"Evening meeting?" repeated Mrs. Erwin.

"Yes,--the church to-night."

"Why, child, there isn't any church to-night! What _are_ you talking about?"

"Didn't uncle--didn't Mr. Erwin say he would go with us to-night?"

Mrs. Erwin seemed about to laugh, and then she looked embarra.s.sed. "Why, Lydia," she cried at last, "he didn't mean church; he meant--opera!"

"Opera! Sunday night! Aunt Josephine, do you go to the theatre on Sabbath evening?"

There was something appalling in the girl's stern voice. Mrs. Erwin gathered herself tremulously together for defense. "Why, of course, Lydia, I don't approve of it, though I never _was_ Orthodox. Your uncle likes to go; and if everybody's there that you want to see, and they will give the best operas Sunday night, what are you to do?"

Lydia said nothing, but a hard look came into her face, and she shut her lips tight.

"Now you see, Lydia," resumed her aunt, with an air of deductive reasoning from the premises, "the advantage of having a bonnet on, even if it's only a make-believe. I don't believe a soul knew it. All those Americans had hats. You were the only American girl there with a bonnet.

I'm sure that it had more than half to do with Lady Fenleigh's speaking to you. It showed that you had been well brought up."

"But I never wore a bonnet to church at home," said Lydia.

"That has nothing to do with it, if they thought you did. And Lydia,"

she continued, "I was thinking while you were singing there that I wouldn't say anything at once about your coming over to cultivate your voice. That's got to be such an American thing, now. I'll let it out little by little,--and after Lady Fenleigh's quite taken you under her wing. Perhaps we may go to Milan with you, or to Naples,--there's a conservatory there, too; and we can pull up stakes as easily as not.

Well!" said Mrs. Erwin, interrupting herself, "I'm glad Henshaw wasn't by to hear _that_ speech. He'd have had it down among his Americanisms instantly. I don't know whether it _is_ an Americanism; but he puts down all the outlandish sayings he gets hold of to Americans; he has no end of English slang in his book. Everything has opened _beautifully_, Lydia, and I intend you shall have the _best_ time!" She looked fondly at her brother's child. "You've no idea how much you remind me of your poor father. You have his looks exactly. I always thought he would come out to Europe before he died. We used to be so proud of his looks at home! I can remember that, though I was the youngest, and he was ten years older than I. But I always did worship beauty. A perfect Greek, Mr. Rose-Black calls me: you'll see him; he's an English painter staying here; he comes a _great_ deal."

"Mrs. Erwin, Mrs. Erwin!" called a lady's voice from a gondola behind them. The accent was perfectly English, but the voice entirely Italian.

"Where are you running to?"

"Why, Miss Landini!" retorted Mrs. Erwin, looking back over her shoulder. "Is that you? Where in the world are _you_ going?"

"Oh, I've been to pay a visit to my old English teacher. He's awfully ill with rheumatism; but awfully! He can't turn in bed."

"Why, poor man! This is my niece whom I told you I was expecting!

Arrived last night! We've been to church!" Mrs. Erwin exclaimed each of the facts.

The Italian girl stretched her hand across the gunwales of the boats, which their respective gondoliers had brought skillfully side by side, and took Lydia's hand. "I'm glad to see you, my dear. But my G.o.d, how beautiful you Americans are! But you don't look American, you know; you look Spanish! I shall come a great deal to see you, and practice my English."

"Come home with, us now, Miss Landini, and have lunch," said Mrs. Erwin.

"No, my dear, I can't. My aunt will be raising the devil if I'm not there to drink coffee with her; and I've been a great while away now.

Till tomorrow!" Miss Landini's gondolier pushed his boat away, and rowed it up a narrow ca.n.a.l on the right.

"I suppose," Mrs. Erwin explained, "that she's really her mother,--everybody says so; but she always calls her aunt. Dear knows who her father was. But she's a very bright girl, Lydia, and you'll like her. Don't you think she speaks English wonderfully for a person who's never been out of Venice?"

"Why does she swear?" asked Lydia, stonily.

"_Swear_? Oh, I know what you mean. That's the funniest thing about Miss Landini. Your uncle says it's a shame to correct her; but I do, whenever I think of it. Why, you know, such words as G.o.d and devil don't sound at all wicked in Italian, and ladies use them quite commonly. She understands that it isn't good form to do so in English, but when she gets excited she forgets. Well, you can't say but what _she_ was impressed, Lydia!"

After lunch, various people came to call upon Mrs. Erwin. Several of them were Italians who were learning English, and they seemed to think it inoffensive to say that they were glad of the opportunity to practice the language with Lydia. They talked local gossip with her aunt, and they spoke of an approaching visit to Venice from the king; it seemed to Lydia that the king's character was not good.

Mr. Rose-Black, the English artist, came. He gave himself the effect of being in Mrs. Erwin's confidence, apparently without her authority, and he bestowed a share of this intimacy upon Lydia. He had the manner of a man who had been taken up by people above him, and the impudence of a talent which had not justified the expectations formed of it. He softly reproached Mrs. Erwin for running away after service before he could speak to her, and told her how much everybody had been enchanted by her niece's singing. "At least, they said it was your niece."

"Oh, yes, Mr. Rose-Black, let me introduce you to Miss--" Lydia looked hard, even to threatening, at her aunt, and Mrs. Erwin added, "Blood."

"I beg your pardon," said Mr. Rose-Black, with his picked-up politeness, "I didn't get the name."

"Blood," said Mrs. Erwin, more distinctly.

"Aoh!" said Mr. Rose-Black, in a cast-off accent of jaded indifferentism, just touched with displeasure. "Yes," he added, dreamily, to Lydia, "it was divine, you know. You might say it needed training; but it had the _nave_ sweetness we a.s.sociate with your countrywomen. They're greatly admired in England now, you know, for their beauty. Oh, I a.s.sure you, it's quite the thing to admire American ladies. I want to arrange a little lunch at my studio for Mrs. Erwin and yourself; and I want you to abet me in it, Miss Blood." Lydia stared at him, but he was not troubled. "I'm going to ask to sketch you. Really, you know, there's a poise--something bird-like--a sort of repose in movement--" He sat in a corner of the sofa, with his head fallen back, and abandoned to an absent enjoyment of Lydia's pictorial capabilities.

He was very red; his full beard, which started as straw color, changed to red when it got a little way from his face. He wore a suit of rough blue, the coat b.u.t.toned tightly about him, and he pulled a glove through his hand as he talked. He was scarcely roused from his reverie by the entrance of an Italian officer, with his hussar jacket hanging upon one shoulder, and his sword caught up in his left hand. He ran swiftly to Mrs. Erwin, and took her hand.

"Ah, my compliments! I come practice my English with you a little. Is it well said, a little, or do you say a small?"

"A little, cavaliere," answered Mrs. Erwin, amiably. "But you must say a good deal, in this case."

"Yes, yes,--good deal. For what?"

"Let me introduce you to my niece. Colonel Pazzelli," said Mrs. Erwin.

"Ah! Too much honor, too much honor!" murmured the cavaliere. He brought his heels together with a click, and drooped towards Lydia till his head was on a level with his hips. Recovering himself, he caught up his eye-gla.s.ses, and bent them on Lydia. "Very please, very honored, much--"

He stopped, and looked confused, and Lydia turned pale and red.

"Now, won't you play that pretty _barcarole_ you played the other night at Lady Fenleigh's?" entreated Mrs. Erwin.

Colonel Pazzelli wrenched himself from the fascination of Lydia's presence, and lavished upon Mrs. Erwin the h.o.a.rded English of a week.

"Yes, yes; very nice, very good. With much pleasure. I thank you. Yes, I play." He was one of those natives who in all the great Italian cities haunt English-speaking societies; they try to drink tea without grimacing, and sing for the ladies of our race, who innocently pet them, finding them so very like other women in their lady-like sweetness and softness; it is said they boast among their own countrymen of their triumphs. The cavaliere unbuckled his sword, and laying it across a chair sat down at the piano. He played not one but many barcaroles, and seemed loath to leave the instrument.

"Now, Lydia," said Mrs. Erwin, fondly, "won't you sing us something?"

"Do!" called Mr. Rose-Black from the sofa, with the intonation of a spoiled first-cousin, or half-brother.

"I don't feel like singing to-day," answered Lydia, immovably. Mrs.

Erwin was about to urge her further, but other people came in,--some Jewish ladies, and then a Russian, whom Lydia took at first for an American. They all came and went, but Mr. Rose-Black remained in his corner of the sofa, and never took his eyes from Lydia's face. At last he went, and then Mr. Erwin looked in.

"Is that beast gone?" he asked. "I shall be obliged to show him the door, yet, Josephine. You ought to snub him. He's worse than his pictures. Well, you've had a whole raft of folks today,--as your countrymen say."

"Yes, thank Heaven," cried Mrs. Erwin, "and they're all gone. I don't want Lydia to think that I let everybody come to see me on Sunday.

Thursday is my day, Lydia, but a few privileged friends understand that they can drop in Sunday afternoon." She gave Lydia a sketch of the life and character of each of these friends. "And now I must tell you that your manner is very good, Lydia. That reserved way of yours is quite the thing for a young girl in Europe: I suppose it's a gift; I never could get it, even when I _was_ a girl. But you mustn't show any _hauteur_, even when you dislike people, and you refused to sing with _rather_ too much _aplomb_. I don't suppose it was noticed though,--those ladies coming in at the same time. Really, I thought Mr. Rose-Black and Colonel Pazzelli were trying to outstare each other! It was certainly amusing.

I never saw such an evident case, Lydia! The poor cavaliere looked as if he had seen you somewhere before in a dream, and was struggling to make it all out."

Lydia remained impa.s.sive. Presently she said she would go to her room, and write home before dinner. When she went out Mrs. Erwin fetched a deep sigh, and threw herself upon her husband's sympathy.

"She's terribly unresponsive," she began. "I supposed she'd be in raptures with the place, at least, but you wouldn't know there was anything at all remarkable in Venice from anything she's said. We have met ever so many interesting people to-day,--the Countess Tatocka, and Lady Fenleigh, and Miss Landini, and everybody, but I don't really think she's said a word about a soul. She's too queer for anything."

"I dare say she hasn't the experience to be astonished from," suggested Mr. Erwin easily. "She's here as if she'd been dropped down from her village."

"Yes, that's true," considered his wife. "But it's hard, with Lydia's air and style and self-possession, to realize that she _is_ merely a village girl."

"She may be much more impressed than she chooses to show," Mr. Erwin continued. "I remember a very curious essay by a French writer about your countrymen: he contended that they were characterized by a savage stoicism through their contact with the Indians."