The women of Vanavasi are moderately pa.s.sionate, they go through every kind of enjoyment, cover their bodies, and abuse those who utter low, mean and harsh words.

The women of Avanti hate kissing, marking with the nails, and biting, but they have a fondness for various kinds of s.e.xual union.

The women of Malwa like embracing and kissing, but not wounding, and they are gained over by striking.

The women of Abhira, and those of the country about the Indus and five rivers (i.e., the Punjab), are gained over by the Auparishtaka or mouth congress.

The women of Aparatika are full of pa.s.sion, and make slowly the sound "Sit."

The women of the Lat country have even more impetuous desire, and also make the sound "Sit."

The women of the Stri Rajya, and of Koshola (Oude), are full of impetuous desire, their s.e.m.e.n falls in large quant.i.ties, and they are fond of taking medicine to make it do so.

The women of the Audhra country have tender bodies, they are fond of enjoyment, and have a liking for voluptuous pleasures.

The women of Ganda have tender bodies, and speak sweetly.

Now Suvarnanabha is of opinion that that which is agreeable to the nature of a particular person, is of more consequence than that which is agreeable to a whole nation, and that therefore the peculiarities of the country should not be observed in such cases. The various pleasures, the dress, and the sports of one country are in time borrowed by another, and in such a case these things must be considered as belonging originally to that country.

Among the things mentioned above, viz., embracing, kissing, etc., those which increase pa.s.sion should be done first, and those which are only for amus.e.m.e.nt or variety should be done afterwards.

There are also some verses on this subject as follows: "When a man bites a woman forcibly, she should angrily do the same to him with double force. Thus a 'point' should be returned with a 'line of points,' and a 'line of points' with a 'broken cloud,' and if she be excessively chafed, she should at once begin a love quarrel with him. At such a time she should take hold of her lover by the hair, and bend his head down, and kiss his lower lip, and then, being intoxicated with love, she should shut her eyes and bite him in various places. Even by day, and in a place of public resort, when her lover shows her any mark that she may have inflicted on his body, she should smile at the sight of it, and turning her face as if she were going to chide him, she should show him with an angry look the marks on her own body that have been made by him. Thus if men and women act according to each other's liking, their love for each other will not be lessened even in one hundred years."

CHAPTER VI.

OF THE DIFFERENT WAYS OF LYING DOWN, AND VARIOUS KINDS OF CONGRESS.

On the occasion of a "high congress" the Mrigi (Deer) woman should lie down in such a way as to widen her yoni, while in a "low congress" the Hastini (Elephant) woman should lie down so as to contract hers. But in an "equal congress" they should lie down in the natural position. What is said above concerning the Mrigi and the Hastini applies also to the Vadawa (Mare) woman. In a "low congress" the women should particularly make use of medicine, to cause her desires to be satisfied quickly.

The Deer-woman has the following three ways of lying down.

The widely opened position. The yawning position. The position of the wife of Indra.

(1). When she lowers her head and raises her middle parts, it is called the "widely opened position." At such a time the man should apply some unguent, so as to make the entrance easy.

(2). When she raises her thighs and keeps them wide apart and engages in congress, it is called the "yawning position."

(3). When she places her thighs with her legs doubled on them upon her sides, and thus engages in congress, it is called the position of Indrani, and this is learnt only by practice. The position is also useful in the case of the "highest congress."

The "clasping position" is used in "low congress," and in the "lowest congress," together with the "pressing position," the "twining position", and the "mare's position."

When the legs of both the male and the female are stretched straight out over each other, it is called the "clasping position." It is of two kinds, the side position and the supine position, according to the way in which they lie down. In the side position the male should invariably lie on his left side, and cause the woman to lie on her right side, and this rule is to be observed in lying down with all kinds of women.

When, after congress has begun in the clasping position, the woman presses her lover with her thighs, it is called the "pressing position."

When the woman places one of her thighs across the thigh of her lover, it is called the "twining position."

When a woman forcibly holds in her yoni the lingam after it is in, it is called the "mare's position." This is learnt by practice only, and is chiefly found among the women of the Andra country.

The above are the different ways of lying down, mentioned by Babhravya; Suvarnanabha, however, gives the following in addition.

When the female raises both of her thighs straight up, it is called the "rising position."

When she raises both of her legs, and places them on her lover's shoulders, it is called the "yawning position."

When the legs are contracted, and thus held by the lover before his bosom, it is called the "pressed position."

When only one of her legs is stretched out, it is called the "half pressed position."

When the woman places one of her legs on her lover's shoulder, and stretches the other out, and then places the latter on his shoulder, and stretches out the other, and continues to do so alternately, it is called the "splitting of a bamboo."

When one of her legs is placed on the head, and the other is stretched out, it is called the "fixing of a nail." This is learnt by practice only.

When both the legs of the woman are contracted, and placed on her stomach, it is called the "crab's position."

When the thighs are raised and placed one upon the other, it is called the "packed position."

When the shanks are placed one upon the other, it is called the "lotus-like position."

When a man, during congress, turns round, and enjoys the woman without leaving her, while she embraces him round the back all the time, it is called the "turning position," and is learnt only by practice.

Thus says Suvarnanabha, these different ways of lying down, sitting, and standing should be practised in water, because it is easy to do so therein. But Vatsyayana is of opinion that congress in water is improper, because it is prohibited by the religious law.

When a man and a woman support themselves on each other's bodies, or on a wall, or pillar, and thus while standing engage in congress, it is called the "supported congress."

When a man supports himself against a wall, and the woman, sitting on his hands joined together and held underneath her, throws her arms round his neck, and putting her thighs alongside his waist, moves herself by her feet, which are touching the wall against which the man is leaning, it is called the "suspended congress."

When a woman stands on her hands and feet like a quadruped, and her lover mounts her like a bull, it is called the "congress of a cow." At this time everything that is ordinarily done on the bosom should be done on the back.

In the same way can be carried on the congress of a dog, the congress of a goat, the congress of a deer, the forcible mounting of an a.s.s, the congress of a cat, the jump of a tiger, the pressing of an elephant, the rubbing of a boar, and the mounting of a horse. And in all these cases the characteristics of these different animals should be manifested by acting like them.

When a man enjoys two women at the same time, both of whom love him equally, it is called the "united congress."

When a man enjoys many women altogether, it is called the "congress of a herd of cows."

The following kinds of congress, viz., sporting in water, or the congress of an elephant with many female elephants, which is said to take place only in the water, the congress of a collection of goats, the congress of a collection of deer, take place in imitation of these animals.

In Gramaneri many young men enjoy a woman that may be married to one of them, either one after the other, or at the same time. Thus one of them holds her, another enjoys her, a third uses her mouth, a fourth holds her middle part, and in this way they go on enjoying her several parts alternately.

The same things can be done when several men are sitting in company with one courtesan, or when one courtesan is alone with many men. In the same way this can be done by the women of the King's harem when they accidentally get hold of a man.

The people in the Southern countries have also a congress in the a.n.u.s, that is called the "lower congress."

Thus ends the various kinds of congress. There are also two verses on the subject as follows.

"An ingenious person should multiply the kinds of congress after the fashion of the different kinds of beasts and of birds. For these different kinds of congress, performed according to the usage of each country, and the liking of each individual, generate love, friendship, and respect in the hearts of women."

CHAPTER VII.

OF THE VARIOUS MODES OF STRIKING, AND OF THE SOUNDS APPROPRIATE TO THEM.

s.e.xual intercourse can be compared to a quarrel, on account of the contrarieties of love and its tendency to dispute. The place of striking with pa.s.sion is the body, and on the body the special places are: The shoulders. The head. The s.p.a.ce between the b.r.e.a.s.t.s. The back. The jaghana, or middle part of the body. The sides.

Striking is of four kinds, viz.: Striking with the back of the hand. Striking with the fingers a little contracted. Striking with the fist. Striking with the open palm of the hand.

On account of its causing pain, striking gives rise to the hissing sound, which is of various kinds, and to the eight kinds of crying, viz.: The sound Hin. The thundering sound. The cooing sound. The weeping sound. The sound Phut. The sound Phat. The sound St. The sound Plat.

Besides these, there are also words having a meaning, such as "mother," and those that are expressive of prohibition, sufficiency, desire of liberation, pain or praise, and to which may be added sounds like those of the dove, the cuckoo, the green pigeon, the parrot, the bee, the sparrow, the flamingo, the duck, and the quail, which are all occasionally made use of.

Blows with the fist should be given on the back of the woman, while she is sitting on the lap of the man, and she should give blows in return, abusing the man as if she were angry, and making the cooing and the weeping sounds. While the woman is engaged in congress the s.p.a.ce between the b.r.e.a.s.t.s should be struck with the back of the hand, slowly at first, and then proportionately to the increasing excitement, until the end.

At this time the sounds Hin and others may be made, alternately or optionally, according to habit. When the man, making the sound Phat, strikes the woman on the head, with the fingers of his hand a little contracted, it is called Prasritaka, which means striking with the fingers of the hand a little contracted. In this case the appropriate sounds are the cooing sound, the sound Phat, and the sound Phut in the interior of the mouth, and at the end of congress the sighing and weeping sounds. The sound Phat is an imitation of the sound of a bamboo being split, while the sound Phut is like the sound made by something falling into water. At all times when kissing and such like things are begun, the woman should give a reply with a hissing sound. During the excitement when the woman is not accustomed to striking, she continually utters words expressive of prohibition, sufficiently, or desire of liberation, as well as the words "father," "mother," intermingled with the sighing, weeping and thundering sounds.[38] Towards the conclusion of the congress, the b.r.e.a.s.t.s, the jaghana, and the sides of the woman should be pressed with the open palms of the hand, with some force, until the end of it, and then sounds like those of the quail, or the goose should be made.

There are also two verses on the subject as follows: "The characteristics of manhood are said to consist of roughness and impetuosity, while weakness, tenderness, sensibility, and an inclination to turn away from unpleasant things are the distinguishing marks of womanhood. The excitement of pa.s.sion, and peculiarities of habit may sometimes cause contrary results to appear, but these do not last long, and in the end the natural state is resumed."

The wedge on the bosom, the scissors on the head, the piercing instrument on the cheeks, and the pinchers on the b.r.e.a.s.t.s and sides, may also be taken into consideration with the other four modes of striking, and thus give eight ways altogether. But these four ways of striking with instruments are peculiar to the people of the southern countries, and the marks caused by them are seen on the b.r.e.a.s.t.s of their women. They are local peculiarities, but Vatsyayana is of opinion that the practice of them is painful, barbarous, and base, and quite unworthy of imitation.

In the same way anything that is a local peculiarity should not always be adopted elsewhere, and even in the place where the practice is prevalent, excess of it should always be avoided. Instances of the dangerous use of them may be given as follows. The King of the Panchalas killed the courtezan Madhavasena by means of the wedge during congress. King Shatakarni Shatavahana of the Kuntalas deprived his great Queen Malayavati of her life by a pair of scissors, and Naradeva, whose hand was deformed, blinded a dancing girl by directing a piercing instrument in a wrong way.

There are also two verses on the subject as follows: "About these things there cannot be either enumeration or any definite rule. Congress having once commenced, pa.s.sion alone gives birth to all the acts of the parties."

Such pa.s.sionate actions and amorous gesticulations or movements, which arise on the spur of the moment, and during s.e.xual intercourse, cannot be defined, and are as irregular as dreams. A horse having once attained the fifth degree of motion goes on with blind speed, regardless of pits, ditches, and posts in his way; and in the same manner a loving pair become blind with pa.s.sion in the heat of congress, and go on with great impetuosity, paying not the least regard to excess. For this reason one who is well acquainted with the science of love, and knowing his own strength, as also the tenderness, impetuosity, and strength of the young woman, should act accordingly. The various modes of enjoyment are not for all times or for all persons, but they should only be used at the proper time, and in the proper countries and places.

FOOTNOTE: [Footnote 38: Men who are well acquainted with the art of love are well aware how often one woman differs from another in her sighs and sounds during the time of congress. Some women like to be talked to in the most loving way, others in the most abusive way, and so on. Some women enjoy themselves with closed eyes in silence, others make a great noise over it, and some almost faint away. The great art is to ascertain what gives them the greatest pleasure, and what specialities they like best.]

CHAPTER VIII.

ABOUT WOMEN ACTING THE PART OF A MAN; AND OF THE WORK OF A MAN.

When a woman sees that her lover is fatigued by constant congress, without having his desire satisfied, she should, with his permission, lay him down upon his back, and give him a.s.sistance by acting his part. She may also do this to satisfy the curiosity of her lover, or her own desire of novelty.

There are two ways of doing this, the first is when during congress she turns round, and gets on the top of her lover, in such a manner as to continue the congress, without obstructing the pleasure of it; and the other is when she acts the man's part from the beginning. At such a time, with flowers in her hair hanging loose, and her smiles broken by hard breathings, she should press upon her lover's bosom with her own b.r.e.a.s.t.s, and lowering her head frequently, should do in return the same actions which he used to do before, returning his blows and chaffing him, should say, "I was laid down by you, and fatigued with hard congress, I shall now therefore lay you down in return." She should then again manifest her own bashfulness, her fatigue, and her desire of stopping the congress. In this way she should do the work of a man, which we shall presently relate.

Whatever is done by a man for giving pleasure to a woman is called the work of a man, and is as follows:-- While the woman is lying on his bed, and is as it were abstracted by his conversation, he should loosen the knot of her under garments, and when she begins to dispute with him, he should overwhelm her with kisses. Then when his lingam is erect he should touch her with his hands in various places, and gently manipulate various parts of the body. If the woman is bashful, and if it is the first time that they have come together, the man should place his hands between her thighs, which she would probably keep close together, and if she is a very young girl, he should first get his hands upon her b.r.e.a.s.t.s, which she would probably cover with her own hands, and under her armpits and on her neck. If however she is a seasoned woman, he should do whatever is agreeable either to him or to her, and whatever is fitting for the occasion. After this he should take hold of her hair, and hold her chin in his fingers for the purpose of kissing her. On this, if she is a young girl, she will become bashful and close her eyes. Any how he should gather from the action of the woman what things would be pleasing to her during congress.

Here Suvarnanabha says that while a man is doing to the woman what he likes best during congress, he should always make a point of pressing those parts of her body on which she turns her eyes.

The signs of the enjoyment and satisfaction of the women are as follows: her body relaxes, she closes her eyes, she puts aside all bashfulness, and shows increased willingness to unite the two organs as closely together as possible. On the other hand, the signs of her want of enjoyment and of failing to be satisfied are as follows: she shakes her hands, she does not let the man get up, feels dejected, bites the man, kicks him, and continues to go on moving after the man has finished. In such cases the man should rub the yoni of the woman with his hand and fingers (as the elephant rubs anything with his trunk) before engaging in congress, until it is softened, and after that is done he should proceed to put his lingam into her.

The acts to be done by the man are: Moving forward. Friction or churning. Piercing. Rubbing. Pressing. Giving a blow. The blow of a boar. The blow of a bull. The sporting of a sparrow.

(1). When the organs are brought together properly and directly it is called "moving the organ forward."

(2). When the lingam is held with the hand, and turned all round in the yoni, it is called "churning."

(3). When the yoni is lowered, and the upper part of it is struck with the lingam, it is called "piercing."

(4). When the same thing is done on the lower part of the yoni, it is called "rubbing."

(5). When the yoni is pressed by the lingam for a long time, it is called "pressing."

(6). When the lingam is removed to some distance from the yoni, and then forcibly strikes it, it is called "giving a blow."

(7). When only one part of the yoni is rubbed with the lingam, it is called the "blow of a boar."

(8). When both sides of the yoni are rubbed in this way, it is called the "blow of a bull."

(9). When the lingam is in the yoni, and moved up and down frequently, and without being taken out, it is called the "sporting of a sparrow." This takes place at the end of congress.

When a woman acts the part of a man, she has the following things to do in addition to the nine given above, viz.

The pair of tongs. The top. The swing.

(1). When the woman holds the lingam in her yoni, draws it in, presses it, and keeps it thus in her for a long time, it is called the "pair of tongs."

(2). When, while engaged in congress, she turns round like a wheel, it is called the "top." This is learnt by practice only.

(3). When, on such an occasion, the man lifts up the middle part of his body, and the woman turns round her middle part, it is called the "swing."

When the woman is tired, she should place her forehead on that of her lover, and should thus take rest without disturbing the union of the organs, and when the woman has rested herself the man should turn round and begin the congress again.

There are also some verses on the subject as follows: "Though a woman is reserved, and keeps her feelings concealed, yet when she gets on the top of a man, she then shows all her love and desire. A man should gather from the actions of the woman of what disposition she is, and in what way she likes to be enjoyed. A woman during her monthly courses, a woman who has been lately confined, and a fat woman should not be made to act the part of a man."

CHAPTER XI.

OF THE AUPARISHTAKA[39] OR MOUTH CONGRESS.

There are two kinds of eunuchs, those that are disguised as males, and those that are disguised as females. Eunuchs disguised as females imitate their dress, speech, gestures, tenderness, timidity, simplicity, softness and bashfulness. The acts that are done on the jaghana or middle parts of women, are done in the mouths of these eunuchs, and this is called Auparishtaka. These eunuchs derive their imaginable pleasure, and their livelihood from this kind of congress, and they lead the life of courtezans. So much concerning eunuchs disguised as females.

Eunuchs disguised as males keep their desires secret, and when they wish to do anything they lead the life of shampooers. Under the pretence of shampooing, an eunuch of this kind embraces and draws towards himself the thighs of the man whom he is shampooing, and after this he touches the joints of his thighs and his jaghana, or central portions of his body. Then, if he finds the lingam of the man erect, he presses it with his hands, and chaffs him for getting into that state. If after this, and after knowing his intention, the man does not tell the eunuch to proceed, then the latter does it of his own accord and begins the congress. If however he is ordered by the man to do it, then he disputes with him, and only consents at last with difficulty.

The following eight things are then done by the eunuch one after the other, viz.

The nominal congress. Biting the sides. Pressing outside. Pressing inside. Kissing. Rubbing. Sucking a mangoe fruit. Swallowing up.

At the end of each of these the eunuch expresses his wish to stop, but when one of them is finished, the man desires him to do another, and after that is done, then the one that follows it, and so on.

(1). When, holding the man's lingam with his hand, and placing it between his lips, the eunuch moves about his mouth, it is called the "nominal congress."

(2). When, covering the end of the lingam with his fingers collected together like the bud of a plant or flower, the eunuch presses the sides of it with his lips, using his teeth also, it is called "biting the sides."