He clicked to another box that was on the right flat-screen. This video showed the interior of a luxuriously furnished condominium. The camera angle was from a high corner of the living room. The blondes and brunette now wore only panties. Badde was trying to get his pants off, but was having difficulty because he still had on his shoes. He was wobbling on his right leg, tugging at his left, and falling toward the brunette as she tried to help him keep his balance.

Santos clicked on the FAST FORWARD button, and the image blurred as more and more clothes came off.

Then no one wore anything.

Santo clicked FAST FORWARD again, blurring the image a bit more.

There next came some enthusiastic kissing and petting. Then Badde paired off with the brunette while the blondes turned to one another. The brunette lay on the leather couch, then reached for a wooden box on the coffee table. She pulled from the box a small packet, emptying its contents on her breast.

Shortly after snorting the cocaine, Badde lost all inhibition. The women were more than compliant to his wishes. Even with the video moving fast, the various acts left little to the imagination.

"I really would rather you not slow that down, Mike. I don't want to see any detail."

Santos clicked on the STOP button, and the screen became a black box.

"Thank you."

"But here's the coup de grce," Santos said.

Santos clicked a PLAY button that was in another box on the left screen.

"What the hell?" Garcia said, then sighed. "You know, Mike, some might suggest that this is borderline over the edge."

Santos looked up at Garcia. He looked serious.

"It's always good to have insurance, Bobby. Always. Yuri said Badde could be damn difficult, and to be careful with him. But until we met Badde in person, I didn't know if Yuri said that because Yuri can be a pain in the ass. Now, since Yuri is connected to him with Diamond Development, we have something on both of them." He looked back at the screen. "I got the idea for this from pictures I saw on the wall of that gayborhood bar we foreclosed on."

"That's a little comforting, I guess. I seriously was beginning to worry. I don't think I could handle you coming up with this all by yourself. I mean, a piata?"

Badde was lying on his belly on the white comforter of the bed, trussed up with his wrists and pudgy ankles tied above his buttocks with the soft fabric belt of a dressing robe. He was naked except for being wrapped in lengths of bright yellow and blue and green papier-mche. There was a small sombrero on his head.

"Hey," Santos said, "I bet your sorry half-gringo ass didn't know that the Chinese had their own piata first."

"They didn't call it that."

"I forget what it was called. Probably couldn't pronounce it if I did. Anyway, a version of whatever it was called made its way to Mexico in the 1500s, when the Catholics started making them with seven points for the seven sins. Beating one with a stick till it broke represented man's struggle-good versus evil-and the treats inside were the reward for keeping the faith." He glanced at Garcia, then back at the screen. "He looks pretty festive, don't you think?"

As Badde squirmed on the bed, a short, effeminate Hispanic male wearing a ridiculously small white cowboy hat strode into view. The camera angle was such that only his backside was visible-but it was a great deal of backside, as he wore only a pair of leather chaps with a holstered revolver hanging from each hip. He had a very well-defined and muscled body.

Then he turned and placed his groin in close proximity to what in role-playing would be considered the piata's face.

"Damn! He's hung like a horse, an angry one!"

The camera then captured the "cowboy" removing the sombrero and performing on the "piata" a sexual act that Garcia thought could never be described in polite company.

Garcia shook his head.

"You are one sick sonofabitch, mi amigo."

"Thanks to that zolpidem, Bobby, he'll never know that this ever happened-as long as he does what he's supposed to. I haven't decided if I'll get a snipped version of it to Yuri or not. But we'll have the whole thing here for safekeeping."

- Garcia studied Badde, who looked severely hungover. He knew that it was from all the alcohol and cocaine-and there had been a lot of it-because the zolpidem left no side effects. Garcia also found it interesting that one of the results of Badde being so badly bent was that he didn't exhibit his usual flashes of arrogance.

Still, no matter how hard he tried, Garcia simply could not look at Badde and shake the vision of him trussed up in the video.

Maybe he's lucky he doesn't remember a thing about it... .

"I'm going to run down to my office, Rapp, and get the papers for you to take back to Philly for your people to review and for signature," Garcia said, and moved toward the door. "Sooner we get the paperwork in motion, the sooner we can get preapproval of your project for the EB-5 funding. I'll be right back."

After Garcia went out the door, Badde turned to Santos.

"You know, Mike," he said agreeably, "you could have just overnighted those papers to me. You really shouldn't have gone through all the trouble of bringing me here to Dallas."

Santos grinned.

"It just wouldn't have been the same, Rapp. And it was no trouble at all."

"Well, I am glad you did."

"And I'm glad we did, too."

VI.

[ONE].

Cyril E. King International Airport Saint Thomas, United States Virgin Islands Monday, November 17, 10:30 A.M.

"Mr. Garvey, nice to see you again. Headed home for the holiday?" the U.S. Airways desk agent said, her tone genuinely sincere. She was a pleasant-looking dark-skinned Crucian (one born on Saint Croix) who was maybe thirty. "I thought you might treat your family, get them out of Philadelphia by bringing them here to our paradise. Weather says it's snowing there again."

John Garvey, thirty-six years old, was a fit five-eight. Fair-skinned, he had a scholarly, angular face with a full head of sandy blonde hair. He wore starched cuffed khakis, a white collarless shirt under a linen blazer, and tan loafers with no socks. His business card that was on his luggage tag identified him as John A. Garvey, Jr., Associate, D. H. Rendolok LLC, Historic Restoration & Preservation, Phila., Penna.

"Nice to see you, too," Garvey said, putting his black fabric suitcase at her feet, then automatically handing over his ID. He then lied, "Flying here was discussed, but the issue became how much of the family would get to come. When the wife's side exceeded ten, I said sorry. Can't afford that."

She made the obligatory look at his driver's license, handed it back, then noticed that he was sweating.

"Are you well, Mr. Garvey?"

"Just a touch of rock fever, I think," he said, and forced a smile.

Rock fever was the island equivalent of cabin fever-the overwhelming feeling of being stuck in a small place for too long.

"Now, that's just not possible!" she said, smiling. "You've been visiting us how long?"

"Almost six months now. Two weeks every month."

He leaned two white plastic tubes that were four feet in length and six inches in diameter against the counter.

"More blueprints?" she said.

"And architectural renderings. My cross to bear, if you'll pardon the pun."

She smiled. "Oh, I'm sure it is going to be even more beautiful when you're finished."

Garvey-an architect who held degrees in art and in history, as well as a master's in business administration from the University of Pennsylvania's Wharton School of Business-had been hired as chief architect to ensure that the updating of Saints Peter and Paul Cathedral remained historically faithful. Built in the mid-1800s, its ceilings and walls were covered in massive murals that portrayed a dozen scenes from the Old and New Testaments. Saints Peter and Paul-on Kronprindsens Gade in Charlotte Amalie, at the foot of Frenchman Hill, not two hundred yards from the scenic harbor's edge-served as the Virgin Islands seat of the Roman Catholic diocese.

As with all his restorative work, this project had required a great deal of research, which entailed traveling to the Virgin Islands regularly. That of course had triggered the usual expected comments from family and friends about having to quote unquote work in the beautiful Caribbean.

"Another lousy day in paradise, huh, John?"

But that had not been the reality of the situation.

He had, in fact, spent an inordinate amount of time in dark pockets of the buildings, examining construction methods-it originally had been built with stone quarried from the island, but over time new additions employed new methods-testing the load-bearing walls, even doing samplings of mortar to gauge the level of deterioration. Then there were the delicate murals themselves to consider.

By the end of the day, he was simply exhausted and headed to the hotel, which in no time had begun to feel more or less like any other hotel-a bed, a bathroom, a TV, a dusty Bible in a side-table drawer.

Instead of the sunny Caribbean it could just as well have been dreary Camden on the Delaware.

He did try to get out, break up the pattern. And, over time, he had become friendly to varying degrees with the locals. Ones at the church, of course, but also ones frequenting local spots, like the SandBar Grill, which was the next block over from his small hotel.

Two days earlier, as he had left the cathedral for the ten-block walk to his hotel, he heard his name called by a familiar voice.

He turned to see Jack Todd approaching. Captain Jack was one of what the locals called a "continental," someone from the States, visitors either with the means to stay in the islands for a long period or working at seasonal jobs.

A backslapping friendly type, Todd-who Garvey guessed was probably forty but could have been younger; his deeply tanned skin had been severely damaged and aged by the sun-had said that he was from Texas and worked on charter sailboats. How often he sailed, Garvey couldn't say. Captain Jack always seemed to be at the bar, in his usual shorts, T-shirt, and flip-flops, making friends and passing out business cards.

"Hey, John!" he had said, patting him on the back. "Let me buy you a drink."

- Captain Jack grabbed two mugs of St. John's Mango Pale Ale draft at the SandBar Grill's bar and carried them to John Garvey. He was sitting at a corner table on the SandBar Grill's patio. It had a view of the big harbor, the seaplane and helicopter ports, and the main airport itself.

"And you leave again tomorrow?" Todd said, making it more a statement than a question.

"That's right. But I'll be back. Like clockwork."

Todd nodded. "Yeah. I know."

What does he mean by that? Garvey thought.

Todd then reached down and produced from the floor a dirty manila envelope. He held it out to him.

"What's this?" Garvey said, putting down his beer mug.

"Open it," Todd said coolly, motioning at it with his hand.

Garvey carefully peeled back its flap. He reached in and removed a short stack of five-by-seven photographs. They were not on slick photo paper. Instead, they had been printed on a standard color printer on regular white paper, two images per page, and the page torn to separate the photos.

"Sorry that the quality of the pictures is so crappy," Todd said. "But you get the idea."

The top one, of John's wife walking with their son in front of Saint Mary's in Philadelphia, initially made him wonder if this had something to do with his work at the cathedral. Then the next photograph was of his wife entering their Victorian house in Northeast Philly. And he quickly flipped to the next, a shot of his son leaving school.

"What the hell is this?" Garvey snapped.

Captain Jack met his eyes.

"They know all about your family. And their schedule. And your schedule."

John Garvey felt the hair on the back of his neck stand up.

"I don't understand... and who the hell is 'they'?"

"If it's any consolation, I don't want to work for them, either. But one thing led to another here and-"

John Garvey, starting to stand, interrupted, "I don't know where you got these, but-"

"Sit down, John. There's no way of getting out of this. I've learned that the hard way."

"Get out of what?" Garvey said, staring at Todd.

"Sit."

As Garvey slipped back in his chair, he said, "This can't have anything to do with the church?"

Captain Jack laughed as he looked past Garvey, out to the sea. He took a chug of his beer, then looked back at Garvey.

"Depends on what you worship, my friend. Look. It is very simple. They have a task for you to do. You're a regular business traveler. There's no customs to clear in Philly. You'll zip right through, man. Piece of cake."

"What task?"

"You do this, and nothing will happen to your family."

"What the hell does that mean?" Garvey blurted. "Why are you threatening me?"

Todd's face turned very serious. "Look. You better learn to control your emotions. Not doing so could cause you to screw up, and that would be a very unfortunate thing for you, for your family."

Todd flipped back to the bottom photograph.

Garvey saw that it was of a dark-haired boy about the age of his own blonde-headed son. He was floating facedown along a dirty, rocky riverbank.