This midnight alarm caused a great stir in Heathwell. Such a thing as an attempted burglary had hitherto been absolutely unknown, and the inhabitants felt that it was a reflection on the village. The policeman paid a solemn call at Aireyholme, produced his notebook, and asked a mult.i.tude of questions, particularly of Katrine and Gwethyn; but the girls could give little or no information. Beyond the fact that they had heard a noise and seen a light in the garden, there was not a shred of evidence, or the faintest clue to lead to the identification of the thief. The inspector examined the frame of the dining-room window, which certainly bore marks as if an effort had been made to force it with some sharp tool, and he carefully measured the footprints in the flower-bed; but as many of these had undoubtedly been made by the stalwart boots of Mr. White and other a.s.siduous helpers in the ardour of their search, it would have been impossible for even a Sherlock Holmes to gain any enlightenment from them. n.o.body in the village had seen any suspicious characters about, and everyone seemed to have been sound asleep in bed until roused by the ringing of the Aireyholme alarm bell.

In the end the policeman wrote a formal report to the effect that some person or persons unknown had made an attempt to commit a felony, but had been interrupted in the act by the barking of the dog.

"All of which is absolutely self-evident, and didn't need a whole hour's investigation," said Gwethyn. "Still, I suppose poor old Whately had to write something in his notebook. The chief credit seems to be due to Tony. I'm sure he scared the wretch away. I don't know what we should have done without him."

Tony was undoubtedly the hero of the occasion. If he had been petted before, he was lionized now. Even Mrs. Franklin admitted that a dog in the house was a great protection, and offered to let Gwethyn keep Tony at Aireyholme for the rest of the term.

The Princ.i.p.al had been more alarmed at the attempted burglary than she would confess to her pupils. She tried to rea.s.sure the girls, telling them it was very improbable that any thief would make a second attempt on the premises; but for many nights everybody in the school slept uneasily, and woke at the least sound.

The only person in Heathwell who did not exhibit much excitement at the news of the attempt to break into Aireyholme was Mr. Bob Gartley, who received his wife's very enlarged version of the story with an imperturbable countenance.

"There was a gang of them, was there?" he remarked. "All armed with pistols and bludgeons, and bent on murder? Where be they a-gone to, then? And why ain't Whately tracked 'em out? Seems to me as if he don't know his business, and he'd best retire. I think I'll apply for the job!

How would you like me as a police inspector?"

"I've no doubt you'd be up to a trick or two, if you was! It's a comfort, though, as you're not mixed up in this, for you was over in Captain Gordon's preserves at Chiselton, though you couldn't bring that in as an alibi!"

"Yes, at Chiselton, and that be four miles from Heathwell. If I likes to take a little midnight walk to admire the moon, I don't see what call anyone has to go interferin' with me. Everyone has their hobbies, and mine's for enjoyin' the beauties o' nature."

"But there weren't no moon last night," objected his wife.

"What business is that o' yours? A man may be a bit wrong in the calendar, and go out to look for what ain't there. Why can't you get on with your washin', instead o' standin' idlin' and talkin'?"

"It were a nearish shave," reflected Mr. Gartley, as his wife beat a retreat. "I'd only just nipped over the wall afore John White come runnin' out. I thought I should 'a managed the trick that time. I were a fool not to find out first as they kept a dog! 'Twouldn't be safe to venture it again for a goodish bit, at any rate, so good-bye to America for the present. It's hard luck on a workin' man who's tryin' to do the best for 'is family!"

CHAPTER XV

Amateur Artists

Flowery June had given place to blazing July. The pink roses were fading on the cottage fronts, and the laburnums had long been over. Tall white lilies still bloomed in the village gardens, and geraniums were beginning to show their scarlet glory. The fresh green of early summer had yielded to darker tones, the trees were thick ma.s.ses of foliage, the hedges a tangle of traveller's joy. If the landscape lacked the inspiration of spring, it was nevertheless full of rich beauty, especially to eyes trained to appreciate the picturesque. Miss Aubrey's sketching cla.s.s was at present quite a large one, for it had been augmented by the addition of Viola, Dorrie, and Diana. Now that their matriculation examination was over, they no longer needed private coaching, and Mrs. Franklin transferred their spare hours to her sister.

The three monitresses were glad of the change; after the hard brainwork and the very close application that had been required from them, they turned to painting with the greatest relief. Every afternoon a procession of enthusiastic students, bearing camp-stools and easels, wended its way from Aireyholme. At first Miss Aubrey had led her artistic flock to the village, but with July days came a change of plans. The Council school broke up for six weeks, and Heathwell was suddenly over-run with children. Although according to statistics the population of England might be on the decrease, here it certainly showed no signs of dwindling. Small people were everywhere, as the amateur artists found to their cost. No doubt it was most unreasonable of the Aireyholme girls, who liked their own August vacation, to object to other schools having holidays, but they did not appreciate a crowd of spectators, and grumbled exceedingly.

"Good-bye to the last remnants of peace and quiet!" said Dorrie. "We're simply haunted by these wretched infants. They seem to think us fair game. I had the whole of the Gartley family, including the baby, sitting round my feet to-day."

"I like children singly or in pairs, or even up to half a dozen,"

protested Diana, "but when it comes to having them wholesale like this, I feel as if I were minding a creche. Oh, what a nuisance they are!"

"It all comes of being too attractive, as the old lady said when she was struck by lightning!" laughed Gwethyn.

The cla.s.s was sketching the street and the market hall. Some of the girls were making very good attempts at the subject, and Miss Aubrey was most anxious for them to finish their paintings, so for two more afternoons they braved their fatal popularity. It was impossible to escape the too friendly juveniles. Scouts were generally waiting to convey the news of their arrival, and they would walk down the village followed by a long comet's tail of small fry, who would encamp close to them on the market-hall steps, bringing babies, puppies, or kittens, eating bread and treacle, munching green apples, and singing deafening school songs in chorus. It was not the slightest use to tell the youngsters to go away; they would only retreat to a distance of about ten yards, and then edge gradually nearer again.

"I've tried to look cross and savage," said Gladwin Riley, "but they only grin."

"I've been trying to civilize them," sighed Nan Beth.e.l.l. "I suggested to one youth that it would be an improvement for him to wash his particularly grimy little fingers. He looked at me, and then at his hands for a moment or two--apparently it takes some time for the agricultural brain to turn over a new idea--then he remarked briefly: 'I likes 'em dirty!' and transferred them to his pockets. Any further arguments on my poor part would, I felt, be superfluous."

Though the girls laughed over the humour of their experiences, they really found the children very trying, and both teacher and pupils were thankful when the sketches of the market hall were successfully finished. One final incident seemed the coping-stone of their annoyances. A child, even more eager than the rest to press near, was jostled by the others off the raised pathway where she was standing, and fell with a crash on to the road, almost upsetting Katrine's easel, and smashing a bottle of vinegar which she had been holding clasped in her arms. A woman, who proved to be the delinquent's mother, came out from a cottage, and after first administering a vigorous smack to her offspring, offered hot water wherewith to sponge the damaged clothing.

"She was really very kind," said Katrine afterwards, "but I could see that she was all the time regretting such a waste of good vinegar, more than sympathizing with me for absorbing it. I don't believe this skirt will ever be fit to wear again. I know I shall feel like a pickled herring if I put it on!"

It was not at all an easy matter for Miss Aubrey to choose a suitable subject for a large cla.s.s. The girls were at different stages of ability, and the beginners must not be sacrificed to the cleverer few.

While Katrine, Gladwin, and perhaps Diana could manage a sketch of trees, hayfield, or reedy river, the others demanded something more palpable in the way of drawing. A cottage, where you could reproduce the lines of roof, door, windows, and chimney, was far easier than a misty impression of sky and foliage. But where there were cottages there were nearly always children to stand and stare, so again Miss Aubrey found herself in a difficulty. She solved it by taking her cla.s.s to sketch a picturesque, tumble-down little farm, about a mile and a half away from Heathwell, where, for a marvel, not even a solitary specimen of childhood resided.

The mistress of the place was an attraction in herself. She had established a considerable reputation in the neighbourhood as a herb doctor, preparing various nauseous and ill-smelling brews for sick cows or horses, or for human sprained ankles, bad legs, toothaches, headaches, or other ailments. She charmed warts and cured agues, and was even held by many to be somewhat of a witch. She was credited with the evil eye, and awestruck neighbours told dark tales of terrible misfortunes having befallen those who were unfortunate or rash enough to cross her will. As it is rare in this twentieth century to meet anybody with even the shadow of a reputation for the black arts, the girls were thrilled at the accounts they heard, and much disappointed that the old dame never vouchsafed them an exhibition of her talents.

One day she invited them to enter, and they persuaded her to explain to them the various treasures that adorned her parlour. Certainly the collection was unique. Two stuffed c.o.c.ks stood on the window seat, each covered with an antimaca.s.sar, whether to preserve them, or merely to display the crochet work of which an example adorned every chair, it was impossible to decide; while a third chanticleer on the mantelpiece was generally used as a stand for the good woman's best bonnet. They had no doubt been fine birds in their time, and had won never-to-be-forgotten prizes at a local show, but their present value as ornaments was a matter of opinion. A marvellous sampler representing the Tabernacle in the Wilderness hung over the sideboard; carefully worked flames were depicted rising from the altar, and two cherubim with black beads for eyes and white Berlin-wool wings hovered at either corner, a few sizes too large for the building. On the mantelpiece lay two extraordinary objects which the girls at first took to be sh.e.l.ls, but as they corresponded with no known specimen of conchology, inquiries were made.

"Ah, well!" said the old woman, taking them down tenderly. "These are my poor Richard's heels, the only thing I have left of him now. They came off all in a piece like that, when he was peeling after the scarlet fever. Indeed, I've always kept them to remember him by. They're the best weather-gla.s.s I have. I can generally tell by them when it's going to rain."

Thirty years--so Miss Aubrey hastened to ascertain--had pa.s.sed since the memorable illness, therefore they might reasonably hope that no germs yet lingered in the relics; but they shuddered to think of the infection which must surely have been spread in the earlier days, when these treasures were examined and handled by curious neighbours.

An old ill.u.s.trated Bible, with the date 1807, containing many crude woodcuts, occupied the little round table under the window. Mrs. Jones declared she never did anything without consulting it; and the girls were just going to express appreciation of her pious attention to Scripture, when she explained that her method was to shut her eyes, and opening the book at random, to insert the door key, and close it again.

It had then to be turned over seven times, and whatever text the key pointed to, was sure to be appropriate. Once, so she declared, she had applied to it for advice as to whether to go to law with a farmer who had encroached upon her plot of land. She had struck the words: "Him will I destroy", and being thus encouraged to pursue her suit, she had won her case in triumph.

"Indeed, it's always right," she said, putting it carefully back on its wool-work mat. "I call it my conjuring book, and I wouldn't part with it for anything you could offer me."

"One gets odd peeps at life in the course of one's painting adventures,"

said Miss Aubrey. "An artist has the opportunity of becoming a good student of human nature. Sketching somehow brings one into touch with people in a way which no other hobby can emulate. I have had many funny experiences since I first took up the brush."

"Mrs. Jones beats even Granny Blundell at queerness," decided the girls.

One afternoon, as a very special treat, Miss Aubrey decided to take her three best pupils with her on an expedition by river to Chistleton. The landlord of the "Dragon Inn" owned a boat, and would row them there and back, waiting several hours for them in the town, while they saw the sights. They were to start after an early lunch, and have tea at a cafe in Chistleton. Katrine, Diana, and Gladwin were the chosen ones, and their luck was the envy of the rest of the sketching cla.s.s, who implored to be included also. Miss Aubrey, however, stuck to her original plan.

She could not take more than three girls in the boat, and told the others they must be content to wait until some future occasion. There was much to be seen in the old town; the walls were still extant, and two of the ancient gateways remained; the almshouses were show places, and the castle was the glory of the neighbourhood. Miss Aubrey wished to encourage the girls in rapid sketching, and made them take quick pencil impressions of all the princ.i.p.al sights. She had refused to allow them to bring cameras.

"People are too ready to make snapshots nowadays," was her verdict.

"They are putting photography in the place of drawing. I grant that your kodaks will give a perfectly accurate picture, but a photo can never have the artistic merit of a sketch. In my mind it corresponds to a piece played on the pianola; it is correct, but has no individuality.

Look at some of the pencil sketches of the great masters: how beautiful is the touch, and how much is conveyed in a few lines! Nothing gives a better art training than the habit of continually jotting down every pretty bit you may see. Hand and brain learn to work together, and you begin to get that facility with your pencil which nothing but long practice can give you."

Miss Aubrey's own drawings were delightful; the girls watched with admiration as her clever fingers in a few minutes transferred some picturesque corner to paper. They tried their best to emulate her, and filled several pages of their sketch-books with quite praiseworthy attempts. At the castle especially they secured some charming little subjects. It was a grand old Norman building, half in ruins, with ivy-clad towers, gra.s.s-grown courtyard, and the remains of a moat. The guard-room with its vaulted roof, the oratory with its rose window, and the banqueting-hall were almost intact, and a winding staircase led to a pathway round the battlements. The girls wandered about, drawing first one bit and then another, going frequently to Miss Aubrey for good advice. They were pleased with their efforts, which, as well as being good practice, would make delightful reminiscences of the place. It was perhaps a weakness on their part to purchase picture post-cards of the castle; but then, as they elaborately explained to Miss Aubrey, they only bought them to send away to friends, not to shirk sketching on their own account.

Katrine, always on the look-out for antiquities, listened to the voice of an old post-card vendor of guileless and respectable appearance, who mysteriously intimated that for a consideration he would transfer from his pocket to hers a few broken tiles out of the oratory, the removal of such keepsakes by the general public being strictly forbidden. She yielded to the temptation, pressed a shilling into his ready hand, and pocketed the fragments. She brought them in great triumph and secrecy to show to Miss Aubrey.

"It's lovely to have some real old pieces!" she exclaimed ecstatically.

"These will go with some Roman tiles that I have at home. I shall get a museum together in course of time! I had to give the old chap some backsheesh, but I think he deserved it."

"Let me look," said Miss Aubrey, examining the treasures. "My dear girl, I'm grieved to blight your hopes, but I should certainly like to know how one of these antique crocks has the Doulton mark on the back of it!"

"It hasn't!" gasped Katrine.

"There it is, most unmistakably. I'm sorry to undeceive you, but I'm afraid it's no more mediaeval than I am."

"Oh, the craft of the old villain!" mourned Katrine. "I wonder how often he's tried this trick on innocent and unsuspecting visitors? If I could only catch him, I'd upbraid him, and demand my money back!"

"You wouldn't get it, you silly child! He has conveniently vanished, and is perhaps boasting of his cleverness to a circle of envious and admiring friends. You must be very cautious if you want to go in for collecting; false antiquities are, unfortunately, more common than genuine ones, and clever rogues are always ready to lay traps for the unwary."