"The problem was, we had no physical evidence contradicting his story. Nothing. Just our feeling that she wouldn't have done it the way he said. The wound stuff wasn't enough. And then, in his favor, was the knife. It was on the bed, we could see it had fingerprints in the blood. I had no doubt they'd be hers. That's not hard to do once she's dead. So while it didn't impress me, that didn't matter. It's what the DA would think and then what a jury would think after that. Reasonable doubt is a big black hole that swallows cases like this. We needed more."

"So what happened?"

"It's what we call a he-said-she-said. One person's word against the other, but only the other is dead in this case. Makes it even harder. We had nothing but his story. So what you do in a case like that is you sweat the guy. You turn him. And there's a lot of ways to do it. But, basically, you gotta break him down in the rooms. We-"

"The rooms?"

"The interrogation rooms. In the bureau. We took this guy into a room. As a witness. We didn't formally arrest him. We asked if he'd come down, said that we had to straighten a few things out about what she did, and he said sure. You know, Mr. Cooperative. Still cool. We stuck him in a room and then Edgar and I went down to the watch office to get some of the good coffee. They've got good coffee there, one of those big urns that was donated by some restaurant that got wrecked in the quake. Everybody goes in there to get coffee. Anyway, we're takin' our time, talkin' about how we're going to go at this guy, which one of us wanted him first, and so on. Meantime, f.u.c.kin' Pounds-excuse me-sees the guy in the room through the little window and goes in and informs him. And-"

"What do you mean, informs him?"

"Reads him his rights. This is our G.o.dd.a.m.n witness and Pounds, who doesn't know what the h.e.l.l he's doing, thinks he's gotta go in there and give the guy the spiel. He thinks like we forgot or something."

Bosch looked at her with outrage on his face but immediately saw she didn't understand.

"Wasn't that the right thing to do?" she asked. "Aren't you required by law to inform people of their rights?"

Bosch struggled to contain his anger, reminding himself that Hinojos might work for the department, but she was an outsider. Her perceptions of police work were likely based more on the media than on the actual reality.

"Let me give you a quick lesson on what's the law and what's real. We-the cops-have the deck stacked against us. What Miranda Miranda and all the other rules and regs amount to is that we have to take some guy we know is, or at least think is, guilty and basically say, 'Hey, look, we think you did it and the Supreme Court and every lawyer on the planet would advise you not to talk to us, but, how about it, will you talk to us?' It just doesn't work. You gotta get around that. You gotta use guile and some bluffing and you gotta be sneaky. The rules of the courts are like a tightrope that you're walking on. You have to be very careful but there is a chance you can walk on it to get to the other side. So when some a.s.shole who doesn't know s.h.i.t walks in on your guy and informs him, it can pretty much ruin your whole day, not to mention the case." and all the other rules and regs amount to is that we have to take some guy we know is, or at least think is, guilty and basically say, 'Hey, look, we think you did it and the Supreme Court and every lawyer on the planet would advise you not to talk to us, but, how about it, will you talk to us?' It just doesn't work. You gotta get around that. You gotta use guile and some bluffing and you gotta be sneaky. The rules of the courts are like a tightrope that you're walking on. You have to be very careful but there is a chance you can walk on it to get to the other side. So when some a.s.shole who doesn't know s.h.i.t walks in on your guy and informs him, it can pretty much ruin your whole day, not to mention the case."

He stopped and studied her. He still saw skepticism. He knew then that she was just another citizen who would be scared s.h.i.tless if she ever got a dose of the way things really were on the street.

"When someone is informed, that's it," he said. "It's over. Me and Edgar came back in from coffee and the john sits there and says he thinks he wants his lawyer. I said, 'What lawyer, who's talking about lawyers? You're a witness, not a suspect,' and he tells us that the lieutenant just read him his rights. I don't know at that moment who I hated more, Pounds for blowing it or this guy for killing the girl."

"Well, tell me this, what would have happened if Pounds had not done what he did?"

"We would've made friendly with the guy, asked him to tell his story in as much detail as possible and hoped there would be inconsistencies when compared to what he'd told the uniforms. Then we would have said, 'The inconsistencies in your statements make you a suspect.' Then Then we would have informed him and hopefully clubbed the s.h.i.t out of him with the inconsistencies and the problems we found with the scene. We would have tried, and maybe succeeded, in finessing a confession. Most of what we do is just get people to talk. It's not like the stuff on TV. It's a hundred times harder and dirtier. But just like you, what we do is get people to talk...Anyway, that's my view. But we'll never know now what could've happened because of Pounds." we would have informed him and hopefully clubbed the s.h.i.t out of him with the inconsistencies and the problems we found with the scene. We would have tried, and maybe succeeded, in finessing a confession. Most of what we do is just get people to talk. It's not like the stuff on TV. It's a hundred times harder and dirtier. But just like you, what we do is get people to talk...Anyway, that's my view. But we'll never know now what could've happened because of Pounds."

"Well, what did happen after you found out he'd been informed?"

"I left the room and walked straight into where Pounds was in his office. He knew something was wrong because he stood up. I remember that. I asked him if he'd informed my guy and when he said yes, we got into it. Both of us, screaming...then I don't really remember how it happened. I'm not trying to deny anything. I just don't remember the details. I must've grabbed him and pushed him. And his face went through the gla.s.s."

"What did you do when that happened?"

"Well, some of the guys came running in and pulled me out of there. The station commander sent me home. Pounds had to go to the hospital to fix his nose. IAD took a statement from him and I was suspended. And then Irving stepped in and changed it to ISL. Here I am."

"What happened with the case?"

"The john never talked. He got his lawyer and waited it out. Edgar went with what we had to the DA last Friday and they kicked it. They said they weren't going into court with a no-witness case with a few minor inconsistencies...Her prints were on the knife. Big surprise. What it came down to is that she didn't count. At least not enough for them to take the chance of losing."

Neither of them spoke for a few moments. Bosch guessed that she was thinking about the corollaries between this case and his mother's.

"So what we've got," he finally said, "is a murderer out there on the street and the guy who allowed him to go free is back behind his desk, the broken gla.s.s already replaced, business as usual. That's our system. I got mad about it and look what it got me. Stress leave and maybe the end of my job."

She cleared her throat before going into her appraisal of the story.

"As you have set down the circ.u.mstances of what happened, it is quite easy to see your rage. But not the ultimate action you took. Have you ever heard the phrase, 'a mad minute?' "

Bosch shook his head.

"It's a way of describing a violent outburst that has its roots in several pressures on an individual. It builds up and is released in a quick moment-usually violently, often against a target not wholly responsible for the pressure."

"If you need me to say Pounds was an innocent victim, I'm not going to say it."

"I don't need that. I just need you to look at this situation and how it could happen."

"I don't know. s.h.i.t just happens."

"When you physically attack someone, don't you feel that you lower yourself to the same level as the man who was set free?"

"Not by a long shot, Doctor. Let me tell you something, you can look at all parts of my life, you can throw in earthquakes, fires, floods, riots and even Vietnam, but when it came down to just me and Pounds in that gla.s.s room, none of that mattered. You can call it a mad minute or whatever you want. Sometimes, the moment is all that matters and in that moment I was doing the right thing. And if these sessions are designed to make me see I did something wrong, forget it. Irving b.u.t.tonholed me the other day in the lobby and asked me to think about an apology. f.u.c.k that. I did the right thing."

She nodded, adjusted herself in her seat and looked more uncomfortable than she had through his long diatribe. Finally, she looked at her watch and he looked at his. His time was up.

"So," he said, "I guess I've set the cause of psychotherapy back a century, huh?"

"No, not at all. The more you know of a person and the more you know of a story, the more you understand how things happen. It's why I enjoy my job."

"Same here."

"Have you spoken to Lieutenant Pounds since the incident?"

"I saw him when I dropped off the keys to my car. He had it taken away. I went into his office and he practically got hysterical. He's a very small man and I think he knows it."

"They usually do."

Bosch leaned forward, ready to get up and leave, when he noticed the envelope she had pushed to the side of her desk.

"What about the photos?"

"I knew you'd bring that up one more time."

She looked at the envelope and frowned.

"I need to think about it. On several levels. Can I keep them while you go to Florida? Or will you need them?"

"You can keep 'em."

Chapter Twenty-two.

AT FOUR-FORTY IN the morning California time the air carrier landed at Tampa International Airport. Bosch leaned bleary-eyed against a window in the coach cabin, watching the sun rising in the Florida sky for the first time. As the plane taxied, he took off his watch and moved the hands ahead three hours. He was tempted to check into the nearest motel for some real sleep but knew he didn't have the time. From the AAA map he had brought with him, it looked like it was at least a two-hour drive down to Venice. the morning California time the air carrier landed at Tampa International Airport. Bosch leaned bleary-eyed against a window in the coach cabin, watching the sun rising in the Florida sky for the first time. As the plane taxied, he took off his watch and moved the hands ahead three hours. He was tempted to check into the nearest motel for some real sleep but knew he didn't have the time. From the AAA map he had brought with him, it looked like it was at least a two-hour drive down to Venice.

"It's nice to see a blue sky."

It was the woman next to him in the aisle seat. She was leaning over toward him, looking out the window herself. She was in her mid-forties with prematurely gray hair. It was almost white. They had talked a bit in the early part of the flight and Bosch knew she was heading back to Florida rather than visiting as he was. She had given L.A. five years but had had enough. She was going home. Bosch didn't ask who or what she was coming home to, but had wondered if her hair was white when she had first landed in L.A. five years before.

"Yeah," he replied. "These night flights take forever."

"No, I meant the smog. There is none."

Bosch looked at her and then out the window, studying the sky.

"Not yet."

But she was right. The sky had a quality of blue he rarely saw in L.A. It was the color of swimming pools, with billowing white c.u.mulus clouds floating like dreams in the upper atmosphere.

The plane cleared out slowly. Bosch waited until the end, got up and rolled his back to relieve the tension. The joints of his backbone cracked like dominoes going down. He got his overnighter out of the compartment above and headed out.

As soon as he stepped off the plane into the jetway, the humidity surrounded him like a wet towel with an incubating warmth. He made it into the air-conditioned terminal and decided to scratch his plan to rent a convertible.

A half hour later he was on the 275 freeway crossing Tampa Bay in another rented Mustang. He had the windows up and the air-conditioning on but he was sweating as his body still had not acclimated to the humidity.

What struck him most about Florida on this first drive was its flatness. For forty-five minutes not a hillrise came in sight until he reached the concrete-and-steel mountain called the Skyway Bridge. Bosch knew that the steeply graded bridge over the mouth of the bay was a replacement for one that had fallen but he drove across it fearlessly and above the speed limit. After all, he came from postquake Los Angeles, where the unofficial speed limit under under bridges and overpa.s.ses was on the far right side of the speedometer. bridges and overpa.s.ses was on the far right side of the speedometer.

After the skyway the freeway merged with the 75 and he reached Venice two hours after landing. Cruising along the Tamiami Trail, he found the small pastel-painted motels inviting as he struggled with fatigue, but he drove on and looked for a gift shop and a pay phone.

He found both in the Coral Reef Shopping Plaza. The Tacky's Gifts and Cards store wasn't due to open until ten and Bosch had five minutes to waste. He went to a pay phone on the outside wall of the sand-colored plaza and looked up the post office in the book. There were two in town so Bosch took out his notebook and checked Jake McKittrick's zip code. He called one of the post offices listed in the book and learned that the other one catered to the zip code Bosch had. He thanked the clerk who had provided the information and hung up.

When the gift shop opened, Bosch went to the cards aisle and found a birthday card that came with a bright red envelope. He took it to the counter without even reading the inside or the outside of the card. He picked a local street map out of a display next to the cash register and put that on the counter as well.

"That's a nice card," said the old woman who rang up the sale. "I'm sure she'll just love it."

She moved as if she were underwater and Bosch wanted to reach over the counter and punch in the numbers himself, just to get it going.

In the Mustang, Bosch put the card in the envelope without signing it, sealed it and wrote McKittrick's name and post office box number on the front. He then started the car and got back on the road.

It took him fifteen minutes working with the map to find the post office on West Venice Avenue. When he got inside, he found it largely deserted. An old man was standing at a table slowly writing an address on an envelope. Two elderly women were in line for counter service. Bosch stood behind them and realized that he was seeing a lot of senior citizens in Florida and he'd only been here a few hours. It was just like he had always heard.

Bosch looked around and saw the video camera on the wall behind the counter. He could tell by its positioning it was there more for recording customers and possible robbers than for surveilling the clerks, though their workstations were probably fully in view as well. He was undeterred. He took a ten-dollar bill out of his pocket, folded it cleanly and held it with the red envelope. He then checked his loose change and came up with the right amount. It seemed like an excruciatingly long time as the one clerk waited on the women.

"Next in line."

It was Bosch. He walked up to the counter where the clerk waited. He was about sixty and had a perfect white beard. He was overweight and his skin seemed too red to Bosch. As if he was mad or something.

"I need a stamp for this."

Bosch put down the change and the envelope. The ten-dollar bill was folded on top of it. The postman acted like he didn't see it.

"I was wondering, did they put the mail out yet in the boxes?"

"They're back there doin' it now."

He handed Bosch a stamp and swiped the change off the counter. He didn't touch the ten or the red envelope.

"Oh, really?"

Bosch picked up the envelope, licked the stamp and put it on. He then put the envelope back down on top of the ten. He was sure the postman had observed this.

"Well, jeez, I really wanted to get this to my Uncle Jake. It's his birthday today. Any way somebody could run it back there? That way he'd get it when he came in today. I'd deliver it in person but I've got to get back to work."

Bosch slid the envelope with the ten underneath it across the counter, closer to white beard.

"Well," he said, "I'll see what I can do."

The postman shifted his body to the left and turned slightly, shielding the transaction from the video camera. In one fluid motion he took the envelope and the ten off the counter. He quickly transferred the ten to his other hand and it dove for cover in his pocket.

"Be right back," he called to the people still in line.

Out in the lobby, Bosch found Box 313 and looked through the tiny pane of gla.s.s inside. The red envelope was there along with two white letters. One of the white envelopes was upside down and its return address was partially visible.

City of Departm P.O. Bo Los Ang 90021-3.

Bosch felt reasonably sure the envelope carried McKittrick's pension check. He had beaten the mail to him. He walked out of the post office, bought two cups of coffee and a box of doughnuts in the convenience store next door and then returned to the Mustang to wait in the day's growing heat. It wasn't even May yet. He couldn't imagine what a summer must be like here.

Bored with watching the post office door after an hour, Bosch turned on the radio and found it tuned to a channel featuring a southern evangelical ranter. It took several seconds before Harry realized that the speaker's subject was the Los Angeles earthquake. He decided not to change the station.

"And ah ask, is it a coincidence that this cata-clysmic calamity was centered in the very heart of the ind'stry that poe-loots this entarh nation with the s.m.u.t of pone-ography? I think not! I believe the Lahd struck a mighty blow to the infidels engaged in this vile and mul-tie-billyon-dollah trade when he cracked the uth asundah. It is a sign, mah frens, a sign of things that ah to come. A sign that all is not right in-"

Bosch turned it off. A woman had just come out of the post office holding a red envelope among other pieces of mail. Bosch watched her cross the parking lot to a silver Lincoln Town Car. Bosch instinctively jotted the plate number down, though he had no law enforcement contact in this part of the state who would run it for him. The woman was in her mid-sixties, Bosch guessed. He had been waiting for a man, but her age made her fit. He started the Mustang and waited for her to pull out.

She drove north on the main highway toward Sarasota. Traffic moved slowly. After about fifteen minutes and maybe two miles, the Town Car took a left on Vamo Road and then almost immediately took a right on a private road camouflaged by tall trees and green growth. Bosch was only ten seconds behind her. As he came up to the drive, he slowed but didn't turn in. He saw a sign set back in the trees.

Welcome To PELICAN COVE.

Condominium Homes, Dockage The Town Car pa.s.sed by a guard shack with a red-and-white-striped gate arm coming down behind it.

"s.h.i.t!"

Bosch hadn't antic.i.p.ated anything like a gated community. He a.s.sumed that such things were rare outside of Los Angeles. He looked at the sign again, then turned around and headed out to the main road. He remembered seeing another shopping plaza right before he had turned on to Vamo.

There were eight homes in Pelican Cove listed in the For Sale section of the Sarasota Herald-Tribune Sarasota Herald-Tribune, but only three were for sale by owner. Bosch went to a pay phone in the plaza and called the first one. He got a tape. On the second call the woman who answered said her husband was golfing for the day and she felt uncomfortable showing the property without him. On the third call, the woman who answered invited Bosch to come over right away and even said she'd have fresh lemonade prepared when he got there.

Bosch felt a momentary pang of guilt about taking advantage of a stranger who was just trying to sell her home. But it pa.s.sed quickly as he considered that the woman would never know she had been used in such a way, and he had no other alternative for getting to McKittrick.

After he was cleared at the gate and got directions to the lemonade lady's unit, Bosch drove through the densely wooded complex, looking for the silver Town Car. It didn't take him long to see that the complex was mostly a retirement community. He pa.s.sed several elderly people in cars or on walks, almost all of them with white hair and skin browned by the sun. He quickly found the Town Car, checked his location against the map given to him at the guard shack and was about to make a cursory visit to the lemonade lady to avoid suspicion. But then he saw another silver Town Car. It was a popular car with the older set, he guessed. He took out his notebook and checked the plate number he had written down. Neither car had been the one he had followed earlier.

He drove on and finally found the right Town Car in a secluded spot in the far reaches of the complex. It was parked in front of a two-story building of dark wood siding surrounded by oak and paper trees. It looked to Bosch as if there were six units in the building. Easy enough, he thought. He consulted the map and got back on course to the lemonade lady. She was on the second floor of a building on the other side of the complex.

"You're young," she said when she answered the door.

Bosch wanted to say the same thing back to her but held his tongue. She looked like she was in her mid- to late thirties, which put her three decades behind anyone Bosch had seen around the complex so far. She had an attractive and evenly tanned face framed in brown shoulder-length hair. She wore blue jeans, a blue oxford shirt and a black vest with a colorful pattern in the front. She didn't bother with much makeup, which Bosch liked. She had serious green eyes, which he also didn't disagree with.