OCT. [_to Quest._] Let him have his way, my friend! The argument Will not avail us.

MAX. They invoke the spirit I' th' hour of need, and shudder when he rises.

The great, the wonderful, must be accomplished Like a thing of course!-In war, in battle, A moment is decisive; on the spot Must be determin'd, in the instant done.

With ev'ry n.o.ble quality of nature The leader must be gifted: let him live, then, In their n.o.ble sphere! The oracle within him, The living spirit, not dead books, old forms, Not mould'ring parchments must he take to counsel.

OCT. My Son! despise not these old narrow forms!

They are as barriers, precious walls and fences, Which oppressed mortals have erected To mod'rate the rash will of their oppressors.

For the uncontrolled has ever been destructive.

The way of Order, though it lead through windings, Is the best. Right forward goes the lightning And the cannon-ball: quick, by the nearest path, They come, op'ning with murderous crash their way, To blast and ruin! My Son! the quiet road Which men frequent, where peace and blessings travel, Follows the river's course, the valley's bendings; Modest skirts the cornfield and the vineyard, Revering property's appointed bounds; And leading safe though slower to the mark.

QUEST. O, hear your Father! him who is at once A hero and a man!

OCT. It is the child O' th' camp that speaks in thee, my Son: a war Of fifteen years has nursed and taught thee; peace Thou hast never seen. My Son, there is a worth Beyond the worth of warriors: ev'n in war itself The object is not war. The rapid deeds Of power, th' astounding wonders of the moment- It is not these that minister to man Aught useful, aught benignant or enduring.

In haste the wandering soldier comes, and builds With canvas his light town: here in a moment Is a rushing concourse; markets open; Roads and rivers crowd with merchandise And people; Traffic stirs his hundred arms.

Ere long, some morning, look,-and it is gone!

The tents are struck, the host has marched away; Dead as a churchyard lies the trampled seed-field, And wasted is the harvest of the year.

MAX. O Father! that the Kaiser _would_ make peace!

The b.l.o.o.d.y laurel I would gladly change For the first violet Spring should offer us, The tiny pledge that Earth again was young!

OCT. How's this? What is it that affects thee so?

MAX. Peace I have never seen? Yes, I have seen it!

Ev'n now I come from it: my journey led me Through lands as yet unvisited by war.

O Father! life has charms, of which we know not: We have but seen the barren coasts of life; Like some wild roving crew of lawless pirates, Who, crowded in their narrow noisome ship, Upon the rude sea, with rude manners dwell; Naught of the fair land knowing but the bays, Where they may risk their hurried thievish landing.

Of the loveliness that, in its peaceful dales, The land conceals-O Father!-O, of this, In our wild voyage we have seen no glimpse.

OCT. [_gives increased attention_]

And did this journey show thee much of it?

MAX. 'Twas the first holiday of my existence.

Tell me, where's the end of all this labour, This grinding labour that has stolen my youth, And left my heart uncheer'd and void, my spirit Uncultivated as a wilderness?

This camp's unceasing din; the neighing steeds; The trumpet's clang; the never-changing round Of service, discipline, parade, give nothing To the heart, the heart that longs for nourishment.

There is no soul in this insipid bus'ness; Life has another fate and other joys.

OCT. Much hast thou learn'd, my Son, in this short journey!

MAX. O blessed bright day, when at last the soldier Shall turn back to life, and be again a man!

Through th' merry lines the colours are unfurl'd, And homeward beats the thrilling soft peace-march; All hats and helmets deck'd with leafy sprays, The last spoil of the fields! The city's gates Fly up; now needs not the petard to burst them: The walls are crowded with rejoicing people; Their shouts ring through the air: from every tower Blithe bells are pealing forth the merry vesper Of that b.l.o.o.d.y day. From town and hamlet Flow the jocund thousands; with their hearty Kind impetuosity our march impeding.

The old man, weeping that he sees this day, Embraces his long-lost son: a stranger He revisits his old home; with spreading boughs The tree o'ershadows him at his return, Which waver'd as a twig when he departed; And modest blushing comes a maid to meet him, Whom on her nurse's breast he left. O happy, For whom some kindly door like this, for whom Soft arms to clasp him shall be open'd!-

QUEST. [_with emotion_] O that The times you speak of should be so far distant!

Should not be tomorrow, be today!

MAX. And who's to blame for it but you at Court?

I will deal plainly with you, Questenberg: When I observ'd you here, a twinge of spleen And bitterness went through me. It is you That hinder peace; yes, you. The General Must force it, and you ever keep tormenting him, Obstructing all his steps, abusing him; For what? Because the good of Europe lies Nearer his heart, than whether certain acres More or less of dirty land be Austria's!

You call him traitor, rebel, G.o.d knows what, Because he spares the Saxons; as if that Were not the only way to peace; for how If during war, war end not, _can_ peace follow?

Go to! go to! As I love goodness, so I hate This paltry work of yours: and here I vow to G.o.d, For him, this rebel, traitor Wallenstein, To shed my blood, my heart's blood, drop by drop, Ere I will see you triumph in his fall!

The Princess Thekla is perhaps still dearer to us. Thekla, just entering on life, with 'timid steps,' with the brilliant visions of a cloister yet undisturbed by the contradictions of reality, beholds in Max, not merely her protector and escort to her father's camp, but the living emblem of her shapeless yet glowing dreams. She knows not deception, she trusts and is trusted: their spirits meet and mingle, and 'clasp each other firmly and forever.' All this is described by the poet with a quiet inspiration, which finds its way into our deepest sympathies. Such beautiful simplicity is irresistible. 'How long,' the Countess Terzky asks,

How long is it since you disclosed your heart?

MAX. This morning first I risked a word of it.

COUN. Not till this morning during twenty days?

MAX. 'Twas at the castle where you met us, 'twixt this And Nepomuk, the last stage of the journey.

On a balcony she and I were standing, our looks In silence turn'd upon the vacant landscape; And before us the dragoons were riding, Whom the Duke had sent to be her escort.

Heavy on my heart lay thoughts of parting, And with a faltering voice at last I said: All this reminds me, Fraulein, that today I must be parted from my happiness; In few hours you will find a father, Will see yourself encircled by new friends; And I shall be to you nought but a stranger, Forgotten in the crowd-"Speak with Aunt Terzky!"

Quick she interrupted me; I noticed A quiv'ring in her voice; a glowing blush Spread o'er her cheeks; slow rising from the ground, Her eyes met mine: I could control myself No longer-

[_The Princess appears at the door, and stops; the Countess, but not Piccolomini, observing her._

-I clasp'd her wildly in my arms, My lips were join'd with hers. Some footsteps stirring I' th' next room parted us; 'twas you; what then Took place, you know.

COUN. And can you be so modest, Or incurious, as not once to ask me For _my_ secret, in return?

MAX. Your secret?

COUN. Yes, sure! On coming in the moment after, How my niece receiv'd me, what i' th' instant Of her first surprise she-

MAX. Ha?

THEKLA [_enters hastily_]. Spare yourself The trouble, Aunt! That he can learn from me.

We rejoice in the ardent, pure and confiding affection of these two angelic beings: but our feeling is changed and made more poignant, when we think that the inexorable hand of Destiny is already lifted to smite their world with blackness and desolation. Thekla has enjoyed 'two little hours of heavenly beauty;' but her native gaiety gives place to serious antic.i.p.ations and alarms; she feels that the camp of Wallenstein is not a place for hope to dwell in. The instructions and explanations of her aunt disclose the secret: she is not to love Max; a higher, it may be a royal, fate awaits her; but she is to tempt him from his duty, and make him lend his influence to her father, whose daring projects she now for the first time discovers. From that moment her hopes of happiness have vanished, never more to return. Yet her own sorrows touch her less than the ruin which she sees about to overwhelm her tender and affectionate mother. For herself, she waits with gloomy patience the stroke that is to crush her. She is meek, and soft, and maiden-like; but she is Friedland's daughter, and does not shrink from what is unavoidable. There is often a rect.i.tude, and quick inflexibility of resolution about Thekla, which contrasts beautifully with her inexperience and timorous acuteness of feeling: on discovering her father's treason, she herself decides that Max 'shall obey his first impulse,' and forsake her.

There are few scenes in poetry more sublimely pathetic than this. We behold the sinking but still fiery glory of Wallenstein, opposed to the impetuous despair of Max Piccolomini, torn asunder by the claims of duty and of love; the calm but broken-hearted Thekla, beside her broken-hearted mother, and surrounded by the blank faces of Wallenstein's desponding followers. There is a physical pomp corresponding to the moral grandeur of the action; the successive revolt and departure of the troops is heard without the walls of the Palace; the trumpets of the Pappenheimers reecho the wild feelings of their leader. What follows too is equally affecting. Max being forced away by his soldiers from the side of Thekla, rides forth at their head in a state bordering on frenzy. Next day come tidings of his fate, which no heart is hard enough to hear unmoved. The effect it produces upon Thekla displays all the hidden energies of her soul. The first accidental hearing of the news had almost overwhelmed her; but she summons up her strength: she sends for the messenger, that she may question him more closely, and listen to his stern details with the heroism of a Spartan virgin.

ACT IV. SCENE X.

THEKLA; THE SWEDISH CAPTAIN; FRaULEIN NEUBRUNN.

CAPT. [_approaches respectfully_]

Princess-I-must pray you to forgive me My most rash unthinking words: I could not-

THEKLA [_with n.o.ble dignity_].

You saw me in my grief; a sad chance made you At once my confidant, who were a stranger.

CAPT. I fear the sight of me is hateful to you: They were mournful tidings I brought hither.

THEKLA. The blame was mine! 'Twas I that forced them from you; Your voice was but the voice of Destiny.

My terror interrupted your recital: Finish it, I pray you.