He was not too pleased at the interruption. He was thinking, and he wanted to be alone.

Something appeared to have disturbed Spike. His bearing was excited.

"Say, boss! Guess what. You know dat guy dat come dis afternoon--de guy from de village, dat came wit' old man McEachern?"

"Galer?" said Jimmy. "What about him?"

There had been an addition to the guests at the castle that afternoon. Mr. McEachern, walking in the village, had happened upon an old New York acquaintance of his, who, touring England, had reached Dreever and was anxious to see the historic castle. Mr.

McEachern had brought him thither, introduced him to Sir Thomas, and now Mr. Samuel Galer was occupying a room on the same floor as Jimmy's. He had appeared at dinner that night, a short, wooden-faced man, with no more conversation than Hargate. Jimmy had paid little attention to the newcomer.

"What about him?" he said.

"He's a sleut', boss."

"A what?"

"A sleut'."

"A detective?"

"Dat's right. A fly cop."

"What makes you think that?"

"T'ink! Why, I can tell dem by deir eyes an' deir feet, an' de whole of dem. I could pick out a fly cop from a bunch of a t'ousand. He's a sure 'nough sleut' all right, all right. I seen him rubber in' at youse, boss."

"At me! Why at me? Why, of course. I see now. Our friend McEachern has got him in to spy on us."

"Dat's right, boss."

"Of course, you may be mistaken."

"Not me, boss. An', say, he ain't de only one."

"What, more detectives? They'll have to put up 'House Full' boards, at this rate. Who's the other?"

"A mug what's down in de soivants' hall. I wasn't so sure of him at foist, but now I'm onto his curves. He's a sleut' all right. He's vally to Sir Tummas, dis second mug is. But he ain't no vally. He's come to see no one don't get busy wit' de jools. Say, what do youse t'ink of dem jools, boss?"

"Finest I ever saw."

"Yes, dat's right. A hundred t'ousand plunks dey set him back.

Dey're de limit, ain't dey? Say, won't youse really--?"

"Spike! I'm surprised at you! Do you know, you're getting a regular Mephistopheles, Spike? Suppose I hadn't an iron will, what would happen? You really must select your subjects of conversation more carefully. You're bad company for the likes of me."

Spike shuffled despondently.

"But, boss--!"

Jimmy shook his head.

"It can't be done, my lad."

"But it can, boss," protested Spike. "It's dead easy. I've been up to de room, an' I seen de box what de jools is kept in. Why, it's de softest ever! We could get dem as easy as pullin' de plug out of a bottle. Why, say, dere's never been such a peach of a place for gittin' hold of de stuff as dis house. Dat's right, boss. Why, look what I got dis afternoon, just snoopin' around an' not really tryin'

to git busy at all. It was just lyin' about."

He plunged his hand into his pocket, and drew it out again. As he unclosed his fingers, Jimmy caught the gleam of precious stones.

"What the--!" he gasped.

Spike was looking at his treasure-trove with an air of affectionate proprietorship.

"Where on earth did you get those?" asked Jimmy.

"Out of one of de rooms. Dey belonged to one of de loidies. It was de easiest old t'ing ever, boss. I just went in when dere was n.o.body around, an' dere dey was on de toible. I never b.u.t.ted into anyt'in'

so soft."

"Spike!"

"Yes, boss?"

"Do you remember the room you took them from?"

"Sure. It was de foist on de--"

"Then, just listen to me for a moment, my bright boy. When we're at breakfast to-morrow, you want to go to that room and put those things back--all of them, mind you--just where you found them. Do you understand?"

Spike's jaw had fallen.

"Put dem back, boss!" he faltered.

"Every single one of them."

"Boss!" said Spike, plaintively.

"Remember. Every single one of them, just where it belongs. See?"

"Very well, boss."

The dejection in his voice would have moved the sternest to pity.

Gloom had enveloped Spike's spirit. The sunlight had gone out of his life.

It had also gone out of the lives of a good many other people at the castle. This was mainly due to the growing shadow of the day of the theatricals.

For pure discomfort, there are few things in the world that can compete with the final rehearsals of an amateur theatrical performance at a country-house. Every day, the atmosphere becomes more heavily charged with restlessness and depression. The producer of the piece, especially if he be also the author of it, develops a sort of intermittent insanity. He plucks at his mustache, if he has one: at his hair, if he has not. He mutters to himself. He gives vent to occasional despairing cries. The soothing suavity that marked his demeanor in the earlier rehearsals disappears. He no longer says with a winning smile, "Splendid, old man, splendid.

Couldn't be better. But I think we'll take that over just once more, if you don't mind." Instead, he rolls his eyes, and snaps out, "Once more, please. This'll never do. At this rate, we might just as well cut out the show altogether. What's that? No, it won't be all right on the night! Now, then, once more; and do pull yourselves together this time." After this, the scene is sulkily resumed; and conversation, when the parties concerned meet subsequently, is cold and strained.

Matters had reached this stage at the castle. Everybody was thoroughly tired of the piece, and, but for the thought of the disappointment which (presumably) would rack the neighboring n.o.bility and gentry if it were not to be produced, would have resigned their places without a twinge of regret. People who had schemed to get the best and longest parts were wishing now that they had been content with "First Footman," or "Giles, a villager."