It was a handsome piece of furniture in ancient carved oak, and it stood against the wall which ran parallel with the hall of the house.

Excepting the s.p.a.ce occupied in the upper corner of the room by the second door, which opened into the hall, the book-case filled the whole length of the wall down to the window. The top was ornamented by vases, candelabra, and statuettes, in pairs, placed in a row. Looking along the row, I noticed a vacant s.p.a.ce on the top of the bookcase at the extremity of it which was nearest to the window. The opposite extremity, nearest to the door, was occupied by a handsome painted vase of a very peculiar pattern. Where was the corresponding vase, which ought to have been placed at the corresponding extremity of the book-case? I returned to the open sixth drawer of the cabinet, and looked in again. There was no mistaking the pattern on the fragments when I examined them now. The vase which had been broken was the vase which had stood in the place now vacant on the top of the book-case at the end nearest to the window.

Making this discovery, I took out the fragments, down to the smallest morsel of the shattered china, and examined them carefully one after another.

I was too ignorant of the subject to be able to estimate the value of the vase or the antiquity of the vase, or even to know whether it were of British or of foreign manufacture. The ground was of a delicate cream-color. The ornaments traced on this were wreaths of flowers and Cupids surrounding a medallion on either side of the vase. Upon the s.p.a.ce within one of the medallions was painted with exquisite delicacy a woman's head, representing a nymph or a G.o.ddess, or perhaps a portrait of some celebrated person--I was not learned enough to say which.

The other medallion inclosed the head of a man, also treated in the cla.s.sical style. Reclining shepherds and shepherdesses in Watteau costume, with their dogs and their sheep, formed the adornments of the pedestal. Such had the vase been in the days of its prosperity, when it stood on the top of the book-case. By what accident had it become broken? And why had Major Fitz-David's face changed when he found that I had discovered the remains of his shattered work of art in the cabinet drawer?

The remains left those serious questions unanswered--the remains told me absolutely nothing. And yet, if my own observation of the Major were to be trusted, the way to the clew of which I was in search lay, directly or indirectly, through the broken vase.

It was useless to pursue the question, knowing no more than I knew now.

I returned to the book-case.

Thus far I had a.s.sumed (without any sufficient reason) that the clew of which I was in search must necessarily reveal itself through a written paper of some sort. It now occurred to me--after the movement which I had detected on the part of the Major--that the clew might quite as probably present itself in the form of a book.

I looked along the lower rows of shelves, standing just near enough to them to read the t.i.tles on the backs of the volumes. I saw Voltaire in red morocco, Shakespeare in blue, Walter Scott in green, the "History of England" in brown, the "Annual Register" in yellow calf. There I paused, wearied and discouraged already by the long rows of volumes. How (I thought to myself) am I to examine all these books? And what am I to look for, even if I do examine them all?

Major Fitz-David had spoken of a terrible misfortune which had darkened my husband's past life. In what possible way could any trace of that misfortune, or any suggestive hint of something resembling it, exist in the archives of the "Annual Register" or in the pages of Voltaire?

The bare idea of such a thing seemed absurd The mere attempt to make a serious examination in this direction was surely a wanton waste of time.

And yet the Major had certainly stolen a look at the book-case. And again, the broken vase had once stood on the book-case. Did these circ.u.mstances justify me in connecting the vase and the book-case as twin landmarks on the way that led to discovery? The question was not an easy one to decide on the spur of the moment.

I looked up at the higher shelves.

Here the collection of books exhibited a greater variety. The volumes were smaller, and were not so carefully arranged as on the lower shelves. Some were bound in cloth, some were only protected by paper covers; one or two had fallen, and lay flat on the shelves. Here and there I saw empty s.p.a.ces from which books had been removed and not replaced. In short, there was no discouraging uniformity in these higher regions of the book-case. The untidy top shelves looked suggestive of some lucky accident which might unexpectedly lead the way to success. I decided, if I did examine the book-case at all, to begin at the top.

Where was the library ladder?

I had left it against the part.i.tion wall which divided the back room from the room in front. Looking that way, I necessarily looked also toward the door that ran in grooves--the imperfectly closed door through which I heard Major Fitz-David question his servant on the subject of my personal appearance when I first entered the house. No one had moved this door during the time of my visit. Everybody entering or leaving the room had used the other door, which led into the hall.

At the moment when I looked round something stirred in the front room.

The movement let the light in suddenly through the small open s.p.a.ce left by the partially closed door. Had somebody been watching me through the c.h.i.n.k? I stepped softly to the door, and pushed it back until it was wide open. There was the Major, discovered in the front room! I saw it in his face--he had been watching me at the book-case!

His hat was in his hand. He was evidently going out; and he dexterously took advantage of that circ.u.mstance to give a plausible reason for being so near the door.

"I hope I didn't frighten you," he said.

"You startled me a little, Major."

"I am so sorry, and so ashamed! I was just going to open the door, and tell you that I am obliged to go out. I have received a pressing message from a lady. A charming person--I should so like you to know her. She is in sad trouble, poor thing. Little bills, you know, and nasty tradespeople who want their money, and a husband--oh, dear me, a husband who is quite unworthy of her! A most interesting creature. You remind me of her a little; you both have the same carriage of the head. I shall not be more than half an hour gone. Can I do anything for you? You are looking fatigued. Pray let me send for some more champagne. No? Promise to ring when you want it. That's right! _Au revoir_, my charming friend--_au revoir!_"

I pulled the door to again the moment his back was turned, and sat down for a while to compose myself.

He had been watching me at the book-case! The man who was in my husband's confidence, the man who knew where the clew was to be found, had been watching me at the book-case! There was no doubt of it now.

Major Fitz-David had shown me the hiding-place of the secret in spite of himself!

I looked with indifference at the other pieces of furniture, ranged against the fourth wall, which I had not examined yet. I surveyed, without the slightest feeling of curiosity, all the little elegant trifles scattered on the tables and on the chimney-piece, each one of which might have been an object of suspicion to me under other circ.u.mstances. Even the water-color drawings failed to interest me in my present frame of mind. I observed languidly that they were most of them portraits of ladies--fair idols, no doubt, of the Major's facile adoration--and I cared to notice no more. _My_ business in that room (I was certain of it now!) began and ended with the book-case. I left my seat to fetch the library ladder, determining to begin the work of investigation on the top shelves.

On my way to the ladder I pa.s.sed one of the tables, and saw the keys lying on it which Major Fitz-David had left at my disposal.

The smaller of the two keys instantly reminded me of the cupboards under the bookcase. I had strangely overlooked these. A vague distrust of the locked doors a vague doubt of what they might be hiding from me, stole into my mind. I left the ladder in its place against the wall, and set myself to examine the contents of the cupboards first.

The cupboards were three in number. As I opened the first of them the singing upstairs ceased. For a moment there was something almost oppressive in the sudden change from noise to silence. I suppose my nerves must have been overwrought. The next sound in the house--nothing more remarkable than the creaking of a man's boots descending the stairs--made me shudder all over. The man was no doubt the singing-master, going away after giving his lesson. I heard the house door close on him, and started at the familiar sound as if it were something terrible which I had never heard before. Then there was silence again. I roused myself as well as I could, and began my examination of the first cupboard.

It was divided into two compartments.

The top compartment contained nothing but boxes of cigars, ranged in rows, one on another. The under compartment was devoted to a collection of sh.e.l.ls. They were all huddled together anyhow, the Major evidently setting a far higher value on his cigars than on his sh.e.l.ls. I searched this lower compartment carefully for any object interesting to me which might be hidden in it. Nothing was to be found in any part of it besides the sh.e.l.ls.

As I opened the second cupboard it struck me that the light was beginning to fail.

I looked at the window: it was hardly evening yet. The darkening of the light was produced by gathering clouds. Rain-drops pattered against the gla.s.s; the autumn wind whistled mournfully in the corners of the courtyard. I mended the fire before I renewed my search. My nerves were in fault again, I suppose. I shivered when I went back to the book-case.

My hands trembled: I wondered what was the matter with me.

The second cupboard revealed (in the upper division of it) some really beautiful cameos--not mounted, but laid on cotton-wool in neat cardboard trays. In one corner, half hidden under one of the trays, there peeped out the whit e leaves of a little ma.n.u.script. I pounced on it eagerly, only to meet with a new disappointment: the ma.n.u.script proved to be a descriptive catalogue of the cameos--nothing more!

Turning to the lower division of the cupboard, I found more costly curiosities in the shape of ivory carvings from j.a.pan and specimens of rare silk from China. I began to feel weary of disinterring the Major's treasures. The longer I searched, the farther I seemed to remove myself from the one object that I had it at heart to attain. After closing the door of the second cupboard, I almost doubted whether it would be worth my while to proceed farther and open the third and last door.

A little reflection convinced me that it would be as well, now that I had begun my examination of the lower regions of the book-case, to go on with it to the end. I opened the last cupboard.

On the upper shelf there appeared, in solitary grandeur, one object only--a gorgeously bound book.

It was of a larger size than usual, judging of it by comparison with the dimensions of modern volumes. The binding was of blue velvet, with clasps of silver worked in beautiful arabesque patterns, and with a lock of the same precious metal to protect the book from prying eyes. When I took it up, I found that the lock was not closed.

Had I any right to take advantage of this accident, and open the book?

I have put the question since to some of my friends of both s.e.xes. The women all agree that I was perfectly justified, considering the serious interests that I had at stake, in taking any advantage of any book in the Major's house. The men differ from this view, and declare that I ought to have put back the volume in blue velvet unopened, carefully guarding myself from any after-temptation to look at it again by locking the cupboard door. I dare say the men are right.

Being a woman, however, I opened the book without a moment's hesitation.

The leaves were of the finest vellum, with tastefully designed illuminations all round them. And what did these highly ornamental pages contain? To my unutterable amazement and disgust, they contained locks of hair, let neatly into the center of each page, with inscriptions beneath, which proved them to be love-tokens from various ladies who had touched the Major's susceptible heart at different periods of his life.

The inscriptions were written in other languages besides English, but they appeared to be all equally devoted to the same curious purpose, namely, to reminding the Major of the dates at which his various attachments had come to an untimely end. Thus the first page exhibited a lock of the lightest flaxen hair, with these lines beneath: "My adored Madeline. Eternal constancy. Alas, July 22, 1839!" The next page was adorned by a darker shade of hair, with a French inscription under it: "Clemence. Idole de mon ame. Toujours fidele. Helas, 2me Avril, 1840." A lock of red hair followed, with a lamentation in Latin under it, a note being attached to the date of dissolution of partnership in this case, stating that the lady was descended from the ancient Romans, and was therefore mourned appropriately in Latin by her devoted Fitz-David.

More shades of hair and more inscriptions followed, until I was weary of looking at them. I put down the book, disgusted with the creatures who had a.s.sisted in filling it, and then took it up again, by an afterthought. Thus far I had thoroughly searched everything that had presented itself to my notice. Agreeable or not agreeable, it was plainly of serious importance to my own interests to go on as I had begun, and thoroughly to search the book.

I turned over the pages until I came to the first blank leaf. Seeing that they were all blank leaves from this place to the end, I lifted the volume by the back, and, as a last measure of precaution, shook it so as to dislodge any loose papers or cards which might have escaped my notice between the leaves.

This time my patience was rewarded by a discovery which indescribably irritated and distressed me.

A small photograph, mounted on a card, fell out of the book. A first glance showed me that it represented the portraits of two persons.

One of the persons I recognized as my husband.

The other person was a woman.

Her face was entirely unknown to me. She was not young. The picture represented her seated on a chair, with my husband standing behind, and bending over her, holding one of her hands in his. The woman's face was hard-featured and ugly, with the marking lines of strong pa.s.sions and resolute self-will plainly written on it. Still, ugly as she was, I felt a pang of jealousy as I noticed the familiarly affectionate action by which the artist (with the permission of his sitters, of course) had connected the two figures in a group. Eustace had briefly told me, in the days of our courtship, that he had more than once fancied himself to be in love before he met with me. Could this very unattractive woman have been one of the early objects of his admiration? Had she been near enough and dear enough to him to be photographed with her hand in his? I looked and looked at the portraits until I could endure them no longer.

Women are strange creatures--mysteries even to themselves. I threw the photograph from me into a corner of the cupboard. I was savagely angry with my husband; I hated--yes, hated with all my heart and soul!--the woman who had got his hand in hers--the unknown woman with the self-willed, hard-featured face.

All this time the lower shelf of the cupboard was still waiting to be looked over.

I knelt down to examine it, eager to clear my mind, if I could, of the degrading jealousy that had got possession of me.