She had an instinctive dislike, almost a fear, of those who sought her acquaintance, and when Westervelt, with blundering tactlessness or impudent design, brought round some friends, she froze them both with a single glance.

Furthermore, by denying herself to one she was able to escape the other, and thus save herself for her work; for though she had grown to hate the plays through which she reached the public, she believed in the power and the dignity of her art. It was a means of livelihood, it gratified her vanity; but it was more than this. In a dim way she felt herself in league with a mighty force, and the desire to mark an epoch in the American drama came to her. This, too, was a form of egotism, but a high form.

"I do not care to return to the old," she said. "There are plenty of women to do _Beatrice_ and _Viola_ and _Lady Macbeth_. I am modern. I believe in the modern and I believe in America. I don't care to start a fad for Ibsen or Shaw. I would like to develop our own drama."

"You will have to eliminate the tired business-man and his fat wife and their late dinners," said a cynical friend.

"All business-men are not tired and all wives are not fat. I believe there is a public ready to pay their money to see good American drama. I have found a man who can write--"

"Beware of that man," said the cynic, with a twofold meaning in his tone. "'He is a dreamer; let him pa.s.s.'"

"I do not fear him," she replied, with a gay smile.

XII

Dougla.s.s now set to work on his second play with teeth clinched. "I will win out in spite of them," he said. "They think I am beaten, but I am just beginning to fight." As the days wore on his self-absorption became more and more marked. All his morning hours were spent at his writing, and when he came to Helen he was cold and listless, and talked of nothing but _Enid_ and her troubles. Even as they rode in the park his mind seemed forever revolving lines and scenes. In the midst of her attempt to amuse him, to divert him, he returned to his theme. He invited her judgments and immediately forgot to listen, so morbidly self-centred was he.

He made no further changes in the book of _Lillian's Duty_, but put aside Westervelt's request with a wave of his hand. "I leave all that to Miss Merival," he said. "I can't give it any thought now."

From one point of view Helen could not but admire this power of concentration, but when she perceived that her playwright's work had filled his mind to the exclusion of herself she began to suffer. Her pride resented his indifference, and she was saved from anger and disgust only by the beauty of the writing he brought to her.

"The fury of the poet is on him. I must not complain," she thought, and yet a certain regret darkened her face. "All that was so sweet and fine has pa.s.sed out of our intercourse," she sadly admitted to herself. "I am no longer even the great actress to him. Once he worshipped me--I felt it; now I am a commonplace friend. Is the fault in me? Am I one whom familiarity lessens in value?"

She did not permit herself to think that this was a lasting change, that he had forever pa.s.sed beyond the lover, and that she would never again fill his world with mystery and light and longing.

And yet this monstrous recession was the truth. In the stress of his work the glamour had utterly died out of Dougla.s.s's conception of Helen, just as the lurid light of her old-time advertising had faded from the bill-boards and from the window displays of Broadway. As cold, black, and gray instantaneous photographs had taken the place of the gorgeous, jewel-bedecked, elaborate lithographs of the old plays, so now his thought of her was without warmth.

Helen became aware, too, of an outside change. Her friends used this as a further warning.

"You are becoming commonplace to the public," one said, with a touch of bitterness. "Your admirers no longer wonder. Go back to the glitter and the glory."

"No," she replied. "I will regain my place, and with my own unaided character--and my lines," she added, with a return to her faith in Dougla.s.s.

And yet her meetings with him were now a species of torture. Her self-respect suffered with every glance of his eyes. He resembled a man suffering from a fever. At times he talked with tiresome intensity about some new situation, quoting his own characters, beating and hammering at his scenes until Helen closed her eyes for very weariness. Only at wide intervals did he return to some dim realization of his indebtedness to her. One day he gratified her by saying, with a note of tenderness in his voice: "You are keeping the old play on; don't do it. Throw it away; it is a tract--a sermon." Then spoiled it all by bitterly adding, "Go back to your old successes."

"You used to dislike me in such roles," she answered, with pain and reproach in face and voice.

"It will only be for a little while," he replied, with a swift return to his enthusiasm. "In two weeks I'll have the new part ready for you." But the sting of his advice remained long in the proud woman's heart.

He went no more to the theatre. "I can't bear to see you playing to empty seats," he declared, in explanation, but in reality he had a horror of the scene of his defeat.

He came to lunch less often, and when they went driving or visiting the galleries all the old-time, joyous companionship was gone. Not infrequently, as they stood before some picture or sat at a concert, he would whisper, "I have it; the act will end with _Enid_ doing so-and-so," and not infrequently he hurried away from her to catch some fugitive illumination which he feared to lose. He came to her reception-room only once of a Sat.u.r.day afternoon, just before the play closed.

"How is the house?" he asked, with indifference.

"Bad."

"Very bad?"

"Oh yes."

"I must work the harder," he replied, and sank into a sombre silence. He never came inside again.

Helen was deeply wounded by this visit, and was sorely tempted to take him at his word and end the production, but she did not. She could not, so deep had her interest in him become. Loyal to him she must remain, loyal to his work.

As his bank account grew perilously small, Dougla.s.s fell into deeps of black despair, wherein all imaginative power left him. At such times the lack of depth and significance in his work appalled him. "It is hopelessly poor and weak; it does not deserve to succeed. I've a mind to tear it in rags." But he resisted this spirit, partly restrained by some hidden power traceable to the influence of Helen and partly by his desire to retrieve himself in the estimation of the world, but mainly because of some hidden force in his own brain, and set to work each time filing and polishing with renewed care of word and phrase.

Slowly the second drama took on form and quality, developing a web of purpose not unlike that involved in a strain of solemn music, and at the last the author's attention was directed towards eliminating minute inharmonies or to the insertion of cacophony with design to make the _andante_ pa.s.sages the more enthrallingly sweet. As the play neared completion his absorption began to show results. He lost vigor, and Helen's eyes took anxious note of his weariness. "You are growing thin and white, Mr. Author," she said to him, with solicitude in her voice.

"You don't look like the rugged Western Scotchman you were when I found you. Am I to be your vampire?"

"On the contrary, I am to destroy you, to judge from the money you are losing on my wretched play. I begin to fear I can never repay you, not even with a great success. I have days when I doubt my power to write a successful drama."

"You work too hard. You must not ruin your health by undue haste. A week or two will not make a killing difference with us. I don't mind playing _Lillian_ another month, if you need the time. It is good discipline, and, besides, I enjoy the part."

"That is because you are good and loyal to a poor writer," he answered, with a break to humble appreciation of her bounty and her bravery. "Be patient with me," he pleaded. "_Enid_ will recoup you for all you have suffered. It will win back all your funds. I have made it as near pure poetry as our harsh, definite life and our elliptical speech will permit." And straightway his mind was filled with dreams of conquering, even while he faced his love, so strangely are courtship and ambition mingled in the heart of man.

At last he began to exult, to boast, to call attention to the beauty of the lines spoken by _Enid_. "See how her simplicity and virginal charm are enhanced by the rugged, remorseless strength, and by the conscienceless greed of the men surrounding her, and yet she sees in them something admirable. They are like soldiers to her. They are the heroes who tunnel mountains and bridge cataracts. When she looks from her slender, white hands to their gross and powerful bodies she shudders with a sort of fearsome admiration."

"Can all that appear in the lines?"

"Yes. In the lines and in the acting; it _must_ appear in your acting,"

he added, with a note of admonition.

Her face clouded with pain. "He begins to doubt my ability to delineate his work," she thought, and turned away in order that he might not know how deeply he had wounded her.

XIII

Helen's pride contended unceasingly with her love during the weeks of her lover's alienation; for, with all her sweet dispraise of herself, she was very proud of her place in the world, and it was not easy to bow her head to neglect. Sometimes when he forgot to answer her or rushed away to his room with a hasty good-bye, she raged with a perfectly justifiable anger. "You are selfish and brutal," she cried out after him on one occasion. "You think only of yourself. You are vain, egotistical.

All that I have done is forgotten the moment you are stung by criticism," and she tried to put him aside. "What do his personal traits matter to me?" she said, as if in answer to her own charge. "He is my dramatist, not my husband."

But when he came back to her, an absent-minded smile upon his handsome lips, holding in his hands some pages of exquisite dialogue, she humbled herself before him. "After all, what am I beside him? He is a poet, a creative mind, while I am only a mimic," and straightway she began to make excuses for him. "Have I not always had the same selfish, desperate concentration? Am I always a sweet and lovely companion? Certainly the artistic temperament is not a strange thing to me."

Nevertheless, she suffered. It was hard to be the one optimist in the midst of so many pessimists. The nightly performance to an empty house wore on her most distressingly, and no wonder. She, who had never hitherto given a moment's troubled thought to such matters, now sat in her dressing-room listening to the infrequent, hollow clang of the falling chair seats, attempting thus to estimate the audience straggling spa.r.s.ely, desolately in. To re-enter the stage after an exit was like an icy shower-bath. Each night she hoped to find the receipts larger, and indeed they did from time to time advance suddenly, only to drop back to desolating driblets the following night. These gains were due to the work of the loyal Hugh as advertising agent, or to some desperate discount sale to a club on the part of Westervelt, who haunted the front of the house, a pale and flabby wraith of himself, racking his brain, swearing strange, German oaths, and perpetually conjuring up new advertising devices. His suffering approached the tragic.

His theatre, which had once rustled with gay and cheerful people, was now cold, echoing, empty, repellent. Nothing came from the balcony, wherein Helen's sweet voice wandered, save a faint, half-hearted hand-clapping. No one sat in the boxes, and only here and there a man wore evening-dress. The women were always intense, but undemonstrative.

Under these sad conditions the music of the orchestra became fact.i.tious, a brazen clatter raised to reinforce the courage of the ushers, who flitted about like uneasy spirits. There were no carriages in waiting, and the audience returned to the street in silence like funeral guests from a church.

Hugh remained bravely at his post in front. Each night after a careful toilet he took his stand in the lobby watching with calculating eye and impa.s.sive face the stream of people rushing by his door. "If we could only catch one in a hundred?" he said to Westervelt. "I never expected to see Helen Merival left like this. I didn't think it possible. I thought she could make any piece go. To play to fifty dollars was out of my reckoning. It is slaughter."

Once his disgust topped all restraint, and he burst forth to Helen: "Look at this man Dougla.s.s. He bamboozles us into producing his play, then runs off and leaves us to sink or swim. He won't even change the lines--says he's working on a new one that will make us all 'barrels of money.' That's the way of these dramatists--always full of some new pipe-dream. Meanwhile we're going into the hole every night. I can't stand it. We were making all kinds of money with _The Baroness_. Come, let's go back to it!" His voice filled with love, for she was his ideal.

"Sis, I hate to see you doing this. It cuts me to the heart. Why, some of these newspaper shads actually pretend to pity you--you, the greatest romantic actress in America! This man Dougla.s.s has got you hypnotized.