Oster nodded. "Yessir. And they think Lutz let it out when he opened that shaft into the dead s.p.a.ce in the cellar."

"I happen to disagree," Woermann said, hiding his expression as he turned back to the painting. He had to be the steadying influence, the anchor for his men. He had to hold fast to the real and the natural. "I happen to think Lutz was killed by falling stone. I happen to think that the four subsequent deaths had nothing to do with Lutz. And I happen to believe they bled quite profusely. There is nothing around here drinking anyone's blood, Sergeant!"

"But the throats..."

Woermann paused. Yes, the throats. They hadn't been cut-no knife or garroting wire had been used. They had been torn open. Viciously. But by what? Teeth?

"Whoever the killer is, he's trying to scare us. And he's succeeding. So here's what we'll do: I'm putting every single man in the detachment on guard duty tonight, including myself. Everyone will travel in pairs. We'll have this keep so thickly patrolled that a moth won't be able to fly through unnoticed!"

"But we can't do that every night, sir!"

"No, but we can do it tonight, and tomorrow night if need be. And then we'll catch whoever it is."

Oster brightened. "Yessir!"

"Tell me something, Sergeant," Woermann said as Oster saluted and turned to go.

"Sir?"

"Had any nightmares since we moved into the keep?"

The younger man frowned. "No, sir. Can't say that I have."

"Any of the men mention any?"

"None. You having nightmares, Captain?"

"No." Woermann shook his head in a way that told Oster he was through with him for now. No nightmares, he thought. But the days have certainly become a bad dream.

"I'll radio Ploiesti now," Oster said as he went out the door.

Woermann wondered if a fifth death would get a rise out of the Ploiesti defense command. Oster had been reporting a death a day, yet no reaction. No offer of help, no order to abandon the keep. Obviously they didn't care too much what happened here as long as somebody was keeping watch on the pa.s.s. Woermann would have to make a decision about the bodies soon. But he wanted desperately to get through one night without a death before shipping them out. Just one.

He turned back to the painting, but found the light had changed. He cleaned his brushes. He had no real hope of capturing the killer tonight, but still it might be the turning point. With everyone on guard and paired, maybe they'd all survive. And that would do wonders for morale. Then an ugly thought struck him as he placed his tubes of pigment into their case: What if one of his own men were the killer?

Monday, 28 April

Midnight had come and gone, and so far so good. Sergeant Oster had set up a checkpoint in the center of the courtyard and as yet there was no one unaccounted for. The extra lights in the courtyard and atop the tower bolstered the men's confidence despite the long shadows they cast. Keeping all the men up all night had been a drastic measure, but it was going to work.

Woermann leaned out one of his windows overlooking the courtyard. He could see Oster at his table, see the men walking in pairs along the perimeter and atop the walls. The generators chugged away over by the parked vehicles. Extra spotlights had been trained on the craggy surface of the mountainside that formed the rear wall of the keep to prevent anyone from sneaking in from above. The men on the ramparts were keeping a careful eye on the outer walls to see that no one scaled them. The front gates were locked, and there was a squad guarding the break into the subcellar.

The keep was secure.

As he stood there, Woermann realized that he was the only man in the entire structure who was alone and unguarded. It made him hesitate to look behind him into the shadowy corners of his room. But that was the price of being an officer.

Keeping his head out the window slot, he looked down and noticed a deepening of the shadow at the juncture of the tower and the south wall. As he watched, the bulb there grew dimmer and dimmer until it was out. His immediate thought was that something had broken the line, but he had to discard that notion when he saw all the other bulbs still glowing. A bad bulb, then. That was all. But what a strange way for a bulb to go dead. Usually they flared blue-white first, then went out. This one just seemed to fade away.

One of the guards down there on the south wall had noticed it too and was coming over to investigate. Woermann was tempted to call down to him to take his partner with him but decided against it. The second man was standing in clear view by the parapet. It was a dead-end corner down there anyway. No possible danger.

He looked on as the soldier disappeared into the shadow-a peculiarly deep shadow. After perhaps fifteen seconds, Woermann looked away, but then was drawn back by a choked gurgle from below, followed by the clatter of wood and steel on stone-a dropped weapon.

He jumped at the sound, feeling his palms grow slick against the stone windowsill as he peered below. And still he could see nothing within the shadow.

The other guard, the first's partner, must have heard it too, for he started over to see what was wrong.

Woermann saw a dull, red spark begin to glow within the shadow. As it slowly brightened, he realized that it was the bulb coming back to life. Then he saw the first soldier. He lay on his back, arms akimbo, legs folded under him, his throat a b.l.o.o.d.y ruin. Sightless eyes stared up at Woermann, accusing him. There was nothing else, no one else in the corner.

As the other soldier began shouting for help, Woermann pulled himself back into the room and leaned against the wall, choking back bile as it surged up from his stomach. He could not move, could not speak. My G.o.d, my G.o.d! My G.o.d, my G.o.d!

He staggered over to the table that had been made for him only two days ago and grabbed a pencil. He had to get his men out of here-out of the keep, out of the Dinu Pa.s.s if necessary. There was no defense against what he had just witnessed. And he would not contact Ploiesti. This message would go straight to High Command.

But what to say? He looked at the mocking crosses for inspiration but none came. How to make High Command understand without sounding like a madman? How to tell them that he and his men must leave the keep, that something uncanny threatened them, something immune to German military power.

He began to jot down phrases, crossing each out as he thought of a better one. He despised the thought of surrendering any position, but it would be inviting disaster to spend another night here. The men would be nearly uncontrollable now. And at the present death rate, he would be an officer without a command if he stayed much longer.

Command ... his mouth twisted sardonically at the word. He was no longer in command of the keep. Something dark and awful had taken over. ... his mouth twisted sardonically at the word. He was no longer in command of the keep. Something dark and awful had taken over.

SEVEN.

THE DARDANELLES.

Monday, 28 April 0244 hours.

They were halfway through the strait when he sensed the boatman beginning to make his move.

It had not been an easy journey. The red-haired man had sailed past Gibraltar in the dark to Marbella where he had chartered the thirty-foot motor launch that now pulsed around him. It was sleek and low with two oversized engines. Its owner was no weekend captain. The red-haired man knew a smuggler when he saw one.

The owner had haggled fiercely over the fee until he learned he was to be paid in gold U.S. double eagles: half on departure, the rest upon their safe arrival on the northern sh.o.r.e of the Sea of Marmara. To traverse the length of the Mediterranean the owner had insisted on taking a crew. The red-haired man had disagreed; he would be crew enough.

They had run for six days straight, each man taking the helm for eight hours at a stretch, then resting for the next eight, keeping the boat at a steady twenty knots, twenty-four hours a day. They had stopped only at secluded coves where the owner's face seemed well known, and only long enough to fill the tanks with fuel. The red-haired man paid all expenses.

And now, alerted by the slowing of the boat, he waited for the owner, Carlos, to come below and try to kill him. Carlos had had his eye out for such a chance ever since they had left Marbella, but there had been none. Now, nearing the end of their journey, Carlos had only tonight left to get the money belt. The red-haired man knew that was what he was after. He had felt Carlos brush against him repeatedly to a.s.sure himself that his pa.s.senger still wore it. Carlos knew there was gold there; and it was plain by its bulk that there was a lot. He also appeared to be consumed with curiosity about the long, flat case his pa.s.senger always kept at his side.

It was a shame. Carlos had been a good companion the past six days. A good sailor, too. He drank a bit too much, ate more than a bit too much, and apparently did not bathe anywhere near enough. The red-haired man gave a mental shrug. He had smelled worse in his day. Much worse.

The door to the rear deck opened, letting in a breath of cool air; Carlos was framed briefly in starlight before closing the door behind him.

Too bad, the red-haired man thought, as he heard the faint sc.r.a.pe of steel being withdrawn from a leather sheath. A good journey was coming to a Sad end. Carlos had expertly guided them past Sardinia, sped them across the clear, painfully blue water between the northern tip of Tunisia and Sicily, then north of Crete and up through the Cyclades into the Aegean. They were presently threading the Dardanelles, the narrow channel connecting the Aegean with the Sea of Marmara.

Too bad.

He saw the light flash off the blade as it was raised over his chest. His left hand shot out and gripped the wrist before the knife could descend; his right hand gripped Carlos's other hand.

"Why, Carlos?"

"Give me the gold!" The words were snapped out.

"I might have given you more if you'd asked me. Why try to kill me?"

Carlos, gauging the strength of the hands holding him, tried a different tack. "I was only going to cut the belt off. I wasn't going to hurt you."

"The belt is around my waist. Your knife is over my chest."

"It's dark in here."

"Not that dark. But all right..." He loosened his grip on the wrists. "How much more do you want?"

Carlos ripped his knife hand free and plunged it downward, growling, "All of it!"

The red-haired man again caught the wrist before the blade could strike. "I wish you hadn't done that, Carlos."

With steady, inexorable deliberateness, the red-haired man bent his a.s.sailant's knife hand inward toward his own chest. Joints and ligaments popped and cracked in protest as they were stretched to the limit. Carlos groaned in pain and fear as his tendons ruptured and the popping was replaced by the sickening crunch of breaking bones. The point of his knife was now directly over the left side of his chest.

"No! Please... no!"

"I gave you a chance, Carlos." His own voice sounded hard, flat, and alien in his ears. "You threw it away."

Carlos's voice rose to a scream that ended abruptly as his fist was rammed against his ribs, driving the blade into his heart. His body went rigid, then limp. The red-haired man let him slip to the floor.

He lay still for a moment and listened to his heart beat. He tried to feel remorse but there was none. It had been a long time since he had killed someone. He ought to feel something. something. There was nothing. Carlos was a cold-blooded murderer. He had been dealt what he had intended to deal. There was no room for remorse in the red-haired man, only a desperate urgency to get to Romania. There was nothing. Carlos was a cold-blooded murderer. He had been dealt what he had intended to deal. There was no room for remorse in the red-haired man, only a desperate urgency to get to Romania.

Rising, he picked up the long, flat case, stepped up through the door to the rear deck, and took the helm. The engines were idling. He pushed them to full throttle.

The Dardanelles. He had been through here before, but never during a war, and never at full speed in the dark. The starlit water was a gray expanse ahead of him, the coast a dark smudge to the left and right. He was in one of the narrowest sections of the strait where it funneled down to a mile across. Even at its widest it never exceeded four miles. He traveled by compa.s.s and by instinct, without running lights, in a limbo of darkness.

There was no telling what he might run into in these waters. The radio said Greece had fallen; that might or might not be true. There could be Germans in the Dardanelles now, or British or Russians. He had to avoid them all. This journey had not been planned; he had no papers to explain his presence. And time was against him. He needed every knot the engines could put out.

Once into the wider Sea of Marmara twenty miles ahead, he'd have maneuvering room and would run as far as his fuel would take him. When that got low, he would beach the boat and move overland to the Black Sea. It would cost him precious time, but there was no other way. Even if he had the fuel, he could not risk running the Bosporus. There the Russians would be thick as flies around a corpse.

He pushed on the throttles to see if he could coax any more speed from the engines. He couldn't.

He wished he had wings.

EIGHT.

BUCHAREST, ROMANIA.

Monday, 28 April 0950 hours.

Magda held her mandolin with practiced ease, the pick oscillating rapidly in her right hand, the fingers of her left traveling up and down the neck, hopping from string to string, from fret to fret. Her eyes concentrated on a sheet of handwritten music: one of the prettiest Gypsy melodies she had yet committed to paper.

She sat within a brightly painted wagon on the outskirts of Bucharest. The interior was cramped, the living s.p.a.ce further reduced by shelves full of exotic herbs and spices on every wall, by brightly colored pillows stuffed into every corner, by lamps and strings of garlic hanging from the low ceiling. Her legs were crossed to support the mandolin, but even then her gray woolen skirt barely cleared her ankles. A bulky gray sweater that b.u.t.toned in the front covered a simple white blouse. A tattered scarf hid the brown of her hair. But the drabness of her clothing could not steal the shine from her eyes, or the color from her cheeks.

Magda let herself drift into the music. It took her away for a while, away from a world that became increasingly hostile to her with each new day. They They were out there: the ones who hated Jews. They had robbed her father of his position at the university, ordered the two of them out of their lifelong home, removed her king-not that King Carol had ever deserved her loyalty, but still, he had been the king-and replaced him with General Antonescu and the Iron Guard. But no one could take away her music. were out there: the ones who hated Jews. They had robbed her father of his position at the university, ordered the two of them out of their lifelong home, removed her king-not that King Carol had ever deserved her loyalty, but still, he had been the king-and replaced him with General Antonescu and the Iron Guard. But no one could take away her music.

"Is that right?" she asked when the last note had echoed away, leaving the interior of the wagon quiet again.

The old woman sitting on the far side of the tiny, round, oak table smiled, crinkling up the dark skin around her black Gypsy eyes. "Almost. But the middle goes like this."

The woman placed a well-shuffled deck of checker-backed cards on the table and picked up a wooden naiou. naiou. Looking like a wizened Pan as she placed the pipes to her lips, she began to blow. Magda played along until she heard her own notes go sour, then she changed the notations on her sheet. Looking like a wizened Pan as she placed the pipes to her lips, she began to blow. Magda played along until she heard her own notes go sour, then she changed the notations on her sheet.

"That's it, I guess," she said, gathering her papers into a pile with a small sense of satisfaction. "Thank you so much, Josefa."

The old woman held out her hand. "Here. Let me see."

Magda handed her the sheet and watched as the old woman's gaze darted back and forth across the page. Josefa was the phuri dai, phuri dai, the wise woman of this particular tribe of Gypsies. Papa had often spoken of how beautiful she had once been; but her skin was weathered now, her raven hair thickly streaked with silver, her body shrunken. Nothing wrong with her mind, though. the wise woman of this particular tribe of Gypsies. Papa had often spoken of how beautiful she had once been; but her skin was weathered now, her raven hair thickly streaked with silver, her body shrunken. Nothing wrong with her mind, though.

"So this is my song." Josefa did not read music.

"Yes. Preserved forever."

The old woman handed it back. "But I won't play it this way forever. This is the way I like to play it now. Next month I may decide to change something. I've already changed it many times over the years."

Magda nodded as she placed the sheet with the others in her folder. She had known Gypsy music to be largely improvisational before she had started her collection. That was to be expected-Gypsy life life was largely improvisational, with no home other than a wagon, no written language, nothing at all to pin them down. Perhaps that was what drove her to try to capture some of their vitality and cage it on a music staff, to preserve it for the future. was largely improvisational, with no home other than a wagon, no written language, nothing at all to pin them down. Perhaps that was what drove her to try to capture some of their vitality and cage it on a music staff, to preserve it for the future.

"It will do for now," Magda replied. "Maybe next year I'll see what you've added."

"Won't the book be published by then?"

Magda felt a pang. "I'm afraid not."

"Why not?"

Magda busied herself with putting her mandolin away, not wishing to answer but unable to dodge the question gracefully. She did not look up as she spoke. "I have to find a new publisher."

"What happened to the old one?"

Magda kept her eyes down. She was embarra.s.sed. It had been one of the most painful moments in her life, learning that her publisher was reneging on their agreement. She still stung from it.

"He changed his mind. Said this was not the right time for a compendium of Romanian Gypsy music."

"Especially by a Jewess," Josefa added.