But I must confess to you it has made it very difficult for me to go on with _Alessandra_. All the other plays are in line of a national drama.

_Alessandra_ is a bitter and ironical concession. _The Morning_ makes its splendor almost tawdry. It hurt me to go to rehearsal to-day.

Westervelt's presence was a gloating presence, and I hated him. Hugh's report of the exultant 'I told you so's' of the dramatic critics sickened me--" Her letter ended abruptly, almost at this point.

His reply contained these words: "It is not singular that you feel irritated by _Alessandra_ while I am growing resigned, for you are in daily contact with the sordid business. Tell me I may come back. I want to be at the opening. I know you will secure a great personal triumph. I want to see you shining again amid a shower of roses. I want to help take your horses from your carriage, and wheel you in glory through the streets as they used to do in olden times as tribute to their great favorites. I haven't seen a New York paper since I came West. I hope you have put _Enid_ away. What is the use wearing yourself out playing a disastrous role while forced to rehea.r.s.e a new one? My longing to see you is so great that the sight of your picture on my desk is a sweet torture. Write me that you want me, dearest."

She replied, very simply: "You may come. Our opening night is now fixed for Monday next. You will have just time to get here. All is well."

To this he wired reply: "I start to-night. Arrive on Monday at Grand Central. Eleven-thirty."

Helen was waiting for him at the gate of the station in a beautiful spring hat, her face abloom, her eyes dancing, and the sight of her robbed him of all caution. Dropping his valise, he rushed towards her, intent to take her in his arms.

She stopped him with one outstretched hand. "How well you look!" Her voice, so rich, so vibrant, moved him like song.

"And you--you are the embodiment of spring." Then, in a low voice, close to her ear, he added: "I love you! I love you! How beautiful you are!"

"Hush!" She lifted a finger in a gesture of warning. "You must not say such things to me--here." With the addition of that final word her face grew arch. Then in a louder tone: "I was right, was I not, to send you away?"

"I am a new being," he answered, "morally and physically. But tell me, what is the meaning of these notices? Have you put _The Morning_ on in place of _Alessandra_?"

Hugh interposed. "That's what she's done," and offered his hand with unexpected cordiality.

"You take my breath away," said Dougla.s.s. "I can't follow your reckless campaigns."

"We'll explain. We're not as reckless as we seem."

They began to move towards the street, Hugh leading the way with the playwright's bag.

Helen laughed at her lover's perplexity and dismay. "You look befoozled."

"I am. I can't understand. After all that work and expense--after all my toilsome grind--my sacrifice of principles."

She was close to his shoulder as she said, looking up at him with beaming, tender eyes:

"That's just it. I couldn't accept your offering. After _The Morning_ came in, my soul revolted. I ordered the _Alessandra_ ma.n.u.script brought in. Do you know what I did with it?"

"Rewrote it, I hope."

Her face expressed daring, humor, triumph, but the hand lifted to the chin expressed a little apprehension as she replied: "Rewrote it? No, I didn't think of that. _I burned it._"

He stopped, unconscious of the streaming crowds. "Burned it! I can't believe you. My greatest work--"

"It is gone." The smile died out of her eyes, her face became very grave and very sweet. "I couldn't bear to have you bow your head to please a public not worthy of you. The play was un-American, and should not have been written by you."

He was dazed by the enormous consequences of this action, and his mind flashed from point to point before he answered, in a single word: "Westervelt."

Thereat they both laughed, and she explained. "It was dreadful. He raged, he shook the whole block as he trotted to and fro tearing his hair. I think he wished to tear my hair. He really resembled the elder Salvini as Oth.e.l.lo--you know the scene I mean. I gave him a check to compensate him. He tore it up and blew it into the air with a curse. Oh, it was beautiful comedy. I told him our interview would make a hit as a 'turn' on the vaudeville stage. Nothing could calm him. I was firm, and _Alessandra_ was in ashes."

They moved on out upon the walk and into the hideous clamor of Forty-second Street, his mind still busy with the significance of her news. Henry Olquest in an auto sat waiting for them. After a quick hand-shake Dougla.s.s lifted Helen to her place, followed her with a leap, and they were off on a ride which represented to him more than an a.s.sociation with success--it seemed a triumphal progress. Something in Helen's eyes exalted him, filled his throat with an emotion nigh to tears. His eyes were indeed smarting as she turned to say: "You are just in time for dress rehearsal. Do you want to see it?"

"No, I leave it all to you. I want to be the author if I can. I want to get the thrill."

"I think you will like our production. Mr. Olquest has done marvels with it. You'll enjoy it; I know you will. It will restore your lost youth to you."

"I hope it will restore some of your lost dollars. I saw by the papers that you were still struggling with _Enid_. I shudder to think what that means. The other poor little play will never be able to lift that huge debt."

"I'm not so sure about that," she gayly answered. "The rehearsals have almost resigned"--she pointed at Hugh's back--"him to the change."

"I confess I was surprised by his cordial greeting."

"Oh, he's quite shifted his point of view. He thinks _The Morning_ may 'catch 'em' on other grounds."

"And you--you are radiant. I expected to find you worn out. You dazzle me."

"You mustn't look at me then. Look at the avenue. Isn't it fine this morning?"

He took her hint. "It is glorious. I feel that I am again at the centre of things. After all, this is our one great city, the only place where life is diverse enough to give the dramatist his material. I begin to understand the att.i.tude of actors when they land from the ferry-boat, draw a long breath, and say, 'Thank G.o.d, I'm in New York again.'"

"It's the only city in America where an artist can be judged by his peers. I suppose that is one reason why we love it."

"Yes, it's worth conquering, and I'll make my mark upon it yet," and his tone was a note of self-mastery as well as of resolution. "It is a city set on a hill. To take it brings great glory and lasting honor."

She smiled up at him again, a proud light in her eyes. "Now you are your good, rugged self, the man who 'hypnotized' me into taking _Lillian's Duty_. You'll need all your courage; the critics are to be out in force."

"I do not fear them," he answered, as they whirled into the plaza and up to the side entrance of the hotel.

"I've engaged a room for you here, Dougla.s.s," said Hugh, and the new note of almost comradeship struck the playwright with wonder. He was a little sceptical of it.

"Very well," he answered. "I am reckless. I will stay one day."

"Mother will be waiting to see you," said Helen, as they entered the hall. "She is your stanch supporter."

"She is a dear mother. I wish she were my own."

Each word he uttered now carried a hidden meaning, and some inner relenting, some sweet, secret concession which he dimly felt but dared not presume upon, gave her a girlish charm which she had never before worn in his eyes.

They took lunch together, seated at the same table in the same way, and yet not in the same spirit. He was less self-centred, less insistent.

His winter of proved inefficiency, his sense of indebtedness to her, his all-controlling love for her gave him a new appeal. He was at once tender and humorous as he referred again to _Alessandra_.

"Well, now that my chief work of art is destroyed, I must begin again at the bottom. I have definitely given up all idea of following my profession. I am going to do specials for one of the weeklies. Anderson has interceded for me. I am to enter the ranks of the enemy. I am not sure but I ought to do a criticism of my own play to-morrow night."

She was thinking of other things. "Tell me of your people. Did you talk of me to them? What did they say of me?"

"They all think of you as a kind, middle-aged lady, who has been very good to a poor country boy."

She laughed. "How funny! Why should they think me so old?"

"They can't conceive how a mere girl can be so rich and powerful. How could they realize the reckless outpouring of gold which flows from those who seek pleasure to those who give it."