[The Army and Navy Club, Washington, D. C., January 19, 1908.]

MY DEAR GEORGE,

I have just come upon a letter of yours that I got at Galveston and (I fear) did not acknowledge. But I've written you since, so I fancy all is well.

You mention that sonnet that Chamberlain asked for. You should not have let him have it--it was, as you say, the kind of stuff that magazines like. Nay, it was even better. But I wish you'd sent it elsewhere. You owed it to me not to let the Cosmopolitan's readers see anything of yours (for awhile, at least) that was less than _great_. Something as great as the sonnet that you sent to McClure's was what the circ.u.mstances called for.

"And strict concern of relativity"--O bother! that's not poetry. It's the slang of philosophy.

I am still awaiting my copy of the new "Testimony." That's why I'm scolding.

Sincerely yours, AMBROSE BIERCE.

[The Army and Navy Club, Washington, D. C., April 18, 1908.]

MY DEAR LORA,

I'm an age acknowledging your letter; but then you'd have been an age writing it if you had not done it for "Sloots." And the other day I had one from him, written in his own improper person.

I think it abominable that he and Carlt have to work so hard--at _their_ age--and I quite agree with George Sterling that Carlt ought to go to Carmel and grow potatoes. I'd like to do that myself, but for the fact that so many objectionable persons frequent the place: * * *, * * * and the like. I'm hoping, however, that the ocean will swallow * * * and be unable to throw him up.

I trust you'll let Sloots "retire" at seventy, which is really quite well along in life toward the years of discretion and the age of consent. But when he is retired I know that he will bury himself in the redwoods and never look upon the face of man again. That, too, I should rather like to do myself--for a few months.

I've laid out a lot of work for myself this season, and doubt if I shall get to California, as I had hoped. So I shall never, never see you. But you might send me a photograph.

G.o.d be with you.

AMBROSE BIERCE.

[Washington, D. C., July 11, 1908.]

N.B. If you follow the pages you'll be able to make _some_ sense of this screed.

MY DEAR GEORGE,

I am sorry to learn that you have not been able to break your commercial chains, since you wish to, though I don't at all know that they are bad for you. I've railed at mine all my life, but don't remember that I ever made any good use of leisure when I had it--unless the mere "having a good time" is such. I remember once writing that one's career, or usefulness, was about ended when one thought less about how best to do his work than about the hardship of having to do it. I might have said the hardship of having so little leisure to do it. As I grow older I see more and more clearly the advantages of disadvantage, the splendid urge of adverse conditions, the uplifting effect of repression. And I'm ashamed to note how little _I_ profited by them. I wasn't the right kind, that is all; but I indulge the hope that _you_ are.

No I don't think it of any use, your trying to keep * * * and me friends. But don't let that interfere with your regard for him if you have it. We are not required to share one another's feelings in such matters. I should not expect you to like my friends nor hate my enemies if they seemed to you different from what they seem to me; nor would I necessarily follow _your_ lead. For example, I loathe your friend * * * and expect his safe return because the ocean will refuse to swallow him.

I congratulate you on the Gilder acceptance of your sonnet, and on publication of the "Ta.s.so to Leonora." I don't think it your best work by much--don't think any of your blank verse as good as most of your rhyme--but it's not a thing to need apology.

Certainly, I shall be pleased to see Hopper. Give me his address, and when I go to New York--this month or the next--I'll look him up. I think well of Hopper and trust that he will not turn out to be an 'ist of some kind, as most writers and artists do. That is because they are good feelers and poor thinkers. It is the emotional element in them, not the logical, that makes them writers and artists. They have, as a rule, sensibility and no sense. Except the _big_ fellows.

Neale has in hand already three volumes of the "Collected Works," and will have two more in about a month; and all (I hope) this year. I'm revising all the stuff and cutting it about a good deal, taking from one book stuff for another, and so forth. If Neale gets enough subscriptions he will put out all the ten volumes next year; if not I shall probably not be "here" to see the final one issued.

Glad you think better of my part in the Hunter-Hillquit "symposium."

_I_ think I did very well considering, first, that I didn't care a d.a.m.n about the matter; second, that I knew nothing of the men I was to meet, nor what we were to talk about, whereas they came c.o.c.ked and primed for the fray; and, third, that the whole scheme was to make a Socialist holiday at my expense. Of all 'ists the Socialist is perhaps the d.a.m.nedest fool for (in this country) he is merely the cat that pulls chestnuts from the fire for the Anarchist. His part of the business is to talk away the country's attention while the Anarchist places the bomb. In some countries Socialism is clean, but not in this. And everywhere the Socialist is a dreamer and futilitarian.

But I guess I'll call a halt on this letter, the product of an idle hour in garrulous old age.

Sincerely yours, AMBROSE BIERCE.

[The Army and Navy Club, Washington, D. C., August 7, 1908.]

MY DEAR MR. CAHILL,

Your note inquiring about "Ashes of the Beacon" interests me. You mention it as a "pamphlet." I have no knowledge of its having appeared otherwise than as an article in the Sunday edition of the "N. Y.

American"--I do not recall the date. If it has been published as a pamphlet, or in any other form, separately--that is by itself--I should like "awfully" to know by whom, if _you_ know.

I should be pleased to send it to you--in the "American"--if I had a copy of the issue containing it, but I have not. It will be included in Vol. I of my "Collected Works," to be published by the Neale Publishing Company, N. Y. That volume will be published probably early next year.

But the work is to be in ten or twelve costly volumes, and sold by subscription only. That buries it fathoms deep so far as the public is concerned.

Regretting my inability to a.s.sist you, I am sincerely yours,

AMBROSE BIERCE.

[Washington, D. C., August 14, 1908.]

DEAR GEORGE,

I am amused by your att.i.tude toward the s.p.a.ced sonnet, and by the docility of Gilder. If I had been your editor I guess you'd have got back your sonnets. I never liked the s.p.a.ce. If the work naturally divides itself into two parts, as it should, the s.p.a.ce is needless; if not, it is worse than that. The s.p.a.ce was the invention of printers of a comparatively recent period, neither Petrarch nor Dante (as Gilder points out) knew of it. Every magazine has its own _system_ of printing, and Gilder's good-natured compliance with your wish, or rather demand, shows him to be a better fellow, though not a better poet, than I have thought him to be. As a victory of author over editor, the incident pleases.

I've not yet been in New York, but expect to go soon. I shall be glad to meet Hopper if he is there.

Thank you for the article from "Town Talk." It suggests this question: How many times, and covering a period of how many years, must one's unexplainable obscurity be pointed out to const.i.tute fame? Not knowing, I am almost disposed to consider myself the most famous of authors. I have pretty nearly ceased to be "discovered," but my notoriety as an obscurian may be said to be worldwide and apparently everlasting.

The trouble, I fancy, is with our vocabulary--the lack of a word meaning something intermediate between "popular" and "obscure"--and the ignorance of writers as to the reading of readers. I seldom meet a person of education who is not acquainted with some of my work; my clipping bureau's bills were so heavy that I had to discontinue my patronage, and Blake tells me that he sells my books at one hundred dollars a set. Rather amusing all this to one so widely unknown.

I sometimes wonder what you think of Scheff's new book. Does it perform the promise of the others? In the dedicatory poem it seems to me that it does, and in some others. As a good Socialist you are bound to like _that_ poem because of its political-economic-views. I like it despite them.

"The dome of the Capitol roars With the shouts of the Caesars of crime"

is great poetry, but it is not true. I am rather familiar with what goes on in the Capitol--not through the muck-rakers, who pa.s.s a few days here "investigating," and then look into their pockets and write, but through years of personal observation and personal acquaintance with the men observed. There are no Caesars of crime, but about a dozen rascals, all told, mostly very small fellows; I can name them all. They are without power or influence enough to count in the scheme of legislation. The really dangerous and mischievous chaps are the demagogues, friends of the pee-pul. And they do all the "shouting."

Compared with the Congress of our forefathers, the Congress of to-day is as a flock of angels to an executive body of the Western Federation of Miners.

When I showed the "dome" to * * * (who had been reading his own magazine) the tears came into his voice, and I guess his eyes, as he lamented the decay of civic virtue, "the treason of the Senate," and the rest of it. He was so affected that I hastened to brace him up with whiskey. He, too, was "squirming" about "other persons'