Three Corners," on account of a certain arrangement of the roads meeting at that point, while the farther a.s.semblage of houses bears a similar appellation, "The Four Corners," for a similar reason. The two parts of the town are in reality two distinct villages, although existing as one corporate body, and are banded together like the Siamese twins by a road leading directly from the heart of one to that of the other. On each side of this rural street, at neighborly distances, stand pretty white cottages, a story and a half high, nestling behind white fences under shading maples. Midway between the two Centres these dwellings stand further apart and are more evidently farmhouses; and just beyond a peaceful green meadow one's attention is suddenly arrested by a queer house--an architectural oddity, having an insignificant main part, and numerous additions, of different heights, jutting forth in every direction without any seeming plan, but looking as if they might have crept together some cold winter's day for mutual warmth, or as if the middle house was a bantam trying to shield an overgrown brood, a solitary tower having the effect of a chicken on the mother hen's back.

It was in one of the rooms of this odd residence that our young hero, Jem French, was born. His father, like his house, is decidedly odd. Mr.

Joseph French was a man of ideas, not a farmer as you might suppose from his living in such a locality, but a Jack-at-all-trades, and in spite of the proverb, good at _all_. Therein lays the secret of his queer-shaped house. One of the little extensions is a tin shop where he mends the pots and pans of the neighborhood, or creates any new vessels desired.

Another projection is devoted to carpenter work, and in a third addition he makes boots and shoes for his own family and cobbles for others. In the room above, with the big gla.s.s window, the rustic beaux and belles sit like statuary, while he preserves their pictures in ambrotypes. Each part of the building seems to be devoted to some specialty. But in one part the door is always found to be locked and the window carefully curtained, and even the children are forbidden to enter. In this room Mr. French still spends hours and hours, sometimes days and weeks, inventing, n.o.body knows what as yet.

Jem early bid fair to become another such man as his father, though evidently that would not be to his pecuniary benefit, for the entire surplus earnings of his parent had thus far been spent in obtaining materials for further experimenting. Still Jem inherited the inventive talent. He was envied and admired by schoolfellows and playmates. Not even the richest among them could boast of owning such unique toys as Jem was constantly making. The little stream that ran through the meadow was spanned by miniature bridges of which he was sole architect. His sailing craft, of all kinds, and fully rigged, swam in the placid water. Dams were placed here and there, and sluice-ways conducted the water to its work of turning sundry over-shot wheels which in their turn operated little pumps or moved the machinery of a mill. He made his sisters various mechanical figures which moved to the swinging of a pendulum. Cardboard images were made to saw wood, fiddle, or dance for hours together, the motive power being obtained from sand running through an inverted cone. As for carving, he had ornamented the walls of the house with a profusion of brackets, wall-pockets, and the like, taking his designs of birds or flowers from nature's own pattern. He was, in fact, a veritable young Yankee with his jack-knife, and few were the things he could not fashion with it, and few the principles of physics studied at school which he did not seek to embody or ill.u.s.trate; and he had advanced beyond the range of studies in a country school when he was withdrawn by his father to a.s.sist in "doing the ch.o.r.es." Then having little society except his own thoughts he gradually became discontented.

One day the mail-wagon stopped at his father's gate. "A letter for Mr.

French," said the carrier.

Even such a commonplace occurrence had an interest for the listless Jem and he ran to pick it up. "It didn't come very far, I guess, for here is the village postmark," said he to his mother who came to the door and extended her hand for the epistle.

"It's from aunt Elizabeth," said she, looking at the superscription.

Jem puckered his lips to a whistle, for aunt Elizabeth was not on good terms with her brother and had little intercourse with the family. What news could his aunt have to impart, thus to break her usual silence? The more he thought about it the stronger grew his curiosity. Nevertheless it remained ungratified until his father made his appearance at the supper-table and broke the seal.

If chirography gives any clew to the character of a writer, the person who penned that letter was certainly plain, hard, and angular, while the composition of the epistle indicated the author was in the habit of bluntly freeing her mind. She began by telling her brother he was shiftless, progressed by referring to the great number of mouths he had to fill, and ended by offering to take the care of one of the children off his hands, and requesting Jem should be sent to her house at the Four Corners.