51. KING THEODORIC TO FAUSTUS, PRAETORIAN PRAEFECT.

[Sidenote: Stipend of Thomas the Charioteer. Description of the Circus.]

'Constancy in actors is not a very common virtue, therefore with all the more pleasure do we record the faithful allegiance of Thomas the Charioteer, who came long ago from the East hither, and who, having become champion charioteer, has chosen to attach himself to "the seat of our Empire[309];" and we therefore decide that he shall be rewarded by a monthly allowance. He embraced what was then the losing side in the chariot races and carried it to victory--victory which he won so often that envious rivals declared that he conquered by means of witchcraft.

[Footnote 309: 'Nostri sedes delegit fovere _Imperii_.']

'The sight of a chariot-race (spectaculum) drives out morality and invites the most trifling contentions; it is the emptier of honourable conduct, the ever-flowing spring of squabbles: a thing which Antiquity commenced as a matter of religion, but which a quarrelsome posterity has turned into a sport.

'For Aenomaus is said first to have exhibited this sport at Elis, a city of Asia (?), and afterwards Romulus, at the time of the rape of the Sabines, displayed it in rural fashion to Italy, no buildings for the purpose being yet founded. Long after, Augustus, the lord of the world, raising his works to the same high level as his power, built a fabric marvellous even to Romans, which stretched far into the Vallis Murcia. This immense ma.s.s, firmly girt round with hills, enclosed a s.p.a.ce which was fitted to be the theatre of great events.

'Twelve _Ostia_ at the entrance represent the twelve signs of the Zodiac. These are suddenly and equally opened by ropes let down by the _Hermulae_ (little pilasters)[310]. The four colours worn by the four parties of charioteers denote the seasons: green for verdant spring, blue for cloudy winter, red for flaming summer, white for frosty autumn. Thus, throughout the spectacle we see a determination to represent the works of Nature. The _Biga_ is made in imitation of the moon, the _Quadriga_ of the sun. The circus horses (_Equi desultorii_), by means of which the servants of the Circus announce the heats (_Missos_) that are to be run, imitate the herald-swiftness of the morning star. Thus it came to pa.s.s that while they deemed they were worshipping the stars, they profaned their religion by parodying it in their games.

[Footnote 310: The Ostia are denoted by A and the Hermulae by H in the accompanying plan. (See page 230.)]

'A white line is drawn not far from the ostia to each _Podium_ (balcony), that the contest may begin when the quadrigae pa.s.s it, lest they should interrupt the view of the spectators by their attempts to get each before the other[311]. There are always seven circuits round the goals (_Metae_) to one heat, in a.n.a.logy with the days of the week.

The goals themselves have, like the decani[312] of the Zodiac, each three pinnacles, round which the swift quadrigae circle like the sun.

The wheels indicate the boundaries of East and West. The channel (_Euripus_) which surrounds the Circus presents us with an image of the gla.s.sy sea, whence come the dolphins which swim hither through the waters[313] (?). The lofty obelisks lift their height towards heaven; but the upper one is dedicated to the sun, the lower one to the moon: and upon them the sacred rites of the ancients are indicated with Chaldee signs for letters[314].

[Footnote 311: 'Ut quadrigis progredientibus, inde certamen oriretur: ne dum semper propere conantur elidere, spectandi voluptatem viderentur populis abrogare.' In fact, to compel the charioteers to start fair.]

[Footnote 312: Each sign of the Zodiac was considered to have three decani, occurring at intervals of ten days.]

[Footnote 313: 'Unde illuc delphini aequorei aquas interfluunt.' The sentence is very obscure, but the allusion must be to the dolphins, the figures of which were placed upon the spina.]

[Footnote 314: 'Obeliscorum quoque prolixitates ad coeli alt.i.tudinem sublevantur: sed potior soli, inferior lunae dicatus est: ubi sacra priscorum Chaldaicis signis, quasi litteris indicantur.']

'The _Spina_ (central wall, or backbone) represents the lot of the unhappy captives, inasmuch as the generals of the Romans, marching over the backs of their enemies, reaped that joy which was the reward of their labours. The _Mappa_ (napkin), which is still seen to give the signal at the games, came into fashion on this wise. Once when Nero was loitering over his dinner, and the populace, as usual, was impatient for the spectacle to begin, he ordered the napkin which he had used for wiping his fingers to be thrown out of window, as a signal that he gave the required permission. Hence it became a custom that the display of a napkin gave a certain promise of future _circenses_.

'The _Circus_ is so called from "circuitus:" _circenses_ is, as it were, _circu-enses_, because in the rude ages of antiquity, before an elaborate building had been prepared for the purpose, the races were exhibited on the green gra.s.s, and the mult.i.tude were protected by the river on one side and the swords (_enses_) of the soldiers on the other[315].

[Footnote 315: I can extract no other meaning than the above from this extraordinary sentence: 'Circenses, quasi circu-enses: propterea quod apud antiquitatem rudem, quae necdum spectacula in ornatum deduxerat fabricarum, inter _enses_ et flumina locis virentibus agerentur.']

'We observe, too, that the rule of this contest is that it be decided in twenty-four heats[316], an equal number to that of the hours of day and night. Nor let it be accounted meaningless that the number of circuits round the goals is expressed by the putting up of _eggs_[317], since that emblem, pregnant as it is with many superst.i.tions[318], indicates that something is about to be born from thence. And in truth we may well understand that the most fickle and inconstant characters, well typified by the birds who have laid those eggs, will spring from attendance on these spectacles[319]. It were long to describe in detail all the other points of the Roman Circus, since each appears to arise from some special cause. This only will we remark upon as pre-eminently strange, that in these beyond all other spectacles men's minds are hurried into excitement without any regard to a fitting sobriety of character. The Green charioteer flashes by: part of the people is in despair. The Blue gets a lead: a larger part of the City is in misery. They cheer frantically when they have gained nothing; they are cut to the heart when they have received no loss; and they plunge with as much eagerness into these empty contests as if the whole welfare of the imperilled fatherland were at stake.

[Footnote 316: _Missibus._ In a previous sentence Ca.s.siodorus makes the acc. plural _missos_.]

[Footnote 317: The number of times that the charioteers had rounded the goal was indicated by large wooden _eggs_, which were posted up in a conspicuous place on the spina. It seems that in a corresponding place near the other end of the spina figures of _dolphins_ were used for the same purpose. Upon the Cilurnum gem (figured on page 231) we can perceive four eggs near one end of the spina, and four creatures which may be dolphins near the other, indicating that four circuits out of the seven which const.i.tute a missus have been accomplished by the quadrigae.]

[Footnote 318: Alluding probably to the story of Castor and Pollux.]

[Footnote 319: 'Et ideo datur intelligi, volitantes atque inconstantissimos inde mores nasci, quos avium matribus aptaverunt.'

_Ovium_ would seem to give a better sense than _avium_.]

'No wonder that such a departure from all sensible dispositions should be attributed to a superst.i.tious origin. We are compelled to support this inst.i.tution by the necessity of humouring the majority of the people, who are pa.s.sionately fond of it; for it is always the few who are led by reason, while the many crave excitement and oblivion of their cares. Therefore, as we too must sometimes share the folly of our people, we will freely provide for the expenses of the Circus, however little our judgment approves of this inst.i.tution.'

[Notwithstanding some absurdities, the above description of the Circus Maximus (which I have attempted to translate in full) is of great value, being, after that given by Dionysius of Halicarna.s.sus, our chief authority on the subject. The accompanying plan (taken, with some slight variations, from Smith's 'Dictionary of Antiquities'), will, I trust, render it intelligible.

[Ill.u.s.tration: Plan of Ancient Circus.]

It is well ill.u.s.trated by the recently excavated 'Stadium of Augustus,' on the Palatine; but perhaps even better by a beautifully executed gem lately found at Chesters in Northumberland, on the site of the Roman station at Cilurnum. By the kindness of the owner, Mr.

Clayton, I am able to give an enlarged copy of this gem, which is described in the 'Archaeologia Aeliana,' vol. x. pp. 133-137.

[Ill.u.s.tration: The Circus Maximus, a magnified engraving of an intaglio on a carnelian signet-ring found at Cilurnum (Chesters in Northumberland) in 1882.]

The reader will easily discern the _Spina_ with one obelisk (not two, as described by Ca.s.siodorus) in the centre, the high tables supported by pillars on which the Ova and Delphini are placed, the three spindle-shaped columns which formed the _Meta_ at each end, and the four quadrigae (four was the regular number for each missus) careering in front.]

52. KING THEODORIC TO THE ILl.u.s.tRIOUS CONSULARIS.

[Sidenote: On Roman land surveying.]

'We are sorry to hear that a dispute (which is on the point of being settled by arms instead of by the law) has arisen between the Spectabiles Leontius and Paschasius as to the boundaries of their properties[320]. If they are so fierce against one another here in Italy, where there are mountains and rivers and the "arcaturae"

[square turrets of the land surveyor] to mark the boundaries, what would they have done in Egypt, where the yearly returning waters of the Nile wash out all landmarks, and leave a deposit of mud over all?

[Footnote 320: 'Casarum.' Casa is evidently no longer a cottage; perhaps the estate attached to a villa. There is probably still a flavour of rusticity about it.]

'Geometry was discovered by the Chaldaeans, who perceived that its principles lay at the root of Astronomy, Music, Mechanics, Architecture, Medicine, Logic, and every science which deals with generals. This science was eagerly welcomed by the Egyptians, who perceived the advantage it would be to them in recovering the boundaries of estates obliterated by the wished-for deluge[321] of the Nile.

[Footnote 321: 'Votiva inundatione.']

'Therefore let your Greatness send an experienced land surveyor (agrimensor) to settle this dispute by a.s.signing fixed boundaries to the two estates.

'Augustus made a complete survey of the whole "Orbis Roma.n.u.s," in order that each taxpayer should know exactly his resources and obligations. The results of this survey were tabulated by the author Hyrummetricus. The Professors of this Science [of land surveying] are honoured with a more earnest attention than falls to the lot of any other philosophers. Arithmetic, Theoretical Geometry, Astronomy, and Music are discoursed upon to listless audiences, sometimes to empty benches. But the land surveyor is like a judge; the deserted fields become his forum, crowded with eager spectators. You would fancy him a madman when you see him walking along the most devious paths. But in truth he is seeking for the traces of lost facts in rough woods and thickets[322]. He walks not as other men walk. His path is the book from which he reads; he _shows_ what he is saying; he proves what he hath learned; by his steps he divides the rights of hostile claimants; and like a mighty river he takes away the fields of one side to bestow them on the other.

[Footnote 322: An excellent description of an antiquary walking along a Roman 'Limes Imperii.']

'Wherefore, acting on our instructions, choose such a land surveyor, whose authority may be sufficient to settle this dispute, that the litigants may henceforth cultivate their lands in peace.'

53. KING THEODORIC TO THE ILl.u.s.tRIOUS Ap.r.o.nIa.n.u.s, COUNT OF THE PRIVATE DOMAINS.

[Sidenote: On Water-finders.]

'Your Greatness tells us that a water-finder has come to Rome from Africa, where, on account of the dryness of the soil, his art is greatly in request.

'We are glad to hear it. It is a very useful art.

'Signs of the existence of water are the greenness of the gra.s.s, the size of the trees, the nature of the plants, reeds, rushes, brambles, willows, poplars, &c. Some discover water by putting out dry wool under a bowl at night. So too, if you see at sunrise a cloud [or gossamer, 'sp.i.s.situdinem'] of very small flies. A mist rising like a column shows water as deep below as the column rises high above.

'The water-finder will also predict the quality of the water, and so prevent you from wasting labour on a brackish spring. This science was ably treated of by ----[323], and by Marcellus among the Latins. They tell us that waters which gush forth towards the east and south are light and wholesome; that those which emerge towards the north and west are too cold and heavy.

[Footnote 323: 'Apud Graecos _ille_.' Ca.s.siodorus has left the name blank, and has either forgotten or been unable to fill it up; like the 'ille et ille' in his State doc.u.ments.]

'So then, if the testimonials of the aforesaid water-finder and the results of his indications shall approve themselves to your wisdom, you may pay his travelling expenses and relieve his wants: he having to repay you by his future services. For though Rome itself is so abundantly supplied with aqueducts, there are many suburban places in which his help would be very useful. a.s.sociate with him also a mechanician who can sink for and raise the water when he has pointed it out. Rome ought not to lack anything which is an object of desire.'